Article and Photos Contributed By Ernesto Raul Aguilar A Tuesday night at The Salt Shed began with a room that appeared as though it might take its time filling in. Before Dawes took the stage, the crowd was surprisingly sparse, but within minutes the venue transformed into a packed house. What started as a scattered audience quickly became a sea of eager concertgoers, ready for an evening that would blend thoughtful songwriting and blues-infused rock. Dawes may have opened t

Sam Smith’s long-awaited return was worth the wait on “My Guy” Photo: Collier Schorr Article Contributed by Konstantina Buhalis Soul on the Radio Sam Smith is back with his return single after his 2023 release “Unholy” featuring Kim Petras from the album Gloria, and he’s taking us back to the start with “My Guy”. Over the last three years, Smith has been writing and recording his latest release, Hazel Eyes; his long-awaited return is met with great anticipation as fans dig in

Photos and Article Contributed By Ernesto Raul Aguilar On the second night at a packed House of Blues in Chicago, opening artist Sundots took the stage. From the outset, the room was shoulder-to-shoulder and fully engaged, less a passive early crowd and more a group that had arrived with intent. Sundots performing at House of Blues in Chicago, IL. Photo by Ernesto Raul Aguilar (@blacksheepimagery on IG.) That connection made itself clear almost immediately. Between songs, sho

With Midnight Sun, Zara Larsson steps fully into her power, offering a record that radiates vulnerability, confidence, and the contradictions of being human. At 27, she balances reflection with playfulness, ambition with uncertainty, wrapping it all into a pop landscape that feels both intimate and euphoric.

Release Date: June 20, 2025 Label: Locomotion/Capitol Reviewed by: SoundCheck Mag The Theatrics Return—Louder, Bigger, and All...

On a wet and slightly dreary Tuesday night in Detroit, Half•Alive offered an antidote to the gloom, delivering an immersive audiovisual experience that blurred the lines between concert and performance art.

With 2.8 million monthly Spotify listeners still tuning in, The Used’s influence hasn’t faded—it’s evolved.