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5/20/25 DELUXX FLUXX, NYC Photo by Fernando Flores Michael Angelakos sets out to create the best experience for his fans. Prior to opening the doors to the venue you can see the amount of effort the team puts to add onto the vibrant experience DELUXX FLUXX already has to offer. Pure behind-the-scenes chaos that all ties down to an incredible concert experience. Outside of the venue forms a line of fans wrapping around the street. Once the doors open and fans start rushing in. The once empty venue was now full to the brim with excited fans, all anticipating the moment Passion Pit would come up to the stage. A few more final touches happen behind closed doors and on he stage. Eventually the house lights dim, the LED lights brighten and out comes Passion Pit.  Photo by Fernando Flore s When Michael Angelakos comes onto the stage, he starts tuning his analog equipment as he explains his truly masterful use of analog equipment mixed with incredible lyrics and vocals to create the sound that is Passion Pit. The crowd starts to get in tune with Michael when the random sounds suddenly become the music the audience all knows and loves. It becomes almost visual art as he moves through the setlist of popular songs from his prior years. From the moment they launched into their first song, the band’s infectious synth-pop sound enveloped the space, with pulsating beats and soaring melodies that had everyone dancing and singing along. The dynamic lighting and immersive atmosphere perfectly complemented the euphoric soundscape, creating a multi-sensory spectacle that captivated the audience. Classics like “Sleepyhead” and “Take a Walk” were met with excitement from the crowd and the performance constantly brought a balance of crowd interaction and continuation of the setlist. Not one soul stops enjoying themselves throughout the night.  Photo by Fernando Flore s Noticeably, Michael Angelakos drives his energy from the audience. The more in tune they were the more energy he gave back. The electrifying experience that left the crowd buzzing with exhilaration long after the final note faded. The vibrant energy that frontman Michael Angelakos brought to the intimate venue was nothing short of mesmerizing.  What truly stood out to me was witnessing Michael Angelakos interaction with his fans throughout his performance. His genuine connection with the audience created an intimate and electrifying atmosphere, making each song feel personal. Adding to the night’s significance was the fact that it was his birthday just the day before, infusing the performance with an extra layer of warmth and celebration. This special context seemed to amplify the emotion and energy on stage, making the concert an unforgettable experience for everyone present. By the end of the setlist, the energy was overpowering and left you satisfied but seriously wanting more. There’s really no wonder why Passion Pits residency extended two more days last minute.  Photo by Fernando Flore s Passion Pit and the team definitely have a lot brewing for Passion Pit and I can’t wait to see what they have planned next. So, If you’re in the market for a masterful blend of old analog style music with a modern-day sound, you have to look no further than Michael Angelakos for Michael Angelakos is Passion Pit.

Miami showed out for Joe Jonas’ Music For People Who Believe in Love  album release, rain and all. Photo by LJ Portnoy The night opened with a wild set from DJ Deleasa, who brought the heat despite the drizzle. Between bongos, horns, Deleasa’s infectious energy, and a crowd that refused to let a little weather kill the vibe, the set turned into the kind of Miami night people try to write songs about—sweaty, sparkly, and completely alive. Photo by Rebecca McDevitt Then the lights dropped. Bittersweet Symphony  began to play, and as if on cue, the rain stopped. A cinematic moment that felt like it was meant to be. The crowd erupted—and from there on, it was all for Joe. He delivered every classic with charisma and intention, but the stripped-down acoustic version of “Cake by the Ocean” hit different. It had the entire crowd in a collective chokehold, proving that Joe doesn’t just perform songs—he transforms them. Photo by LJ Portnoy Still, the emotional core of the night came from the new material. Songs like “Honey Blonde” and “Only Love” pulsed with sincerity and vulnerability. You could feel the emotion radiating through Joe’s voice and body language—raw, unfiltered, and incredibly human. He closed the night with “Constellation,” a slow-burning, soul-bearing track that left the entire venue breathless. The connection between Joe and the audience was tangible, woven through every lyric, every note. Photo by Rebecca McDevitt Music For People Who Believe in Love  isn’t just a great indie-pop album, it’s a full-body experience, and live, it becomes transcendent. 📸 Photo Gallery See the full set of images from the Miami album release party 🎧 Full Album Review: Music For People Who Believe in Love Read our in-depth breakdown of Joe Jonas’ most vulnerable and vibrant record to date.

When Joe Jonas released Fastlife  in 2011, it was flashy, fun, and very of its time. Fast forward to 2025, and he’s back with something much more grounded. Music for People Who Believe in Love  doesn’t try to impress with high-gloss pop—it invites you in quietly, earnestly, and with a lot more heart. This is Joe at his most honest. The album opens with a cinematic instrumental that leads into “Parachute,” a lyrically raw track that sets the emotional tone: “My naked finger still has a fourteen-carat kinda whisper.” It’s not just a breakup song—it’s a reflection, a reset. And while his 2023 divorce might be the elephant in the room, this record doesn’t dwell on loss. It explores everything that comes after. Genre-Blurring with Purpose Musically, Joe blends genres effortlessly—pop, country, funk, and indie rock all coexist here. Each collaboration feels thoughtful: Sierra Ferrell adds aching beauty to “Sip Your Wine,” Luísa Sonza brings energy to “What We Are,” and Franklin Jonas (yes, Frankie!) delivers a surprise highlight on “Velvet Sunshine.” There’s plenty of emotional weight here, but it’s not heavy for the sake of it. “My Own Best Friend” is a quiet gut-punch, showing the painful but necessary process of learning to rely on yourself. “Work It Out” leans on humor and twangy guitar while unpacking anxiety—“baddies get saddies” is both cheeky and surprisingly poignant. “Honey Blonde” and “Only Love” touch on the idea of rekindled love and healing, while “Hey Beautiful,” inspired by fatherhood, glows with gentle gratitude. There’s also “You Got the Right,” which plays like a voicemail left in the dark—raw, intimate, and full of grace for someone walking away. A Quiet But Lasting Impact The standout closer, “Constellation,” is that kind of cry-in-your-car song that understands you. “Everything I lost, everything I found / Lose it all again just to be here now,” he sings. It’s less about heartbreak and more about survival. About learning to live with the love you’ve had, lost, and still carry. Even the digital-only bonus track, “Heart by Heart,” feels essential. With stripped-down production and a lyric like “I know your heart by heart,” it’s a slow burn that lingers. Final Thoughts So no, this isn’t a breakup album. It’s a grown-up album. One that speaks to rediscovering love in all its forms—romantic, familial, internal. Joe’s not trying to prove anything here. He’s just telling the truth. And sometimes, that hits harder than any chart-topping hook. Rating 9/10

Welcome to the Temple—Reimagined Sleep Token has never colored inside the lines. With each release, they've torn up the blueprint and started again, building their sonic cathedral from scratch. Even In Arcadia  isn’t just the next chapter—it’s a transformation. It’s a haunting, glittering, genre-bending portal that keeps one foot in the shadows of what’s come before while stepping boldly into unfamiliar terrain. From Serenity to Storm The opener, “Look To Windward,” doesn’t ask for your attention—it demands it. Eight minutes of winding orchestration, shimmering synths, and punishing riffs establish the record’s stakes. It’s cinematic, almost liturgical. And that level of ambition doesn’t let up. “Emergence” bleeds seamlessly into “Dangerous,” an aching standout that manages to feel both deeply intimate and galactically large. If you’re listening with headphones, prepare for liftoff. The Vessel Unmasked Where previous albums hinted at vulnerability, Even In Arcadia  strips the armor down. “Caramel” offers a rare, fragile moment of exposure. Vessel sings not from behind the curtain, but with it wide open: “Terrified to answer my own front door.”  It's a line that cuts deeper the longer you sit with it. And in “Gethsemane,” Sleep Token dares to dance—literally. Funky grooves slip in, a curveball that works because it’s so unexpected. They’ve always blurred genres, but here, they blur identities—who they’ve been, who they are, who they could become. Not Every Risk Lands—But That’s the Point It’s not all divine intervention. “Past Self” doesn’t quite ascend to the same emotional peaks as the rest, and a few transitions feel more cerebral than spiritual. But that’s the trade-off for fearlessness. This is a band that would rather stumble than stagnate, and Even In Arcadia  thrives on that creative friction. Final Verdict: Worship Worthy Sleep Token isn’t for passive listening. It’s for believers—for those willing to step into the unknown and feel everything. Even In Arcadia  doesn’t rewrite the Sleep Token gospel—it reshapes it. Into something bigger, weirder, and maybe even more sacred. Rating: 9/10 — For the faithful and the fearless.

A sold-out sweaty crowd packed the Crown Hill Theater in Brooklyn, New York to see Rico Nasty perform for One Night Only presented by Pigeons & Planes and le PÈRE   on Saturday May 3rd. Photo by Annie Gallo Nasty had the crowd screaming her name before she took the stage, and when she came out the crowd shouted even louder. Nasty performed “BUTTERFLY KISSES” for the first time since it was released that same week on May 1st. The song is from her upcoming album ‘LETHAL’, and she performed “TEETHSUCKER (YEA3x)” which is also from ‘LETHAL’. But that’s not all. She had the crowd singing along to the 2018 hit “Tia Tamera”, and at one point a lucky fan put their copy of her ‘Nightmare Vacation’ vinyl up in the air for her to sign and she did. The energetic performance lasted less than 45 minutes, but was nothing short of captivating the whole time.’LETHAL ’ comes out May 16th.

Press Release From InnerCat Music Group Austin, TX — April 25, 2025 — Reggae gets a fresh spark with “Hot Box”, the latest single from genre-blending band Mr. Mota, officially released on April 18th. Released by InnerCat Music Group, the track dropped alongside a nostalgic music video inspired by That ‘70s Show, and it’s already made waves with over 600,000 views on YouTube. As part of the launch, the band announced a special partnership with iconic lifestyle brand Dime Bags, bringing fans a unique fusion of sound, culture, and community. Produced by Grammy-winner Mariano Aponte (SOJA, Beauty in the Silence) and recorded at InnerCat Studios in Miami, Hot Box captures the heart of Mr. Mota’s sound: warm, vibrant, and rooted in connection. “Hot Box was initially inspired by my first car. It would sit on the street outside of  my parents’ house and when they went to sleep, Ari (Mr. Mota bassist and  brother to Max) would sneak out and blast our favorite songs. It’s really  where I fell in love with reggae music and started to discover the legends like  Peter Tosh and Junior Murvin,”   says singer Max Lerman. I t’s about  clearing your head, finding some peace, and connecting with your people.  That’s what we’re chasing every time we get on stage, and we tried to bottle  that feeling into this song.”  The collaboration with Dime Bags reinforces that message. Known for their eco-conscious  accessories and strong artist support, Dime Bags joined the release with a special run of merch,  sales, and online content curated for fans of both music and the lifestyle it represents.  “Recording this song was an incredible experience,” says lead guitarist Rosen.  “We spent months in Miami at InnerCat Studios — it was our first time in a  professional studio as a band. These songs are the culmination of three years  of playing together, and it felt amazing to finally bring what we’d written into  a space where we could shape them into something ready for the world. We  poured our hearts and souls into every moment of this recording.” “It was just as amazing to be on set for the music video. ‘Hot Box’ felt like the  perfect match for the vision we had, and it was so cool to watch everything  come together. Seeing the song come to life visually was a whole new level of  excitement for us.”  About Mr. Mota  Mr. Mota consists of Rosen (Guitar & Vocals), Jake Young (Drums), and brothers Ari  Lerman (Bass) & Max Lerman (Vocals & Guitar) . Known for blending reggae’s feel-good  energy with their own unique flair, the band crafts anthems that connect across generations. They formed in May 2021 during a graduation event at the University of Colorado Boulder. One  show led to a buzzworthy following and steady growth across Colorado and the Rocky Mountain  region, with Boulder’s Fox Theatre becoming a launching pad for their sound.  Their first independent tour in summer 2023 spanned 40+ cities , including iconic venues like  Mercury Lounge (NYC), Nectar’s (VT), Portland House of Music (ME), and Charleston  Pour House (SC) . A follow-up Northeast tour in winter 2024 solidified their national  momentum.  Now based in Austin, Texas , Mr. Mota is gearing up for more singles set to roll out through  Summer and Fall 2025 — with Hot Box kicking off the campaign in full color and style.  About InnerCat Music Group  Based in Miami, Florida, InnerCat is an independent artist development agency dedicated to  empowering the next generation of creatives in today’s fast-paced music industry. With a focus  on innovation, authenticity, and artist-first strategies, they provide a full spectrum of support— from branding and marketing to distribution and content production. Their cutting-edge InnerCat  Studios in Miami served as the creative home for Mr. Mota’s latest recordings, giving the band a  space to fully explore their sound and vision. Through this dynamic collaboration, InnerCat is  helping Mr. Mota bring their voice to the world—boldly, independently, and on their own terms .  Watch and listen to “Hot Box” : https://www.playandfollow.com/r/icmg/hot-box   Follow Mr. Mota:    Website: www.mrmotamusic.com   Instagram: https://www.instagram.com/mr.mota.band/   TikTok: https://www.tiktok.com/@mrmotaband   META: https://www.facebook.com/mrmotamusic   YouTube: https://www.youtube.com/channel/UCuR1IccgclgOZDdCqabksWw

“Brat” was named Collins Dictionary’s word of the year for 2024. The word started being widely used after English pop star Charli xcx came out with her six studio album ‘Brat’, and even though its release was almost a year ago the word and phrase “brat summer” is still used today.  Charli xcx wrapped up the American leg of the Brat Arena Tour Sunday May 4th in New York City. The star performed four sold-out nights at Barclays Center in Brooklyn. The shows in New York came after her electrifying performance  at Coachella and a series of solo shows in Austin,  Minneapolis, and Rosemont, Illinois before headlining two nights in New York.  Photo by Annie Gallo On the second night of the Brooklyn show, before she hit the stage, flashes could be seen in the crowd on every level of the Barclays Center because dozens of people in green were taking out their digital cameras, taking pictures of themselves and friends capturing the moments. From the second fans saw her appear on the stage that read “girl” in capital letters, they were singing along to songs and screaming for her at the top of their lungs. When she came out there was a green curtain behind her; the curtain said “brat” in black lowercase letters with black scribbles overtop of the word. Photos online of the curtain showed that it got more and more damaged each night, seemingly intentional. The moment  she started singing “I Might Say Something Stupid” the crowd was lit up with thousands of phone flash lights swaying  back and forth. Photo by Annie Gallo At one point she danced in a caged walkway that was under the catwalk. She aggressively shook the cage  with her hands like she was trying to escape. When she performed “Guess” she strutted down the catwalk and spat on it, then kneeled down and lapped it up. It made the thousands of fans in the crowd scream louder than they already were for her. 27-year-old Shannon Fleischman from Parkland, Florida, was one of the thousands of people screaming and singing during the show. She attended two of the four Brooklyn shows. “I went to the Sweat tour in New York last year and absolutely loved it so I had to see her again and everything is more fun in New York,” she said to SoundCheck Mag. Both nights Fleischman’s favorite song that Charli performed was “Spring Breakers”. There were plenty of other noteworthy moments including Charli bringing out Bb trickz to perform their remix of “Club Classics” on the second night. Photo by Annie Gallo “Honestly the whole time I'm just so entertained and what sticks out to me is how Charli can put on a show like that while she’s on stage alone. No dancers, no band. Just her. It’s impressive,” Feischman said about what stuck out the most to her. Another incredible moment that stunned the crowd was when the English star walked to the end of the catwalk and water droplets started coming down from above her as she sang “Track 10”. It left her soaking wet and in need of a towel and an outfit change. After about an hour and half of performing the show ended with red and blue lights flashing as she sang the 2016 hit “I Love It” by Icona pop on which she’s featured.  That was 29-year-old Joshua Yamdogo from Springfield, Missouri’s favorite part of the shows. He went to Minneapolis and New York to see the show, and he got to experience the last concert in Brooklyn. Yamdogo said it was mesmerizing, unapologetic, and euphoric seeing her. “There’s something about her raw energy and stage presence that aren’t in the other shows I’ve seen. It’s like she’s turned an arena of 20,000 into her own club for her close friends,” he said to SoundCheck Mag. The folks who were lucky enough to secure tickets to the shows had the experience of a lifetime as they jumped up and down to songs like “365” and did the viral “Apple” dance. Fans may wonder how she could possibly top her brat era, but only time will tell.

PRESS RELEASE FROM SHUTTER UP & LISTEN - APRIL 25, 2025 Just ahead of Mental Health Awareness Month, Leo Dante unveils his powerful new single, “Medicine” — a raw and resonant pop-rock track that dives headfirst into the complexities of mental health. Co-written by Alessandro Rütten (Leo Dante), Liam Heinze, Maria Christensen, and Wesley Steed, “Medicine” captures the haunting cycle of intrusive thoughts, the weight of anxiety, and the yearning for something — anything — to numb the pain. Produced by Leo Dante, Liam Heinze, and Myles Priest, the track fuses gritty guitars and hard-hitting drums with Dante’s soaring, emotionally charged vocals. It’s a sonic storm that mirrors the inner chaos many face in silence. “Medicine” doesn’t just showcase Dante’s artistry — it opens the door for honest conversation, giving a voice to the struggles that often go unseen. Bold, cathartic, and unapologetically vulnerable, “Medicine” More than just a song, it is a timely reminder that acknowledging pain is a powerful first step— and that no one struggles alone. About Leo Dante Ever wondered what you’d get if you were to throw the pop anthems of Twenty One Pilots, the alt-rock energy of Bring Me The Horizon, the vocal prowess of Steven Tyler, the nu-metal angst and gravel of the late Chester Bennington and the RnB licks of Usher into a blender? Well…..The answer to that would probably be Leo Dante. Based in Nashville, Tennessee; the German born pop-rocker is a multinational, multi-lingual and multi-talented artist, singer, songwriter, multiinstrumentalist, producer, performer and even viral social media star…Leo Dante really can do it all. A previous contestant for The Voice Germany and Eurovision, Leo has performed on stages across the world including for legendary hitmaker Desmond Child where he was asked to sing lead vocals for Aerosmith’s ‘Crazy’ at his sold out 2022 ‘Desmond Child Rocks the Parthenon’ concert among the ancient ruins in Athens, Greece. Leo has also been a featured artist for multiplatinum selling Swedish EDM legends Mike Perry, TEN TIMES and Erlandsson and Sony Germany's Leon Brooks. Having racked up millions of streams and editorial playlist placements across all major DSP’s in the past year alone, Leo has gained thousands of followers and millions of views across his social media accounts and his Leo Dante's covers have caught the eyes and ears of record labels and the original artists around the world, even getting reaction posts, likes and comments from Sam Tompkins, Teddy Swims and MGK along the way!

PRESS RELEASE Pre-save Everest HERE Halestorm, the GRAMMY-winning band initially formed by siblings Lzzy and Arejay Hale with guitarist Joe Hottinger and bassist Josh Smith, have announced Everest , their sixth studio album out August 8 on Atlantic Records. Today the band also announced the “nEVEREST Duality tour,” a US/Canada tour this fall with Lindsey Stirling and supported by Apocalyptica. Tickets go on sale this Friday, May 2 at 10 AM local time.  Last week, the band offered a glimpse of Everest with “Darkness Always Wins,” the first song to be revealed from the upcoming collection. The song teases an album, produced by GRAMMY winner Dave Cobb (Brandi Carlile, Chris Stapleton, Jason Isbell), that dives deeply, both lyrically and sonically, into the band’s mountainous climb over the last couple decades. “Our album Everest is a story of our journey as a band, full of beautiful endings and new beginnings,” says Halestorm frontwoman Lzzy Hale. “We weave a tangled web of melancholy, frustration, anger and the vast purgatory of love and love lost. It is a rollercoaster of epic musical detours, great songwriting and completely unhinged twists and turns. Everest is an auditory representation of the 4 pillars of Halestorm. Let us reintroduce ourselves and invite you into our world…if you dare.” Rolling Stone said of “Darkness Always Wins,” "What the song has going for is its catchy, brooding, and dramatic in all the ways we love Halestorm songs to be,” and Revolver noted "The arrangement remains lean even as the amps begin to crank into the red, though ‘Darkness Always Wins’ still sports some exquisite minor-key melodicism, a metal-chunked bridge, loud-as-hell requiem bells and a classically rippin’ rock guitar solo." “Darkness Always Wins” impacts at Active Rock radio this week, but already debuted as the “Greatest Gainer” at the format with early airplay last week. The newly announced nEVEREST tour follows an epic run first supporting Iron Maiden in Europe and dates with Volbeat in the US with a one night-only-performance at Black Sabbath’s final show in Birmingham, England. See below for a full list of upcoming dates. *** ABOUT HALESTORM: What started as a childhood dream of Lzzy and Arejay Hale, Halestorm has scored seven #1 hits at rock radio, and their music has surpassed one billion streams across platforms worldwide. They’ve received two GRAMMY nominations and won in 2012 for “Love Bites (So Do I)” as Best Hard Rock/Metal Performance. The band has built a reputation for their dominating live performances and has shared the stage with rock icons like Heaven & Hell, Alice Cooper, and Joan Jett. ABOUT LINDSEY STIRLING: Few artists embody the boundless creativity and gifts of multi-award-winning musician Lindsey Stirling. Known as much for her genre-bending virtuosity on electronic violin as she is for endlessly dazzling audiences with her extraordinary talents as a dancer and performer—elements she brings to the stage as part of her spectacular live show—Lindsey tours with stunning frequency and continually sells out iconic venues around the globe. Her groundbreaking vision has gained her millions of adoring fans worldwide, four Billboard chart-topping albums and two Billboard Music Awards, including Top Dance/Electronic Album for her third studio release, Brave Enough. Her holiday album, Warmer in Winter, catapulted to the #1 spot on Billboard, Amazon and iTunes Holiday Album charts upon release and lead single “Carol of the Bells” made history as the only instrumental song ever to reach the Top 10 at AC Radio. Lindsey's song Shatter Me featuring Lzzy Hale (of Halestorm) recently garnered platinum status. A New York Times bestselling author (and creator of her own comic book), Lindsey felt compelled to push her boundaries even further for her seventh full-length effort, Duality, ultimately embracing a whole new level of freedom in her songwriting. Lindsey has amassed over 28M million subscribers across social platforms, over 3.5 billion views and 14.3M subscribers on YouTube, 5.2M million followers and 115M likes on Tik Tok, 4.1M followers on IG, and over 500k user generated creations across Tik Tok and Instagram reels. HALESTORM: ON TOUR 2025 May 27 - June 28: Supporting Iron Maiden (where noted) July 5: supporting Black Sabbath July 17 - August 22: Supporting Volbeat (where noted) September 11 - October 11: (co-bill w/ Lindsey Stirling, with Apocalyptica) October 22 - November 26: Support from Bloodywood November 20 - November 26: Support from Kelsy Karter & The Heroines  MAY 15 - Daytona Beach, FL - Welcome To Rockville (festival date) 17 - Ocean City, MD - Boardwalk Rock (festival date) 27 and 28 - Budapest - Sportarena (supporting Iron Maiden) 31 - Prague, Czechia - Letany Airport (supporting Iron Maiden) JUNE 1 - Bratislava, Slovakia - O’Nepelu Arena (supporting Iron Maiden) 3 - Leipzig, Saxony - Felsenkeller Leipzig (headline date) 5 - Trondheim, Norway - Trondheim Rocks (festival date) 7 - Stavanger, Norway - Viking Stadium (supporting Iron Maiden) 9 - Copenhagen, Denmark - Royal Arena (supporting Iron Maiden) 12 and 13 - Stockholm, Sweden - 3Arena (supporting Iron Maiden) 16 - Helsinki, Finland - Olympic Stadium (supporting Iron Maiden) 18 - Tallinn, Estonia - Helitehas (headline date) 19 - Riga, Latvia - Palladium Riga (headline date) 23 - Lille, France - Aeronef (headline date) 25 - Dublin, Ireland - Malahide Castle (supporting Iron Maiden) 28 - London, UK - London Stadium (supporting Iron Maiden) JULY  1 - Lausanne, Switzerland - Les Docks (headline date) 2 - Eindhoven - Effenaar (headline date) 5 - Birmingham, UK - Villa Park (supporting Black Sabbath) 17 - Denver, CO - Ball Arena (supporting Volbeat)   19 - Salt Lake City, UT - Utah First Credit Union Amphitheatre (supporting Volbeat)   21 - Auburn, WA - White River Amphitheatre (supporting Volbeat)   22 - Ridgefield, WA - Cascades Amphitheatre (supporting Volbeat)   24 - Wheatland, CA - Kia Forum (supporting Volbeat)   26 - Phoenix, AZ - Talking Stick Resort Amphitheatre (supporting Volbeat)   28 - Irving, TX - The Pavilion at Toyota Music Factory (supporting Volbeat)   29 - Houston, TX - 713 Music Hall (supporting Volbeat)   31 - Rogers, AR - Walmart AMP (supporting Volbeat)   AUGUST 2 - Franklin, TN - FirstBank Amphitheater (supporting Volbeat)   3 - Alpharetta, GA - Ameris Bank Amphitheatre (supporting Volbeat)   4 - Tampa, FL - MIDFLORIDA Credit Union Amphitheatre (supporting Volbeat)   6 - Charlotte, NC - PNC Music Pavilion (supporting Volbeat)   7 - Bristow, VA - Jiffy Lube Live (supporting Volbeat)   9 - Camden, NJ - Freedom Mortgage Pavilion (supporting Volbeat)   10 - Holmdel, NJ - PNC Bank Arts Center (supporting Volbeat)   12 - Bangor, ME - Maine Savings Amphitheater (supporting Volbeat)   13 - Gilford, NH - Bank NH Pavilion (supporting Volbeat)   14 - Mansfield, MA - Xfinity Center (supporting Volbeat)   16 - Hershey, PA - GIANT Center (supporting Volbeat)   17 - Cincinnati, OH - Riverbend Music Center (supporting Volbeat)   19 - Clarkston, MI - Pine Knob Music Center (supporting Volbeat)   21 - Noblesville, IN - Ruoff Music Center (supporting Volbeat)   22 - Tinley Park, IL - Credit Union 1 Amphitheatre (supporting Volbeat)   23 - Marshfield, WI - Central Wisconsin State Fair (headline date) SEPTEMBER 11 - Salem, VA - Salem Civic Center (co-bill w/ Lindsey Stirling, with Apocalyptica) 12 - Cherokee, NC - Harrah’s Cherokee (co-bill w/ Lindsey Stirling, with Apocalyptica) 14 - Bridgeport, CT - Hartford HealthCare Amphitheater (co-bill w/ Lindsey Stirling, with Apocalyptica) 16 - Syracuse, NY - Upstate Medical University Arena at the Oncenter (co-bill w/ Lindsey Stirling, with Apocalyptica) 18 - Laval, QC - Place Bell (co-bill w/ Lindsey Stirling, with Apocalyptica) 19 - Toronto, ON - Budweiser Stage (co-bill w/ Lindsey Stirling, with Apocalyptica) 21 - Madison, WI - Breese Stevens Field (co-bill w/ Lindsey Stirling, with Apocalyptica) 23 - St. Louis, MO - Hollywood Casino Amphitheater (co-bill w/ Lindsey Stirling, with Apocalyptica) 24 - Cedar Rapids, IA - Alliant Energy PowerHouse (co-bill w/ Lindsey Stirling, with Apocalyptica) 26 - Welch, MN - Treasure Island Amphitheater (co-bill w/ Lindsey Stirling, with Apocalyptica) 27 - Duluth, MN - AMSOIL Arena (co-bill w/ Lindsey Stirling, with Apocalyptica) 29 - Bonner Springs, KS - Azura Amphitheater (co-bill w/ Lindsey Stirling, with Apocalyptica) OCTOBER 1 - Sioux City, IA - Tyson Events Center (co-bill w/ Lindsey Stirling, with Apocalyptica) 2 - Grand Forks, ND - Alerus Center (co-bill w/ Lindsey Stirling, with Apocalyptica) 4 - Winnipeg, MB - Canada Life Centre (co-bill w/ Lindsey Stirling, with Apocalyptica) 5 - Saskatoon, SK - SaskTel Centre (co-bill w/ Lindsey Stirling, with Apocalyptica) 7 - Calgary, AB - Scotiabank Saddledome (co-bill w/ Lindsey Stirling, with Apocalyptica) 8 - Penticton, BC - South Okanagan Events Centre (co-bill w/ Lindsey Stirling, with Apocalyptica) 10 - Vancouver, BC - Doug Mitchell Thunderbird Sports Centre (co-bill w/ Lindsey Stirling, with Apocalyptica) 11 - Spokane, WA - Spokane Arena (co-bill w/ Lindsey Stirling, with Apocalyptica) 22 - Wiesbaden, DE - Schlachthof (with Bloodywood) 23 - Oberhausen, DE - Turbinehalle 2 (with Bloodywood) 25 - Hamburg, DE - Inselpark Arena (with Bloodywood) 27 - Stockholm SE - Fållan (with Bloodywood) 28 - Copenhagen, DK - The Grey Hall (with Bloodywood) 30 - Warsaw, PL - COS Torwar (with Bloodywood) NOVEMBER 1 - Berlin, DE - Columbiahalle (with Bloodywood) 3 - Prague, CZ - Lucerna Velkỳ Sàl (with Bloodywood) 5 - Vienna, AT - Gasometer (with Bloodywood) 6 - Budapest, HU - Barba Negra (with Bloodywood) 8 - Munich, DE - Zenith (with Bloodywood) 9 - Zurich, CH - Komplex457 (with Bloodywood) 11 - Milan, IT - Alcatraz (with Bloodywood) 12 - Barcelona, ES - Razzmatazz 1 (with Bloodywood) 14 - Pamplona, ES - Totem (with Bloodywood) 15 - Madrid, ES - La Riviera (with Bloodywood) 17 - Paris, FR - Olympia (with Bloodywood) 18 - Amsterdam, NL - AFAS Live (with Bloodywood) 20 - Cardiff, UK - Utilita Arena (with Bloodywood, Kelsy Karter & The Heroines) 21 - Glasgow, UK - OVO Hydro (with Bloodywood, Kelsy Karter & The Heroines) 23 - Birmingham, UK - bp pulse LIVE (with Bloodywood, Kelsy Karter & The Heroines) 24 - Manchester, UK - AO Arena (with Bloodywood, Kelsy Karter & The Heroines) 26 - London, UK - O2 Arena (with Bloodywood, Kelsy Karter & The Heroines)

Joe Jonas is three-for-three with the singles off his upcoming solo album Music for People Who Believe in Love , and the latest track, “Heart by Heart,” is giving major slow-dance-in-the-rain  energy. The song just dropped today (April 25), and it’s a softer, stripped-back side of Joe — think delicate acoustic guitar, dreamy keys, and lyrics that hit you right in the chest. It’s tender, it’s raw, and it’s got that Lewis Capaldi sadness woven in (yep, he co-wrote it, along with Oscar Holter, Savan Kotecha, and Max Grahn). The production team? Stacked. Holter, Kotecha, and Fat Max Gsus are all over it, and it shows . Leading up to release day, Joe’s been on his softboy promo game — hosting a cozy hang at Caracas Bakery in Miami and giving New York fans a surprise performance at Bleecker Street Bar. A super-intimate Vevo live session is also floating around, filmed in one take out in LA, just him and the mic. No frills, just feelings. “Heart by Heart” is out now on all platforms via Republic Records — and if you’ve ever loved hard and lost harder, this one’s going to sting (in the best way). Stream it, cry to it, repeat.

Welcome back, boys. We missed you. Mayday Parade is 20 years in and somehow still managing to kick us in the feels like it’s 2007 and we’re all discovering heartbreak for the first time. Their new EP Sweet  (the first of a three-part rollout—yes, a trilogy!) is a warm, guitar-soaked hug to the old days and  a confident step forward. Right out of the gate, “By The Way” reminds us who they are: a band that’s survived scene phases, MySpace heartbreaks, and skinny jeans that probably should’ve been retired years ago. It’s catchy, it’s emo, it’s them . The kind of track that feels like screaming into your pillow, but in the best way. Pop-Punk Nostalgia With a Pulse “Who's Laughing Now” might be the standout here—it’s a full send into pop-punk throwback territory, and it absolutely rips. With driving drums, palm-muted verses, and Derek Sanders delivering vocals that sound like they could still break up a high school relationship, this one deserves to be screamed in a crowd with your best friends (and maybe your ex nearby, just for dramatic effect). The songwriting? Still sharp. The production? Crisp, clean, but not overdone. It’s clear these tracks were made with care—Zack Odom and Kenneth Mount, longtime collaborators, helped bring this one to life, and the chemistry’s still strong. “Pretty Good To Feel Something” – We Felt That The closer of this EP isn’t trying to be the flashiest—it’s trying to be the truest . “Pretty Good To Feel Something” wraps the whole thing in gratitude and growth. It’s reflective without being overly sentimental. It's not a goodbye letter; it’s more like a soft reset. A deep breath before what's next. So What’s the Verdict? If Sweet  is the beginning of a new Mayday Parade era, we’re fully here for it. It captures what made us fall in love with them in the first place—those big choruses, the earnest emotion, the undeniable sense that this band gets it . But it also shows a maturity that only comes from sticking around, figuring things out, and still finding something worth singing (and screaming) about. We’ll be keeping our eyes peeled for the next two installments. If they’re anything like Sweet , we’re in for something really  special. Rating: 9/10

The Governors Ball Music Festival is set to return with a stellar lineup, promising an electrifying weekend for music enthusiasts. Set to return to Flushing Meadows Corona Park in Queens, New York, the festival will run from June 6-6, 2025, featuring a diverse roster of artists providing performances that will light up NYC. Headliners for this year's event include Tyler, The Creator , Benson Boone , Olivia Rodrigo , Feid , Hozier  and Glass Animals , alongside performances from rising stars and established acts such as Tyla , Wallows , MARINA , Clairo , Conan Gray  and Young   Miko . Fans can expect an amazing mix of hip-hop, pop, rock, and electronic music, that’s sure to keep the party going all weekend long. Reflecting on last year's unforgettable event, standout performances like Chappell Roan and Sabrina Carpenter’s sets left the crowd buzzing. Sabrina Carpenter delivered an energetic set that finished off with the announcement of beloved album, Short n’ Sweet’s release date, while Chappell Roan captivated the audience with her dynamic stage presence and powerful vocals that drove her stardom soaring right after her performance at last years Gov Ball. What artist’s do you guys think will rise to stardom this year at Governors Ball 2025? Beyond the music, Governors Ball will offer a vibrant festival experience with gourmet food vendors, pop-ups, and interactive activities, reflecting New York City's dynamic culture. If you are debating on GA, GA +, or VIP, your best bet would be VIP due to the shorter wait times for food, the closer view of your favorite artists from any one of the three stages and an overall great VIP experience with shade and a lounging area with direct viewing of the stages. Attendees are encouraged to plan ahead, as the festival's convenient location offers easy access via public transportation. Start the Summer off right by attending this years Gov Ball featuring the hottest lineups, some of NYC finest food vendors, and a weekend of lasting memories. Bring family and friends and just have fun during New York’s biggest party with 60+ of the world’s BEST artists. Don’t miss the opportunity to be a part of something great right in the heart of New York City!  Limited tickets remain, and prices are set to increase after April 18, 2025, at 11:59 PM. Secure your spot now to enjoy the festival at the best available price. Current best option is their 1-Day ticket for VIP but hopes not gone yet. If you want to save money on 2-day or 3-day tickets, Gov Ball currently has a waitlist for those tickets so sign up as soon as you can and keep an eye on when those become available. Stay tuned for more updates, including set times and special guest announcements, as the countdown to Governors Ball 2025 continues. More news available here on SoundCheck Mag!

When Said The Sky teams up with Taylor Acorn, you already know your heart's about to be put through it—in the best possible way. “Reminisce” isn’t just a song. It’s a moment —one that perfectly fuses Said The Sky’s signature cinematic production with Taylor Acorn’s emotionally wrecking ball of a voice. And honestly? We didn’t know how much we needed this collab until it hit. Said The Sky has long been the master of making you cry in the club (or in your car at midnight), and here, he brings that same storytelling energy with shimmering synth layers, sweeping builds, and those classic goosebump-inducing drops. It’s emotional EDM at its finest, but with a fresh twist—Taylor Acorn. Acorn, known for walking the line between alt-pop and emo with total ease, delivers one of her most intimate performances yet. Her voice has this ache to it—like she’s reliving every word in real-time. When she sings “I know it's been so long, but you’re never really gone”,  it doesn’t just hit... it stays. What’s so special here is how natural their sounds mesh. It’s like this collaboration was always meant to happen. Said The Sky builds the emotional landscape, and Acorn becomes the narrator. The result? A heartbreak anthem that’s as vulnerable as it is anthemic. We love a power duo that knows how to punch us in the feels—and “Reminisce” does exactly that. It’s a song for when you’re missing someone, even if you’ve already deleted the texts... twice. For fans of:  crying in your car, Illenium, Chelsea Cutler, that one hoodie you won’t throw out. Play it when:  you're thinking about what could’ve been—and you want the soundtrack to match.

Review By Rebecca McDevitt Let’s talk about reinvention—because The Driver Era just did it again, and Obsession  might be their boldest move yet. Ross and Rocky Lynch have always had a knack for bending genres and chasing the vibes that feel right in the moment. But with Obsession , they’re not just chasing a feeling—they’ve caught  it. This record is a full-on immersion into alt-pop glamour, vintage grooves, and late-night introspection. And honestly? It works. Right out the gate, the album pulls you into its world. “Don’t Take the Night” sounds like a disco ball exploded in the best way—funky, flashy, and addictive. Then you hit “Can’t Believe She Got Away,” and suddenly you’re in a smoky lounge, nursing a heartbreak with a soul-stirring groove. It’s textured, warm, and totally self-produced by the brothers, which just makes it that much more impressive. What stands out most, though, is how personal  this album feels. There’s a maturity here—a willingness to sit in discomfort, to own heartbreak, to get a little messy. “Same Old Story” hits especially hard, wrapping honest lyrics in a beat that dares you to dance through the sadness. And that’s kind of the theme of Obsession : feeling it all and letting the music move you through it. This isn’t just a playlist of catchy songs. It’s a curated experience. Every track feels intentional, every lyric feels lived-in. It’s the kind of album you throw on during a late-night drive and suddenly realize you’ve been singing along to every word. Obsession  is sexy, smart, a little sad, and completely addicting. It’s The Driver Era doing what they do best—pushing themselves, surprising us, and sounding damn good while doing it. 🎧 SoundCheck Selects: Obsession  Highlights 1. “Don’t Take the Night”  If Studio 54 had a baby with modern indie-pop, it would sound like this. Glittery, groovy, and totally infectious.  2. “Can’t Believe She Got Away”  Soulful with a subtle crunch—this one sneaks up on you emotionally while you’re vibing to the beat. 3. “Same Old Story”  That bittersweet anthem we all need. Nostalgic and new at the same time. 🎨 Album Artwork & Credits Album:   Obsession Artist:  The Driver Era Release Date:  April 11, 2025 Label:  TOO Records Cover Art & Visuals:  Courtesy of The Driver Era Creative Direction:  Ross & Rocky Lynch So yeah, if you’ve been craving a record that hits the sweet spot between dancefloor daydreams and emotional gut punches— Obsession  is your next obsession.

Article by Rebecca McDevitt / Contributions by Rachel Wilson In the ever-evolving landscape of alternative music, few bands have been making waves quite like Young Culture. Hailing from Albany, New York, this dynamic trio has been carving out their place in the scene with a fresh blend of pop-punk, alternative rock, and irresistible melodies that captivate both nostalgic fans and new listeners alike. The Journey Begins Young Culture was formed in 2016 by longtime friends Alex Magnan (vocals), Gabe Pietrafesa (guitar), and Troy Burchett (guitar). Their shared love for music and a passion for storytelling through sound led them to craft their signature style. Their sound, reminiscent of early 2000s pop-punk with a modern twist, resonates with fans who crave both anthemic choruses and heartfelt narratives. Breaking Through Since their formation, Young Culture has steadily gained momentum, releasing a series of EPs and albums that have garnered critical acclaim. Their self-titled album, released in 2020, showcased their ability to seamlessly fuse pop and punk influences into a cohesive and exciting project. More recently, their 2022 album You Had to Be There  further solidified their standing in the alternative music world, highlighting their growth as musicians and songwriters. Their discography is filled with catchy hooks and unfiltered emotion, exemplifying the highs and lows of youth, relationships, and self-discovery. Tracks like “Hum,” “Better Off As Friends,” and “Whisky” highlight the band’s knack for balancing singalongs with introspective lyricism. A Live Experience Like No Other One of Young Culture’s strongest assets is their live performance. Known for their high-energy shows and genuine connection with fans, the band has built a loyal following across the country. They have toured extensively, sharing the stage with notable acts in the alternative and pop-punk scene like State Champs, Daisy Grenade, Meet Me @ The Altar, Broadside, and Grayscale. Their ability to create an intoxicating atmosphere at their shows speaks volumes about their dedication and talent. Photo by Rachel Wilson The Road Ahead With a strong social media presence and a growing fanbase, Young Culture is poised for even greater success. Their collaborations, including their recent single “Jesus” with fellow New York natives Daisy Grenade, show their willingness to experiment and evolve their sound. As they continue to push boundaries and explore new musical landscapes, there’s no doubt that Young Culture is a band to watch. Album Artwork for "Jesus" by Young Culture, Daisy Grenade For fans of alternative rock and pop-punk, Young Culture represents the best of both worlds. As they continue to rise, one thing is clear: Young Culture is here to stay.

Article by Rebecca McDevitt / Contributions by Rebecca McDevitt & LJ Portnoy If you're feeling saxy, Gabi Rose is here to blow you away—literally! This powerhouse saxophonist and vocalist mixes pop, jazz, and R&B like a musical mad scientist, creating sounds that are as smooth as they are inspiring.  She’s jammed with big names like Bilmuri and the Jonas Brothers, all while leading her own band, Enrose. Whether she’s lighting up the stage or going viral with her killer sax covers, Gabi is always pushing musical boundaries and keeping things fresh, funky, and full of soul! Photo by Rebecca McDevitt - RJL Photography I had the incredible opportunity to sit down with Gabi Rose and dive into her journey as an artist. We discussed her unique sound, the experiences she's had while touring, and what’s next for her band, Enrose. Gabi shared insights into the creative process behind her music and gave us a glimpse of the exciting plans the band has in store for the future. SoundCheck: I want to talk about your saxophone first. How did you develop a musical identity with the saxophone? And what made the saxophone such a core part of your history?  Gabi Rose:   So, I always heard when I was younger, before I even knew that being a musician was in the cards for me. I remember hearing that, and I can't. Man, I wish I remembered who said this to me, but I remember hearing that the saxophone is like a human voice, and actually, arguably the most similar to a human voice than any other musical instrument. And so that has allowed me to have my own unique sound with it, because I'm also a vocalist. And really, everybody has a voice. So that is why vocals in music resonate the most with people: we all have a human voice, even if we choose not to use it for singing, it's the most connective way. And so I feel like then, especially identifying as a singer. Even, you know, when I was a kid just doing it for fun. The more I was singing and the more I was playing, and the more I was doing them together, the more I was able to develop a voice.  SoundCheck: What made the saxophone such a core part of your artistry?  Gabi Rose:  Oh, yeah, I mean, I feel like a saxophone. It's just. It's a little bit more unique, you know. I grew up going to shows. I loved rock music. I was listening to a lot of The Killers, and I loved the Foo Fighters and Paramore and all these bands, and I didn't play a rock instrument. I picked up a guitar when I was in high school because and just like acoustic guitar, because I wanted something that I could learn to accompany myself with to sing, but I still wasn't like playing a rock star instrument. But then, yeah, just like never stopping playing saxophone. The cool thing about that is, as I said before, it does resemble a human voice, but it can resemble a lot of different instruments. I feel like the saxophone can very closely resemble a guitar, too, if played in the right way. It can be a lead instrument. It is a lead instrument. So, in the same way that you might choose to have a rip and guitar solo in a song, you can substitute that for sax, which is what they did a lot in the eighties and increasingly more now. So I feel like I'm in the prime of that being something that's like making a comeback and. So I feel like I'm right on the sweet spot of that as a saxophone player in pop music and rock music. So yeah, I think that's why I've been able to use it as a tool. Because it is a little bit more unique. There are a lot of guitar players out there, but there are not quite as many saxophone players in pop music, at least not yet.  Photo by Rebecca McDevitt - RJL Photography SoundCheck: That's my next question is, do you think that you're seeing a resurgence of saxophone and pop music? Or do you feel like you're the one paving the lane with it?  Gabi Rose:   I'm seeing it for sure. And I think I'm helping pave that, too, because when people hear it, they're like, oh, cool, like, I want to have that in my song. I would say, really, ever since TikTok. I got on TikTok, January of 2021. I said, I don't know how long this whole lockdown thing is gonna happen. But at that point I had already been committing myself to producing and making videos, and what I was doing, was learning how to video edit, and so, taking some of my favorite songs and reconstructing them, reharmonizing them, singing, playing all this stuff just kind of treating that as if it was my job which wasn't paying me. But I wanted to stay on top of the grind and on top of learning and all this stuff. So then with TikTok, I was like, “Hmm, maybe this is a platform that I can get”.  I can start using it, and things don't have to be quite as polished. So that was the 1st time that I was like, maybe I could just get on and start playing over music. And the 1st video that went viral for me. It was within 2 weeks of being on TikTok and posting, and it was a video of me playing a saxophone solo over Olivia Rodrigo's Driver's License. And I was like, Wow, like it went so viral. And I was like, Wow, that's crazy. And that was the first.st That was the beginning of a long string. Thousands and thousands of comments since then like, “Bring saxophone back”. And at first, those comments would be replied to, and people would reply to those comments by saying things like, Yeah, I agree. Like, I love saxophone; we need more of it. And now it's funny, because the comments that I see are people not disagreeing with that. But people saying, yeah, let me give you like 5 to 10 bands that are already doing that now, or 5 to 10 artists that are doing that, or they're sending over albums. They're sending over songs; they’re like, if you want that, it's out there, and we know where it is now. So, I think it's been happening. It's just, I think, in the last 5 years, I've seen it so much more. And maybe that's just also my bias, because I'm the one I'm in it. I'm definitely seeing it more, which I think is cool.  SoundCheck: Okay, your biggest music influences.  Gabi Rose : I mean, definitely Paramore. Sometimes when people ask me this, they're like, Oh, my God, you didn't say Paramore like, I'm so surprised. And it's like, yeah, actually, I mean, of course, it's Paramore like that. Not that the band was hugely influential for so many people. And I think I would say Paramore and Foo Fighters came around for me at this sweet spot where I was starting to dial in my own unique taste in music. It's like we grow up listening to the music that we're just exposed to, whether it's our parents or what we're hearing from our friends or in school, what's on the radio, whatever.  And then you hit this point where you're maybe pre early teen years or something. And that's when you start to choose what you want to listen to and get in with the communities and start going to shows. So that was the beginning of that for me. Well, the Jonas Brothers, for sure there was that era. Yeah, there was like the Jonas Brothers and Miley Cyrus. Well, 1st it was Christina Aguilera, then it was the Jonas Brothers, Miley Cyrus, and then it came like Paramore, Foo Fighters, and then when I got to college, I was exposed to R&B music. I had these like CDs growing up, the Now That's What I Call Music. CDs, and there would be songs by Brandy and Aaliyah, and TLC. And Erykah Badu, and stuff like that, and I love and and Babyface, and I love those singles, but I never got my hands on full albums, and then my freshman year. I remember the day so vividly when I discovered Spotify so vividly. It was my roommate at the time who was like, Yeah, there's this new thing, and you could cause we were just downloading music or ripping it off of Youtube or Limewire. If we had money, I would try to buy as much as I could to be fair, but I had so many interests, you know. That was the Tumblr age, too. So I was discovering a lot of music on Tumblr, and I was like everyone's talking about this band Arctic Monkeys like, I need to hear this album, you know. So yeah. So then, I remember vividly going on to Spotify for the 1st time. And that's when I got exposed. That's when I heard D'angelo for the 1st time, and that's when I heard Moonchild for the 1st time. That's when I heard Lawrence for the first time, these bands that were incorporating more soul and jazz, and it was perfect timing for me because I wasn't writing music. I wasn't soloing or improvising or performing with a band or any of that stuff until my second year of college. So it was a combination of discovering that kind of music where, for the first time, I'm like, oh, I feel like my voice, I like that. I like learning how to sing that stuff, and saxophone is very prevalent in these songs, too, like soul music and R&B, and that kind of stuff, and then coupled with. Now, I also am in a school with a music program that isn't gatekeeping. I wasn't in a music conservatory or anything like that. Kind of like. The sky's the limit here, and I can choose what to do. And you know, I wanted to learn. And I wanted to discover. So those happen at the perfect time. So that's when I started directly, the songs that I was beginning to perform and try to write were directly were from the influence of that music that I was listening to. But like that was kind of my arc of music. And then after college, that's when I kind of it all sort of came together, because that's when I got back into rock music. I wasn't listening to rock music for like 4 or 5 years. I listened to what was happening now and realized I really like this. And now I can start to combine some of what I have been exposed to and studied over the last 5 years and combine it. And that's my experience being with a band like Bilmuri.  Now, it's the common, the culmination of both of those things. And that's why I feel so at home in like my role in this band, because it's the perfect combination.   SoundCheck: All right. I want to talk about Enrose. If someone is just discovering Enrose for the first time, what's the one song you'd want them to hear first?   Gabi Rose:  I think I would say the new one, “Not A Barbie”. I love the saxophone lead. It's using saxophone in a way that's not just a solo. And it's also similar to like My Happiness, which I know a lot of people like that song, too. It's using the saxophone as if it's a guitar lead or even a vocal lead. It's the chorus and I have enjoyed utilizing the instrument in that way. And it's like with my music. I can do whatever I want. It's been fun to experiment with that. It's my main tool of choice, but it doesn't take away from the fact that it's a song that’s directly related to my life. And I get to sing on it, it's not just about the saxophone. It's just an element that's part of it, and it is a major part of it done in a different kind of way. I think that song is just fun. It's girly but also aggressive. It hits you right away. Yeah, I think that's the song that I would show people. I'd be like, this is kind of like me in a nutshell right now, and it's gonna change. But this is me in a nutshell. And this is the song that I think best represents the music that I'm doing right now. SoundCheck: Going back to that. Between Not A Barbie and i like it. They're similar. But they're different. What was the inspiration behind both of those songs?  Gabi Rose:   So “i like it” was, I was sitting in my room just making a beat. And I liked those chords, and they were whimsical and dreamy to me. It kind of brought me to the feeling of being a little bit tipsy and a little bit just like you're feeling yourself. It's like one of those nights that you're just like, I could do anything. I feel good, and I maybe want to put myself out there. It kind of reminded me of getting into this space that you want to get in that you can't always access. You can't always tap into feeling good. You can't always tap into wanting to go out and put yourself out there. It's scary, but a song like that. Something about the chords. And then I just started gibberishing, and that's what came out of just feeling yourself and wanting to maybe do something crazy. And it's not even LMFAO like, get crazy. Not that kind of song. It's almost like embracing your feminine divine and embracing your body and feeling sensual and sexual and everything. So that's why I had this idea of being in a hotel room like I am now, and just kind of what do I want to do like you're on vacation or something, or in my case, I might be on tour, and I could be anybody that I want to be right now.  SoundCheck:   You’ll never see these people again. Gabi Rose:   Exactly, exactly. I think about that identity of cause. I travel all the time now, and you know. I think I like to think that as a touring musician being in all these different cities, I can tap into that. But I can't necessarily, because I am traveling in a group, and like I do have an identity. But I've always loved the idea of going on vacation or traveling solo, or traveling with just one other person, and for however many days that you're there. Nobody knows you. You're a complete stranger to everybody. You don't ever have to go back there. You can pack whatever kinds of clothes you want to wear, you can change your hair, you can change your style, you can change your accent, you can change anything about yourself, and be a different person for a week. And I love that concept. I think that's so cool.  And then “Not A Barbie”. It's sort of an angry song. It's a bitter song. It's a little bit resentful but playful, resentful. So it's kind of the acknowledging that at one point or another, you might have felt trapped, and sometimes we do. I guess I could speak for myself, feeling the need to show up a certain way for somebody. Not meeting expectations and feeling like you need to be perfect, and that you're never getting it right. And it's kind of like a fuck you song so it's very different than I like it, which is a very peaceful song. But Not A Barbie is about feeling like you were put in a box. And now it's like that's not me. I'm unapologetically, I am so not perfect; I'm so far from perfect. And so that was the whole idea behind the music video of, I just wanted to rip some hair off of Barbies, and burn their clothes and draw eyeliner on them and everything. I saw this photo on Tumblr way back on my computer. It's stayed on my hard drive for all this time. And it's just this captivating photo of a fucked up Barbie, which is funny, because then the Barbie movie came out, and Weird Barbie was a character, and I was like yes, like everybody, had a weird Barbie at one point or another. We are all Weird Barbie. We're not regular Barbies. We are weird barbies, and every weird Barbie is different, too. When you take a regular barbie that hasn't been fucked up out of the box, they all look identical, but once you start fucking up a Barbie, it's never going to be the same as any other Barbie again. So we are more like that. That's what I wanted to do for that music video.  Photo by Rebecca McDevitt - RJL Photography SoundCheck: What's the biggest misconception about being at your level in the industry?  Gabi Rose: That I know what's happening, that I know what I'm doing. I think people I remember looking up to people that were, I guess, at my point now, and thinking that they had it all figured out. I kind of go one step at a time and work my way up. You never really have it figured out because you're just faced with more and more challenges that you're not familiar with. And even more, I interact with some bigwigs and stuff. Maybe before we met, I thought, wow, this person, they know what's going on. I look up to them, and don't get me wrong, like I am so lucky to be in rooms with some of the smartest, most creative, brilliant people. But I kind of realized we're not that different. You just have the balls to still be here and grinding and figuring it out. And I think, especially in the music industry, that's all it takes. It's the balls to keep going because people don't have it figured out in the same way that I might be scrambling to put a show together, for one night or something, and I'm like, oh, my God, I forgot to get the merch together. I need to get a merch seller, and we need to print the set lists. And what am I gonna wear? I have to tell the band what they're gonna wear. And oh, my God, wait! What time do we have to be there? There are so many things. It's that times 100 in every other touring circumstance. And the only difference is that you might have more people with a little bit more experience. But every day, there's something new coming up. So yeah, I think that's the biggest misconception is that people like me have it all figured out, and we certainly don't.  SoundCheck: You guys are just winging it day by day.  SoundCheck: I wanted to dive into your energy on stage. Do you think about the crowd? Do you think about the music?  Are you just up there getting lost in everything?  Gabi Rose:   So I feel like when I get ready to go on stage. I am getting into character. It's not too dissimilar from the type of person I am in real life, I don't think, but it's sort of this extreme version and this elevated version. I take notes from my favorite artists because they do the same thing. You have a very obvious example, which would be somebody like Chappell Roan, who speaks very openly about this. She's like, I go into drag when I'm on stage, and she named herself Chappell Roan because it's an alias. It's a different name. It's the artist version of her and so I tap into that before I go on stage because then I feel like I can perform and try anything that I want. And I'm not worried about what to do? What is that person from high school who was in my drama class gonna be thinking? I'm not thinking about who I am and all my experiences, and who's going to judge me and all this stuff. I'm showing up on stage as this kind of character. So I think being able or having now sort of gotten a lot further into figuring out who that person is, what kind of charisma do I exude when I'm on stage, is what feels honest. Like what doesn't feel forced, but it is challenging to my regular ego like it's challenging but not dishonest. I think that helps me show up consistently because now I've done hundreds and hundreds of shows in different types of circumstances. You know I might be playing with Enrose, but I might be playing with the Jonas Brothers. I might be playing with Bilmuri. I might be playing at a wedding. I might be playing a club gig  I might be doing a jam session, there are so many I might be going on. Tiktok live. And they're all different. And you need to. I've always wanted to show up in a way that works for those different circumstances. You know you're I'm not gonna do a wedding wearing the same types of clothes that I would wear with Bilmuri, and then holding up my middle finger and be like “let's crank our hogs!” I'm not gonna show up that way, but I think the charisma is something that is the through-line. I'm gonna have a different language and a different- Gabi Rose:   What's the word?  SoundCheck:   You have to adapt   Gabi Rose:   You have to turn it on because also there's been times that I have to perform, and I don't feel like performing and I think that's what gets draining. And I think that's where a lot of it is. I can see how some artists who become so big, so quickly, and who tour 250 days of the year or more and who never really get a break. And then, even when they're not touring. They're getting recognized on the street all the time. It's like they never have the chance to turn it off.  SoundCheck: Can't imagine  Gabi Rose:   It's hard. I could see that. But I think tapping into this person helps, because then, when you're on stage, that's who you are. And then when you're off stage, you can get back to like who you are at your core. So, yeah, separating them a little bit is good.  SoundCheck: What's your most memorable performance between festivals and shows?  Gabi Rose:   There's been a few. Last year I played with the Jonas Brothers at this big festival in Quebec City. I honestly don't remember the name of it, because it's like this French name. Huge festival, and we played to 65,000 people and the energy, you couldn't even see people at like. It was a sea. At that point I had played over 70 shows with the Jonas Brothers, and something about that one. I also love playing outside. So playing festival stages is always fun. I used to love going. I haven't been an attendee at a major festival like that in quite some time, but I always loved that when I was in high school and college. It was also how I bonded with other people, you're there for multiple days. Sometimes you're camping. You're discovering so much new music. And all this stuff. So people almost tap into their vacation selves when they're going to festivals. They're like, oh, yeah, like this is who I am, this weekend.  That was super memorable to me. Bilmuri shows get better and better all the time. Last night was one of my favorites.  Gabi Rose:   We played in Munich, Germany. It was like a smallish room for us. I think it was 600 capacity sold out. The image in my head that I took was, everybody was jumping up and down at the same time. But there's this scene from Woodstock, 99, where I mean all hell broke loose at Woodstock. 99. But Korn was playing. And everybody's jumping up and down. But there are thousands and thousands of people, and the sound is traveling slower than like what you're seeing on stage, like sound travels differently than light, and you know sight and all that stuff. So you're seeing people jumping up and down at the same time. It's like a wave. And even in our 600 capacity room yesterday. That's what was happening. And I'm glad that you asked me this question. Because I meant to have this conversation with the guys, and I just haven't yet, but I want to make sure I bring it up, because that image has always been a dream of mine to see from being the person on stage and helping facilitate that and orchestrate that, and that was so cool yesterday. Then I also just felt like as a band we put on such a world class show yesterday, like I think all of us would be so proud to watch that show again, and to present that show on a big stage at a big festival or something like that, like if that's if that's the capacity that we have to perform at on a regular basis. I think we're gonna do well this year, now that we're doing like a lot of festivals coming up for the summer and stuff.  I haven't played with Enrose as much as I would like to because I'm always on tour. I want to say the very first Enrose show. We were playing in New York City, and it was a small room. It was at Mercury Lounge, and the room was pretty full. Everybody was feeling it, and I remember I was nervous because there were so many moving parts. And I forgot my makeup bag. So then I was like fuck. I have to go on stage without my makeup. And I felt like I was gonna feel so exposed and ugly, and all this stuff, and then that show went so well, and I had so much fun. And once I started performing with the guys. I wasn't thinking about anything else. And that's the best feeling, too. As the leader of a project, the lead singer and stuff, to feel like the guys or girls that you have on stage with, like they got your back, and you can just perform the way you want, and the show's gonna go smoothly. That's a great feeling. And I got the same feeling when Enrose opened up for Bilmuri at Bowery Ballroom back in 2023, or something like that. It was such a great show, and it just felt so locked, and I felt like I could loosen up. And I feel like I've learned something new from every show. So, those are some of my favorites.  I try to also remember them cause like, when I have a really good show, I'll do a TikTok video of me saying how I feel. It's the same thing with journaling; I journal to remember the feeling. I don't journal to remember what happened. I journal to remember the feeling. And so I try to take note of the shows that felt the most impactful and memorable, so that I can hopefully recreate it.   SoundCheck: So, every artist has tough lessons that they have to learn in the industry. What's something that you had to learn the hard way when you were starting, or even now?  Gabi Rose:   I guess the first thing that comes to mind is so Chris Williamson, who has the podcast Modern Wisdom. He talks about unteachable lessons. And in a nutshell it's lessons that we've heard throughout our entire lives, such as you know, don't eat the junk food because you're going to regret it, or, going to the gym is going to be good for you, or make sure you call your mom, or he likes to say you don't love that pretty girl. She's just hot, and you were able to get her. It's all these things, or money doesn't buy happiness, these cliche things that we hear. Yet we still feel like we need to learn them for ourselves or in the girl world. It's like that. The guy is a cheater. He's a player. He's not good for you, girl. And she's like he's different, like, I promise he's different. And then he's not different. It's like there are certain things that we just need to find out for ourselves. So, I guess something that I've learned. The hard way is you don't learn unless you do. You don't learn unless you take action and try. You have to fail in order to learn and in order to grow. And I've been lucky with some. I, at least feel lucky with some of the things that I've gotten to experience. I'm always gaslighting myself. Sometimes I'm like, Oh, my God! Like something's gonna get ruined. Something's gonna get messed up like this is too good. But you know I've been rejected. I've had tough things that I've had to get through. I feel like the reason that I keep growing is because I keep showing up, even when it feels scary. Back to what I was saying, it seems like no one knows what's going on. Everyone's just learning by doing so.  Maybe it's not a hard lesson. It's just you kinda have to show up every day and try or else.  SoundCheck: We kind of talked about this when I last saw you in New York. Social media can be such a powerful tool, but it can also be overwhelming, especially because there are so many platforms nowadays. Do you see it as more of a help or more of a burden?  Gabi Rose:  I don't want to knock social media because it's been really helpful for me. It's beautiful that we have something like that where you can show up how you want to show up, and you can self-promote. You don't need to go through a middleman, and you don't have to go through agencies or management, or labels, or anything to get your music out there like. Really, for the first time, we have artists where they have the ability to craft whatever story they want. To craft and create the type of audience that they want, and the type of narrative that they want. So it's cool in that way, so I can't knock it. But I also find myself growing resentful of it because I think it takes me away from my creative brain. Social media to me is never-ending. It's like there's always a new message to look at. There's always a new thing on your algorithm. There's always a new comment that you want to look at, and maybe you shouldn't even look at it. And there's always a new idea that you have to post and a new trend.. And the problem with social media is, it's so addictive. I would love to say creativity comes from thinking about content or photos or something that I'm gonna post and then letting it be. But that's just unfortunately not the way it works. And I do get sucked into the optics of it and the results. And I think, being a creative person, creativity is not about results. It's about the process, and social media taints that a little bit. You're constantly comparing yourself to other people, and if you're not getting the outcome that you would have hoped for, then you start to think, is my art bad? Should I stop doing it? And so in the same way that social media can be encouraging because it's a vehicle for us to do whatever we want. It can also be super discouraging because you get sucked into feeling like they also have option anxiety. It's like, should I be doing that? I see this person is doing covers of Shania Twain. like should I be doing that? But this person's doing, you know, mostly original stuff. And this person isn't doing any videos at all. They're just posting photos. And it's overwhelming. I'm still finding a healthy balance. But the way I approach content is content is,  my content comes out of what I'm doing in real life. So I'm not showing up every day thinking, what kind of content am I going to make so I can grow myself on social media. The way I do content is if I'm doing cool shit in real life. I'm trying to document even a small percentage of that, and come up with some kind of story that is enticing enough to post on social media, and that feels the most genuine and authentic to me, and it doesn't cause burnout for me, because I'm like I would be doing this stuff anyway. And now I'm kind of treating it as a little bit of a scrapbook, because now I can remember how I was feeling and what I was working on and where I was at musically. If it's playing video or something like that. So I love being able to then go back in the archive from 2021, and even before that and see where I was at.  So I think it's really good, but I don't really approach it in the sense of I'm creating content to grow as a content Creator. I dipped a toe into that world, and I realized it didn't feel authentic to me, and it started to feel like work, and I didn't like that.   SoundCheck:  The next question is about your time, strictly with Bilmuri and the Jonas Brothers. You've toured with them both. What did you take away from those experiences? And then, did they shape your approach to performing in any way because they're 2 different types of music? Gabi Rose: So I joined Billmuri at the it like kind of 2021, and then toured for the first time with the band in 2022, which was the first tour that Johnny, our lead singer, and who created the project, that he did since before Covid and so it was a new beginning in a way. I continue to take away a lot from that band because I'm very involved in it and I have a stake in how well it does. I've been with the band since we were hoping that even a hundred people would show up. And we were doing sold-out 200-person rooms. And we were like, “What, this is crazy! It's sold out!” And now we're doing 2,000, and we're doing even more later on. And now we've played arenas opening up for Sleep Token. So, I’ve been a big part of that band's growth, and I fervently want it to succeed. And so even though it's mainly Johnny Frank's baby, I feel like it's my baby, too, and I think all of us feel like that, too, like we're proud to be part of that project. The initial thing that I took away from it, which I continue to take away from it, is, there are so many that there's no one-size-fits-all for how you can be creative. Also that music is the most beautiful when it is a team effort. Everybody works together really, really well, and everybody respects each other a lot, and it's allowed me to try things and to grow into this type of artist that I am now and be bold and be brave, and it's been just like a great vessel for me to explore my own creativity, and how I fit into this project, and luckily it's always felt like super honest. But I think I didn't believe in myself before joining Bilmuri. I didn't believe that I would ever have a place in a band like this, and a rock band like this, now, being very much a part of the band, but playing, not a conventional instrument, for a post hardcore, post emo country leaning sort of jazz, but mostly rock band. It's allowed me to create a new role. And redefine what a rock band has to look like. And that set me up for playing with the Jonas Brothers, because I learned how to perform in a new way. And you know, with Jonas Brothers it was going to be different, because then I'm performing with a horn section which then the beauty from a horn section is the bond that you have, and then also locking in to the harmony and the rhythm, and being super super tight and then, once you get that right, we're like characters on stage. We're like moving all over the stage. And we danced a lot. And we're interacting. And so I think both projects have gotten me to think about a performance on a whole.  I can appreciate now the roles that everybody has. So there are so many roles like there's so many things that go into creating a big production, I mean, even in a 200 person room. It's like everybody is doing a really important role, from lighting to playback to monitors to front of house engineer, and so learning all of that and appreciating all of that, then I can lock into okay, what am I best at? And where do we need to fill in the gaps? And so both have allowed me to just step into like, you know, I do have something to offer here. And I feel really grateful that my inherent, I guess skills. What I enjoy and I'm also good at has been appreciated and utilized in both projects. And now I feel like I can get on stage in front of thousands of people and feel pretty confident and have a good time.  Photo by LJ Portnoy SoundCheck: So, between both, what is the funniest behind-the-scenes moment that anybody would be surprised by? You don't need to out anybody. Gabi Rose:   Well, God. I don't. Honestly, I don't know if I have, if I have a specific moment, but what I can say is with both groups. We really became like family. And so it just gets really stupid. It gets really silly and really stupid. And it's part of what gets us hyped up to be on stage. It kind of reminds me of when I first started doing musical theater. And there's a bond with musical theater kids where everybody gets close, and everybody's like really touchy feely. But then, when you're on stage and you're rehearsing, and especially when you're in a show setting. You're like, I feel comfortable with this person. So this is gonna make our performance that much better. And I think it's the same with both Bilmuri and with the Jonas Brothers. The closer and the more genuine your connection is, the stupider you can be, and even the more secrets you share. The more yourself you can be. Then it translates to being on stage, and people can see that. So I can't. I honestly can't think of a specific thing right now. But what I can say is, some really, really, really stupid shit goes down on a daily basis. And I have a bond with the people that I have toured with the Jonas Brothers and with Bilmuri, which I don't think I can have with anybody else in any other setting. It's a different type of thing. The people that you tour with.  SoundCheck: This makes me excited for the day that I ever get to go on tour.  Gabi Rose: You would fit in perfectly.  Gabi Rose:   Yeah, it's super fun. It's one of a kind.  SoundCheck: These next ones are like random questions that have nothing to do with anything. Build your dream tour, lineup, dream, dream tour lineup with any artist, dead or alive, no limit. Gabi Rose: Oh, my God, okay, so for me, it would be D'angelo headlining. I want to make a dream band that's headlining. So you have D'angelo, then you have Beyonce, and she's dancing, and she's singing. She's also like the dance captain. Olivia Rodrigo's dance team gets so much hate. But I think their moves are so good. So I would have Olivia Rodrigo's dance team.  I don't know if this band is gonna work. But those are the people that I want to see on stage the most. And then who am I missing? And then you have the entire current Eagles touring band, all 15 of them or however many are on stage doing the backup vocals because their vocals are so locked. And then you have John Mayer's original rhythm section. So like Pino Palladino. And yeah, that it's like all over the place. But I think it could work. And then Hayley Williams comes on and she's belting it out. Yeah, we can't do it without Hayley Williams.  SoundCheck:   Can't do anything without Hayley Williams.  Gabi Rose:   Yeah, she can fit in anywhere, honestly.   SoundCheck: You're not wrong.  Gabi Rose:  I think I would have to. If I had more time, I would think more deeply about this and craft it out. I don't know if this would work, but I think it would work because I love the artists that I love. I have great taste, and I know that they can jam. They could work together really well. I like Olivia, specifically her dancers. That's who I want.  SoundCheck:  What's a completely unexpected hobby or talent?  Gabi Rose:   I don't have any other talents. Yeah, I don't think I have any other talents, nothing that I've discovered yet. Everything that I try to do, I realize, like shit. This is hard and would take a long time to get good at. It's funny, like, I think if you talk to a lot of musicians, it's like, What is your hobby? It's like, what do you mean?  I've made it a point to try and get into some other hobbies. Honestly, my favorite thing to do is so boring. But I started going on long walks last year, and long walks are a way that I can clear my head and decompress. So long walks are my favorite thing to do, and that's another reason why. Also it goes hand in hand with touring, because then we're always in a different city, and I don't mind getting 30,000 steps in on a day before a show. And I love to dance so I love to maybe pop a 5 to 10 milligram gummy, put my headphones on, get in front of a mirror. I think, in another world, if I wasn't a musician I would be a backup dancer or something like that. That would have been like the craft that I would want to develop so dancing is cool because I don't feel this pressure. And I like to go to the gym, too. I like to lift.  SoundCheck: All right. These last ones are all fan questions. This one's from Donna on Twitter. She said, “Did Sleep Token create the music for your sex part in Emergence, or did they have you listen to the song and then give you free rein to write the music?”  Gabi Rose:   I don’t know how much I can speak on the Sleep Token thing, to be honest, because they try to keep it super private. I think out of respect, I wouldn't want to say too much. I'm actually kind of surprised that I wanted to ask permission before I said, am I, you know? Am I being credited? And can I say that?  I don't wanna speak too much on the process because I wanna respect their process. A lot of people have asked to interview me since then, and I'm like I just don't know.  SoundCheck: I knew that question was gonna pop up somewhere.  Gabi Rose:   But what I will say is, it feels really good to be like to be on that record.  SoundCheck:   Feedback on that has been insane.  Gabi Rose:   The feedback is huge, they keep it to a very tight ship, so the fact that they welcomed me onto that song as somebody that's outside the band. I don't take that lightly. That's huge. So yeah, that's what I will say.    SoundCheck: This is from Megan on Facebook. she said, which fan base is better? Bilmuri or Jonas Brothers, and then put “There's only one right answer.”  Gabi Rose:   Oh, my God! No, they're so different. It's a different fan base. I feel like if somebody approaches me on the street. Like, “Oh, Gabi Rose!”  You must have been from a Jonas Brothers concert or Bilmuri or whatever. Both fan bases have been kind and just super supportive. It's like, obviously the Jonas Brothers fan base is so large. But the Jonas Brothers fan base is so unique in the sense of those fans are fans for life, and support the brothers in whatever music they do and whatever they do, even outside of just being part of the Jonas Brothers, and I find similarities between that and Bilmuri, even though Bilmuri is a smaller fan base at this point. It's like people are just into it. They care about the music, but they also care about the band members, and like what's going on, and the lore and all this stuff. So it's just been fun being part of the story. Because fans in both camps want to follow along with the story. I'm like a character in both stories now.  SoundCheck:  It's always interesting because, as someone who's also very into the Jonas Brothers fan base, I never realized how much we're very like “Let's follow every single person in the band” Not just the brothers, but the band.  Gabi Rose:   I didn't expect that. Been very, very cool.   SoundCheck: Okay, this is from Jeremy. On Facebook. You already mentioned bands you grew up listening to. And he said what finally inspired her to move, to doom Sax. Gabi Rose:   None of the bands that I grew up listening to had saxophone, so I wasn't inspired by a band, necessarily with the saxophone, maybe a little bit like Steely Dan. But it wasn't a band that inspired me. I do feel like it would have been nice growing up to see more girls like me doing it because then I would have had somebody to aspire to. But at the same time it does feel very much like a unique experience for me being able to do it. SoundCheck: This is from Pau on Twitter, she said. “You used to be a Jonas Brothers Fan. How did that impact your tour experience now, being on the other side?”  Gabi Rose:   I was definitely starstruck. But I also knew that there's a big difference between meeting heroes, maybe 20 years ago, and then meeting them now, because in meeting the Jonas brothers, now, it was like, I'm working with you now, I'm literally supporting you on stage. So there's immediately this respect. And we're gonna be cooperating. We're gonna be seeing a lot of each other. So it was, it was a combination of being starstruck because 12-year-old Gabi would never believe that. But also just being like, I respect you a lot, and we're peers. And you know I'm happy to be here. And I've put the work into it now. So I know what I'm doing here. I feel very determined, and I know what's going on. I know what we're doing here; it's hard to describe, but it was cool. They were welcoming. And they're really kind. And so some people say, don't meet your heroes, but I feel so lucky to have not only met my heroes but gotten to perform with my heroes. So it feels very full circle.  SoundCheck: Okay, this is from Rachel on Twitter. If you weren't a musician, what do you think you'd be doing as a career? And what is your favorite place that you've traveled to? Gabi Rose:   So, like I said before, I'd be a dancer. I kind of like to say this every day, because this is how I warm up for shows like I'm the annoying one in the dressing room that's blasting music and singing and jumping up and down and dancing. They're like some guys in this band, and then some guys and girls, even with Jonas, that want to relax. And they might go to the bus and take a nap, and I'm like, that is so not me. So I would want to be a dancer, I would say. And then what's my favorite place that I've traveled to?  Gabi Rose:   I think Barcelona, of all places on earth, is my favorite still because actually, that was the first place that I performed professionally when I graduated from university and it opened up my world in a lot of ways. It was almost also kind of like performance boot camp for me because I needed to sing, and I was playing, and I was like DJ-ing in a way, too, and performing for hours on end, and also speaking Spanish and trying to interact. So it was learning a lot of skills at once, also learning a lot of songs and things like that. So now that I get to come back to Barcelona, and I'm planning on big stages, and I feel like I know so much better who I am now as a musician and as a human, as an artist. And when I first started in that city I was like a fish out of water. So, it's a great reminder of how far I've come. So that's why, on a personal level, I love that city, but also it just never so it never ceases to amaze me how energized I feel when I'm there. Sometimes you have this memory, and you're like God. I think about this so beautifully in my head. But I'm actually kind of afraid to experience it in real life because it might not be like the story that I've come up with in my head. But that city, I think, has it all. So every time I go back there, I feel amazing. Photo by Rebecca McDevitt - RJL Photography SoundCheck: Lastly, do you have anything you want to say to all of your fans? Is there anything we can expect from Enrose in the future?  Gabi Rose: So I guess to everybody I would say, this is unbelievable to me. I really never thought that I would be in this position, and I really do feel like the poster child of somebody who didn't necessarily have a lot of self belief, but just kept doing it and never stopped and truly followed a passion that has led me to a more beautiful and fulfilling and creative life than I could have imagined. So to have anybody that's supporting what I'm doing pushes me forward. It's: it drives me a lot. I have a lot of self-doubt. So to have anybody who believes in what I'm doing helps, and then, as far as Enrose, I'm never gonna stop making music. So even with such a crazy touring schedule, you know, with Bilmuri and Jonas and whatever else. I still have a lot that I want to say and that a lot that I want to write about. Enrose is the place where I do that. So I'm writing more music, and we're always gonna be squeezing it in in between the chaos. SoundCheck: Thank you for taking the time, even in your busy schedule. Women supporting women.  Gabi Rose:   Hell Yeah. Of course. Thank you for having me. I'm excited for you and this whole thing.

Photo by Rebecca McDevitt - RJL Photography If you haven't listened to senses , now is your chance. I discovered senses listening to a Discover Weekly playlist on Spotify, and since then, they haven't disappointed. They recently released their EP i’m still breathing, and it's nothing short of incredible. Filled with grungy, punk vibes, it set the tone for their upcoming tour. I had the chance to catch senses at their show in Philadelphia at the Foundry. If you haven't see this band live yet, you're missing out. All I have to say is WOW. Make sure to grab tickets to one of their last few tour dates! Photo by Rebecca McDevitt - RJL Photography Opening the show, MVSSIE  delivered a performance steeped in darkwave and post-punk influences. The band’s vocals and powerful melodies created an experience that had the crowd hyped up. I watched one guy jumping up and down screaming every word. Following them, Negative 25  cranked up the intensity with a punk-rock edge and angsty energy. They even had us crack our knuckles in radio silence! What a wild experience. The band’s chemistry and unapologetic attitude got the audience ready for what’s to come. When senses  took the stage, you felt the energy in the room shift. The crowd burst into singing and screams.  The Los Angeles-based duo, Madison Taylor (vocals/guitar) and Nick Sampson (drums), delivered a set that balanced aggression and vulnerability. The band opened with "diamonds on your dagger," immediately commanding the crowd’s attention with Taylor’s intense vocals and Sampson’s thunderous drumming. Photo by Rebecca McDevitt - RJL Photography The setlist was a journey through the emotional highs and lows that define senses ’ sound. Songs like "gonna make sure" and "every little thing" showcased their knack for contagious hooks, while tracks like "novocaine" and "me against me" leaned into darker, introspective territory. The cover of Chappell Roan’s "good luck, babe!" was one of my favorites of the night, highlighting the band’s versatility and playful side. Who doesn’t love a little pop goes punk?  Photo by Rebecca McDevitt - RJL Photography Closing out the night, senses  delivered a trio of powerhouse tracks—"playing dead," "sleepwalking," and "better than this"—leaving the audience wanting more. Their ability to capture emotion and deliver it with intensity resonated deeply with their fans, and it SHOWED. senses  left no doubt about their rising status in the alternative scene.

The Jonas Brothers are making 2025 their biggest year yet! Celebrating 20 years of music, they just dropped some major news— a brand-new tour, multiple album releases, and a fresh single that’s already stealing hearts . “Living The Dream” Tour Kicking off August 10 at MetLife Stadium , the Jonas20: Living The Dream  tour is set to be a nostalgic, high-energy celebration  of their two-decade journey. To make things even better, they’re bringing along Marshmello, The All-American Rejects, and Boys Like Girls —a dream lineup that blends pop, EDM, and classic 2000s rock. New Music Incoming The brothers aren’t just hitting the road—they’re dropping a brand-new album, Greetings From Your Hometown , on August 8 . And if that wasn’t enough, Joe Jonas is also set to release his solo album, Music For People Who Believe In Love , on May 23 . Plus, a live album is dropping on June 13 , giving fans the chance to relive the magic of their concerts anytime, anywhere. Alongside these huge announcements, the Jonas Brothers just released their latest single, “Love Me to Heaven” , a track that fuses their signature sound with fresh, upbeat vibes. It's sure to be the song of the summer! Stream it now on all platforms and get ready for an unforgettable year with the JoBros! Stay tuned for tour coverage, exclusive interviews, and behind-the-scenes content—only on SoundCheck Mag !

Craving a playlist update? These must-stream songs from the past two weeks are for binging, shuffling and sharing with the group chat.  A little bit pop, a little bit indie, a little bit country and A LOT of ear candy, these fresh bops and bangers will live rent-free in your headphones. Official artist Spotify photos: (L-R) Selena Gomez and Benny Blanco, Jonas Brothers, Wishy, Sofia Camara, Chris de Sarandy, Franklin Jonas and Harper Grace, Good Neighbours  Body and Soul – Chris de Sarandy Genre: Indie Pop  Release Date: March 13, 2025 Why you need this on repeat: A growly, passionate take on what it means to be human, this is the ultimate self-acceptance track.  Best time to play it: When you want to feel connected to yourself with a quick therapy sesh.   Lyric Spotlight: “ Oh, I’m a mess, I guess the best of me you already know .” (Damn, that raw vulnerability.)  Vibe Check: Gritty, powerful vocals that carry you into an anthemic chorus. For fans of: Imagine Dragons, Alex Warren, OneRepublic, Hozier and X Ambassadors         Here We Go Again — Sofia Camara Genre: Pop Release Date: March 21, 2025   Why you need this on repeat: An artist who blew up on TikTok, Sofia Camara just dropped her debut EP and this song is a standout.  Best time to play it: When you want a mid-tempo bop that’s deep and poignant. Lyric spotlight: “You're a ghost in a world away from home.” (Such a vivid picture in so few words.)    Vibe check: Honest, heart-wrenching; it will break you and heal you.   For fans of: Alessia Cara, Halsey and Demi Lovato   IDK – Harper Grace & Franklin Jonas  Genre: Country Pop Release Date: March 21, 2025 Why you need this on repeat: This duet is sonic velvet — smooth and sultry with a unique narrative style and blended vocals that consistently balance and challenge each other. Best time to play it: With both breakup and ready-to-love-again themes, it’s for anyone nursing a broken heart or putting theirs back on the line.  Lyric Spotlight: “I’ve been lovin’ for the plot of it”  / “I’ve been ghostin’ for the point of it.” (Too real, all of the dating PTSD.)  Vibe check: Pretty but fierce with relatable storytelling. The bridge hits especially hard with its dueling his/hers POVs and mesmerizing harmonies.   For fans of: Lady Antebellum, Mumford & Sons and Kacey Musgraves     Love Me To Heaven – Jonas Brothers  Genre: Pop Release Date: March 21, 2025 Why you need this on repeat: The instrumentation and tempo remind me of Bruce Springsteen. It’s also a nostalgic throwback to the vintage JoBros sound of past eras. Go off, Jersey boys.  Best time to play it: When you’re dancing alone in your bedroom like the main character in a rom-com. Lyric Spotlight: “Turns out the Northern Lights don’t impress me much, guess I’m just a fool for the human touch.” (SO Bruce-coded.) Vibe check: Feel-good and energetic with a gospel-esque echo on select lyrics. The clapping break will make you envision scream-singing along at the next JB tour. For fans of: Bruce Springsteen, Shawn Mendes and Harry Styles     Starry Eyed – Good Neighbours Genre: Alternative/Indie Release Date: March 21, 2025 Why you need this on repeat: The epitome of effortless listening, the melody feels like a barefoot summer breeze. Best time to play it: When your mood needs a dose of serotonin.  Lyric spotlight: “These feelings falling in between my sofa and your skinny jeans.” (We love a clever rhyme.) Vibe check: If an optimistic extrovert were a song, it would be this one.  For fans of: MGMT, Foster The People and Capital Cities  Sunset Blvd – Selena Gomez & Benny Blanco   Genre: Pop  Release Date: March 14, 2025 Why you need this on repeat: It’s a cheeky glimpse into a super-couple’s love. With a soft pop sound that feels ripped from an ‘80s playbook, this collab is sweet, cute and unserious.  Best time to play it: When you’re deep in your romantic feels reliving the experience of falling for someone. Lyric Spotlight:  “Woman of few words, but for you I'd keep my mouth wide open.” (Blushing yet? This song is overflowing with innuendos and euphemisms.) Vibe check: Dreamy, synth-heavy, flirty beat with a daring pre-chorus that catches you off-guard. For fans of: The Weeknd, Ellie Goulding and Lauv Wishy — Over and Over Genre: Indie Rock Release Date: March 18, 2025 Why you need this on repeat: Because we all deserve an escape into childlike wonder and imagination. When to play it: When you’re lost in a daydream…or wish you were. Lyric spotlight: “ I wanted to wake and find gold in my house.” (Casually poetic.)  Vibe check: Hazy but vibrant. Whimsical without being silly.  For fans of: Modest Mouse, Sublime and Death Cab for Cutie

We are offering an exclusive 20th Anniversary Jonas Brothers merch collection! Available here now. Contributed by: Rebecca McDevitt Editor-in-Chief: LJ Portnoy The Jonas Brothers are commemorating their 20th anniversary with JonasCon, a special one-day event on March 23, 2025 , at the American Dream Mall  in East Rutherford, New Jersey. This milestone celebration offers a variety of activities and experiences for fans. Here’s everything you need to know to maximize your experience. JonasCon Exclusive Poster presented by SoundCheck Mag. Photos and graphic design by Rebecca McDevitt Entry & Security Guidelines Bag Policy: According to a recent post from @jonascon2025 twitter, Attendees are permitted to bring bags of any size, but all bags, regardless of size will be searched and screened by security upon entry.  Prohibited Items:  No outside food or beverages, large backpacks, or large umbrellas. Entry Time:  Doors open at 8 AM, so arrive early to secure a good spot. Registration: Entry is free, but registration is required. While initial registration has closed, fans can join the waitlist for updates. Wristbands & Tickets:  Ensure your digital or physical tickets are scanned upon entry, and wristbands must be worn at all times for re-entry. Re-entry is subject to availability and capacity.  Exclusive SoundCheck Mag Jonas Brothers 20th Anniversary Merch is available now in the shop. Click here. Main Attractions & Performances Sky Stage (Located at the Ice Rink) The Jonas Brothers will take center stage in the main performance space. Expect special guest performances and potential surprise collaborations. Large screens will ensure great visibility even if you're further back. Jonas Beach (Located at DreamWorks Waterpark) A laid-back, beach-themed activation with acoustic sets, Q&A sessions, and exclusive fan meet-ups. Lounge areas with Jonas Brothers-themed décor, perfect for relaxation between performances. Pop-up merch stands featuring exclusive, beach-inspired festival gear. Exclusive SoundCheck Mag Jonas Brothers 20th Anniversary Merch is available now in the shop. Click here. Fan Activations & Exclusive Experiences Live Performances:  The Jonas Brothers will perform live, with potential special guest appearances. Sound off in the comments below who you think will be a surprise guest! DJ Sets:  Enjoy music from guest DJs throughout the event, including from Deleasa. Q&A Panels:  Interactive sessions where fans can engage directly with the band. Trivia & Games:  Test your Jonas Brothers knowledge and participate in interactive games, taking place at The Gameroom Eats. Karaoke:  Sing along to your favorite Jonas Brothers tracks. Camp Rock karaoke at House of ‘Que restaurant and Camp Star karaoke at the Dream Bar. Camp Rock Throwback Zone:  Step into nostalgia with interactive exhibits, props, and sing-alongs from the iconic Disney movie. Jonas Vinyl Lounge:  A listening experience featuring deep cuts, unreleased tracks, and personalized vinyl engraving. Shake By The Ocean:  A Jonas-inspired dessert pop-up offering limited-edition snacks and themed beverages exclusively through Candy Land Shake Bar. Band Together Art Wall:  Leave your mark with a message or drawing dedicated to the band and fellow fans. Camp Rock Bar:  A themed area inspired by the band’s iconic movie. Jonas Pizza:  Enjoy specially crafted pizzas in honor of the band, made available by Best Pizza. G.I. Jonas: Appreciate a one-of-a-kind Jonas-themed laser quest experience, exclusively at The Game Room . Jonas Brothers Escape Game:  This only-available at Jonas Con experience will be available at The Escape Game New Jersey . Jonas Golf: Enjoy the Angry Birds Golfing experience with a Jonas-flavored twist, available at  Angry Birds Mini Golf. Dream Wheel: Hear exclusive unreleased tracks by Jonas Brothers while riding this iconic wheel. Jonas Cookies:  Treat yourself to Jonas-themed cookies only available at Mrs. Fields™ Cookies. Exclusive SoundCheck Mag Jonas Brothers 20th Anniversary Merch is available now in the shop. Click here. Newly Announced Features: Free Portraits: Jo nasCon attendees are invited to a Free Fan Portrait Studio with Pamela Littky. Pamela is known for her stunning work with Jonas Brothers, Green Day, Justin Bieber, and Rihanna. She will be capturing special fan portraits throughout the event. Find her at Concourse G, Level 3. Love Me to Heaven Music Video Shoot:  Jonas Brothers are releasing a brand-new single, “Love Me To Heaven,” and want you to be a part of the music video. Anthony Mandler is the legendary director of this shoot. You have a chance to be featured in this exclusive opportunity by locating the video shoot area.  JonasCon Welcome Committee: Team Jonas needs a dedicated group of fans to help greet fellow attendees and help guide them to their activation stations. Join the welcome commitment to receive early access to JonasCon, a Welcome t-shirt, and VIP access to One Sky Stage session. Register here . Meet and Greet Opportunities:  Throughout activation experiences, you’ll have a chance to win a pass to a special limited Meet and Greet with the Jonas Brothers at the end of the night. There is a limited number of passes available, which will be handed out randomly throughout the day. Visit all activations for your chance to score this opportunity.  VIP Packages: Obtain your ultimate upgrade by upgrading to become a Sky Stage VIP. Packages are still available through VIP Nation. Obtain guaranteed optimal views, plush lounge chairs, Jonas Brother gift items, an assortment of light snacks, a mini fridge with beverages and designated staff for the Jonas Beach Skybox Session or one ticket to the show and early access to an exclusive merch booth on the Sky Stage with an Ultra Pass. Passes can be purchased here. Sky Stage, Jonas Beach, and Keynote Fan Sessions:  All Fan Experiences are ticketed events. You must obtain access to these events through 1iota.com . All tickets are good for up to 2 guests. Waivers must be signed and acknowledged and guest information must be entered and match government issued IDs. The Jonas Beach experience is 21+ ONLY. Fans were eligible to select one experience from these three events. Sky Stage and Jonas Beach have two sessions occurring simultaneously. One starts at 10AM - 1PM, and one is at 2:30PM - 5PM. The keynote session was later added to occur at 7PM - 10PM and features a live performance. Note, these experiences are currently sold out. Check back to 1iota.com for additional updates or more information on availability. Exclusive SoundCheck Mag Jonas Brothers 20th Anniversary Merch is available now in the shop. Click here. Food, Merch & More Official Merchandise Booths:  Official JonasCon 2025  merch, including hoodies, posters, and limited-run vinyl. Fan Creations: Creators, designers, and artists are invited to sell their custom Jonas Brothers merchandise at JonasCon. Many fans are also participating in the opportunity to trade pins, stickers, bracelets, and more. We will be bringing mini posters to trade! Food Trucks & Concessions:  Various festival-style eats, including vegan and gluten-free options. Nellie’s Southern Kitchen:  Enjoy a meal prepared by the head chef, Mr. Kevin Jonas Sr, at the Marcus Live Grille. Around the Clock:  Treat yourself to Jonas-favorites curated by the brothers at Around the Clock. Charging Stations:  Don’t let your phone die before capturing the best moments—multiple charging hubs are available on-site. Click here to view all the SoundCheck JonasCon exclusive totes. Travel & Parking Parking:  Available at the American Dream Mall . Parking opens at 6:30 AM. Arrive early to secure a spot. Rideshare Drop-Off Zone:  Dedicated area for Uber, Lyft, and other services. Public Transit:  Shuttle buses are available from designated pick-up spots to make travel hassle-free. 2025 Calendar (with three bonus months of 2026) Featuring the Jonas Brothers available here. Final Tips for an Unforgettable JonasCon Experience ✔ Stay hydrated and bring a reusable water bottle (hydration stations available). ✔ Plan your schedule in advance to catch all the key performances and activations. ✔ Follow @SoundCheck.Mag and @JonasCon2025 and on Instagram for real-time updates, exclusives, and insights directly from the fans! ✔ Most importantly—soak in the Jonas-fueled experience and have the time of your life! Hit the follow so you can catch all the fun and excitement! We promise this is something you won't want to miss! SoundCheck Mag Exclusive Content! For two weeks only the SoundCheck Mag team is offering an exclusive JonasCon collection  for the fans. Featuring photos you’ve never seen, taken by our team of talented photographers. This collection offers posters, totes and even a Jonas Brothers 2025 calendar, with three additional bonus months of 2026, giving you even more content to love! Head over to our Jonas Collection now for exclusives and sign up here  for a special 10% discount at checkout.

Behind the Music: The Journey of Chucky Hugh Contributed by Rebecca McDevitt Editor-In-Chief by LJ Portnoy The Story Behind the Sound Some artists are born into music; others find their way to it through sheer passion and relentless pursuit. Chucky Hugh is a rare blend of both—a musician whose journey has been shaped by an innate love for melody and a determination to carve his path. Raised in New Jersey and now calling North Carolina home, Chucky has spent years refining his craft. From basement jam sessions to headlining tours. From stripped-down acoustic EPs to the full-bodied alternative rock sound, that defines his music today. Chucky's story begins in a house filled with music, where his mother’s eclectic taste in records introduced him to a world of sound, spanning classical compositions to punk rock anthems. The influence stuck, and by the age of seven, Chucky had already begun playing guitar—first as a reluctant student under his father’s guidance, then as a rebellious kid eager to master electric riffs inspired by Green Day and Blink-182. Music wasn’t just an interest; it was a language he instinctively understood. By his teenage years, Chucky was fronting bands, shaping a small but thriving music scene in North Jersey, and playing legendary venues like Webster Hall in New York City before he even graduated from high school. But the moment of truth came when, against the expectations of a traditional career path, he decided to leave college and pursue music full-time in 2014. That leap of faith was the start of something bigger. Discover Chucky Hugh’s top tracks on Spotify—listen now! A Career of Highs and Hard Lessons Chucky’s independent music career has been a whirlwind of defining moments, both triumphant and challenging. Hustling his way down the East Coast, he took every gig he could find, eventually landing opportunities to share the stage with musical heroes like William Ryan Key (Yellowcard), Frank Iero (My Chemical Romance), and Palaye Royale. These milestones solidified his place in the indie rock circuit and reassured him that he was on the right path. However, like many artists, his momentum was abruptly halted in 2020 when the COVID-19 pandemic struck. Days before the release of a highly anticipated album and the kickoff of his first headlining tour, the world shut down, leaving him in limbo. The setback was more than just a logistical nightmare—it was a defining moment that tested his resilience. The music scene he had cultivated felt diminished in the aftermath, and the struggle to reclaim that energy has been an ongoing challenge. Yet, Chucky’s approach to music has always been about evolution. His early work leaned acoustic, influenced by melody-driven pop-punk, but as he experimented with production and live performance enhancements, his sound grew into something grittier, bolder, and unmistakably his own. Collaborating with drummer and friend Jose Pepe Mongollon helped shape a more dynamic, high-energy stage presence, allowing Chucky to explore a full-band sound without sacrificing the authenticity of his solo artistry. Get a backstage pass to Chucky Hugh’s world—music, moments, and behind-the-scenes vibes you don’t want to miss! Follow him on Instagram now! 🎸🔥 Authenticity in a Changing Industry The music industry has changed drastically since Chucky first picked up a guitar. Streaming culture, social media algorithms, and the commercialization of artistry present new challenges for independent musicians. For Chucky, the hardest part isn’t just making music—it’s staying true to himself in an era that rewards clickbait over craft. He chooses authenticity over virality, opting for meaningful connections with fans rather than chasing fleeting trends. Despite the pressures, he remains hopeful about the future. His ultimate goal? To inspire young artists to dive into their local music scenes, to create without inhibition, and to push the industry toward a space where artistry and passion reign over profit. Dare to enter the darkness? 🖤 Watch Chucky Hugh’s haunting Sinner  music video now and let the eerie vibes pull you in. 🎸 Looking Ahead As he moves into 2025, Chucky is focusing on growth—not just as an artist, but as a person. Prioritizing his physical and mental well-being, he’s setting the foundation for a new chapter in his career, one that promises fresh music, exciting projects, and a deepened commitment to his artistry. With a sound that continues to evolve and a perspective that remains grounded, Chucky Hugh is a name to watch in the indie rock scene. Now, let’s dive into our conversation with Chucky, where he shares insights on his journey, creative process, and what’s next on his horizon. SoundCheck: What’s your origin story? How did you first get into music, and what made you realize this was what you wanted to do? Chucky:   My mother always had great music taste, and I’m grateful that she shared that with me. I remember that she had an entire catalog of records, cassette tapes, and eventually CD’s. All genres: Classical, Punk Rock, 70’s, 80’s, etc..  With all of that influence, I noticed at a pretty young age that I took an interest in melodies, patterns, songwriting, and harmony. My father was pressuring me to learn how to play classical guitar at the time, so eventually my rebellious compromise was to learn to play the electric guitar. I was seven years old when I started playing guitar, and it just felt like a language that I understood immediately. Of course my teacher was pushing me to learn music theory, but I would go home and learn punk songs by ear. From there, I started getting really  into bands like Green Day and Blink 182, and just immediately connected with their energy and performances. Between the ages of twelve and eighteen, I would start several bands in school. We genuinely had our own little North New Jersey music scene,-- (Shout out to Canvas Clash, Radiant, Bloomfield VFW, Two Step, Joy Ride)-- and a lot of the bands would go on to do some really impressive things for our ages. By age eighteen I had played at the famous Webster Hall in New York City twice, which is still one of the biggest highlights of my life. Those are some of the best memories I have.  At college age, my bandmates would go on to pursue degrees and school. I was a “straight A” student, but this music thing meant too much to me to give up, and in 2014 I dropped out of college to start a solo career. That’s where everything began for my music career. SoundCheck: What were some defining moments in your career so far—any breakthroughs, setbacks, or “aha” moments that changed everything for you? Chucky:   I am so humbled, and grateful to have been able to perform, and open shows for many of my heroes. I was hustling my way down the East Coast, and just taking any gig I could get. Some notable shows were William Ryan Key of Yellowcard, Frank Iero of My Chemical Romance, and Palaye Royale. Each of those was just a defining moment where it felt like I was brushing shoulders with the people who inspired me to make a career out of this in the first place. Things were gearing up to take off and I had my first headlining tour scheduled, starting in March 2020. Literally days before my album release show, which would have kicked off the tour, the Covid-19 Pandemic began, and all shows were indefinitely cancelled. This was, by far, the largest setback I have ever experienced in my career. In this industry, you can’t afford to lose momentum because you already barely make enough to survive.  Unfortunately, I felt that even after the pandemic, the music scene I had cultivated and come to love just did not return with the same impact. I’m still navigating that, and trying not to base my self worth on “how it used to be,” but I have very high hopes for the future. SoundCheck: How has your sound evolved from when you first started to now? What elements of your music have stayed true from the beginning? Chucky : My first few EP’s were all fully acoustic and more pop-melody based. I struggled a lot though, because more than anything I wanted to be in a BAND. I thought it was a bit pretentious to be “Chucky Hugh” with a band playing behind me, so I started dabbling in ways that I could enhance my show without necessarily starting a new project. At this time I got really into music production/audio engineering, which would be a full on business venture for me a few years later.   A good friend of mine, Jose Pepe Mongollon, used to jam with me and add drums to my acoustic tracks, so he became a huge part of the evolution of my music and show. It just felt like drums were able to elevate everything and allow me to explore a more alternative rock style that you can hear on my most recent releases. He would perform with me all the time and really set the bar for the level of energy that the act would have at live shows.  SoundCheck: What’s the hardest part about being an indie/rock artist that people don’t see? Chucky:   I’ve realized how important it is to kill the ego and just be genuine. I think that in the modern world, you have many resources to build your own image without needing too many hands in the pot telling you what would “sell” better. Post things when you want to, share your life authentically, and stop viewing yourself too much as a business. A healthy amount of marketing is great, but I feel that people are getting sick of the clickbait and just want to experience art and connection. These days I’ll opt to listen to a full record from cover to cover over a 10 second clip that went viral.  I guess, to answer the question, the hardest part for me is trying to remain authentic while social media constantly pushes and rewards inauthentic content. I tend to take many social media breaks these days and try to live completely in the moment. Life with my wife Olivia and my dog Luna is pretty amazing! SoundCheck: If you could go back and give your younger self advice about making music, what would you say? Chucky:  I would tell myself to worry less about the future, and just calm down a bit. It all works out in the end! I moved out of my mom’s apartment when I was 17, and was totally on my own. As a young musician and entrepreneur, this was completely terrifying. I had no backup plan. Looking back, I spent most of my time in a very bad mental health state, stuck between trying to make enough to survive, while also desperately trying to make the music career work. Lots of hormones, angst and stress- haha!  I look back and wish that I knew that those days were the “glory days!” If I could go back, I would tell myself “It’s all going to work out! Try to live in the moment and enjoy this.” I can’t stress how grateful I am for the memories and the people who made it possible to do this.  SoundCheck: What emotions or themes do you aim to capture in your music? Chucky:   My music is all over the place, and I like to try and tell a larger story from song-to-song as you move down a track list. I’d say that  a lot of my songs are love songs. I was always a hopeless romantic type. There’s also a solid amount of hardship, and coming-of-age in my music. Life has peaks and valleys, and I think songs are a lot like that too. You want to take the listener on a journey and communicate strong feelings that if said out loud might just sound crazy. SoundCheck: Walk us through your songwriting process—do lyrics come first, or is it more about a melody or vibe you’re chasing? Chucky:   Ah, the age-old-question! Haha. Everyone is different, but I tend to find a vibe, or progression and build on it with melodies. At some point, you’ll hear me babbling nonsensical words within a melody and finding the right inflections or sounds that elevate it.  Once I have that, I start adding words that fit the rhyme scheme of whatever my gibberish sounds like. I know this is really weird, but I feel like songwriters will understand! When I did music production full time, I often had people who were embarrassed to share demos they were working on, and I was like “Have no fear! I speak your language,” -because even a phone recording of a babbling melody with nonsensical lyrics makes sense to a songwriter. People should not be embarrassed to share that! It’s how all music is made.  SoundCheck: How would you describe your sound? Are there any elements that you feel you have been inspired by from other artists, if so, which ones? Chucky:   I definitely always tried to add a little bit of an “edge” or aggressive energy to everything, even when it was acoustic- whether that was vocal delivery, or lyrical, etc. One of my inspirations has always been The Ramones, who kept their music simple in favor of melodic vocals. SoundCheck: If someone listens to your music for the first time, what’s the one song you’d want them to hear first, and why? Chucky:   I would want them to hear “Undead,” from my EP “There’s Nothing in This World Under Control.” That is a hidden gem in my opinion and I did have plans to shoot a music video before the pandemic. I think the lyrics of that song are especially prevalent in today’s world.  SoundCheck: How do you balance staying true to your vision while also experimenting and pushing your sound forward? Chucky:   I think that every idea is worth fleshing out, and if you get to a point where it just doesn’t inspire you anymore, it's okay to take a break and come back to it. You have to make a lot of bad music before you can make good music, so just getting all of your ideas out and treating them with equal preference really gives every concept a chance to shine. I’ve had many ideas that I thought were “bad” turn out to be great after developing them.  SoundCheck: As an independent artist, what are some of the biggest challenges you face when it comes to getting your music out there? Chucky:   The hardest part now is that it seems the culture shifted to mostly mainstream artists getting hype. Stadium tickets went from $80 to $1000, and people still buy them. Meanwhile local shows are $10 and incredibly hard to pull an audience haha. There was a time when it was cool to know a band or an artist before they blew up, and it certainly feels that people aren’t as open to giving smaller acts a chance these days. It can be discouraging, but I do think we’re seeing a shift back in the right direction. I am definitely seeing people craving that more intimate independent vibe in a show recently.  SoundCheck: Do you feel like today’s music industry makes it easier or harder for indie/rock artists to break through? Chucky:   I would say harder. Even some of the acts I’ve heard of pulling millions of streams per month are barely making enough to survive, and so they are just perpetually on tour to try and sell merch. I guess that comes with the territory, but it’s definitely rough right now to be in this business.  I think that’s also why it's really important that young people get involved and influence the industry in a positive way! SoundCheck: What’s been your biggest learning curve so far in making a name for yourself? Chucky: The biggest learning curve for sure was learning about music production and audio engineering. While a lot did come naturally, learning all of the equipment, and technical parts was like a full time job. Luckily, it was all worth it because once you are able to record your ideas and flesh them out, the computer becomes an instrument itself to make your vision a reality. Mixing and finding the right tones has become one of my favorite things because it's so rewarding when you finally achieve the vision.   SoundCheck: Have you ever faced creative burnout, and if so, how do you overcome it? Chucky: Yes! It happens all the time, and for me, I don’t mind taking long breaks and finding new ways to get inspired. I love to go to museums, travel, try new hobbies, etc. Finding things that move and inspire me allows the creative juices to flow again.  Photography by Rebecca Jean Unlimited Photography SoundCheck: What’s your ultimate dream as an artist? What’s the version of success you’re chasing? Chucky:   My dream right now is to inspire younger artists to learn music, be involved in their local music scenes, and to have their voices heard! There is so much happening in the world and we need more art.  SoundCheck: If you could collaborate with any artist, living or dead, who would it be and why? Chucky:  I would absolutely love to collaborate with John Feldmann, who is a music producer that has worked on practically all of my favorite records from every band I love. He adds so much flavor and gets the sound just right, and I think it would be a huge learning experience. SoundCheck: What’s a moment in your career that made you step back and think, “This is why I do this”? Chucky:   It is really a humbling and beautiful thing when people can relate to my lyrics and music and tell me that the music has helped them through some aspect of their lives. That is what this is all about for me.  SoundCheck: Are there any upcoming projects or releases fans should be excited about? Chucky:   There are some things in the works that I don’t want to spoil too much yet, but I think it will be worth following the journey! SoundCheck: What’s next for you in 2025? Where do you see yourself a year from now? Chucky:   In 2025 I have really prioritized working on myself. I’ve been going to the gym, nurturing my brain, and just trying overall to do better. I think that in a year from now, the habits I’m forming now will allow me to create some really amazing music in the future.  SoundCheck: If your music were the soundtrack to a movie, what kind of movie would it be? Chucky : It would probably somehow be a romantic horror movie, which sounds like it doesn’t make a whole lot of sense, but I would watch it! SoundCheck: What’s a song by another artist that you wish you had written? Chucky:   Funnily enough, I was just talking to a friend of mine about how the soundtrack of “The Greatest Showman” has some of the best pop songwriting I’ve ever heard, and I wish I wrote every song on that soundtrack, haha! I love it so much, and I think secretly I want to have my own circus of weird people like myself who go around, play music, and show all of their weird talents! SoundCheck: What’s the weirdest or wildest thing that’s ever happened at one of your shows? Chucky: There’s always craziness and chaos, but I will never forget one time when I looked down at the crowd and my own grandmother had somehow made her way all the way to the front barrier. She was screaming and cheering me on, and I was laughing so hard that I could barely perform!   Go beyond the stage—exclusive backstage and main stage shots await at SoundCheckMag’s Gallery. 📸 Check them by clicking below. Craving more? The latest issue of SoundCheck Mag  is packed with exclusive artist interviews, stunning concert photography, and behind-the-scenes moments you won’t find anywhere else. Get your copy now in our shop! 🎶

Photo by Rebecca McDevitt - RJL Photography Last night, Philadelphia's own Grayscale delivered an unforgettable early album release show for their upcoming record The Hart  at the iconic Fillmore in their hometown. The night kicked off with an impressive lineup of openers that set the tone for the evening. Local School of Rock students warmed up the stage, showcasing raw talent and youthful enthusiasm. Bike Routes brought a vibrant, indie energy, while Phoneboy delivered a catchy, high-energy set that had the crowd singing along. Quarters of Change rounded out the openers with a polished performance, blending alternative and rock influences that perfectly primed the audience for the main act. Photo by Rebecca McDevitt - RJL Photography Grayscale’s set kicked off with "Kept Me Alive," that was released earlier this year. Songs like "Some Kind of Magic" and "Dance With Your Ghost" kept the energy high, sending fans into a frenzy. Crowd surfers were a constant presence, buoyed by the upbeat and melodic vibes of the new material. Photo by Rebecca McDevitt - RJL Photography As the show progressed, Grayscale slowed things down with the somber and sentimental tracks "Painting Over You" and "Mum II." The shift in tone was palpable, and the room’s energy transformed into an intimate, almost reverent atmosphere. These heartfelt ballads showcased the band's lyrical depth and emotional vulnerability, offering a glimpse into the soul of The Hart. After the album’s live debut, the band took a brief intermission before returning to the stage with renewed energy. They launched into "Dirty Bombs," reigniting the crowd with its explosive intensity. The momentum carried through a trio of fan favorites, including "Let It Rain," "Slept," and "Fever Dream," each met with roaring approval from the audience.Grayscale closed out the night with a powerful performance of "Not Afraid to Die,” a fitting closing song. Photo by Rebecca McDevitt - RJL Photography The emotional resonance of the song combined with the palpable energy in the room made for a moment of pure connection between the band and their hometown audience. The Fillmore proved to be the perfect venue for this special evening, amplifying the hometown pride and intimate connection between Grayscale and their fans. As the crowd spilled out into the Philadelphia night, it was clear this was more than just a concert—it was a celebration of the band’s journey and a thrilling preview of what’s to come. Photo by Rebecca McDevitt - RJL Photography With The Hart  set to release on January 31, 2025, this performance cemented Grayscale’s place as one of Philadelphia’s most beloved bands and a force to be reckoned with in the world of alternative music.

By Staff Photographer and Photographer, Rebecca McDevitt Shot by RJ Limited Photography On December 8th, 2024, State Champs  brought their tour to an unforgettable close at Webster Hall, delivering a high-energy, heart-pounding performance that showcased their undeniable chemistry with the crowd. The night featured an incredible lineup, with Daisy Grenade , Meet Me @ The Altar , and Knuckle Puck  all playing their part in making this a night for the books. And with their constant support of female artists, State Champs  once again demonstrated their commitment to inclusivity within the pop-punk scene. The openers set the stage for an unforgettable night, each bringing their own unique energy to Webster Hall. Daisy Grenade  kicked things off with their infectious, emotionally charged pop-punk, getting the crowd hyped right from the start. Meet Me @ The Altar  followed with their anthemic, high-energy set, effortlessly blending catchy hooks with empowering vibes. Finally, Knuckle Puck  brought their gritty, melodic hardcore to the stage, pumping up the crowd with their raw intensity. Together, these bands delivered a powerful, diverse mix that perfectly complemented State Champs’ headlining performance. By the time State Champs  took the stage, the energy was absolutely electric. Opening with “Silver Cloud” from their latest self-titled album, the band immediately grabbed the attention of the audience. Throughout the set, State Champs  expertly balanced their newer material with fan favorites. "Around the World and Back"  saw Daisy Grenade  join them on stage, creating a special moment where the energy of the crowd and the harmony between the bands was undeniable.  The band didn’t shy away from digging into their back catalog, treating long-time fans to beloved older tracks like "Hard to Please,"   "All You Are Is History,"   "Elevated,"  and "Remedy."  These songs, full of nostalgia and raw energy. The crowd's response was deafening, and the floor of Webster Hall felt like it was on the brink of caving in from the sheer force of fans jumping and singing along. For the encore, State Champs  closed the night with "Everybody But You"  and "Secrets,"  two of their biggest anthems that had the crowd singing so loudly it was as if they were trying to match the intensity of the band. By this point, the energy in Webster Hall was nothing short of chaotic in the best way possible. Fans were jumping, screaming, and getting their final crowd surfing moments in. State Champs  at Webster Hall was a perfect culmination of everything they do best—delivering an electrifying live performance, connecting with their fans, and pushing the boundaries of what it means to be a part of the pop-punk scene. From their dedication to championing female artists to their flawless setlist that mixed new hits with classic anthems, the band proved why they’re one of the best in the genre today.

David Archuleta delivered an unforgettable performance at Westfield Garden State Plaza’s Big Santa Light-Up & Drone Show , officially kicking off the holiday season with music, magic, and nostalgia. Fans gathered at the New Jersey shopping center to witness the festive spectacle, which featured dazzling lights, a breathtaking drone show, and, of course, Archuleta’s powerhouse vocals. Photo by Rebecca McDevitt - RJL Photography Spreading Holiday Cheer with "Christmas Every Day" The night took on a festive tone as Archuleta performed Christmas Every Day , his lively holiday hit that had the crowd clapping and singing along. The song, known for its cheerful lyrics and upbeat rhythm, perfectly captured the spirit of the event. Archuleta’s infectious energy made the performance feel like a true celebration, bringing warmth and excitement to the chilly evening. As he effortlessly hit each note, it was clear why Christmas Every Day  has become a modern holiday favorite. Photo by Rebecca McDevitt - RJL Photography A Nostalgic Moment with "Crush" While the holiday spirit filled the air, Archuleta also took a moment to bring fans back in time with Crush , the song that skyrocketed him to fame after his memorable run on American Idol . As soon as the first few notes played, the crowd erupted in cheers, singing along to every word. Even after more than 15 years, the song remains a beloved classic, and Archuleta’s heartfelt delivery made it feel just as fresh and emotional as when it first debuted. The performance was a reminder of his staying power as an artist and his ability to connect with audiences across generations. Photo by Rebecca McDevitt - RJL Photography A Night of Music, Lights, and Holiday Magic The Big Santa Light-Up & Drone Show  was more than just a concert—it was a full-on spectacle. As Archuleta’s voice filled the air, hundreds of drones created mesmerizing holiday-themed formations in the night sky, adding a breathtaking visual element to the evening. The grand moment came when Santa himself was illuminated, officially signaling the start of the holiday season at Westfield Garden State Plaza. Photo by Rebecca McDevitt - RJL Photography Fans took to social media to share their excitement, with many praising Archuleta’s performance as a highlight of the event. His ability to seamlessly blend holiday joy with the nostalgia of Crush  made for an experience that was both heartwarming and exhilarating. Westfield Garden State Plaza’s Big Santa Light-Up & Drone Show  set the stage for a magical holiday season, and with David Archuleta at the center of it all, the night was truly one to remember.