Alternative Music

Article & Photos contributed by Rebecca McDevitt If you have never seen The Maine live, Friday night at Franklin Music Hall would have been the perfect introduction. The five-piece rock band out of Tempe, Arizona have been at this since 2007, eighteen years and ten studio albums deep, and they perform like a band that genuinely cannot believe they still get to do this. Their latest record, Joy Next Door, dropped just last week and they brought it straight to the road with the

Article Contributed by Rebecca McDevitt Dead Wrong photographed in Philadelphia, PA - Photo by Chris Lopez (IG: @ chrislopezest89 ) Philadelphia has never had a shortage of bands willing to wear their hearts on their sleeves. It's practically a city requirement. But Dead Wrong, the four-piece pop-punk outfit made up of Matt McKay, Stephen Morrell, Roberto Marcial, and Dan Fedele, do something a little more specific than just feeling things loudly. On their debut full-length T

There are shows you go to for fun, and then there are shows that remind you exactly why live music matters. Across two back-to-back nights, Philadelphia at MilkBoy and New York City at Berlin, Enrose created something you could feel long after the last note. Some of the SoundCheck Mag team was there, cameras in hand, shooting side by side. Two perspectives on the same magic. And yeah, we're glad it happened.

Philadelphia hosted the first sold-out show of Landon Conrath’s current tour Friday night at MilkBoy, and the city absolutely showed up for it. The second you walked into the room, you could tell it was going to be one of those nights. MilkBoy was packed. No photo pit, photographers wedged into the crowd with everyone else, and within minutes the whole place felt warm and shoulder-to-shoulder.

Article Contributed by Konstantina Buhalis Michigan metalcore heroes, Of Virtue, hit the ground running with their latest single, “Death Of The Altar”, an intense and emotional look at their innerworlds, and their battles with their demons. Midwestern politeness is nowhere to be found on this track, but Michiganian truth flows through the track. Photo: Alexander Bemis Power in Collaboration “Death Of The Altar” was written in partnership with Lee Albrecht (Bilmuri, The Devil

There is always something in the air when we find ourselves at El Club. Maybe it is the intimacy of the space. Maybe it is the way Detroit weather insists on being theatrical. On Saturday, February 28, 2026, winter decided to put on a show of its own, whipping up a full blizzard with icy rain slicing through the city. It did not matter. Bryce Vine brought his Let’s Do Something Stupid Tour to town, and Detroit showed up hungry.

On the first warm night in months, Philadelphia showed up loud for a lineup that proved the local scene is thriving. Article Contributed by Rebecca McDevitt & Devin McDevitt Moonroof performing at Underground Arts in Philadelphia, PA. Photo by Rebecca McDevitt. IG: @ rebeccajeanlimitedphotography There is something about the first warm night in Philadelphia that feels like permission to breathe again. The snow was melting into the sidewalks. People lingered outside instead of

Article & Photos Contributed by Rebecca McDevitt On February 21st at MilkBoy in Philadelphia, Pennsylvania, about fifty people gathered to watch Modern Culture, Sleep Cycles, and June Divided share a stage. Fifty people. Not sold out. Not empty. Just enough to feel real. Sleep Cycles performing at Milkboy in Philadelphia, PA. Photo Provided by Rebecca McDevitt IG: (@ rebeccajealimitedphotography ) The room was warm, loud, relaxed, and there was not a single phone in sight. Y

Blackbear has created his space within the music industry through diving into different genres, collaborating with diverse artists, and musically expressing his journey through life. He started releasing projects under this name and creating a buzz through his alternative sound. He later transitioned into the artist he is today - Blackbear. 

On the evening of February 17, 2026, just after 6:30 PM, a line of fans stretched far beyond the entrance of St. Andrew’s Hall in Detroit, waiting for performances from Badflower, Point North, and Olive Vox. The line spilled across the parking lot, wrapped around the block, and disappeared toward the far sidewalk. The February air was cold, fog hanging low across the city, but no one moved. No one left.

The Riviera Theatre was electric long before the night’s headliners took the stage, it was the kind of restless buzz that signals a crowd ready to fully commit to the night. Photos and Article Contributed by Ernesto Raul Aguilar Fans waiting in anticipation for the Runarounds and The Back Alley at The Riviera Theatre in Chicago, IL. Photo by Ernesto Raul Aguilar ( @blacksheepimagery ) By the end of the evening, both The Back Alley and The Runarounds had justified that anticip

The Fillmore Detroit has a way of making every show feel larger than itself, and on February 10, it became the gathering place for fans of Motion City Soundtrack, many of whom had carried these songs with them for years. Its towering ceilings and ornate gold detailing framed the room with a sense of permanence, a reminder that countless performances had lived and ended within those same walls.

Charlotte Sands expresses her personal feelings through her latest single, “one eye open.” The single “one eye open,” by Charlotte Sands, is a gloomy escape to freedom in which she paints a clear picture of her feelings through her lyricism. The song sounds almost dreamlike with somber undertones and a release of emotions through Charlotte's vocals. It is a direct focus on the anxiety experienced in an unhealthy relationship, being told directly from Charlotte’s perspectiv

What is popular today in 2025 wasn’t always favored in the 80s. In fact, what is considered popular today is something that was created as a counter to mainstream music back then. That’s right, alternative music has in fact made its way into the everyday listening experience. Alternative music is not just an umbrella term for eccentric genres, but it is also a form of rebellion that was expressed through music in the beginning of its conception.

Cassadee Pope’s acoustic set at The Loft at City Winery in Philadelphia proved that a stripped-down show can sometimes hit the hardest. With just her guitar, her voice, and a room full of fans, she created a night that felt intimate, warm, and disarmingly honest. Cassadee Pope performing at City Winery in Philadelphia, PA - Photo by Rebecca McDevitt (IG: @rebeccajeanlimitedphotography ) She wasted no time diving into nostalgia, pulling out Hey Monday classics like “Homecoming

There’s a different kind of energy when a band is playing their last run of shows. It’s louder. Softer. Heavier. Lighter. Everything all at once. And Young Culture’s stop in Philly carried that exact emotional whiplash in the most beautiful way. Young Culture performing at Ukie Club in Philadelphia, PA on their farewell tour. Photo by Kayleena Ayusa (IG: @ayusa_media ) Ukie Club was already hyped before the first note of the first band. The openers Bike Routes & Wakelee had t

Article Contributed by Konstantina Buhalis Set It Off has been a major player in the rock and alternative scene since 2008, when they gained notoriety through their YouTube channel, eventually signing to Equal Vision Records and then Fearless Records. In the last year, Set It Off went independent and released their latest self-titled album on November 7, featuring Rock and Nu-Metal influences. Dopamine Era In 2023, Set It Off left Fearless Records and began what they called t

Broadside has been teasing us with pieces of Blissed Out for months and now that the full EP is here, it feels like the complete picture finally arrived. It is emotional. It is catchy. It is honest in that way Broadside fans love. They kicked things off back in April with “I Think They Know,” a song that puts every overthinker right in their feelings.

“i don’t like being left behind” opens in swirls and spirals, an ambient wash of synths that feel almost video game–esque. It is dreamy and atmospheric, yet it carries a pulse that instantly catches your attention. Leyla Ebrahimi’s voice enters with a softness that glows against the production. Even in these early moments, the track makes its intentions clear. This is indie alternative at its core, but it welcomes pop influences with open arms.

Some bands have been here for most of your life. Others have been here longer than you have even been alive. Mayday Parade has been a band for twenty years. All Time Low has been a band for twenty two. The crowd reflected that timeline in full. Some people first heard these songs on burned CDs and shared iPods. Others found them on streaming years later. Different ages, different entry points, but everyone already knew the words. This wasn’t nostalgia. This was continuity.