Indie Music

Charlotte Sands expresses her personal feelings through her latest single, “one eye open.” The single “one eye open,” by Charlotte Sands, is a gloomy escape to freedom in which she paints a clear picture of her feelings through her lyricism. The song sounds almost dreamlike with somber undertones and a release of emotions through Charlotte's vocals. It is a direct focus on the anxiety experienced in an unhealthy relationship, being told directly from Charlotte’s perspectiv

More and more people are tuning into streaming apps like Spotify or Apple Music, rather than turning on the radio. It has become the norm to pair up the streaming apps to cars, TVs, and every device you can listen to music from. It’s easier to pay a monthly fee to avoid commercials, know exactly what you will be listening to, skip a track, or add it to your personal playlist.

Dakota Diehl’s “Falling Out of Love” feels like the exact moment when heartbreak stops knocking the wind out of you and starts lighting a fire instead. This song marches with its shoulders back, head up while saying enough. It adds strength to a woman scorned in the best way possible, not by making her cruel or careless, but by reminding her she survived, learned and came out sharper on the other side. 

There was a time when genres held real power. They were the industry’s filing system, the listener’s compass, the cultural shorthand for who you were and what you stood for. If you said you were into rock, people made assumptions about your personality. If you said you loved pop, people assumed something entirely different. Genres carried weight, identity, and meaning.

Cassadee Pope’s acoustic set at The Loft at City Winery in Philadelphia proved that a stripped-down show can sometimes hit the hardest. With just her guitar, her voice, and a room full of fans, she created a night that felt intimate, warm, and disarmingly honest. Cassadee Pope performing at City Winery in Philadelphia, PA - Photo by Rebecca McDevitt (IG: @rebeccajeanlimitedphotography ) She wasted no time diving into nostalgia, pulling out Hey Monday classics like “Homecoming

Lila Holler writes like she’s slowly unfastening something fragile inside herself. Her sound shifts between indie pop glow and alt-folk vulnerability, shaped by a life spanning coasts, climates, and now continents. That constant motion shows up in her music as shifting light and quiet self-redefinition, the kind that comes from picking yourself up and starting again in new places until you learn what feels like home.

Article Contributed by Fernando Flores Photos contributed by UMG 1824 SoundCheck was lucky enough to catch up with the artist known as no other than Diana Silvers. With grace like Anne Hathaway, she clearly shows her excitement to detour away from her filmography and deep dive into her first full-length musical project, “From Another Room.”  Known for her work in Booksmart, Ma, and Space Force, Silvers has built a reputation and has shown her strengths in conveying emotions.

Article Contributed by Rebecca McDevitt Franklin Jonas and the Byzantines' newest single “Break The Levee” feels like gratitude in motion. In announcing the track he shared that it is a song about loving no matter what the outcome, and that intention pours through every second of it. There is warmth in the message and light in the delivery. It feels like someone finally letting the sun hit their skin after years spent in the shade. The song opens with gentle country leaning g

Broadside has been teasing us with pieces of Blissed Out for months and now that the full EP is here, it feels like the complete picture finally arrived. It is emotional. It is catchy. It is honest in that way Broadside fans love. They kicked things off back in April with “I Think They Know,” a song that puts every overthinker right in their feelings.

Article Contributed by Rebecca McDevitt Franklin Jonas is currently touring with his brothers, playing massive rooms night after night. But before the doors even open, he’s outside the venue with his band hosting intimate pop-up sets that feel like community gatherings. These aren’t secret, random moments either. He posts on Instagram ahead of time so fans know exactly where to find him. It’s intentional. It’s thoughtful. And it’s rare. Franklin Jonas performing outside of Pr

“i don’t like being left behind” opens in swirls and spirals, an ambient wash of synths that feel almost video game–esque. It is dreamy and atmospheric, yet it carries a pulse that instantly catches your attention. Leyla Ebrahimi’s voice enters with a softness that glows against the production. Even in these early moments, the track makes its intentions clear. This is indie alternative at its core, but it welcomes pop influences with open arms.

f you have not listened to Milahroy yet, we suggest adding him to your playlist right now.  His new album, Give In To Let Go (The Falling), is the perfect introduction to an artist who’s stepping into his most honest, intentional, and emotionally charged era yet. What began as a tight and intimate EP has now evolved into a complete story with three new tracks that deepen the world he built back in June when we first featured him.

Sienna Spiro’s “Die on This Hill” begins with a quiet magnetism that feels instantly inviting. A single piano line opens the door and her voice steps in with striking richness. It is warm, resonant, and full of a clarity that draws you in immediately.

Kelly Reynolds, the rising New Jersey artist signed to Moto Records, opens 2025 with a single that feels like a deep breath and a gut punch all at once. “Ready Now” is her first release of the year, and if you love indie storytellers like Leith Ross or Madison Cunningham, she needs to be on your radar immediately. She has only been releasing music for a little over a year, but “Ready Now” shows an artist who already knows exactly what she wants to say. The track pulls you in

The Nashville indie-folk singer-songwriter delivers a moving, sold-out debut in New York City — blending raw emotion, crowd connection, and musical grace in his first U.S. headlining tour. Article & Photos Contributed by Miranda Wyman Indie-folk singer, songwriter, and producer Hunter Metts delivered an unforgettable performance at New York City’s Mercury Lounge on Friday, November 7, as part of his first U.S. headlining tour. Playing to a sold-out crowd of 250, Metts transfo

Some bands have been here for most of your life. Others have been here longer than you have even been alive. Mayday Parade has been a band for twenty years. All Time Low has been a band for twenty two. The crowd reflected that timeline in full. Some people first heard these songs on burned CDs and shared iPods. Others found them on streaming years later. Different ages, different entry points, but everyone already knew the words. This wasn’t nostalgia. This was continuity.

On October 28th, anyone driving through the Waterloo Arts District of Cleveland would see a line of people waiting to get into the Beachland Ballroom. The crowd was there for the self-proclaimed “attic rock” band, Arcy Drive. The venue was covered in stickers and flyers, with graffiti all over the bathroom and neon signs at the bar – It was the perfect setting to rock the night away. 

Photo by Fernando Flores (IG: @fernandofloresphotography ) Article & Photos Contributed by Fernando Flores When Calliope Wren walks on stage, the atmosphere changes. There’s an energy that's magnetic, untamed, and beautifully deliberate. Her performances aren’t just performances, they have an otherworldly pull that takes you into orbit. Long Island-based singer Calliope Wren has set herself up to carve out her own lane in a music world that often tries to define women before

Article Contributed by Rebecca McDevitt Quotes and Photos Courtesy of Ken Phillips Publicity Group If you thought David Archuleta’s latest chapter couldn’t get any more vibrant, think again. The pop favorite just revisited two of his Earthly Delights standouts — “Crème Brulée” and “Can I Call You” — with brand-new Spanish versions plus a bilingual remix of “Crème Brulée” featuring Colombian alt-pop icon, Esteman. Fans might remember that “Crème Brulée” already flirted with a

Photo by Ernesto Raul Aguilar (IG: @blacksheepimagery ) Review and Photos by Ernesto Raul Aguilar The Milwaukee legends turn nostalgia into a shared celebration with a timeless, crowd-sung set. Few bands can make a room full of people sing together the way Violent Femmes can. At Chicago’s Salt Shed on October 17, the Milwaukee legends delivered a night of spirited connection and timeless songs that bridged decades of fans. The band made a dramatic entrance through the crowd