top of page

We're Glad It Happened: Enrose Takes Over Philly and NYC

Article and Photos Contributed by Rebecca McDevitt & LJ Portnoy


Enrose in Philly, PA
Enrose live in Philly, PA | (Photography by LJ Portnoy @ljportnoy)

There are shows you go to for fun, and then there are shows that remind you exactly why live music matters. Across two back-to-back nights, Philadelphia at MilkBoy and New York City at Berlin, Enrose created something you could feel long after the last note.


Enrose at MilkBoy in Philadelphia, PA.
Enrose at MilkBoy in Philadelphia, PA. | (Photography by @RebeccaJeanLimitedPhotography)
Some of the SoundCheck Mag team was there, cameras in hand, shooting side by side. Two perspectives on the same magic. And yeah, we're glad it happened.

Philly: Shoulder-to-Shoulder, Heart-to-Heart



MilkBoy was completely packed, the kind of packed where you're pressed up against the stage, surrounded by strangers who somehow feel like friends by the end of the night.

A person in glasses plays keyboard on stage, wearing a Wallace & Gromit T-shirt. Blue lighting and red vertical lights create a vibrant mood.
Wallace Tonight opening for Enrose at Milkboy in Philadelphia, PA. Photo by LJ Portnoy (IG: @ljportnoy)

Wallace Tonight kicked things off with a gritty, unapologetic rock and roll energy that set the tone immediately. But what stopped us in our tracks was their drummer, a woman commanding that kit with a precision and power that carried the entire set. She held that stage. She deserved every second of it.


Musician sings into a mic while playing electric guitar on stage. Purple lighting and blurry equipment create a vibrant concert atmosphere.
Wallace Tonight opening for Enrose at MilkBoy in Philadelphia, PA. | (Photography by @RebeccaJeanLimitedPhotography)


Then Ang and the Damn Band shifted the atmosphere entirely. Ang's vocals cut through the room with both strength and vulnerability.


Singer in a black outfit performs with eyes closed, holding a microphone. Blue and purple stage lights create a serene mood.
Ang and the Damn Band opening for Enrose at Milkboy in Philadelphia, PA. Photo by LJ Portnoy (IG: @ljportnoy)

The moment that stopped everything: a cover of Yungblud's "Changes," dedicated to someone she had recently lost. Every single person in that venue started screaming the chorus back together until it stopped being a cover and started being something else entirely. A release. A shared exhale.


Singer headbanging at a mic, vibrant purple and pink lights. Guitarist in background. Energetic concert mood.
Ang and the Damn Band opening for Enrose at Milkboy in Philadelphia, PA. Photo by Rebecca McDevitt (@RebeccaJeanLimitedPhotography)


NYC: A Sold-Out Homecoming


By the time we made it to New York City, the energy had only grown. Berlin was sold out, packed wall-to-wall with a crowd that was more than ready.


Singer in suit and tie performs on stage with band under colorful disco lights. Drummer and guitarist in the background; energetic vibe.
Parris Mitchell opening for Enrose at Berlin in New York, NY. Photo by Rebecca McDevitt (@RebeccaJeanLimitedPhotography)

Opening the night was Parris Mitchell, and finally seeing him live was everything we hoped for. Him and his entire band took the crowd and ran with it, engaging, silly, and completely unbothered by taking themselves too seriously. His set is the kind that sneaks up on you until you realize you've been smiling the entire time. And "Honey, I"? Still stuck in our heads.


Man in suit and tie sings into a microphone under a disco ball with colorful, dotted lights. Mood is lively and dynamic.
Parris Mitchell opening for Enrose at Berlin in New York, NY. Photo by Rebecca McDevitt (@RebeccaJeanLimitedPhotography)



Enrose: The Main Event



From the second Gabi Rose stepped on stage, both nights felt like they belonged to her.

Opening with "Glad It Happened" set the tone for everything that followed: reflective, powerful, and completely immersive.


Musician with saxophone, wearing sunglasses and camo jacket, sings passionately on stage under vibrant purple lighting, creating a lively mood.
 Enrose at Milkboy in Philadelphia, PA. Photo by LJ Portnoy (IG: @ljportnoy)

Gabi is the kind of performer who doesn't stay confined to the stage. She told stories between songs, created moments of audience participation that felt natural and never forced, and jumped into the crowd to dance, to sing, to just let the sax take her wherever it needed to go. Every note moved through her first, pure conviction over performance.


A musician plays the saxophone on stage under red and purple lighting. They wear sunglasses and a checkered shirt, creating a lively atmosphere.
Enrose at Berlin in New York, NY. | (Photography by @RebeccaJeanLimitedPhotography)

She connected with her audience in a way that made every lyric feel like it was being said directly to you and somehow to everyone at once. The room wasn't watching, it was part of it.

Kit, Nick, Dan and Val: More Than a Band


This is Gabi's project, her vision, her voice, her sax. But what was unmistakable across both nights is that Kit, Nick, Dan, and Val aren't just musicians playing her songs. They're her people.


Enrose at MilkBoy & Berlin in Philadelphia, PA & New York, NY. | (Photography by @LJPortnoy & @RebeccaJeanLimitedPhotography)


Nick is the kind of musician who'll make you laugh one second and completely floor you the next. Kit brought a quiet warmth to every moment, deeply present, the kind of talent that doesn't need to announce itself. Val on bass was the anchor the whole thing moved around, holding the floor steady so everyone else could fly. And Dan behind the kit was a full performance in himself, explosive when the song called for it and impossibly delicate when it didn't.


 Enrose at Milkboy in Philadelphia, PA. Photo by  Rebecca McDevitt (@RebeccaJeanLimitedPhotography)
 Enrose at Milkboy in Philadelphia, PA. Photo by  Rebecca McDevitt (@RebeccaJeanLimitedPhotography)


The setlist they carried with her: "Delusional," "Tattoo," "Therapy," "Not A Barbie," and their newest release "Take Care," which already feels like it belongs at the core of their live show.



Let's Talk About the Sax


Musician plays saxophone under vibrant pink stage lights, wearing sunglasses. Background features blurred band equipment. Mood is energetic.
 Enrose at Milkboy in Philadelphia, PA. Photo by LJ Portnoy (IG: @ljportnoy)

The saxophone deserves a permanent spot in modern music, and Gabi Rose is making the case better than anyone right now. She picks it up and disappears into it. The sound she pulls out is bold and cinematic one moment, tender and searching the next. After two nights of watching it live, one thing is clear: we want more sax. Everywhere. Immediately.




The SoundCheck Take



These were two nights of connection, energy, and moments that reminded us why we keep showing up for live music in the first place.

Musician in camo jacket and beanie plays saxophone onstage under blue and red lights. "ENROSE" text on hat. Energetic mood.
 Enrose at Milkboy in Philadelphia, PA. Photo by Rebecca McDevitt (IG: @RebeccaJeanLimitedPhotography)

Every time some of us are in the room with Gabi Rose, the feeling is the same: something is happening here that you don't want to miss. She transformed both rooms with her sax, her songs, and a presence that made everyone fall in love simultaneously, with the music, with the feeling, with what it means to be surrounded by people all feeling the same thing at once.



Drum set with "ENROSE" logo, electric guitar, scattered rose petals on stage in blue and purple lighting, creating a lively ambiance.
 Enrose at Berlin in New York, NY. Photo by Rebecca McDevitt (IG: @RebeccaJeanLimitedPhotography)


That's Enrose. Go find them. Go see them. Let the sax take you somewhere.

Comments


SoundCheck Mag Logo
  • Instagram
  • Facebook
  • Twitter
  • LinkedIn
  • TikTok

© 2025 Soundcheck Mag LLC. All rights reserved.

bottom of page