Indie

Lila Holler writes like she’s slowly unfastening something fragile inside herself. Her sound shifts between indie pop glow and alt-folk vulnerability, shaped by a life spanning coasts, climates, and now continents. That constant motion shows up in her music as shifting light and quiet self-redefinition, the kind that comes from picking yourself up and starting again in new places until you learn what feels like home.

Article Contributed by Fernando Flores Photos contributed by UMG 1824 SoundCheck was lucky enough to catch up with the artist known as no other than Diana Silvers. With grace like Anne Hathaway, she clearly shows her excitement to detour away from her filmography and deep dive into her first full-length musical project, “From Another Room.”  Known for her work in Booksmart, Ma, and Space Force, Silvers has built a reputation and has shown her strengths in conveying emotions.

Article Contributed by Rebecca McDevitt Franklin Jonas and the Byzantines' newest single “Break The Levee” feels like gratitude in motion. In announcing the track he shared that it is a song about loving no matter what the outcome, and that intention pours through every second of it. There is warmth in the message and light in the delivery. It feels like someone finally letting the sun hit their skin after years spent in the shade. The song opens with gentle country leaning g

Article Contributed by Rebecca McDevitt Franklin Jonas is currently touring with his brothers, playing massive rooms night after night. But before the doors even open, he’s outside the venue with his band hosting intimate pop-up sets that feel like community gatherings. These aren’t secret, random moments either. He posts on Instagram ahead of time so fans know exactly where to find him. It’s intentional. It’s thoughtful. And it’s rare. Franklin Jonas performing outside of Pr

“i don’t like being left behind” opens in swirls and spirals, an ambient wash of synths that feel almost video game–esque. It is dreamy and atmospheric, yet it carries a pulse that instantly catches your attention. Leyla Ebrahimi’s voice enters with a softness that glows against the production. Even in these early moments, the track makes its intentions clear. This is indie alternative at its core, but it welcomes pop influences with open arms.

f you have not listened to Milahroy yet, we suggest adding him to your playlist right now.  His new album, Give In To Let Go (The Falling), is the perfect introduction to an artist who’s stepping into his most honest, intentional, and emotionally charged era yet. What began as a tight and intimate EP has now evolved into a complete story with three new tracks that deepen the world he built back in June when we first featured him.

Contributed by Rebecca McDevitt There is something magical about stepping into a venue early, grabbing a drink, and discovering an artist you have never heard of. That is the point of an opener. It is the spark before the headliner. It is where so many lifelong fans realize they just stumbled into their next obsession. Crowd at All Time Low in Detroit, MI - Photography by Laura Jean Portnoy (IG: @ljportnoy ) But somewhere along the way, major artists started treating openers

Kelly Reynolds, the rising New Jersey artist signed to Moto Records, opens 2025 with a single that feels like a deep breath and a gut punch all at once. “Ready Now” is her first release of the year, and if you love indie storytellers like Leith Ross or Madison Cunningham, she needs to be on your radar immediately. She has only been releasing music for a little over a year, but “Ready Now” shows an artist who already knows exactly what she wants to say. The track pulls you in

The Nashville indie-folk singer-songwriter delivers a moving, sold-out debut in New York City — blending raw emotion, crowd connection, and musical grace in his first U.S. headlining tour. Article & Photos Contributed by Miranda Wyman Indie-folk singer, songwriter, and producer Hunter Metts delivered an unforgettable performance at New York City’s Mercury Lounge on Friday, November 7, as part of his first U.S. headlining tour. Playing to a sold-out crowd of 250, Metts transfo

Some bands have been here for most of your life. Others have been here longer than you have even been alive. Mayday Parade has been a band for twenty years. All Time Low has been a band for twenty two. The crowd reflected that timeline in full. Some people first heard these songs on burned CDs and shared iPods. Others found them on streaming years later. Different ages, different entry points, but everyone already knew the words. This wasn’t nostalgia. This was continuity.

Contributed by Rebecca McDevitt Taylor Acorn isn’t new to the scene, but she’s definitely started redefining it. With her latest album Poster Child, she surpasses the expectations she’s built. The record feels like flipping through pages of her diary, every lyric blurring the line between strength and softness, heartbreak and healing. “Poster Child” delivers everything you’d expect from Taylor — upbeat, infectious melodies — but it’s the vulnerability underneath that hits har

On October 28th, anyone driving through the Waterloo Arts District of Cleveland would see a line of people waiting to get into the Beachland Ballroom. The crowd was there for the self-proclaimed “attic rock” band, Arcy Drive. The venue was covered in stickers and flyers, with graffiti all over the bathroom and neon signs at the bar – It was the perfect setting to rock the night away. 

Alex Ray’s Messy is a short, sharp burst of pop-alt emotion, five songs, twelve minutes, and zero filler. It’s a snapshot of chaos polished just enough to shine, but not so much that it loses its edge. Every track feels like an intentional contradiction: raw yet refined, vulnerable yet self-possessed.

Photo by °1824 / UMG Review by SoundCheck Mag Photos by °1824 / UMG Madison Cunningham has always felt like a painter who uses chords and vocals instead of brushes. The California-born singer-songwriter has long been celebrated for her blend of technical precision and emotional storytelling, and on Ace, she delivers what feels like her most cinematic and self-reflective work yet. A Grammy winner and master of subtlety, Cunningham has created an album that feels like walking t

Photo by Fernando Flores (IG: @fernandofloresphotography ) Review & Photos Contributed by Fernando Flores October 4, 2025 Wantagh, NY The Global Reach Twenty One Pilots has thrived on blending narrative, symbolism, and emotional transparency. Through their music, they’ve built a cinematic world that has opened the eyes of fans all around the globe. Fans that still hold their early cult classics close to heart such as one of my close favorites, “Jumpsuit” which was part of the

Photo credit: Jack Morgan (IG: @jackmorgan07 ) Contributed by Rebecca McDevitt Photos by Jack Morgan Independent pop singer-songwriter...

Grammy-winning singer-songwriter Madison Cunningham is bound to have an impactful album release. She’s poised to captivate audiences once again with her new album “Ace,” that’s coming in October 10, 2025. Bound to tug on many listeners' heartstrings.

Sophie Allison, better known as Soccer Mommy, stopped at Globe Iron in Cleveland on the tail end of her September Tour. The venue opened...

Louis Knight is a singer/songwriter that leaves you with something to carry. British-born and Philly-raised, he first caught attention on American Idol, but it’s the music that came after that’s carved out his place. His songs feel like late-night conversations, the ones you remember long after the lights go out.

As fall creeps in and emos lace up their Vans and pull on their flannels, Hayley Williams has delivered the soundtrack of the season. Ego Death at a Bachelorette Party (Post Atlantic) isn’t Paramore redux—it’s something more introspective.