Rock

Article Contributed by Rebecca McDevitt Pop punk is alive, loud, and definitely moving back into the neighborhood. girlfriends’ new album THERE GOES THE NEIGHBORHOOD is the perfect mix of early 2000s nostalgia and modern-day edge. Think Yellowcard and Blink-182 colliding with MGK’s pop-punk revival. It’s fun, chaotic, and full of emotion in all the right ways. The record kicks off with pure energy. The singles “Landslide,” “Garbage,” and “West Coast” already hinted at what wa

On October 28th, anyone driving through the Waterloo Arts District of Cleveland would see a line of people waiting to get into the Beachland Ballroom. The crowd was there for the self-proclaimed “attic rock” band, Arcy Drive. The venue was covered in stickers and flyers, with graffiti all over the bathroom and neon signs at the bar – It was the perfect setting to rock the night away.

Article Contributed by Rebecca McDevitt Streaming has made music feel endless. Millions of songs at your fingertips, playlists that update overnight, and the ability to dive into a new artist’s world in seconds. It’s convenient, sure. But here’s the truth: streaming is more like renting than owning. And if we really want to support the artists we love, buying their music still matters, maybe more than ever. Buying Gives Artists What Streaming Can’t When you hit play on Spoti

The Long Island alt-rock siren celebrates with a ritual-themed release show at Amityville Music Hall. Press materials courtesy of Jocelyn...

Sophie Allison, better known as Soccer Mommy, stopped at Globe Iron in Cleveland on the tail end of her September Tour. The venue opened...

Peach Pit wasted no time in making their entrance unforgettable. They launched with a tongue-in-cheek cover of “War Pigs” before blending seamlessly into “Magpie,” the title track from their latest album.

As fall creeps in and emos lace up their Vans and pull on their flannels, Hayley Williams has delivered the soundtrack of the season. Ego Death at a Bachelorette Party (Post Atlantic) isn’t Paramore redux—it’s something more introspective.

Fans of all ages buzzed with anticipation, knowing they were about to see Yungblud in the flesh. The energy was palpable, a steady hum running through the room. When the crew moved a lone mic stand to the center of the stage, the roar made it clear: Detroit was ready for their favorite artist to arrive.

My Chemical Romance’s Long Live the Black Parade was the anniversary tour of the summer. The band embarked on a brief run, playing The Black Parade in its entirety, following their full album performance at last year's When We Were Young Festival.

When The Black Keys hit the stage, the energy shifted up another notch. They opened with “Thickfreakness,” “The Breaks,” and “I’ll Be Your Man,” immediately showcasing the tight, punchy blues-rock that has defined their sound for years.