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Photo by Ernesto Raul Aguilar (IG: @blacksheepimagery ) Review and Photos by Ernesto Raul Aguilar The Milwaukee legends turn nostalgia into a shared celebration with a timeless, crowd-sung set. Few bands can make a room full of people sing together the way Violent Femmes can. At Chicago’s Salt Shed on October 17, the Milwaukee legends delivered a night of spirited connection and timeless songs that bridged decades of fans. The band made a dramatic entrance through the crowd playing “Olinguito” while moving toward the stage like they were the pied pipers of acoustic folk punk. Fans turned, cheered, and filmed the moment, swept up in delight. By the time Gordon Gano joined in, the music had already transformed the venue’s open floor into one collective gathering space. It was a bold, welcoming start that instantly broke the wall between performer and audience. Photo by Ernesto Raul Aguilar (IG: @blacksheepimagery ) The Violent Femmes’ 2025 fall tour features no opening act, allowing the group to take full control of the night’s pacing. Gano took his place on stage as they flowed seamlessly into “Prove My Love” and “Promise,” songs that still feel sharp and fresh after four decades. The sound was direct, energetic, and stripped of excess, exactly what longtime fans came for. The audience represented a wide span of ages with people in their twenties standing beside those who first discovered the Femmes on vinyl. The sense of shared nostalgia was undeniable. When the unmistakable riff of “Blister in the Sun” rang out, the generations blurred. Everyone sang in unison, loud and slightly off-key, relishing the moment. “Kiss Off” followed, with the crowd’s shouted countdown filling every corner of the Salt Shed. Photo by Ernesto Raul Aguilar (IG: @blacksheepimagery ) Throughout the night, Gano led with quiet confidence while his bandmates matched his energy, leaning into each song with a mix of precision and playfulness. There was an easy chemistry between them, the kind that only comes from decades of performing together. Every song felt lived-in, not rehearsed; familiar, yet still relevant. The setlist balanced upbeat anthems with introspective turns. “Country Death Song” and “Jesus Walking on the Water” reminded the audience of the band’s darker, storytelling edge, while “Good Feeling” brought the tempo down to something tender and reflective. Each transition felt natural, a reminder that the Violent Femmes’ catalog has always been as emotional as it is eccentric. Photo by Ernesto Raul Aguilar (IG: @blacksheepimagery ) As the night reached its final stretch with “Gone Daddy Gone,” “Add It Up,” and “American Music,” the Salt Shed became a single voice. The atmosphere within the crowd was distinctly characterized by nostalgia and celebration. More than forty years into their career, The Violent Femmes continue to prove that their music isn’t locked in the past. It’s alive in the present, funny, heartfelt, and completely unfiltered. At the Salt Shed, it belonged to everyone in the room.

Photo by Rebecca McDevitt (IG: @rebeccajeanlimitedphotography ) Article & Photos contributed by Rebecca McDevitt The former American Idol favorite continues to bloom, personally, vocally, and unapologetically. If you don’t know David Archuleta from his American Idol days, you definitely know his timeless hits like “ Crush ” and “ A Little Too Not Over You .” Since his debut, Archuleta has transformed from pop prodigy to fully realized artist - embracing his authentic self and exploring new worlds with his latest album, Earthly Delights . The record is dreamy, emotional, and rooted in self-discovery, all of which came to life at the final stop of his Earthly Delights Tour at The Foundry in Philadelphia. Opening Energy: Rachel Bochner Sets the Tone Photo by Rebecca McDevitt (IG: @rebeccajeanlimitedphotography ) Kicking off the night was indie artist Rachel Bochner, a rising voice in the queer music scene whose energy lit up the room from the first note. Her vocals carried throughout the room, and she had the entire crowd vibing along. A lesbian creative championing self-expression, Rachel was glowing in authenticity, artistry, and joy from the moment she stepped on stage. Archuleta Ascends As the lights dimmed and anticipation filled the air, fans turned toward the door, phones raised, hearts racing. And then, there he was. David Archuleta emerged in a fringed brown jacket, greeted by an eruption of cheers that felt straight out of 2010. Opening with " Dulce Amor" , he delivered a sensual performance that drew the audience in from the first movement. The choreography, the dancers, the connection, it all just made sense. Photo by Rebecca McDevitt (IG: @rebeccajeanlimitedphotography ) When he shifted into " Give You The World ", the energy exploded even more. His dancers mirrored his every emotion, and the choreography throughout the night was nothing short of mesmerizing. Nostalgia and New Beginnings The night’s middle stretch brought a wave of nostalgia. When “ A Little Too Not Over You ” and “ Touch My Hand ” kicked in, the crowd screamed every lyric back. “ Touch My Hand ” turned the room into one big sing-along, complete with outstretched hands and emotional smiles. David was in the crowd singing along, and doing just that, touching hands, and connecting. But one of the most powerful moments of the night came with “ Hell Together ”. David took a quiet pause to share his story. He spoke about his mom, his coming out journey, and the meaning behind the song. As he performed, an interpretive dance unfolded beside him. It was vulnerable, beautiful, and had us crying in the club, literally. Photo by Rebecca McDevitt (IG: @rebeccajeanlimitedphotography ) Near the end of his set, a mashup of " Afraid to Love " and " Something ’Bout Love " happened, and the Foundry turned into a full-on dance floor. Every beat radiated freedom and joy, reminding us why this era of Archuleta feels so special. He’s finally performing as his truest self, and the audience can feel it. A “Crush” of Confidence Closing with his iconic hit " Crush ", David stripped away every layer, literally and metaphorically, ending the night shirtless, smiling, and glowing in self-empowerment. It was a statement: this is who he is, fully and fearlessly. Photo by Rebecca McDevitt (IG: @rebeccajeanlimitedphotography ) If you haven’t seen David Archuleta live, it’s time. He’s one of the most genuine, heart-driven artists in the industry right now, and Earthly Delights proves that his light only shines brighter with time. David will be bringing the holiday magic next with special shows in NYC and LA & trust us, you won’t want to miss it. Get tickets at davidarchuleta.com

A five-track whirlwind of raw emotion, tight hooks, and unapologetic self-expression, Alex Ray's "Messy" leaves you wanting more. Alex Ray's EP cover for MESSY - Photography by Shantell Cruz Alex Ray’s Messy is a short, sharp burst of pop-alt emotion, five songs, twelve minutes, and zero filler. It’s a snapshot of chaos polished just enough to shine, but not so much that it loses its edge. Every track feels like an intentional contradiction: raw yet refined, vulnerable yet self-possessed. WASTED Pure pop-alt bliss. WASTED  opens the EP like a wave of bright adrenaline, shimmering synths, infectious hooks, and the kind of chorus that belongs on a coming-of-age movie soundtrack. It’s fresh, it’s fun, and it instantly defines Ray’s sonic playground. DRIVER’S SIDE A standout. The opening electric guitars add grit before the pre-chorus pulls down into tension, then explodes into a cinematic rush. It’s a little lighter in mood than WASTED  but still anchored in that alt-pop pulse. Ray balances the intimate and the anthemic like a pro. yours to use A storyteller moment. There’s something Taylor-coded in the lyricism. It’s vivid, narrative, and slightly nostalgic. The pre-bridge even flirts with a country lick, though the track stays firmly in alt territory. It’s catchy and confessional, a perfect mid-EP reset. BOY YOU AIN’T Haunting fun. The electric guitar grinds in all the right ways, layered under vocals that feel deep, raw, and playful. The pre-chorus builds tension, then melts into an explosive hook. It’s messy in the most intentional, satisfying sense. MESSY The title track slows things down without losing color. It leans into vivid storytelling. You can see the picture unfold as she sings. It’s introspective and cinematic, closing the EP on a quieter, more reflective note that lingers long after. Final Verdict If Messy  has one flaw, it’s that it ends too soon. Five songs over twelve minutes leave listeners wanting more; but maybe that’s the best part.  Alex Ray poises for single, DRIVER'S SIDE - Photography by Phil Roetter The truest messes never fade; they echo, waiting for you to return. Rating: ★★★★☆ (8/10) — Messy  cements Alex Ray as one to watch, an artist who makes vulnerability sound cool and confession feel electric.

Photo by Getty Images Article Contributed by Fernando Flores Edited by Rebecca McDevitt, Managing Editor Images provided by Getty Images SoundCheck Mag was lucky enough to be invited to Sam Smith’s To Be Free residency in NYC. Let’s just say, it was one of those nights that’ll stay with you. To witness raw talent is to watch Sam perform live. The residency was a full experience, and SoundCheck Mag is proud to have been there for it. An Intimate Venue & Experience Located at Warsaw in Brooklyn, NY, fans receive the right amount of intimacy that allows you to be right there in the moment with Sam. No flashy gimmicks, nothing that would scream overcompensating. It was just Sam, the music, and the crowd. Photo by Getty Images From small venues to large stadium shows to extreme stardom within a year, Sam has collected quite the gathering, which had the venue packed to the limit. The crowd was unlike any other. From the moment Sam stepped on stage, the crowd pressed closer to the stage, like a family gathered in excitement to see their kin perform. And Perform They Did Sam’s voice is, well, legendary. There’s no other way to put it. They went all out with an amazing setlist of old, new and surprise tracks. Belting out the heart-wrenching lines of the classic song, “Stay With Me.” Photo by Getty Images They brought a whole new level of energy to tracks like “I’ve Told You Now” that left the room completely captivated. But what made it stand out wasn’t the amazing vocals and surprise setlist. It was the way Sam interacted with everyone. They’re not just up there performing at you, they’re performing with you. You’re all in it together. On a Personal Note Sam got pretty personal with the crowd. They shared what the residency means to them, touching on their journey from just starting out to claiming fame and what led to their freedom. That sense of liberation was felt throughout the entire show. Sam wasn’t holding back. It was all about being unapologetically yourself, and you could feel that energy radiating from the stage. The show had this nice mix of emotional highs and pure fun moments. One minute you’re wiping away a tear to a stripped-down version of “Unholy,” and the next you’re dancing along to a more upbeat track. Sam made it about creating this space where everyone felt comfortable being themselves. And honestly, by the end of the night, you couldn’t help but feel a little lighter too. Photo by Getty Images The residency wasn’t about the hits, it was about freedom. Sam let everyone in that room know that it’s okay to be vulnerable, to express yourself however you need to, and to embrace who you truly are. It was kind of like Sam was giving you permission to be yourself through example of his own life path. The Final Act Photo by Getty Images When the final song hit, the crowd was holding back tears knowing that the show ending. Everyone collectively emotional from the great experience Sam left us with. You knew this wasn’t just another performance—it was something that left a lasting impression. If you haven’t seen Sam Smith live yet, don’t sleep on it. Trust us, their “To Be Free” residency is set to have you leaving the venue with a new perspective to life.

Photo by °1824 / UMG Review by SoundCheck Mag Photos by °1824 / UMG Madison Cunningham has always felt like a painter who uses chords and vocals instead of brushes. The California-born singer-songwriter has long been celebrated for her blend of technical precision and emotional storytelling, and on Ace, she delivers what feels like her most cinematic and self-reflective work yet. A Grammy winner and master of subtlety, Cunningham has created an album that feels like walking through her own storybook; one where magic, melancholy, and mastery coexist on every page. The album opens with “Shatter Into I,” a 46-second piano instrumental that immediately casts a spell. It’s soft and enchanting, like fairies fluttering through the air. You can picture yourself in the woods, pausing to take in the glow of light through the trees. That short, wordless piece leads into “Shore,” setting the tone for a record that’s both intimate and otherworldly. Cunningham’s voice feels like part of the forest itself - warm, grounding, and entirely its own ecosystem. “Wake” (feat. Fleet Foxes) takes the album to new lyrical heights. The line “My head is full of thunderclouds keeping aircraft off the ground. Who will this lightning round of suffering?” is the kind of poetry that stops you in your tracks; a reflection on internal storms and the quiet beauty of resilience. It’s a stunning collaboration that’s meant to be, blending her voice with the harmonies of Fleet Foxes to create something you could imagine hearing in your dreams. “Break The Jaw” is another standout track with the line “No one’s ever smiling back at me, but a look can draw blood so easily”. This lyric is so cutting edge and hits you right where you feel it. Cunningham is crafting emotional architecture with these lyrics. Every word is carefully placed, every melody feels like a thread connecting heartbreak and hope. Ace is an album that’s like a story inviting you inside it. There’s something rare about music that feels both deeply personal and that resonates with you, but Cunningham manages that balance. This record feels like the sound of an artist fully in her element, and SoundCheck is so here for it.

Photo by Fernando Flores (IG: @fernandofloresphotography ) Review & Photos Contributed by Fernando Flores October 4, 2025 Wantagh, NY The Global Reach Twenty One Pilots has thrived on blending narrative, symbolism, and emotional transparency. Through their music, they’ve built a cinematic world that has opened the eyes of fans all around the globe. Fans that still hold their early cult classics close to heart such as one of my close favorites, “Jumpsuit” which was part of the setlist. Their most recent project, “Breach,” serves as the final chapter in the multi-album arc that began with “Blurryface.” This release marks not only a farewell but also a fitting conclusion to the storyline they’ve masterfully crafted over the years. Step Into the Storyline The duo has cultivated a passionate and ever-growing fanbase which remains deeply loyal, even as the narrative for Clancy draws to a close. At every show, fans line up in elaborate, themed outfits that nod to each era. This has become a tradition which includes eras such as Blurryface, Trench, Clancy, and now Breach. Photo by Fernando Flores (IG: @fernandofloresphotography ) Yellow tape, face paint, and symbols from the band’s lore transform the crowd into a living part of the story. As the fans march into the venue, it feels like as though the real world fades away for us, replaced by the immersive world of Clancy. Dayglow: The Grade A Opening Act To set the stage for the night, Dayglow opened the show on The Clancy Tour: Breach 2025. Dayglow’s indie-pop set immediately filled the venue with color and energy. Frontman Sloan Struble’s charisma and infectious enthusiasm had the audience moving from the very first song. With amazing vocals and an upbeat rhythm, Dayglow kept spirits high. Sloan Struble perfectly set the tone for what was about to come. When Dayglow's set ended, the crowd's cheers lingered long after it had finished. The Clan is Sent Into an Uproar! After so much anticipation, the lights dimmed and then it happened. The first notes of “Overcompensate” roared through the speakers, you can feel the vibrations through your body. It sent fans leaping from their seats in complete awe. Tyler Joseph and Josh Dun commanded the stage with the same chemistry and creative fire that has defined their career. Photo by Fernando Flores (IG: @fernandofloresphotography ) Twenty One Pilots setlist wove together songs from multiple eras. They seamlessly merged past and present to continue the Clancy storyline into what is Breach. Between intricate stage designs, surprise reveals, and transitions that tied each song into the next, I noticed that the crowd never once lost focus. Not One Hair Out of Place. Every detail of The Clancy Tour: Breach 2025 feels deliberate and meticulously executed to provide the best for their fans. The lighting, production, and storytelling blend into an experience that’s impossible to forget. Despite their massive global following, Tyler and Josh performed with the humility and intimacy of upcoming artists still playing to their first crowds. They frequently ventured into the audience, performing from multiple platforms throughout the venue. Josh was no exception, he took the drum kit all the way to the back of the venue—ensuring that every fan felt close to the action. With Twenty One Pilots, there truly isn’t a bad seat in the house. What unfolded at this show was more than just another concert—it was a complete artistic production. The lighting cues to the stage movement, every moment showcased the devotion of not only the band but their entire crew and the venue crew. They managed to work together with many different crews and venues to create the unforgettable experience for their fans every single show. They truly took the time to have precision, timing, and care behind the performance ensuring both an unforgettable experience and the safety of everyone involved which includes the fans. Wrapping up of an Era Photo by Fernando Flores (IG: @fernandofloresphotography ) As Breach closes this long-running story, it’s clear that Twenty One Pilots have crafted something much larger than music. Their connection with fans, their creativity, and their willingness to make each show feel personal’s what they’re known for. The fact that they went all out for their fans until the final chapter, really makes the moment different from other shows and artists. So, if you have the chance to see The Clancy Tour: Breach 2025, don’t miss it. It’s more than a concert—it’s the cinematic ending to a saga that has defined a generation.

Photo provided by @levenkali  on IG Contributed by Fernando Flores Photos provided by @levenkali on IG Born into a musically inclined family, Leven Kali has always had musical influences in his life. His parents, both musicians, have provided a musical environment that has created the foundation for his outstanding career today. He has a lot to show for his talents through his music and collaborations. Many big names such as Drake, Beyonce, and Playboi Carti have enlisted and trusted Kali to help write or produce some songs for them. These songs have later gone to be nominated for several Grammys. LK-99 Leven has gone through a lot of musical inspiration and has easily become an influence himself. Showcasing his talent is “LK-99” that embodies the laid-back yet soulful sound of his. The featured tracks have many aspects of jazzy and R&B that reflect his background as an artist and musical upbringing. The songs effortlessly timeless maintain intimate energy that has come to define Leven’s work. “LK-99” is just another example of how Leven can easily extend who he is on paper and turn it into a brand new LP. Loves a Battlefield In LK-99, Kali continues to touch base in what it takes to love. The conflict that comes with it cuts deep which is felt in the first song, “Blackrock.” You can feel the pain in his voice taking you through the hardship that the relationship has caused him. As the song continues his frustrations grow and the vocals strengthen into a full frenzy of power. Smoothly connecting track to track, Kali creates a whole LP that sends the listener through the whirlwind that is love. Concluding with “Are You Still,” Leven masterfully blended the pain in his words with harsh changes in his sound that create an emotional attraction that has you feeling the vibrations. Setting the mood As of recently Leven has released his newest single, “P Funkentelechy.” A mix of funk and R&B that brings you back to the old nostalgic beat of the early 2000’s. Leven continues to provide quality products that well incorporate themes of spiritual jazz, R&B and soul in his new projects. Using his playful rhythms to touch hard subjects that reveal that love is complicated yet nothing has to end in heartbreak. Kali continues to elevate his work and incorporate more of himself into the spotlight rather than being the influence behind the craft of other artists. Photo provided by @levenkali  on IG The Next Chapter Leven Kali is heading into his next chapter with the smooth funk energy, ready to bring his signature blend of strong vocals and even stronger production. Bound to be your artists’ favorite artist, Kali will create such electrifying energy live as he belts his amazing vocals on stage. Set to start touring in Europe as soon as October of this year, he’s going to be the most unforgettable performance. Photo provided by @levenkali  on IG

Midnight Til Morning might’ve started on Netflix’s Building the Band, but they’ve quickly outgrown the “reality show project” label. The four-piece — Conor Smith, Mason Watts, Shane Appell, and Zach Newbould — is a group that feels built from connection, chemistry, and real musicianship. They’re not your average boy band, they play their own instruments, write their own songs, and bring an energy that feels more like friends in a jam session than a manufactured act. Afterglow captures that perfectly; a debut that feels genuine, emotionally aware, and ridiculously catchy. THE GLOW OF SOMETHING REAL “Bye” opens the EP with that bittersweet punch of heartbreak. It’s pop perfection but still grounded, like you can feel the weight of the goodbye they’re trying not to say. It’s one of those songs that sneaks up on you, bright enough to dance to, but aching underneath. Then “Heart on Fire” shifts the mood entirely. It’s sun-soaked and easy, the kind of track that feels like summer in full color. You can picture the moment, picnic blankets, city parks, someone smiling across from you, all wrapped up in that acoustic pop warmth. And just when you’re floating, “Ghost of Us” hits. The guitars get heavier, the vocals go raw, and suddenly you’re in the middle of something bigger. It’s the track that shows off what they can really do - that balance between grit and harmony, edge and emotion. It’s proof that Midnight Til Morning aren’t chasing radio polish; they’re chasing feeling. POP WITH A PULSE Afterglow doesn’t try to be everything — it just knows what it is. Emotional, earnest, and alive. There’s a sincerity in how this band approaches their sound, a reminder that pop doesn’t have to mean artificial. You can hear the real instruments, the breath in the harmonies, the weight of the words. It’s the kind of debut that doesn’t need flash. It just wins you over by simply being human. Midnight Til Morning are carving out their own lane in the pop space. One where heart, honesty, and hooks can coexist. If Afterglow is any indication, this band is only getting started… and we’re already hitting replay. Catch Midnight Til Morning on tour across North America, Europe and Australia

Contributed by Rebecca McDevitt Franklin Jonas returns with Road Soda, a track that instantly cements his growing signature sound — gritty, witty, and unapologetically human. Released on October 10, Road Soda opens with a banjo riff that feels like the soundtrack to a slow southern morning before melting into layered harmonies that hit just right. From the very first line, “I’ve got a road soda hanging in the fridge for later,” Franklin captures that small, oddly cinematic kind of moment that feels both lived-in and universal. Following his last single Village Liquors, Road Soda feels like the natural next chapter. He’s continuing to explore this fusion of indie, folk, and country grit, but with a tone that’s completely his own. There’s a looseness to the production that feels intentional, like it was made for long drives and late-night thoughts. Franklin doesn’t need to prove himself with overproduction or flashy vocals. Franklin is authentic in himself and his artistry, and that’s what will make him resonate. There’s a gut-punch lyric we love in Road Soda: “nothing I love more than hating my life.” It’s brutally honest, delivered with a kind of half-smile and heavy sigh that says more than any grand statement could. It screams self-awareness, the kind that hits right at the core of what makes his writing stand out. Franklin has this rare ability to make darkness sound almost comforting, turning cynicism into catharsis in just a few words. With Road Soda, Franklin Jonas continues carving his own lane in his sound & lyricism, somewhere between alt-country storytelling and indie confessionals, with a heartbeat that’s entirely his own. It’s messy and magnetic, familiar yet unpredictable. Each release feels like another puzzle piece in a sound that refuses to be boxed in. If Village Liquors was the introduction, Road Soda is the reaffirmation: Franklin Jonas is building a world of his own and we’re lucky to be along for the ride. Stream “Road Soda” everywhere now Catch Franklin Jonas on tour with Jonas Brothers, All American Rejects, Jesse McCartney & Deleasa this fall / winter!

Photo credit: Jack Morgan (IG: @jackmorgan07 ) Contributed by Rebecca McDevitt Photos by Jack Morgan Independent pop singer-songwriter Louis Knight steps into a new era with his latest release “Until You Come Home,”  out now on all streaming platforms. The track is a heartfelt anthem for anyone navigating growth, self-reflection, and the messy but beautiful process of finding yourself again. What starts as a gentle guitar-driven ballad slowly builds into something bigger - a reminder that healing doesn’t have to feel heavy. The opening verses carry that signature Louis vulnerability, stripped back and intimate, before the chorus bursts open with a hopeful energy that feels both cathartic and empowering. By the time he hits the line “I tell myself it’s never too late,” it’s clear this song is about release, about giving yourself permission to move forward. There’s something effortlessly anthemic about the way “Until You Come Home” unfolds. It balances raw emotion with uplifting melody, pulling listeners into a space of optimism and clarity. The guitars stay steady and bright as the song unfolds, carrying the energy of someone who’s finally ready to step out of their past and embrace what’s next. For Louis, this release marks more than just another single. It’s a defining moment in his journey as an independent artist. Without label or management backing, he continues to chart his own course, creating music that’s deeply personal and universally relatable. Following previous fan favorites like “Wherever You Are” and “Hold Me” (feat. Devon Gabriella), “Until You Come Home” shows a new side of Louis Knight. One that’s lighter, freer, and more self-assured. It’s a soundtrack for healing, late-night reflection, and rediscovering who you are when no one’s watching. “Until You Come Home” is available now on all streaming platforms. Follow Louis Knight: @louisknight

Photo by Rebecca McDevitt (IG: @rebeccajeanlimitedphotography ) Montclair, NJ — October 5, 2025 Photos and Show Review by Rebecca McDevitt There’s something about a Sunday night at the Wellmont Theater that still buzzes with weekend energy. Maybe it was the anticipation, or maybe it was the mix of fans dressed in glitter, eyeliner, and nostalgia. Either way, the room felt alive before the lights even went down. Photo by Rebecca McDevitt (IG: @rebeccajeanlimitedphotography ) For those unfamiliar, Marianas Trench have spent nearly two decades perfecting the art of pop-rock theater. The Canadian four-piece (fronted by Josh Ramsay alongside Matt Webb, Mike Ayley, and Ian Casselman) built their name on elaborate concept albums, soaring vocals, and a flair for storytelling that’s equal parts heart and spectacle. Known for hits like “Haven’t Had Enough” and “Stutter,” they’ve always balanced dramatic production with emotional vulnerability, earning a loyal fanbase that treats every show like a homecoming. Setting the Stage: Senses and The Summer Set Bring the Heat Senses kicked things off with a rush of alt-pop energy. Their latest single “obsessed” literally had us obsessed. Their performance made you want to move even if you didn’t know a single lyric. Their confidence onstage instantly won the crowd over. We saw the fans jumping along. Photo by Rebecca McDevitt (IG: @rebeccajeanlimitedphotography ) Then came The Summer Set, a band that knows how to turn a room into one big sing-along, especially with a rock cover of Mamma Mia. Abba goes rock? What a moment. They brought their signature charisma and radiated pure fun. By the end of their set, the Wellmont crowd was loud, sweaty, and fully in sync with hearts in the air to “Lightning In A Bottle”. The audience was already riding high before Marianas Trench could even hit the stage. Photo by Rebecca McDevitt (IG: @rebeccajeanlimitedphotography ) Marianas Trench: Drama, Vocals, and a Dash of Chaos Marianas Trench: Drama, Vocals, and a Dash of Chaos When Marianas Trench finally did take the stage, it was clear why their fans have stuck by them all these years. Opening with “A Normal Life,” the band wasted no time pulling the audience straight into their world — blending sharp theatrics with raw emotion. Rumbles of thunder and what looked like bubbles flooded the stage to make it feel like the band was truly embracing the name of their tour, a force of nature. Josh Ramsay commanded every inch of the stage, his voice soaring effortlessly through the venue while lights flared and the crowd screamed along. Photo by Rebecca McDevitt (IG: @rebeccajeanlimitedphotography ) Moments like “Desperate Measures” reminded everyone just how emotional this band can get, balancing chaos and catharsis in perfect harmony. The room swayed and sang like a collective heartbeat, and by the time “I’m Not Getting Better” hit, it felt like the Wellmont had transformed into a living, breathing music video. Ramsay, of course, didn’t stay confined to the stage. At one point he climbed into the crowd and even up to the balcony, blurring the line between performer and audience in true Marianas Trench fashion. As the night closed with the back-to-back rush of “Stutter” and “Fallout,” it was impossible not to get swept up in the energy. Every chorus hit like muscle memory, every note a reminder of why this band’s blend of sincerity and spectacle still resonates after all these years. Photo by Rebecca McDevitt (IG: @rebeccajeanlimitedphotography ) Whether you came for nostalgia, or just to catch a good show on a random Sunday, Marianas Trench delivered a performance that left the crowd buzzing and even made new fans in the making. Catch Marianas Trench on tour now through October 22nd! More info on marianastrench.net

The Long Island alt-rock siren celebrates with a ritual-themed release show at Amityville Music Hall. Press materials courtesy of Jocelyn DeNardo Long Island alt-rock siren Calliope Wren is stepping into a whole new era with her debut EP Fade and Wither, that released October 3, 2025. The record blends raw emotion, theatrical storytelling, and divine-feminine fire into a six-track ritual of release and rebirth. She’s throwing a full-on EP Release Ritual Show at Amityville Music Hall on October 23 to celebrate. The night promises more than music. Think tarot readings, live painters, vendors, and an atmosphere that feels like stepping inside a myth. Wren’s all-female band The Muses (Jaclyn Barbier, Kaity Danielsen, Ava Lena, and Alexis Haas) will be joined by guitarist Ianni Kay and drummer Julian Sarabia Maultsby for what’s shaping up to be a high-voltage, witchy spectacle. ABOUT THE EP Fade and Wither  unfolds in four acts — The Disruption , The Confrontation , The Reckoning , and The Release  — pulling listeners into a sonic story of transformation. Fans will recognize earlier singles like “Interlude,” “Fading,” “Animosity,” and “Make Sure It’s the Last Time,” now joined by two new tracks: “Wasted Time on You” (featuring Gabi Rose) “Outro (Fade and Wither)”, the haunting closer that gives the project its name. Together, they blend alt-rock, pop-punk, and metalcore into something both feral and transcendent — a ritual in sound. ABOUT THE SHOW Before Wren and The Muses take over, the night begins with an Acoustic Hour featuring Annalise & Chris, Just Julia, Straight Up Hustler, and LIPBOMB, setting the tone for what’s sure to be one of Long Island’s most immersive live experiences this fall. 📅 Thursday, October 23, 2025 📍 Amityville Music Hall – Amityville, NY 🕕 Doors 6 PM | Show 7 PM 🎟️ $12 Advance | $15 Day-of – Buy Tickets 💿 Pre-Save Fade and Wither ABOUT CALLIOPE WREN A former Musical Theatre scholar at Five Towns College, Wren has built her own mythology in the New York scene with performances at Spotlight at The Paramount, The Bitter End, and the Montauk Music Festival. Known for her siren-like presence and goddess-inspired storytelling, she’s also the frontwoman of DECODED: A Paramore Experience, where her powerhouse vocals channel another iconic era of alt-rock. Follow Calliope Wren on Instagram @calliopewrenofficial and visit calliopewrenofficial.com for more.

Photo by Ernesto Raul Aguilar (IG: @blacksheepimagery ) Review & Photos Contributed by Ernesto Raul Aguilar Revisions by Rebecca McDevitt Garbage proved last night that they still have the bite, the grit, and the fire. And speaking of fire, they brought with them a hell of an opener, the one and only Starcrawler. It was my first time seeing Starcrawler, a band that’s been active since 2015, and the first thought that hit me was: "Why haven’t I been listening to them this whole time?" Imagine taking Iggy Pop, David Bowie, Blondie, Joan Jett, Patti Smith, the Ramones, the New York Dolls, and The Cramps, then tossing in a twisted version of Jem and the Holograms for good measure. Sprinkle in dust shaken from the ceiling of the Whisky a Go Go and stick it all in a busted-up, hot pink, punk-as-hell blender, what comes out is Starcrawler. Photo by Ernesto Raul Aguilar (IG: @blacksheepimagery ) All dressed like Barbie cowboys; they took the stage to “Tumbling Tumbleweeds” before launching straight into chaos. Their set ripped through “Goodtime Girl,” “Roadkill,” and the snarling “I Love LA,” never letting up. The Ramones’ “Pet Sematary” was a highlight, with the band paying tribute in their own unhinged style. Lead singer Arrow de Wilde was impossible to ignore, moving like a possessed Betty Spaghetti, thrashing, bending, kicking, and contorting herself like some alien punk banshee. There were moments on stage that defied explanation, the kind of energy you can’t quite capture on social media. The whole performance felt like being transported back to the wild energy of small clubs where anything could happen. With the audience fully worked up, it was time for the main attraction. Garbage took the stage to Angelo Badalamenti’s eerie Twin Peaks theme, setting the mood before detonating into “There’s No Future in Optimism” and “Hold.” Shirley Manson emerged dressed for battle: boots, military-style baggy pants, a slouchy leather jacket, and eyeshadow painted like war stripes. After the first song, she removed her jacket to reveal a bold statement tee, setting the tone for the rest of the night. From that moment on, the band played with precision and fury, showing no signs of slowing down. Photo by Ernesto Raul Aguilar (IG: @blacksheepimagery ) Their setlist blended old and new, proving Garbage’s catalog still resonates. Early classics like “Vow” and “I Think I’m Paranoid” hit just as hard as when they first came out, while deep cuts like “Bleed Like Me” and “Hammering in My Head” reminded fans of the band’s darker edge. During ‘Parade,’ which she dedicated to a survivor of the Pulse nightclub shooting in attendance, Manson explained that the abbreviated version was due to her vocal limitations, a lingering effect of the health setback that forced Garbage to cancel last year’s tour. Later, “Cherry Lips (Go Baby Go!)” was given to Laura Jane Grace, tying the night’s fierce energy to messages of resilience and identity. Photo by Ernesto Raul Aguilar (IG: @blacksheepimagery ) The encore sealed it: “Stupid Girl” and “Only Happy When It Rains” brought the Salt Shed to a euphoric close. Two generations of unapologetic rock collided in Chicago. Starcrawler proved they’re carrying the pop-punk torch into the future, and Garbage showed they’re still very much in command of their past, present, and beyond.

Contributed by Fernando Flores Photos courtesy of UMG / 1824 ° Amber Marks has always had a calling for music. Constantly moving from city to city in her younger years, she reflects her growth and movement in the music she writes today. Music is like an outlet to her, she is able to really let out her true feelings in her lyrics and set the emotion in her sound. Tied with the emotional strain of constantly moving and strong memories of childhood, she creates music that hooks the audience in a way that leaves them feeling what she has felt. A woman with power not just in her voice but in her words. Amber sets the fire in R&B style music that will create movement in the industry.  A Powerful Pairing Currently on tour as the opener for Sabrina Carpenter, Amber has big shoes to fill. Sabrina Carpenter being one of the top performers of 2025 has set a movement of pop culture that we haven’t seen since the early 2010’s. As the strong duo rocks the stages in the continuation of the Short ‘n Sweet Tour, we can see Amber’s popularity rise to possible global stardom. Something we have seen before with strong duos such as Chappell Roan opening for Olivia Rodrigo or Sabrina Carpenter opening for Ariana Grande in 2017. Moves like these are intimidating for artists who are just reaching stardom but Marks is on the mark!  Amber Doesn’t Stop! While still touring with Sabrina Carpenter, Amber is releasing a brand new album called, “Pretty Idea.” It's the next full length album after her release of the album, “Three Dimensions Deep.” In a conversation with SoundCheck Magazine she explains that “Pretty Idea” will maintain a spiritual connection to the world like “Three Dimensions Deep” but it won’t go as in-depth as the prior album. She’s set on improving her sound, taking inspiration from artists like Stevie Wonder, Michael McDonalds, Prince and many others to create the rich atmosphere her music brings. Beautiful like the cosmos, Amber describes the album as having a pink aura to it just like a cosmo drink. Amber Mark stays active releasing numerous counts of new music including her EP “Loosies.” She has proven time and time again that she has the skills for creating music. Most recently having released the single, “Let Me Love You” off the upcoming album, “Pretty Idea.” Without a doubt, Amber's hard work to make this album happen has been embedded into this project. As she stated to SoundCheck Magazine, [it carries] “many highs and lows and lessons I didn’t know I needed” Sneak Peak, “By The End of the Night” SoundCheck Magazine was honored to have received a sneak peak to the first song of the album. “By the End of the Night” captures the essence of Amber’s sound so beautifully. The melody and the lyrics blend so easily in an upbeat tempo that keeps you dancing till the end of the night. A Star is Born Amber continues to hustle in the music industry, while touring with one of this year's most influential artists. With her new album releasing on October 10th, 2025, she is bound to make headlines soon. On the right track to become the next summer song of 2026, Amber shows power and resilience to make her teenage dreams happen. I recommend for you to hop on the bandwagon now and tune into Amber Mark’s new album, “Pretty Idea” on October 10th, 2025, so that you can say you listened to her before she became the next “it” girl.

Photography by Sean Stout (IG @ SeanFStout ) Contributed by Fernando Flores Photos courtesy of UMG / 1824 ° Poised For Release Grammy-winning singer-songwriter Madison Cunningham is bound to have an impactful album release. She’s poised to captivate audiences once again with her new album “Ace,” that’s coming in October 10, 2025. Bound to tug on many listeners' heartstrings. Madison Cunningham: Expanding Her Sound Madison is known for her lyricism, captivating storytelling, and guitar work. She expands her palette on this project, introducing piano-driven melodies and fresh textures marking an exciting new chapter in her artistry. The album’s first single, “My Full Name,” sets the tone for the journey ahead, blending intimate reflection with a bold new sound. Photography by Sean Stout (IG @ SeanFStout )  Featured tracks like “Beyond That Moon” and “Golden Gate (On and On),” were one of the hardest songs for Cunningham to write for the album. The process of creating the perfect song is ever evolving for Madison. Stating that a song isn’t ready till it just feels alive. Madison proves time and time again that she won’t just release a song until she knows that the song is ready, or alive. As we listen to more tracks in the album, we explore more themes of self-discovery, emotional growth, and human connection.  Craft and Concept So much thought and effort went into building such a beautifully compelling album. Each song, a continuation of the novel, “Ace” tying up ever so nicely to give you the masterfully produced album. Madison dives deeper into the album artwork describing swans as her inspiration. Cunningham shares with SoundCheck Magazine,  “There’s something about the cover photo. You can’t quite tell what my emotion is—longing, sadness, maybe even anger. It’s like a mood ring; whatever song you listen to, it fits.”  There’s beauty in every corner of this album. We recommend listening closely to the music and really examining the artwork. You’re bound to get a new perspective on her music and life. You might just give Madison more respect for her creativity than you already do.  ​​A Legacy in Motion Cunningham’s reputation as a musician’s musician continues to grow, earning praise from peers like Hozier, who calls her, “one of the most talented creative forces of our generation.” With six Grammy Awards to her name, including the 2025 win for Best Americana Performance, she has cemented her place among the most compelling voices in modern folk and alternative music.  For Longtime Fans and New Listeners Alike Fans of Bob Dylan, Joni Mitchell, and Paul Simon will feel right at home with “Ace,” an album that invites listeners to look inward while getting lost in its musical beauty. “Ace” adds on to Madison’s growing list of achievements that does not stop here. If you’re a fan or looking for something new then don’t miss Madison Cunningham’s “Ace.”  Available everywhere October 10, 2025.

From cramped basements to stadium lights, Deleasa’s rise is one SoundCheck has been lucky enough to witness in real time. Photo by Rebecca McDevitt (IG: @rebeccajeanlimitedphotography ) Jersey Roots, Big Dreams Michael Deleasa grew up in New Jersey with music woven into everyday life. From cramped basements to small local stages, those early nights gave him the grit and instincts he still carries with him. SoundCheck has been following his journey for over a decade, watching him grow from those grassroots beginnings into someone who can command a stadium crowd with the same authenticity. Before fans knew him as the DJ who could flip a room in seconds, Deleasa was carving out his own lane as a songwriter and solo artist. Photo by Rebecca McDevitt (IG: @rebeccajeanlimitedphotography ) We remember those shows too — the ones where he was learning how to hold a room with nothing but his guitar and his voice. That foundation shaped the way he builds a set today: thoughtful, intentional, and with the same performer’s touch that’s been there since the beginning. Now, Deleasa is the connector. The one who bridges anticipation with atmosphere, turning wait time into part of the show. We’ve seen him in every setting, from late-night sets in tiny clubs to the electricity of massive arenas, and the through line has never changed. It’s always been about connection, community, and creating nights that people carry with them long after the music fades. The Accidental Beginning of a DJ Like many artists, Deleasa’s career path wasn’t a straight line, it bent, curved, and reshaped itself in unexpected ways. His DJ journey began almost by accident while he was living in Miami and working on music. “Sometimes when they were mixing, I’d just go in the back and mess around on this Traktor controller,” he told us. “It was super fun. From there, I thought, maybe I can start to do some after-parties. Then it escalated, brand partnerships, nightlife in New York. But it all started as a hobby." Photo by Rebecca McDevitt (IG: @rebeccajeanlimitedphotography ) That “hobby” quickly became something bigger. At first, he was just blending funk records for hours, losing himself in sound and learning how to bend rhythm to his will. Soon, he was throwing after-parties, playing New York clubs, and finding himself booked for brand events. What started as downtime curiosity became a second identity. And yet, he never abandoned his roots as a songwriter. That part of him carried into DJing, shaping the way he approaches sets. Each night has its own mood, its own story, its own curve of energy. Crafting The Energy Curve When we asked how he builds a set -how you take a crowd from that first drop into the night’s crescendo- his answer was both playful and precise. “I put a bunch of songs on postcards, put on a blindfold, throw darts and that’s the playlist,” he joked. Then he shifted: “To be honest, it’s really no different for a massive room or a small room. The objective is the same, get people going." " Whether it’s 50 people or 50,000, the goal doesn’t change" Photo by Rebecca McDevitt (IG: @rebeccajeanlimitedphotography ) Sometimes that means leaning into local flavor. “If you’re in Boston, a More Than a Feeling remix could be a good move. If you’re in Jersey, you can’t go wrong with a little Bon Jovi.” That adaptability is part instinct, part preparation. Deleasa has been known to swap out tracks after night one if they don’t land the way he imagined. He’ll layer new drum samples or textures before a set to boost the energy. And sometimes, the best moments are the spontaneous ones,  the audibles he calls mid-performance when he feels the room shift. It’s this mix of humor, instinct, and craft that makes his sets memorable. They’re never cookie-cutter, never rigid. You can tell he’s in conversation with the crowd, and that conversation shapes the night. Two Cities, One Philosophy Ask him about his influences, and he points to geography as much as genre. “Miami got me more into house and tech house, more dance-driven, underground stuff,” he explained. “New York was more open format, playing everything. So now when I’m doing dance sets, I have to remind myself I can ride tracks out instead of mixing too fast.” Those two energies, Miami’s pulse and New York’s eclecticism, collide in his sound today. His sets are rooted in house and dance, but they carry the elasticity of a DJ who’s played every kind of room. That flexibility comes with perspective, too. On nerves, he laughed: “I wouldn’t say nervous. It’s more like excitement. If being so excited you could pee your pants equals nervous, then yeah, sometimes. I try to trick my brain and reframe it. I don’t get nervous, I just get really excited.” His philosophy goes deeper than performance jitters. It’s about how he approaches creativity itself. “Focus on small steps,” he said. “Baby steps are steps. If you only look at the end goal, it gets overwhelming. But little wins prepare you for the bigger moments.” Photo by Rebecca McDevitt (IG: @rebeccajeanlimitedphotography ) It’s advice that applies far beyond DJing, and it’s what makes him resonate with fans who are creators themselves. Fun, Future, and What’s Next Of course, Deleasa is never all seriousness. Ask him to describe himself as a cocktail, and he answers without hesitation: “I’d go with a spicy marg. A little flavor, a little spice. A classic. Everyone loves it, but it’s also not for everyone.” Ask him about memes, and he lights up: “Any Hasbulla meme. I live my life in memes, I think in memes.” But when he talks about the future, it’s all excitement. Right now, he’s experimenting with Latin house alongside longtime friend Dav Julca, incorporating live percussion into sets.  Photo by Rebecca McDevitt (IG: @rebeccajeanlimitedphotography ) He teased a country remix in the works, dream collabs with Diplo and Jamiroquai, and even shared how kids inspire his creativity. “There’s just this raw honesty with kids. They’ll drop stoic knowledge out of nowhere, and it helps me see things differently.” From funky experiments in Miami studios to rainstorms with live drums, Deleasa’s story is one of growth without losing connection. For those who’ve been following him since the early songwriter shows of 2013, it’s a joy to watch him step into his next chapter.  Catch Deleasa on tour with Jonas Brothers, Franklin Jonas, Boys Like Girls, and Jesse McCartney through the end of this year

Marina, captured by Danica Robinson (IG @ danicarobinson ) Written by Fernando Flores Photography by Danica Robinson The Princess emerges out of the Star Fields Four years after releasing her fifth album, “Ancient Dreams in a Modern Land” MARINA creates a strong comeback with the release of “Princess of Power.” After the announcement of the U.S. tour, longtime fans swell with excitement, eager to welcome MARINA back to the stage after years of not touring. Marina, captured by Danica Robinson (IG @ danicarobinson ) Performance Leveled-Up! Excitement reached an all time high after Mallrat warmed the crowd up with her stellar performance that had MARINA fans asking for more from her. Minutes after her set, fans where still talking about Mallrat’s performance as they add her onto their Spotify playlists while waiting for MARINA to come on stage. The energy has been building up all year. MARINA has perfectly created enough hype through her past performances during this year. Honorable mentions are, of course, her Coachella appearance which was incredible, vibrant and full of energy. Secondly is her Governors Ball performance, striking a home run with her fan base and collecting a bigger cult following after the fact. She as created so much uproar for the Princess of Power and has cemented her status as a must-see live act. Stimulation Theory Marina, captured by Danica Robinson (IG @ danicarobinson ) After so many previews to what energy MARINA is capable of, there’s no wonder why the crowd was so eager to see her. Soon enough, we’re sent into the simulation that’s P.O.P. as we follow the storyline based inside of a video game. MARINA starts the opening notes of “Princess of Power,” causing the venue to erupt in excitement. The powerful song sets the tone for the rest of the set. Starting strong, MARINA lets out a ton of energy and really commands the stage only captivating the crowd even harder than before. Everyone, including myself, enchanted by her energy starts to dance and let loose. For once our problems are out the door and everyone starts to show their Cuntissimo side. Return of the Classics Marina, captured by Danica Robinson (IG @ danicarobinson ) Across an hour-long set blending fresh tracks with beloved oldies, MARINA brings the audience through a wave of emotions and nostalgia. Not one person stood still, everyone singing her lyrics back to her, in a rave style energy. By the end of the night, time had flown by and fans were left with that euphoric feeling of having shared such an unforgettable performance. Yet, MARINA had more to give.  The Marina Fund Marina, captured by Danica Robinson (IG @ danicarobinson ) MARINA an advocate for LGBTQ+ so graciously donates 10% of the performances merch sales back to the LGBTQ+ communities across the United States. Not only is she helping the LGBTQ+ community but each purchase also helps deliver urgent relief in Palestine. It's very noble on MARINA’s part to contribute to these really huge issues with merch sales that usually go towards the artists.  Winner! An advocate for peace, the LGBTQ+ community and a great performer. What more can be said about MARINA but that her talents go further than singing. Although her first half of the tour is coming to an end, you can still catch her performances until November. If you’re looking for a lively setlist and an energetic crowd of fans, definitely go see MARINA in her next performance!

Sophie Allison, better known as Soccer Mommy, stopped at Globe Iron in Cleveland on the tail end of her September Tour. The venue opened earlier this year, adding to the long list of music settings in North East Ohio. The new spot sits near Jacob’s Pavilion in an old building sporting brick interiors and a warehouse vibe. It felt like an underground spot to see your favorite up-and-coming artists. We had the pleasure of covering Soccer Mommy’s show in the atmospheric Globe Iron. Soccer Mommy in Cleveland, OH - photo by Madison Cozzens (IG: coz_artphoto) The opening band, Dummy, is an avant-garde group from LA. The band incorporates indie pop, with psychedelic noises and soundscapes to produce a sound that is their own. They set the stage with a maximalist tone, incorporating keyboard, drums, guitars, and soundboard together. Dummy’s intention is not to create something difficult but fun and exciting with their complex layering of instruments and sounds. Dummy in Cleveland, OH - photo by Madison Cozzens (IG: coz_artphoto) Allison started writing and recording songs in her bedroom, posting them on Bandcamp, not expecting to gain a following. Soccer Mommy’s success has taken her worldwide, playing shows in the UK and Europe, Australia, and Japan. Despite her world recognition, Soccer Mommy has a sincere and soft presence on stage. You can hear the influences of Mitski and Avril Lavigne in Soccer Mommy’s “bubble-grunge pop” sound. Sophie’s ability to blend soaring melodies with heartfelt and heartbreaking lyrics is her superpower to resonate with fans. Soccer Mommy in Cleveland, OH - photo by Madison Cozzens (IG: coz_artphoto) Soccer Mommy performed across the discography “Your Dog”, “Circle the Drain”, and “Shotgun”. Towards the beginning of the show, the band played “Abigail”. Not a song about an ex, a friend, or a lover, but Sophie’s wife NPC in Stardew Valley. Allison created the song as a writing exercise, and it ended up on her most recent album, “Evergreen”. The people in love, the heartbroken, and the Stardew Valley fans alike swayed together to the song. You can feel the earnestness and personal stories through Soccer Mommy’s music, reaching out through Allison’s experiences and helping people get through their own hardships. Soccer Mommy has proven that they have carved our their own lane and we can't wait to see what's next for them. Soccer Mommy in Cleveland, OH - photo by Madison Cozzens (IG: coz_artphoto)

Article Contributed by Ilana Bornstein Press Photo by 1824 / UMG SoundCheck recently caught up with Grammy-nominated artist, BJRNCK to discuss her highly-anticipated new album, due later this year. After stepping away for a much-needed creative reset, she’s returning with a project that’s both deeply personal and universal, infused with honesty and soul.   Photo Provided by 1824 / UMG Fully immersed in a natural and organic creative process, she’s been spending long stretches in an LA recording studio penning songs that tell stories, jumping into impromptu jam sessions, freestyling hooks on the spot, and vibing with sound engineers in production camps. The energy of collaboration is at the core of this project, but the heart of it lies in the message: the entire body of work is about learning to love yourself and discovering how you want to be loved. BJRNCK (BE-YOOR-NIK) BJRNCK isn’t just a title, it’s an experience. Born out of word-playing her last name, dropping the vowels, stripping it to its essence and flipping it into something that feels like a riddle, it’s a cipher designed to spark curiosity. Is it an acronym? A code? A hidden meaning? Yes, no, maybe and that’s the whole point.  BJRNCK isn’t just a name, it’s a challenge. A refusal to be boxed in and a rejection of snap judgments. It’s not about being easily defined, it’s about creating something that resists assumptions. It‘s a perpetually wide open door into a clever and chaotic world without expectations.  Source: IG @BJRNCK BJRNCK — both the artist and the alias — represents freedom. The freedom to create without borders, to embody multiple identities, and to exist in mystery, allowing a raw, unfiltered Chicago honesty to collide with a polished, fearless Los Angeles edge. Together, these East Coast/West Coast roots shape a brand that doesn’t just tell a story, it demands one.  LISTENING TO HER OWN VOICE When BJRNCK talks about her music, one word comes up again and again: vulnerability. For her, it’s not just a theme, it’s the heartbeat of her artistry; her songs aren’t just about the sound, they’re about creating a space where her listeners can grow, evolve, and fall in love with every variant of themselves. She encourages her listeners — young women especially — never to settle, shrink or change for the sake of love, and instead to embrace the power and duality of tenderness and strength. For BJRNCK, “…women are the foundation of the music industry; we’re constantly navigating and expressing different versions of ourselves and we can be soft girls still figuring it all out and strong, confident queens at the same time.”  Source: IG @BJRNCK Getting to this place of vulnerability and authenticity wasn’t easy or linear, and she credits an interaction from years ago as a career-defining experience and one that would chart her artistic trajectory. The owner of her previous label once told BJRNCK that she was playing it too safe and she knew he was right. “I was making the kind of music that I thought people wanted to hear, projecting a version of myself that was manufactured and not authentic”, she says. That realization sparked a shift. She boldly ended a relationship, packed her bags and set off to find herself and her voice. Now signed with Geffen Records, she pours that honesty and evolution into her work, creating music that reflects who she is: real, deeply relatable and unafraid to exist in the balance of soft vs. strong. CRAFTING HER OWN NICHE With her forthcoming album, BJRNCK continues to carve out and mold a unique identity within modern R & B.  When asked how she balances honoring the genre’s nostalgic soul with pushing it somewhere new, she tells us: “You can hear so many of my influences in the production and format. I have songs that are inspired by old school Beyoncé and Aliyah, I pay homage to Brandy with my stacked melodies, and a lot of the strong drums and guitars in my music remind me of the power you’d hear in a Mary J. Blige track. Also, ad libs are huge in R & B. When you think of classics like Usher’s ‘Burn’ and Ginuwine’s ‘Pony’, it’s always the main ad libs you’re singing.” She continues, “I think what sets the tone for my sound now and moving forward is the emotion. That’s how I make it my own. R & B doesn’t always have to be “soft girl music.” I write lyrics conversationally. ‘Club’ is that track about looking for love and meeting someone on a night out, then ‘Crazy’ is the talking stage when you’re getting to know that person, and ‘Safety’ is about me communicating what I need in a relationship to feel safe with my feelings.”  "Music has always been the main relationship in my life." - BJRNCK WHAT'S NEXT? As BJRNCK gears up for the release of her new record in the next few months, she also hopes to cross this bucket list dream off her list: “I would love to have a song featured on a Madden video game. Those always have the best soundtracks.”   SoundCheck will be following along, cheering her on and can’t wait for what’s next for this talented, dynamic artist. Source: IG @BJRNCK “Make a song that nobody can take away from you, that’s some of the best advice I’ve ever received.” — BJRNCK

With Midnight Sun , Zara Larsson steps fully into her power, offering a record that radiates vulnerability, confidence, and the contradictions of being human. At 27, she balances reflection with playfulness, ambition with uncertainty, wrapping it all into a pop landscape that feels both intimate and euphoric. The album leans into the feeling of an endless summer night — dazzling, emotional, and a little bit bittersweet. It carries the warmth and fleeting beauty of a Swedish summer, but it’s also universal, tapping into the kind of moments that are so breathtaking they leave you on the edge of tears. Sound and Vision While Larsson’s past projects ( So Good , Poster Girl , and VENUS ) cemented her as a global hitmaker, Midnight Sun  feels like a full-circle moment. It nods back to the carefree honesty of her earliest work while pushing pop into bold new directions. Teaming up with collaborators like MNEK, Margo XS, Zhone, and Helena Gao, she delivers a record that thrives on contrast, high-energy anthems designed for dance floors paired with quieter moments of introspection. Standouts include “Blue Moon,” which surges forward with drum ‘n’ bass rhythms and a devotion to eternal love, and “Hot & Sexy,” a bold collision of electro, house, Y2K pop, and hyperpop. On the other end, tracks like “Saturn’s Return” and “The Ambition” cut deeper, exploring self-discovery, drive, and the pressure to constantly succeed. Adding to the album’s world-building, Larsson has also partnered with Lisa Frank, Inc. for a special Midnight Sun (Lisa Frank Edition)  CD — a neon, aquatic reimagining of the artwork that nods to fan culture and internet creativity. You can buy the Lisa Frank vinyl here A Global Pop Force: Zara Larsson Currently wrapping her run as special guest on Tate McRae’s Miss Possessive  tour, Larsson will bring Midnight Sun  to life across Europe this fall before embarking on her first full North American headlining run in 2026. From Munich to Stockholm and eventually Portland to New York, the live shows promise to mirror the album’s range — euphoric highs, intimate lows, and everything in between. After nearly two decades in the spotlight, Larsson has transformed from teen sensation to commanding global force. Midnight Sun  isn’t just another step in her career. It’s her most authentic work yet, showing an artist who knows herself deeply and refuses to compromise on vision. Pop music is brighter, bolder, and more alive with her at the helm.

Contributed by Konstantina Buhalis Revisions by LJ Portnoy, Editor-in-Chief Kid Cudi shot by Norman Jean Roy (@ normanjeanroy on IG) Kid Cudi’s legacy extends to the 2010s, when his hit track “Day n’ Night” first premiered in 2009 (we all remember the DirecTV commercial that used the song on the Help channel). Since then, Kid Cudi has become a household name, releasing music and starring in films like X  and Happy Gilmore 2 . Most recently, though, Cudi has dropped a new album, Free  (Wicked Awesome, Republic), his eleventh studio album and his debut in the pop sphere—giving us the record of the late summer. Kid Cudi's Freedom to Be a Pop Star While Cudi cut his teeth as a hip-hop artist, his newest full-length album is a pop record featuring the talent of Ryland Blackinton (Cobra Starship), among other producers, to create a sound that reflects on the joy and happiness of Cudi’s life over the last few years after extended periods of depression and anxiety. His style has evolved in countless ways, and most recently he’s stepped further into multimedia artistry, partnering with director Ti West to create a short film alongside the single “Neverland.” Even while he’s spent time in the cinema spotlight, he’s curated a new sound that both entices longtime listeners and reintroduces him to younger fans who may primarily know him for his film credits. Mr. Rager to Mr. Miracle Kid Cudi photographed by Aldo Chacon (@ thealdochacon on IG) How times have changed. As we all grow and shift, so too has Cudi—transforming his persona from Mr. Rager, the edgy, pessimistic, self-destructive force of his earlier work, to Mr. Miracle, upbeat, optimistic, and motivational. The titles say it all, but listening to this album is its own experience—emotional and thought-provoking. With his pop debut, Cudi shows his range through melodic, almost hummed vocals that float within darker pop arrangements. “Echoes of the Present” leans on piano to create a melancholic opener, while “Neverland” blends acoustic guitar with trap beats, a clear nod to his earlier sound. Across the record, trap rhythms hold things together, but Free  keeps slipping into darker pop textures, with electronic layers especially prominent on “Truman Show.” Closer “Salt Water” takes us to new heights with ethereal piano and steel drums that feel like being blinded by sunlight on a beach—closing the record on a dreamy, hopeful note. The Art of Reflection Cudi has always been forthcoming in his music, unafraid to show honesty and pain. With Free , he’s let himself sink into joy and embraced the light. It’s a departure from much of his previous work, but it’s also a realistic vision of hope in the face of uncertainty—an album that feels less like a reinvention and more like a next chapter. Final Verdict: 8/10 Featured Tracks: Mr. Miracle Truman Show Salt Water

Chicago, September 3, 2025 Show Review & Photos by Ernesto Raul Aguilar Chicago’s Huntington Bank Pavilion came alive with a powerhouse evening of blues-infused rock, headlined by The Black Keys and supported by Gary Clark Jr. The evening kicked off with Clark delivering a tight, energetic set that moved seamlessly between blues classics and his own hits. Opening with a stirring take on Robert Petway’s “Catfish Blues/Maktub,” Clark and his band quickly established a groove-heavy momentum that carried through tracks like “Ain’t Messin ’Round,” “When My Train Pulls In,” “Don’t Owe You a Thang,” “Feed the Babies,” “What About Us,” and “Bright Lights.” The set balanced fiery guitar work with strong rhythmic drive, pulling the audience into the evening’s pulse. By the time Clark closed his set, the crowd erupted into a standing ovation, perfectly primed for what was next. Photo by Ernesto Raul Aguilar (IG: blacksheepimagery ) When The Black Keys hit the stage, the energy shifted up another notch. They opened with “Thickfreakness,” “The Breaks,” and “I’ll Be Your Man,” immediately showcasing the tight, punchy blues-rock that has defined their sound for years. Dan Auerbach’s gravelly vocals and sharp guitar riffs paired perfectly with Patrick Carney’s precise drumming, creating a momentum that held the audience in its grip throughout the night. The chemistry between the two was evident in every riff and drumbeat, carrying the crowd from one high-energy moment to the next without missing a beat. Photo by Ernesto Raul Aguilar (IG: blacksheepimagery ) The Keys’ set spanned their catalog, moving effortlessly between hits like “Your Touch,” “Gold on the Ceiling,” “Wild Child,” “Everlasting Light,” and “Lo/Hi,” and deeper tracks including “Too Afraid to Love You,” “No Rain, No Flowers,” “Down to Nothing,” “Fever,” “Heavy Soul,” and “Howlin’ for You.” A playful nod to rock history came in the form of a cover of Canned Heat’s “On the Road Again,” while the encore, featuring “Little Black Submarines” followed by “Lonely Boy,” sent the crowd home buzzing. The set was dynamic, alternating between high-octane rockers and slower, blues-infused numbers, keeping the audience engaged and fully immersed from start to finish. Photo by Ernesto Raul Aguilar (IG: blacksheepimagery ) The Huntington Bank Pavilion itself provided a perfect backdrop for the night. Though the day had been mostly rainy, the skies cleared by showtime, a fitting twist for the “No Rain, No Flowers Tour.” The open-air design, and a visibly enthusiastic crowd, amplified the energy of both performances. Fans clapped, sang along, and danced throughout, creating a sense that the night was more than a concert; it was a shared experience, a communal celebration of live music and blues-rock at its best. Photos by Ernesto Raul Aguilar (IG: blacksheepimagery ) By the end of the night, Chicago had witnessed a masterclass in contemporary blues-rock. Clark’s set brought groove, intensity, and effortless showmanship, while The Black Keys delivered a focused, high-octane performance that spanned their catalog with precision and punch. Every note felt intentional, every riff hit with purpose, making the Pavilion pulse with energy. It was loud, raw, and unforgettable, a night that proved why these artists remain at the forefront of modern blues-rock and left the crowd already anticipating the next time these acts hit the stage.

Louis Knight is a singer/songwriter that leaves you with something to carry. British-born and Philly-raised, he first caught attention on American Idol , but it’s the music that came after that’s carved out his place. His songs feel like late-night conversations, the ones you remember long after the lights go out. Photo by Rebecca McDevitt (IG: @rebeccajeanlimitedphotography ) A Run of Raw, Honest Singles 2024 was a turning point for Louis. He dropped “The Pub Song,” a pint-glass anthem that feels like memories with your best friends bottled into a track. Not long after came “Hold Me,” a duet with Devon Gabriella that’s stripped-down and intimate, the kind of song you want to keep close. And then there’s “Wherever You Are,” a heart-aching ballad about grief and holding on. Each release proves he’s not chasing a sound, but he’s living inside the lyrics. The Story Behind the Songs Louis grew up in London before moving to Philadelphia, and that mix of grit and vulnerability runs through his writing. From the first time he sang “Change” in honor of a friend, it was clear his art would always hold space for loss, love, and honesty. His early EPs, Small Victories and Twenty, Twenty Two, plus singles like “Say It Again” and “Fell For You,” show a steady climb, sharpening his craft while staying true to his voice. Why Louis Belongs on Your Radar Louis isn’t playing by the industry’s game, but he’s building a community with us one song at a time. His music speaks directly to fans who want real connection, and his openness about mental health makes him someone you can root for beyond the music. This is an artist who isn’t just passing through the underground scene. Louis Knight is shaping the singer-songwriter scene with each release, and we can’t wait to see what comes next. Photo by Rebecca McDevitt (IG: @rebeccajeanlimitedphotography ) Where to Start Listening “Wherever You Are” — grief turned into a love letter. “Hold Me” (feat. Devon Gabriella) — soft, warm, and made for quiet nights. “The Pub Song” — a toast to nostalgia, friendship, and letting loose. “Change” — the moment that showed fans he’s more than just a contestant. Follow @louisknight on Instagram for more updates, music & more!

Review by Rebecca McDevitt Franklin Jonas steps into a new chapter with " Village Liquors" , an indie-country single that radiates both grit and soul. The song feels like a window into Franklin’s story of growing up, facing himself, and embracing honesty. The banjo adds a perfect country twang, grounding the track in rootsy authenticity while still keeping it fresh and modern. What makes Village Liquors  stand out is its lyrical weight. When Franklin sings, “Too young to live, too young to die, I’m the aftermath of youth I sacrificed,”  it’s chilling, a line that hits like a confession and a mantra at the same time. He threads together memories of late nights, self-discovery, and even getting high with the “Bible crowd,” painting a raw portrait of youth’s contradictions. Photo by Rebecca McDevitt (IG: @rebeccajeanlimitedphotography ) This track feels like the defining start of a new Franklin Jonas era. While his “rat era”, especially gems like Cherub , showed off his playful, experimental side, " Village Liquors"  feels like him stepping into his most authentic skin as a songwriter. It’s reflective, heartfelt, and deeply human, giving listeners not just a song but a piece of who Franklin truly is. " Village Liquors" isn’t merely a release, it’s Franklin Jonas showing us he’s built a sound and narrative that belong entirely to him.