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Album Artwork & Photo by Chris Eadie. For anyone who's felt too much and said too little—this album speaks the language. JP Saxe doesn’t write love songs. He writes what happens after. The shame. The silence. The parts we think we’re the only ones feeling. Articulate Excuses  is a tight, emotionally fraught collection of eight songs that dig deep, hit hard, and leave a mark. It's vulnerable without asking for your pity. Romantic without being sweet. Reflective without ever offering a clean conclusion. If you're going through something—or recently went  through something—this album doesn't just speak to you. It sits down next to you, places a hand on your shoulder, and quietly whispers, “Yeah, same.” Don’t Leave Me Alone With My Thoughts “Don’t leave me alone with my thoughts” - Smartphone Make Me Dumb This is where it begins—and where it already aches. The opening track of Articulate Excuses  isn’t loud. It doesn’t try to impress. It just cuts right through the noise and lands where your most tender fears live. That single repeated line is almost too real for those of us who’ve used our phones to drown out what’s happening inside. It’s haunting. And it’s beautiful. I’m Sorry That I Want You But Don’t Choose You “I'm sorry that I use you, sorry I confuse you, I'm sorry that I only show up when I'm scared to lose you, I'm sorry that I want you, but don't choose you, ‘I'm sorry’ don't mean what it used to ." - I Wanna Move to Brooklyn There’s a rise and fall in this track that mirrors the way anxiety pulses through a relationship on the edge. It’s deeply reflective and emotionally brutal. It doesn’t ask for forgiveness. It just lays the pain bare. This one lit my chest on fire—because I’ve been on both ends of those lines. This is the song that feels too  close, and that’s exactly what makes it unforgettable. I Wanna Make You Feel Safe—Whatever That Means “I wanna make you feel safe, Whatever that means, Am I strong enough to let you feel free?  If you wanna stay, If you need to leave, I'm still learning what it means.” - Safe This song is quiet, but it carries the weight of a hundred unspoken fears. The melody moves gently, but the words press hard. There’s something so real in trying to love someone right when you don’t even know what that means anymore. It’s not about grand gestures—it’s about sitting with uncertainty, and still showing up. A Baddie With A Vibe I Can’t Feel About "A Baddie With a Vape Addiction" This is the album’s curveball. It's sensual. Quirky. But it doesn’t carry the emotional weight that defines the rest of the project. The tapping tempo feels out of sync with the rest of the record, and it didn’t land for me. It’s fine—but in an album that otherwise guts you, this one just grazes the surface. I Make A Fist, Trying To Reach For A Hand “It's killing us, it's killing me, In some cases, literally, literally. I wanna crumble into someone I wish I knew how I could loosen my grip, But I make a fist, trying to reach for a hand." - Soft Ass Bitch This is the kind of song that makes you stop what you're doing and just feel . There's an honesty here that’s not trying to be poetic—it just is . Raw. Real. Visceral. It’s the sound of someone admitting they’re losing their grip while desperately trying to hold on. This one grabbed me. Hard. You’re Gonna Be Okay Anyway “Whether or not you want it, Your whole life's gonna change, I'd be lying saying, Everything will be okay, You're gonna be okay anyway.” - Okay Anyway This one feels like it was written for right now. For the middle of the change. For the grief of letting go. It doesn’t offer false comfort—it offers real  hope. And sometimes, that’s the only thing that feels honest. This song swirls through pain, heartbreak, and healing, and it doesn’t rush the process. It sits with it. And it sits with you . Here’s My Full Attention—Have It Inconsistently “Is it too soon to say I wish you were beside me?  I want that space in the back of your mind, I wanna temporarily do everything right. Here's my full attention, have it inconsistently, Hear you out with that manipulative sympathy." - Let a Ginger Make You Cry This track lives in the push-pull. It’s messy, romantic, self-aware, and a little manipulative—all at once. It’s not the strongest on the album, but there’s something painfully honest in the way it admits: I want to be better, but I don’t know how to be consistent.  It's the emotional equivalent of a half-truth said with good intentions. It Could’ve Ended Stronger The final track—an interlude from Saxe’s grandfather—feels oddly placed. It doesn’t offer closure, or elevate the themes we’ve been reckoning with. After everything that came before it, this one feels more like a whisper that trails off mid-sentence. It doesn’t ruin the album—but it does leave it feeling a little unfinished. So What’s the Verdict? Articulate Excuses  is a beautifully devastating album. It doesn't try to be perfect—it just tries to be real . And it succeeds. For those who feel too deeply, love too messily, and are still figuring themselves out—this is for you. It’s an emotional time capsule of shame, longing, grief, healing, and everything in between. It won’t fix your heartbreak. But it might help you sit with it. Rating: 8/10   ⭐️⭐️⭐️⭐️ Tracks You’ll Keep Repeating: “Smartphone Make Me Dumb”  “I Wanna Move to Brooklyn”  “Safe”  “Soft Ass Bitch”  “Okay Anyways” Tracks You Might Skip:   “Grandpa’s Interlude”  “Baddie With a Vape Addiction” This album doesn’t just tell a story—it feels  like one. And that story might be yours, too.

PRESS RELEASE Pre-save Everest HERE Halestorm, the GRAMMY-winning band initially formed by siblings Lzzy and Arejay Hale with guitarist Joe Hottinger and bassist Josh Smith, have announced Everest , their sixth studio album out August 8 on Atlantic Records. Today the band also announced the “nEVEREST Duality tour,” a US/Canada tour this fall with Lindsey Stirling and supported by Apocalyptica. Tickets go on sale this Friday, May 2 at 10 AM local time.  Last week, the band offered a glimpse of Everest with “Darkness Always Wins,” the first song to be revealed from the upcoming collection. The song teases an album, produced by GRAMMY winner Dave Cobb (Brandi Carlile, Chris Stapleton, Jason Isbell), that dives deeply, both lyrically and sonically, into the band’s mountainous climb over the last couple decades. “Our album Everest is a story of our journey as a band, full of beautiful endings and new beginnings,” says Halestorm frontwoman Lzzy Hale. “We weave a tangled web of melancholy, frustration, anger and the vast purgatory of love and love lost. It is a rollercoaster of epic musical detours, great songwriting and completely unhinged twists and turns. Everest is an auditory representation of the 4 pillars of Halestorm. Let us reintroduce ourselves and invite you into our world…if you dare.” Rolling Stone said of “Darkness Always Wins,” "What the song has going for is its catchy, brooding, and dramatic in all the ways we love Halestorm songs to be,” and Revolver noted "The arrangement remains lean even as the amps begin to crank into the red, though ‘Darkness Always Wins’ still sports some exquisite minor-key melodicism, a metal-chunked bridge, loud-as-hell requiem bells and a classically rippin’ rock guitar solo." “Darkness Always Wins” impacts at Active Rock radio this week, but already debuted as the “Greatest Gainer” at the format with early airplay last week. The newly announced nEVEREST tour follows an epic run first supporting Iron Maiden in Europe and dates with Volbeat in the US with a one night-only-performance at Black Sabbath’s final show in Birmingham, England. See below for a full list of upcoming dates. *** ABOUT HALESTORM: What started as a childhood dream of Lzzy and Arejay Hale, Halestorm has scored seven #1 hits at rock radio, and their music has surpassed one billion streams across platforms worldwide. They’ve received two GRAMMY nominations and won in 2012 for “Love Bites (So Do I)” as Best Hard Rock/Metal Performance. The band has built a reputation for their dominating live performances and has shared the stage with rock icons like Heaven & Hell, Alice Cooper, and Joan Jett. ABOUT LINDSEY STIRLING: Few artists embody the boundless creativity and gifts of multi-award-winning musician Lindsey Stirling. Known as much for her genre-bending virtuosity on electronic violin as she is for endlessly dazzling audiences with her extraordinary talents as a dancer and performer—elements she brings to the stage as part of her spectacular live show—Lindsey tours with stunning frequency and continually sells out iconic venues around the globe. Her groundbreaking vision has gained her millions of adoring fans worldwide, four Billboard chart-topping albums and two Billboard Music Awards, including Top Dance/Electronic Album for her third studio release, Brave Enough. Her holiday album, Warmer in Winter, catapulted to the #1 spot on Billboard, Amazon and iTunes Holiday Album charts upon release and lead single “Carol of the Bells” made history as the only instrumental song ever to reach the Top 10 at AC Radio. Lindsey's song Shatter Me featuring Lzzy Hale (of Halestorm) recently garnered platinum status. A New York Times bestselling author (and creator of her own comic book), Lindsey felt compelled to push her boundaries even further for her seventh full-length effort, Duality, ultimately embracing a whole new level of freedom in her songwriting. Lindsey has amassed over 28M million subscribers across social platforms, over 3.5 billion views and 14.3M subscribers on YouTube, 5.2M million followers and 115M likes on Tik Tok, 4.1M followers on IG, and over 500k user generated creations across Tik Tok and Instagram reels. HALESTORM: ON TOUR 2025 May 27 - June 28: Supporting Iron Maiden (where noted) July 5: supporting Black Sabbath July 17 - August 22: Supporting Volbeat (where noted) September 11 - October 11: (co-bill w/ Lindsey Stirling, with Apocalyptica) October 22 - November 26: Support from Bloodywood November 20 - November 26: Support from Kelsy Karter & The Heroines  MAY 15 - Daytona Beach, FL - Welcome To Rockville (festival date) 17 - Ocean City, MD - Boardwalk Rock (festival date) 27 and 28 - Budapest - Sportarena (supporting Iron Maiden) 31 - Prague, Czechia - Letany Airport (supporting Iron Maiden) JUNE 1 - Bratislava, Slovakia - O’Nepelu Arena (supporting Iron Maiden) 3 - Leipzig, Saxony - Felsenkeller Leipzig (headline date) 5 - Trondheim, Norway - Trondheim Rocks (festival date) 7 - Stavanger, Norway - Viking Stadium (supporting Iron Maiden) 9 - Copenhagen, Denmark - Royal Arena (supporting Iron Maiden) 12 and 13 - Stockholm, Sweden - 3Arena (supporting Iron Maiden) 16 - Helsinki, Finland - Olympic Stadium (supporting Iron Maiden) 18 - Tallinn, Estonia - Helitehas (headline date) 19 - Riga, Latvia - Palladium Riga (headline date) 23 - Lille, France - Aeronef (headline date) 25 - Dublin, Ireland - Malahide Castle (supporting Iron Maiden) 28 - London, UK - London Stadium (supporting Iron Maiden) JULY  1 - Lausanne, Switzerland - Les Docks (headline date) 2 - Eindhoven - Effenaar (headline date) 5 - Birmingham, UK - Villa Park (supporting Black Sabbath) 17 - Denver, CO - Ball Arena (supporting Volbeat)   19 - Salt Lake City, UT - Utah First Credit Union Amphitheatre (supporting Volbeat)   21 - Auburn, WA - White River Amphitheatre (supporting Volbeat)   22 - Ridgefield, WA - Cascades Amphitheatre (supporting Volbeat)   24 - Wheatland, CA - Kia Forum (supporting Volbeat)   26 - Phoenix, AZ - Talking Stick Resort Amphitheatre (supporting Volbeat)   28 - Irving, TX - The Pavilion at Toyota Music Factory (supporting Volbeat)   29 - Houston, TX - 713 Music Hall (supporting Volbeat)   31 - Rogers, AR - Walmart AMP (supporting Volbeat)   AUGUST 2 - Franklin, TN - FirstBank Amphitheater (supporting Volbeat)   3 - Alpharetta, GA - Ameris Bank Amphitheatre (supporting Volbeat)   4 - Tampa, FL - MIDFLORIDA Credit Union Amphitheatre (supporting Volbeat)   6 - Charlotte, NC - PNC Music Pavilion (supporting Volbeat)   7 - Bristow, VA - Jiffy Lube Live (supporting Volbeat)   9 - Camden, NJ - Freedom Mortgage Pavilion (supporting Volbeat)   10 - Holmdel, NJ - PNC Bank Arts Center (supporting Volbeat)   12 - Bangor, ME - Maine Savings Amphitheater (supporting Volbeat)   13 - Gilford, NH - Bank NH Pavilion (supporting Volbeat)   14 - Mansfield, MA - Xfinity Center (supporting Volbeat)   16 - Hershey, PA - GIANT Center (supporting Volbeat)   17 - Cincinnati, OH - Riverbend Music Center (supporting Volbeat)   19 - Clarkston, MI - Pine Knob Music Center (supporting Volbeat)   21 - Noblesville, IN - Ruoff Music Center (supporting Volbeat)   22 - Tinley Park, IL - Credit Union 1 Amphitheatre (supporting Volbeat)   23 - Marshfield, WI - Central Wisconsin State Fair (headline date) SEPTEMBER 11 - Salem, VA - Salem Civic Center (co-bill w/ Lindsey Stirling, with Apocalyptica) 12 - Cherokee, NC - Harrah’s Cherokee (co-bill w/ Lindsey Stirling, with Apocalyptica) 14 - Bridgeport, CT - Hartford HealthCare Amphitheater (co-bill w/ Lindsey Stirling, with Apocalyptica) 16 - Syracuse, NY - Upstate Medical University Arena at the Oncenter (co-bill w/ Lindsey Stirling, with Apocalyptica) 18 - Laval, QC - Place Bell (co-bill w/ Lindsey Stirling, with Apocalyptica) 19 - Toronto, ON - Budweiser Stage (co-bill w/ Lindsey Stirling, with Apocalyptica) 21 - Madison, WI - Breese Stevens Field (co-bill w/ Lindsey Stirling, with Apocalyptica) 23 - St. Louis, MO - Hollywood Casino Amphitheater (co-bill w/ Lindsey Stirling, with Apocalyptica) 24 - Cedar Rapids, IA - Alliant Energy PowerHouse (co-bill w/ Lindsey Stirling, with Apocalyptica) 26 - Welch, MN - Treasure Island Amphitheater (co-bill w/ Lindsey Stirling, with Apocalyptica) 27 - Duluth, MN - AMSOIL Arena (co-bill w/ Lindsey Stirling, with Apocalyptica) 29 - Bonner Springs, KS - Azura Amphitheater (co-bill w/ Lindsey Stirling, with Apocalyptica) OCTOBER 1 - Sioux City, IA - Tyson Events Center (co-bill w/ Lindsey Stirling, with Apocalyptica) 2 - Grand Forks, ND - Alerus Center (co-bill w/ Lindsey Stirling, with Apocalyptica) 4 - Winnipeg, MB - Canada Life Centre (co-bill w/ Lindsey Stirling, with Apocalyptica) 5 - Saskatoon, SK - SaskTel Centre (co-bill w/ Lindsey Stirling, with Apocalyptica) 7 - Calgary, AB - Scotiabank Saddledome (co-bill w/ Lindsey Stirling, with Apocalyptica) 8 - Penticton, BC - South Okanagan Events Centre (co-bill w/ Lindsey Stirling, with Apocalyptica) 10 - Vancouver, BC - Doug Mitchell Thunderbird Sports Centre (co-bill w/ Lindsey Stirling, with Apocalyptica) 11 - Spokane, WA - Spokane Arena (co-bill w/ Lindsey Stirling, with Apocalyptica) 22 - Wiesbaden, DE - Schlachthof (with Bloodywood) 23 - Oberhausen, DE - Turbinehalle 2 (with Bloodywood) 25 - Hamburg, DE - Inselpark Arena (with Bloodywood) 27 - Stockholm SE - Fållan (with Bloodywood) 28 - Copenhagen, DK - The Grey Hall (with Bloodywood) 30 - Warsaw, PL - COS Torwar (with Bloodywood) NOVEMBER 1 - Berlin, DE - Columbiahalle (with Bloodywood) 3 - Prague, CZ - Lucerna Velkỳ Sàl (with Bloodywood) 5 - Vienna, AT - Gasometer (with Bloodywood) 6 - Budapest, HU - Barba Negra (with Bloodywood) 8 - Munich, DE - Zenith (with Bloodywood) 9 - Zurich, CH - Komplex457 (with Bloodywood) 11 - Milan, IT - Alcatraz (with Bloodywood) 12 - Barcelona, ES - Razzmatazz 1 (with Bloodywood) 14 - Pamplona, ES - Totem (with Bloodywood) 15 - Madrid, ES - La Riviera (with Bloodywood) 17 - Paris, FR - Olympia (with Bloodywood) 18 - Amsterdam, NL - AFAS Live (with Bloodywood) 20 - Cardiff, UK - Utilita Arena (with Bloodywood, Kelsy Karter & The Heroines) 21 - Glasgow, UK - OVO Hydro (with Bloodywood, Kelsy Karter & The Heroines) 23 - Birmingham, UK - bp pulse LIVE (with Bloodywood, Kelsy Karter & The Heroines) 24 - Manchester, UK - AO Arena (with Bloodywood, Kelsy Karter & The Heroines) 26 - London, UK - O2 Arena (with Bloodywood, Kelsy Karter & The Heroines)

Joe Jonas is three-for-three with the singles off his upcoming solo album Music for People Who Believe in Love , and the latest track, “Heart by Heart,” is giving major slow-dance-in-the-rain  energy. The song just dropped today (April 25), and it’s a softer, stripped-back side of Joe — think delicate acoustic guitar, dreamy keys, and lyrics that hit you right in the chest. It’s tender, it’s raw, and it’s got that Lewis Capaldi sadness woven in (yep, he co-wrote it, along with Oscar Holter, Savan Kotecha, and Max Grahn). The production team? Stacked. Holter, Kotecha, and Fat Max Gsus are all over it, and it shows . Leading up to release day, Joe’s been on his softboy promo game — hosting a cozy hang at Caracas Bakery in Miami and giving New York fans a surprise performance at Bleecker Street Bar. A super-intimate Vevo live session is also floating around, filmed in one take out in LA, just him and the mic. No frills, just feelings. “Heart by Heart” is out now on all platforms via Republic Records — and if you’ve ever loved hard and lost harder, this one’s going to sting (in the best way). Stream it, cry to it, repeat.

SoundCheck Mag is your exclusive source to music news and entertainment. Featuring some of today's hottest music stars and rising talent, we cater to bringing you closer to your favorite artists. From behind-the-scenes footage, exclusive interviews and photos you've never seen before. Find it all and more when you subscribe to SoundCheck Mag. Your backstage pass to music’s biggest moments JP Saxe’s "Articulate Excuses" Hurts in All the Places HALESTORM RETURNS WITH EVEREST, THEIR SIXTH FULL-LENGTH STUDIO ALBUM OUT AUGUST 8; “nEVEREST” GLOBAL TOUR ANNOUNCED FOR SEPTEMBER-NOVEMBER 2025 Joe Jonas Drops “Heart by Heart” and Yep, We’re in Our Feels Mayday Parade’s "Sweet" is the Emo Revival We Didn’t Know We Needed The SoundCheck Festival Guide WE CATER TO THE Creatives Discover RAW Spotlight Fans Explore Fan Lens Artists Uncover Artists Submission Welcome to Your Front Row Seat! Soundcheck Mag is “Your backstage pass to music’s biggest moments,” delivering photography-driven coverage of concerts, festivals, and exclusive artist experiences. From day-in-the-life vlogs and fan recaps to deep artist features, we capture music from every angle, blending inside access with fan perspectives across genres like pop, rock, indie, rap, and R&B. We're dedicated to providing an elite experience for our friends, because like you, we're music fans too. Experience all the excitement from every angle, exclusively at SoundCheck Mag! Subscribe to Our Mag!

About Rebecca McDevitt Co-founder, Chief Marketing Officer, East Coast Photography Coverage, & Managing Editor of SoundCheck Mag From Passion Project to Concert Photography For Rebecca McDevitt, photography began as a simple creative outlet—an opportunity to capture memories of family and her beloved dogs with her first camera, a Nikon D3400. It was never about turning a hobby into a career. It was about freezing moments in time, preserving emotion, and seeing the world through a new lens. But everything changed when she found herself photographing live music. A few friends in local bands needed a photographer, and Rebecca, always up for a challenge, stepped in. The rush of capturing artists in their element, the unfiltered energy of a live performance, and the connection between musicians and their fans sparked something in her. "I immediately fell in love with it," Rebecca reflects. "The unpredictability of live music, the raw emotion on stage—there's nothing like it. You only get a split second to capture the perfect shot, and that kind of pressure is what makes it so rewarding." Shaping a Signature Style Rebecca’s earliest experiences in music photography were shaped by her time working with Flowers for Taco and Light Up The Moon, two cover bands that toured across the Tri-State area. These experiences gave her a crash course in fast-paced, low-light shooting environments—forcing her to develop a distinct approach. "I grew up in a small town where cover bands were huge," she says. "It wasn’t glamorous, but it taught me everything—how to work in difficult lighting, how to anticipate movement, and how to bring out the energy of a performance in a still image." Her aesthetic evolved into something darker, grungier—deep contrasts, moody tones, and dramatic lighting. Alternative music and aesthetics became her core inspirations, allowing her to develop an editing style that resonated with fans and artists alike. A Defining Moment Behind the Lens While she has photographed countless artists, one of Rebecca’s most memorable moments wasn’t at a traditional concert. It was at The Basement Yard Experience—a live podcast tour that brought its fan-driven community to theaters across the country. She was hired to shoot their Washington, D.C. show in June of 2024, and the experience left a lasting impact. "It wasn’t your typical concert, but it was so fan-driven," she says. "Watching people interact with something they love, seeing how much it meant to them—that's what live events are all about. It was one of the most rewarding experiences of my career." Building SoundCheck Mag: A New Vision for Music Journalism Rebecca’s journey into the music industry wasn’t just about photography. She saw a huge gap in music journalism—one where the behind-the-scenes creatives, smaller artists, and dedicated fans were overlooked. Alongside LJ Portnoy, she co-founded SoundCheck Mag, determined to build a platform that gave voice to the entire music community—not just the biggest names in the industry. "There are so many people working tirelessly behind the scenes—photographers, videographers, lighting designers, producers. They rarely get recognized, but they’re the backbone of the industry," she explains. "And then there are the fans. Fans are the reason live music exists, and yet, they’re often left out of the conversation. We wanted to change that." A Mission Beyond the Mainstream SoundCheck Mag isn’t just about highlighting rising artists—it’s about reshaping the way people experience music media. While major publications focus on the industry’s biggest stars, Rebecca and her team are committed to covering local bands, independent artists, and the people who make concerts possible behind the scenes. "We’re not here to chase headlines," she says. "We’re here to tell the stories that matter—to bring fans closer to the artists they love and introduce them to the ones they haven’t discovered yet." Her goal is to expand SoundCheck Mag into a bi-coastal operation, with offices in New York City and Los Angeles. She envisions a growing team of writers, photographers, and creatives—all united by a shared passion for music. Leading SoundCheck Mag: A Multi-Faceted Role As CMO, Co-founder, East Coast Photography Coverage Lead, and Managing Editor, Rebecca wears multiple hats, helping bring SoundCheck Mag’s vision to life. Her responsibilities include: Overseeing marketing & branding strategies to expand the magazine’s reach. Managing new hires and curating a diverse team of creatives. Developing and designing magazine layouts, ensuring every issue has a unique aesthetic. Writing press releases, interviews, and feature articles to spotlight emerging talent. Handling artist & brand collaborations, ensuring strategic partnerships that align with the publication’s mission. But above all, she’s most excited about the opportunity to photograph and interview new artists, discover rising talent, and continue building a platform that celebrates the full spectrum of the music industry. A Creative Force in Music Media Rebecca McDevitt isn’t just a photographer or a music journalist—she’s a creative force reshaping how the music industry is documented. With SoundCheck Mag, she’s building something bigger than herself—a platform that celebrates artists, fans, and the behind-the-scenes creatives who bring live music to life. As she continues to push boundaries, one thing is clear: her lens isn’t just capturing music—it’s capturing a movement. Advice for Aspiring Photographers & Writers For those looking to break into concert photography or music journalism, Rebecca’s advice is simple: Photographers: "Never stop learning. Your first photos won’t be perfect, but that’s part of the process. Watch YouTube tutorials, experiment with different editing styles, and keep pushing yourself." Writers: "Write every day. Even if you think it’s not good enough—keep writing. Your voice matters, and the more you practice, the stronger it will become." Personal Favorites and Fun Facts Rebecca’s music taste is deeply personal, shaped by the artists who soundtracked her life. Her favorite albums include: "Lovely Little Lonely" – The Maine "Best Intentions" – We Are The In Crowd "It’s About Time" – Jonas Brothers And speaking of the Jonas Brothers—they remain her dream artist to photograph. "They’ve been my favorite band through everything," she says. "If I ever get the chance to shoot them, I’ll probably cry." Beyond photography, Rebecca has another unexpected talent—bowling. She once placed 9th in a state tournament, a feat that still surprises people when they learn about it.

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