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Contributed by Fernando Flores Photos courtesy of UMG / 1824 ° Amber Marks has always had a calling for music. Constantly moving from city to city in her younger years, she reflects her growth and movement in the music she writes today. Music is like an outlet to her, she is able to really let out her true feelings in her lyrics and set the emotion in her sound. Tied with the emotional strain of constantly moving and strong memories of childhood, she creates music that hooks the audience in a way that leaves them feeling what she has felt. A woman with power not just in her voice but in her words. Amber sets the fire in R&B style music that will create movement in the industry.  A Powerful Pairing Currently on tour as the opener for Sabrina Carpenter, Amber has big shoes to fill. Sabrina Carpenter being one of the top performers of 2025 has set a movement of pop culture that we haven’t seen since the early 2010’s. As the strong duo rocks the stages in the continuation of the Short ‘n Sweet Tour, we can see Amber’s popularity rise to possible global stardom. Something we have seen before with strong duos such as Chappell Roan opening for Olivia Rodrigo or Sabrina Carpenter opening for Ariana Grande in 2017. Moves like these are intimidating for artists who are just reaching stardom but Marks is on the mark!  Amber Doesn’t Stop! While still touring with Sabrina Carpenter, Amber is releasing a brand new album called, “Pretty Idea.” It's the next full length album after her release of the album, “Three Dimensions Deep.” In a conversation with SoundCheck Magazine she explains that “Pretty Idea” will maintain a spiritual connection to the world like “Three Dimensions Deep” but it won’t go as in-depth as the prior album. She’s set on improving her sound, taking inspiration from artists like Stevie Wonder, Michael McDonalds, Prince and many others to create the rich atmosphere her music brings. Beautiful like the cosmos, Amber describes the album as having a pink aura to it just like a cosmo drink. Amber Mark stays active releasing numerous counts of new music including her EP “Loosies.” She has proven time and time again that she has the skills for creating music. Most recently having released the single, “Let Me Love You” off the upcoming album, “Pretty Idea.” Without a doubt, Amber's hard work to make this album happen has been embedded into this project. As she stated to SoundCheck Magazine, [it carries] “many highs and lows and lessons I didn’t know I needed” Sneak Peak, “By The End of the Night” SoundCheck Magazine was honored to have received a sneak peak to the first song of the album. “By the End of the Night” captures the essence of Amber’s sound so beautifully. The melody and the lyrics blend so easily in an upbeat tempo that keeps you dancing till the end of the night. A Star is Born Amber continues to hustle in the music industry, while touring with one of this year's most influential artists. With her new album releasing on October 10th, 2025, she is bound to make headlines soon. On the right track to become the next summer song of 2026, Amber shows power and resilience to make her teenage dreams happen. I recommend for you to hop on the bandwagon now and tune into Amber Mark’s new album, “Pretty Idea” on October 10th, 2025, so that you can say you listened to her before she became the next “it” girl.

Photography by Sean Stout (IG @ SeanFStout ) Contributed by Fernando Flores Photos courtesy of UMG / 1824 ° Poised For Release Grammy-winning singer-songwriter Madison Cunningham is bound to have an impactful album release. She’s poised to captivate audiences once again with her new album “Ace,” that’s coming in October 10, 2025. Bound to tug on many listeners' heartstrings. Madison Cunningham: Expanding Her Sound Madison is known for her lyricism, captivating storytelling, and guitar work. She expands her palette on this project, introducing piano-driven melodies and fresh textures marking an exciting new chapter in her artistry. The album’s first single, “My Full Name,” sets the tone for the journey ahead, blending intimate reflection with a bold new sound. Photography by Sean Stout (IG @ SeanFStout )  Featured tracks like “Beyond That Moon” and “Golden Gate (On and On),” were one of the hardest songs for Cunningham to write for the album. The process of creating the perfect song is ever evolving for Madison. Stating that a song isn’t ready till it just feels alive. Madison proves time and time again that she won’t just release a song until she knows that the song is ready, or alive. As we listen to more tracks in the album, we explore more themes of self-discovery, emotional growth, and human connection.  Craft and Concept So much thought and effort went into building such a beautifully compelling album. Each song, a continuation of the novel, “Ace” tying up ever so nicely to give you the masterfully produced album. Madison dives deeper into the album artwork describing swans as her inspiration. Cunningham shares with SoundCheck Magazine,  “There’s something about the cover photo. You can’t quite tell what my emotion is—longing, sadness, maybe even anger. It’s like a mood ring; whatever song you listen to, it fits.”  There’s beauty in every corner of this album. We recommend listening closely to the music and really examining the artwork. You’re bound to get a new perspective on her music and life. You might just give Madison more respect for her creativity than you already do.  ​​A Legacy in Motion Cunningham’s reputation as a musician’s musician continues to grow, earning praise from peers like Hozier, who calls her, “one of the most talented creative forces of our generation.” With six Grammy Awards to her name, including the 2025 win for Best Americana Performance, she has cemented her place among the most compelling voices in modern folk and alternative music.  For Longtime Fans and New Listeners Alike Fans of Bob Dylan, Joni Mitchell, and Paul Simon will feel right at home with “Ace,” an album that invites listeners to look inward while getting lost in its musical beauty. “Ace” adds on to Madison’s growing list of achievements that does not stop here. If you’re a fan or looking for something new then don’t miss Madison Cunningham’s “Ace.”  Available everywhere October 10, 2025.

From cramped basements to stadium lights, Deleasa’s rise is one SoundCheck has been lucky enough to witness in real time. Photo by Rebecca McDevitt (IG: @rebeccajeanlimitedphotography ) Jersey Roots, Big Dreams Michael Deleasa grew up in New Jersey with music woven into everyday life. From cramped basements to small local stages, those early nights gave him the grit and instincts he still carries with him. SoundCheck has been following his journey for over a decade, watching him grow from those grassroots beginnings into someone who can command a stadium crowd with the same authenticity. Before fans knew him as the DJ who could flip a room in seconds, Deleasa was carving out his own lane as a songwriter and solo artist. Photo by Rebecca McDevitt (IG: @rebeccajeanlimitedphotography ) We remember those shows too — the ones where he was learning how to hold a room with nothing but his guitar and his voice. That foundation shaped the way he builds a set today: thoughtful, intentional, and with the same performer’s touch that’s been there since the beginning. Now, Deleasa is the connector. The one who bridges anticipation with atmosphere, turning wait time into part of the show. We’ve seen him in every setting, from late-night sets in tiny clubs to the electricity of massive arenas, and the through line has never changed. It’s always been about connection, community, and creating nights that people carry with them long after the music fades. The Accidental Beginning of a DJ Like many artists, Deleasa’s career path wasn’t a straight line, it bent, curved, and reshaped itself in unexpected ways. His DJ journey began almost by accident while he was living in Miami and working on music. “Sometimes when they were mixing, I’d just go in the back and mess around on this Traktor controller,” he told us. “It was super fun. From there, I thought, maybe I can start to do some after-parties. Then it escalated, brand partnerships, nightlife in New York. But it all started as a hobby." Photo by Rebecca McDevitt (IG: @rebeccajeanlimitedphotography ) That “hobby” quickly became something bigger. At first, he was just blending funk records for hours, losing himself in sound and learning how to bend rhythm to his will. Soon, he was throwing after-parties, playing New York clubs, and finding himself booked for brand events. What started as downtime curiosity became a second identity. And yet, he never abandoned his roots as a songwriter. That part of him carried into DJing, shaping the way he approaches sets. Each night has its own mood, its own story, its own curve of energy. Crafting The Energy Curve When we asked how he builds a set -how you take a crowd from that first drop into the night’s crescendo- his answer was both playful and precise. “I put a bunch of songs on postcards, put on a blindfold, throw darts and that’s the playlist,” he joked. Then he shifted: “To be honest, it’s really no different for a massive room or a small room. The objective is the same, get people going." " Whether it’s 50 people or 50,000, the goal doesn’t change" Photo by Rebecca McDevitt (IG: @rebeccajeanlimitedphotography ) Sometimes that means leaning into local flavor. “If you’re in Boston, a More Than a Feeling remix could be a good move. If you’re in Jersey, you can’t go wrong with a little Bon Jovi.” That adaptability is part instinct, part preparation. Deleasa has been known to swap out tracks after night one if they don’t land the way he imagined. He’ll layer new drum samples or textures before a set to boost the energy. And sometimes, the best moments are the spontaneous ones,  the audibles he calls mid-performance when he feels the room shift. It’s this mix of humor, instinct, and craft that makes his sets memorable. They’re never cookie-cutter, never rigid. You can tell he’s in conversation with the crowd, and that conversation shapes the night. Two Cities, One Philosophy Ask him about his influences, and he points to geography as much as genre. “Miami got me more into house and tech house, more dance-driven, underground stuff,” he explained. “New York was more open format, playing everything. So now when I’m doing dance sets, I have to remind myself I can ride tracks out instead of mixing too fast.” Those two energies, Miami’s pulse and New York’s eclecticism, collide in his sound today. His sets are rooted in house and dance, but they carry the elasticity of a DJ who’s played every kind of room. That flexibility comes with perspective, too. On nerves, he laughed: “I wouldn’t say nervous. It’s more like excitement. If being so excited you could pee your pants equals nervous, then yeah, sometimes. I try to trick my brain and reframe it. I don’t get nervous, I just get really excited.” His philosophy goes deeper than performance jitters. It’s about how he approaches creativity itself. “Focus on small steps,” he said. “Baby steps are steps. If you only look at the end goal, it gets overwhelming. But little wins prepare you for the bigger moments.” Photo by Rebecca McDevitt (IG: @rebeccajeanlimitedphotography ) It’s advice that applies far beyond DJing, and it’s what makes him resonate with fans who are creators themselves. Fun, Future, and What’s Next Of course, Deleasa is never all seriousness. Ask him to describe himself as a cocktail, and he answers without hesitation: “I’d go with a spicy marg. A little flavor, a little spice. A classic. Everyone loves it, but it’s also not for everyone.” Ask him about memes, and he lights up: “Any Hasbulla meme. I live my life in memes, I think in memes.” But when he talks about the future, it’s all excitement. Right now, he’s experimenting with Latin house alongside longtime friend Dav Julca, incorporating live percussion into sets.  Photo by Rebecca McDevitt (IG: @rebeccajeanlimitedphotography ) He teased a country remix in the works, dream collabs with Diplo and Jamiroquai, and even shared how kids inspire his creativity. “There’s just this raw honesty with kids. They’ll drop stoic knowledge out of nowhere, and it helps me see things differently.” From funky experiments in Miami studios to rainstorms with live drums, Deleasa’s story is one of growth without losing connection. For those who’ve been following him since the early songwriter shows of 2013, it’s a joy to watch him step into his next chapter.  Catch Deleasa on tour with Jonas Brothers, Franklin Jonas, Boys Like Girls, and Jesse McCartney through the end of this year

Marina, captured by Danica Robinson (IG @ danicarobinson ) Written by Fernando Flores Photography by Danica Robinson The Princess emerges out of the Star Fields Four years after releasing her fifth album, “Ancient Dreams in a Modern Land” MARINA creates a strong comeback with the release of “Princess of Power.” After the announcement of the U.S. tour, longtime fans swell with excitement, eager to welcome MARINA back to the stage after years of not touring. Marina, captured by Danica Robinson (IG @ danicarobinson ) Performance Leveled-Up! Excitement reached an all time high after Mallrat warmed the crowd up with her stellar performance that had MARINA fans asking for more from her. Minutes after her set, fans where still talking about Mallrat’s performance as they add her onto their Spotify playlists while waiting for MARINA to come on stage. The energy has been building up all year. MARINA has perfectly created enough hype through her past performances during this year. Honorable mentions are, of course, her Coachella appearance which was incredible, vibrant and full of energy. Secondly is her Governors Ball performance, striking a home run with her fan base and collecting a bigger cult following after the fact. She as created so much uproar for the Princess of Power and has cemented her status as a must-see live act. Stimulation Theory Marina, captured by Danica Robinson (IG @ danicarobinson ) After so many previews to what energy MARINA is capable of, there’s no wonder why the crowd was so eager to see her. Soon enough, we’re sent into the simulation that’s P.O.P. as we follow the storyline based inside of a video game. MARINA starts the opening notes of “Princess of Power,” causing the venue to erupt in excitement. The powerful song sets the tone for the rest of the set. Starting strong, MARINA lets out a ton of energy and really commands the stage only captivating the crowd even harder than before. Everyone, including myself, enchanted by her energy starts to dance and let loose. For once our problems are out the door and everyone starts to show their Cuntissimo side. Return of the Classics Marina, captured by Danica Robinson (IG @ danicarobinson ) Across an hour-long set blending fresh tracks with beloved oldies, MARINA brings the audience through a wave of emotions and nostalgia. Not one person stood still, everyone singing her lyrics back to her, in a rave style energy. By the end of the night, time had flown by and fans were left with that euphoric feeling of having shared such an unforgettable performance. Yet, MARINA had more to give.  The Marina Fund Marina, captured by Danica Robinson (IG @ danicarobinson ) MARINA an advocate for LGBTQ+ so graciously donates 10% of the performances merch sales back to the LGBTQ+ communities across the United States. Not only is she helping the LGBTQ+ community but each purchase also helps deliver urgent relief in Palestine. It's very noble on MARINA’s part to contribute to these really huge issues with merch sales that usually go towards the artists.  Winner! An advocate for peace, the LGBTQ+ community and a great performer. What more can be said about MARINA but that her talents go further than singing. Although her first half of the tour is coming to an end, you can still catch her performances until November. If you’re looking for a lively setlist and an energetic crowd of fans, definitely go see MARINA in her next performance!

Sophie Allison, better known as Soccer Mommy, stopped at Globe Iron in Cleveland on the tail end of her September Tour. The venue opened earlier this year, adding to the long list of music settings in North East Ohio. The new spot sits near Jacob’s Pavilion in an old building sporting brick interiors and a warehouse vibe. It felt like an underground spot to see your favorite up-and-coming artists. We had the pleasure of covering Soccer Mommy’s show in the atmospheric Globe Iron. Soccer Mommy in Cleveland, OH - photo by Madison Cozzens (IG: coz_artphoto) The opening band, Dummy, is an avant-garde group from LA. The band incorporates indie pop, with psychedelic noises and soundscapes to produce a sound that is their own. They set the stage with a maximalist tone, incorporating keyboard, drums, guitars, and soundboard together. Dummy’s intention is not to create something difficult but fun and exciting with their complex layering of instruments and sounds. Dummy in Cleveland, OH - photo by Madison Cozzens (IG: coz_artphoto) Allison started writing and recording songs in her bedroom, posting them on Bandcamp, not expecting to gain a following. Soccer Mommy’s success has taken her worldwide, playing shows in the UK and Europe, Australia, and Japan. Despite her world recognition, Soccer Mommy has a sincere and soft presence on stage. You can hear the influences of Mitski and Avril Lavigne in Soccer Mommy’s “bubble-grunge pop” sound. Sophie’s ability to blend soaring melodies with heartfelt and heartbreaking lyrics is her superpower to resonate with fans. Soccer Mommy in Cleveland, OH - photo by Madison Cozzens (IG: coz_artphoto) Soccer Mommy performed across the discography “Your Dog”, “Circle the Drain”, and “Shotgun”. Towards the beginning of the show, the band played “Abigail”. Not a song about an ex, a friend, or a lover, but Sophie’s wife NPC in Stardew Valley. Allison created the song as a writing exercise, and it ended up on her most recent album, “Evergreen”. The people in love, the heartbroken, and the Stardew Valley fans alike swayed together to the song. You can feel the earnestness and personal stories through Soccer Mommy’s music, reaching out through Allison’s experiences and helping people get through their own hardships. Soccer Mommy has proven that they have carved our their own lane and we can't wait to see what's next for them. Soccer Mommy in Cleveland, OH - photo by Madison Cozzens (IG: coz_artphoto)

Article Contributed by Ilana Bornstein Press Photo by 1824 / UMG SoundCheck recently caught up with Grammy-nominated artist, BJRNCK to discuss her highly-anticipated new album, due later this year. After stepping away for a much-needed creative reset, she’s returning with a project that’s both deeply personal and universal, infused with honesty and soul.   Photo Provided by 1824 / UMG Fully immersed in a natural and organic creative process, she’s been spending long stretches in an LA recording studio penning songs that tell stories, jumping into impromptu jam sessions, freestyling hooks on the spot, and vibing with sound engineers in production camps. The energy of collaboration is at the core of this project, but the heart of it lies in the message: the entire body of work is about learning to love yourself and discovering how you want to be loved. BJRNCK (BE-YOOR-NIK) BJRNCK isn’t just a title, it’s an experience. Born out of word-playing her last name, dropping the vowels, stripping it to its essence and flipping it into something that feels like a riddle, it’s a cipher designed to spark curiosity. Is it an acronym? A code? A hidden meaning? Yes, no, maybe and that’s the whole point.  BJRNCK isn’t just a name, it’s a challenge. A refusal to be boxed in and a rejection of snap judgments. It’s not about being easily defined, it’s about creating something that resists assumptions. It‘s a perpetually wide open door into a clever and chaotic world without expectations.  Source: IG @BJRNCK BJRNCK — both the artist and the alias — represents freedom. The freedom to create without borders, to embody multiple identities, and to exist in mystery, allowing a raw, unfiltered Chicago honesty to collide with a polished, fearless Los Angeles edge. Together, these East Coast/West Coast roots shape a brand that doesn’t just tell a story, it demands one.  LISTENING TO HER OWN VOICE When BJRNCK talks about her music, one word comes up again and again: vulnerability. For her, it’s not just a theme, it’s the heartbeat of her artistry; her songs aren’t just about the sound, they’re about creating a space where her listeners can grow, evolve, and fall in love with every variant of themselves. She encourages her listeners — young women especially — never to settle, shrink or change for the sake of love, and instead to embrace the power and duality of tenderness and strength. For BJRNCK, “…women are the foundation of the music industry; we’re constantly navigating and expressing different versions of ourselves and we can be soft girls still figuring it all out and strong, confident queens at the same time.”  Source: IG @BJRNCK Getting to this place of vulnerability and authenticity wasn’t easy or linear, and she credits an interaction from years ago as a career-defining experience and one that would chart her artistic trajectory. The owner of her previous label once told BJRNCK that she was playing it too safe and she knew he was right. “I was making the kind of music that I thought people wanted to hear, projecting a version of myself that was manufactured and not authentic”, she says. That realization sparked a shift. She boldly ended a relationship, packed her bags and set off to find herself and her voice. Now signed with Geffen Records, she pours that honesty and evolution into her work, creating music that reflects who she is: real, deeply relatable and unafraid to exist in the balance of soft vs. strong. CRAFTING HER OWN NICHE With her forthcoming album, BJRNCK continues to carve out and mold a unique identity within modern R & B.  When asked how she balances honoring the genre’s nostalgic soul with pushing it somewhere new, she tells us: “You can hear so many of my influences in the production and format. I have songs that are inspired by old school Beyoncé and Aliyah, I pay homage to Brandy with my stacked melodies, and a lot of the strong drums and guitars in my music remind me of the power you’d hear in a Mary J. Blige track. Also, ad libs are huge in R & B. When you think of classics like Usher’s ‘Burn’ and Ginuwine’s ‘Pony’, it’s always the main ad libs you’re singing.” She continues, “I think what sets the tone for my sound now and moving forward is the emotion. That’s how I make it my own. R & B doesn’t always have to be “soft girl music.” I write lyrics conversationally. ‘Club’ is that track about looking for love and meeting someone on a night out, then ‘Crazy’ is the talking stage when you’re getting to know that person, and ‘Safety’ is about me communicating what I need in a relationship to feel safe with my feelings.”  "Music has always been the main relationship in my life." - BJRNCK WHAT'S NEXT? As BJRNCK gears up for the release of her new record in the next few months, she also hopes to cross this bucket list dream off her list: “I would love to have a song featured on a Madden video game. Those always have the best soundtracks.”   SoundCheck will be following along, cheering her on and can’t wait for what’s next for this talented, dynamic artist. Source: IG @BJRNCK “Make a song that nobody can take away from you, that’s some of the best advice I’ve ever received.” — BJRNCK

With Midnight Sun , Zara Larsson steps fully into her power, offering a record that radiates vulnerability, confidence, and the contradictions of being human. At 27, she balances reflection with playfulness, ambition with uncertainty, wrapping it all into a pop landscape that feels both intimate and euphoric. The album leans into the feeling of an endless summer night — dazzling, emotional, and a little bit bittersweet. It carries the warmth and fleeting beauty of a Swedish summer, but it’s also universal, tapping into the kind of moments that are so breathtaking they leave you on the edge of tears. Sound and Vision While Larsson’s past projects ( So Good , Poster Girl , and VENUS ) cemented her as a global hitmaker, Midnight Sun  feels like a full-circle moment. It nods back to the carefree honesty of her earliest work while pushing pop into bold new directions. Teaming up with collaborators like MNEK, Margo XS, Zhone, and Helena Gao, she delivers a record that thrives on contrast, high-energy anthems designed for dance floors paired with quieter moments of introspection. Standouts include “Blue Moon,” which surges forward with drum ‘n’ bass rhythms and a devotion to eternal love, and “Hot & Sexy,” a bold collision of electro, house, Y2K pop, and hyperpop. On the other end, tracks like “Saturn’s Return” and “The Ambition” cut deeper, exploring self-discovery, drive, and the pressure to constantly succeed. Adding to the album’s world-building, Larsson has also partnered with Lisa Frank, Inc. for a special Midnight Sun (Lisa Frank Edition)  CD — a neon, aquatic reimagining of the artwork that nods to fan culture and internet creativity. You can buy the Lisa Frank vinyl here A Global Pop Force: Zara Larsson Currently wrapping her run as special guest on Tate McRae’s Miss Possessive  tour, Larsson will bring Midnight Sun  to life across Europe this fall before embarking on her first full North American headlining run in 2026. From Munich to Stockholm and eventually Portland to New York, the live shows promise to mirror the album’s range — euphoric highs, intimate lows, and everything in between. After nearly two decades in the spotlight, Larsson has transformed from teen sensation to commanding global force. Midnight Sun  isn’t just another step in her career. It’s her most authentic work yet, showing an artist who knows herself deeply and refuses to compromise on vision. Pop music is brighter, bolder, and more alive with her at the helm.

Contributed by Konstantina Buhalis Revisions by LJ Portnoy, Editor-in-Chief Kid Cudi shot by Norman Jean Roy (@ normanjeanroy on IG) Kid Cudi’s legacy extends to the 2010s, when his hit track “Day n’ Night” first premiered in 2009 (we all remember the DirecTV commercial that used the song on the Help channel). Since then, Kid Cudi has become a household name, releasing music and starring in films like X  and Happy Gilmore 2 . Most recently, though, Cudi has dropped a new album, Free  (Wicked Awesome, Republic), his eleventh studio album and his debut in the pop sphere—giving us the record of the late summer. Kid Cudi's Freedom to Be a Pop Star While Cudi cut his teeth as a hip-hop artist, his newest full-length album is a pop record featuring the talent of Ryland Blackinton (Cobra Starship), among other producers, to create a sound that reflects on the joy and happiness of Cudi’s life over the last few years after extended periods of depression and anxiety. His style has evolved in countless ways, and most recently he’s stepped further into multimedia artistry, partnering with director Ti West to create a short film alongside the single “Neverland.” Even while he’s spent time in the cinema spotlight, he’s curated a new sound that both entices longtime listeners and reintroduces him to younger fans who may primarily know him for his film credits. Mr. Rager to Mr. Miracle Kid Cudi photographed by Aldo Chacon (@ thealdochacon on IG) How times have changed. As we all grow and shift, so too has Cudi—transforming his persona from Mr. Rager, the edgy, pessimistic, self-destructive force of his earlier work, to Mr. Miracle, upbeat, optimistic, and motivational. The titles say it all, but listening to this album is its own experience—emotional and thought-provoking. With his pop debut, Cudi shows his range through melodic, almost hummed vocals that float within darker pop arrangements. “Echoes of the Present” leans on piano to create a melancholic opener, while “Neverland” blends acoustic guitar with trap beats, a clear nod to his earlier sound. Across the record, trap rhythms hold things together, but Free  keeps slipping into darker pop textures, with electronic layers especially prominent on “Truman Show.” Closer “Salt Water” takes us to new heights with ethereal piano and steel drums that feel like being blinded by sunlight on a beach—closing the record on a dreamy, hopeful note. The Art of Reflection Cudi has always been forthcoming in his music, unafraid to show honesty and pain. With Free , he’s let himself sink into joy and embraced the light. It’s a departure from much of his previous work, but it’s also a realistic vision of hope in the face of uncertainty—an album that feels less like a reinvention and more like a next chapter. Final Verdict: 8/10 Featured Tracks: Mr. Miracle Truman Show Salt Water

Chicago, September 3, 2025 Show Review & Photos by Ernesto Raul Aguilar Chicago’s Huntington Bank Pavilion came alive with a powerhouse evening of blues-infused rock, headlined by The Black Keys and supported by Gary Clark Jr. The evening kicked off with Clark delivering a tight, energetic set that moved seamlessly between blues classics and his own hits. Opening with a stirring take on Robert Petway’s “Catfish Blues/Maktub,” Clark and his band quickly established a groove-heavy momentum that carried through tracks like “Ain’t Messin ’Round,” “When My Train Pulls In,” “Don’t Owe You a Thang,” “Feed the Babies,” “What About Us,” and “Bright Lights.” The set balanced fiery guitar work with strong rhythmic drive, pulling the audience into the evening’s pulse. By the time Clark closed his set, the crowd erupted into a standing ovation, perfectly primed for what was next. Photo by Ernesto Raul Aguilar (IG: blacksheepimagery ) When The Black Keys hit the stage, the energy shifted up another notch. They opened with “Thickfreakness,” “The Breaks,” and “I’ll Be Your Man,” immediately showcasing the tight, punchy blues-rock that has defined their sound for years. Dan Auerbach’s gravelly vocals and sharp guitar riffs paired perfectly with Patrick Carney’s precise drumming, creating a momentum that held the audience in its grip throughout the night. The chemistry between the two was evident in every riff and drumbeat, carrying the crowd from one high-energy moment to the next without missing a beat. Photo by Ernesto Raul Aguilar (IG: blacksheepimagery ) The Keys’ set spanned their catalog, moving effortlessly between hits like “Your Touch,” “Gold on the Ceiling,” “Wild Child,” “Everlasting Light,” and “Lo/Hi,” and deeper tracks including “Too Afraid to Love You,” “No Rain, No Flowers,” “Down to Nothing,” “Fever,” “Heavy Soul,” and “Howlin’ for You.” A playful nod to rock history came in the form of a cover of Canned Heat’s “On the Road Again,” while the encore, featuring “Little Black Submarines” followed by “Lonely Boy,” sent the crowd home buzzing. The set was dynamic, alternating between high-octane rockers and slower, blues-infused numbers, keeping the audience engaged and fully immersed from start to finish. Photo by Ernesto Raul Aguilar (IG: blacksheepimagery ) The Huntington Bank Pavilion itself provided a perfect backdrop for the night. Though the day had been mostly rainy, the skies cleared by showtime, a fitting twist for the “No Rain, No Flowers Tour.” The open-air design, and a visibly enthusiastic crowd, amplified the energy of both performances. Fans clapped, sang along, and danced throughout, creating a sense that the night was more than a concert; it was a shared experience, a communal celebration of live music and blues-rock at its best. Photos by Ernesto Raul Aguilar (IG: blacksheepimagery ) By the end of the night, Chicago had witnessed a masterclass in contemporary blues-rock. Clark’s set brought groove, intensity, and effortless showmanship, while The Black Keys delivered a focused, high-octane performance that spanned their catalog with precision and punch. Every note felt intentional, every riff hit with purpose, making the Pavilion pulse with energy. It was loud, raw, and unforgettable, a night that proved why these artists remain at the forefront of modern blues-rock and left the crowd already anticipating the next time these acts hit the stage.

Louis Knight is a singer/songwriter that leaves you with something to carry. British-born and Philly-raised, he first caught attention on American Idol , but it’s the music that came after that’s carved out his place. His songs feel like late-night conversations, the ones you remember long after the lights go out. Photo by Rebecca McDevitt (IG: @rebeccajeanlimitedphotography ) A Run of Raw, Honest Singles 2024 was a turning point for Louis. He dropped “The Pub Song,” a pint-glass anthem that feels like memories with your best friends bottled into a track. Not long after came “Hold Me,” a duet with Devon Gabriella that’s stripped-down and intimate, the kind of song you want to keep close. And then there’s “Wherever You Are,” a heart-aching ballad about grief and holding on. Each release proves he’s not chasing a sound, but he’s living inside the lyrics. The Story Behind the Songs Louis grew up in London before moving to Philadelphia, and that mix of grit and vulnerability runs through his writing. From the first time he sang “Change” in honor of a friend, it was clear his art would always hold space for loss, love, and honesty. His early EPs, Small Victories and Twenty, Twenty Two, plus singles like “Say It Again” and “Fell For You,” show a steady climb, sharpening his craft while staying true to his voice. Why Louis Belongs on Your Radar Louis isn’t playing by the industry’s game, but he’s building a community with us one song at a time. His music speaks directly to fans who want real connection, and his openness about mental health makes him someone you can root for beyond the music. This is an artist who isn’t just passing through the underground scene. Louis Knight is shaping the singer-songwriter scene with each release, and we can’t wait to see what comes next. Photo by Rebecca McDevitt (IG: @rebeccajeanlimitedphotography ) Where to Start Listening “Wherever You Are” — grief turned into a love letter. “Hold Me” (feat. Devon Gabriella) — soft, warm, and made for quiet nights. “The Pub Song” — a toast to nostalgia, friendship, and letting loose. “Change” — the moment that showed fans he’s more than just a contestant. Follow @louisknight on Instagram for more updates, music & more!

Review by Rebecca McDevitt Franklin Jonas steps into a new chapter with " Village Liquors" , an indie-country single that radiates both grit and soul. The song feels like a window into Franklin’s story of growing up, facing himself, and embracing honesty. The banjo adds a perfect country twang, grounding the track in rootsy authenticity while still keeping it fresh and modern. What makes Village Liquors  stand out is its lyrical weight. When Franklin sings, “Too young to live, too young to die, I’m the aftermath of youth I sacrificed,”  it’s chilling, a line that hits like a confession and a mantra at the same time. He threads together memories of late nights, self-discovery, and even getting high with the “Bible crowd,” painting a raw portrait of youth’s contradictions. Photo by Rebecca McDevitt (IG: @rebeccajeanlimitedphotography ) This track feels like the defining start of a new Franklin Jonas era. While his “rat era”, especially gems like Cherub , showed off his playful, experimental side, " Village Liquors"  feels like him stepping into his most authentic skin as a songwriter. It’s reflective, heartfelt, and deeply human, giving listeners not just a song but a piece of who Franklin truly is. " Village Liquors" isn’t merely a release, it’s Franklin Jonas showing us he’s built a sound and narrative that belong entirely to him.

Philadelphia, PA – August 30, 2025 | Skyline Stage at The Mann Photos & Show Review by Rebecca McDevitt On a late-summer Saturday night, the Skyline Stage at The Mann transformed into a time machine. Thousands of fans gathered under the Philly sky, ready to scream, laugh, and maybe even cry with Simple Plan. By the end of the night, one thing was clear: Philly was just a kid again. Photo by Rebecca McDevitt (IG: @rebeccajeanlimitedphotography ) A Pop-Punk Playground The party started early thanks to a stacked lineup. LØLØ opened with raw, confessional lyrics and cheeky stage presence, pulling the crowd closer before Bowling for Soup took things full-blast with “1985”  and their trademark banter. 3OH!3 kept the chaos alive with “Don’t Trust Me”  and a sea of hands thrown up in the air. By the time Simple Plan hit the stage, the Skyline had already turned into a pop-punk playground. Photo by Rebecca McDevitt (IG: @rebeccajeanlimitedphotography ) Simple Plan’s Time Machine Pierre, Chuck, Jeff, and Sébastien stormed the stage like no time had passed since their early 2000s breakthrough. They tore into “I’d Do Anything”  and “Shut Up!”  and instantly had the crowd bouncing. Fans weren’t just watching — they were part of the show, yelling every lyric back like muscle memory. Photo by Rebecca McDevitt (IG: @rebeccajeanlimitedphotography ) The band leaned into nostalgia while keeping things unpredictable. A mid-show mashup of Smash Mouth’s “All Star,”  Avril Lavigne’s “Sk8er Boi,”  and The Killers’ “Mr. Brightside”  turned the skyline into the loudest karaoke session in the city. Then came one of the most iconic moments of the night: fans dressed as Scooby-Doo storming the stage during “What’s New Scooby-Doo?”  The mix of chaos and pure joy was peak Simple Plan energy. From Chaos to Catharsis For every playful moment, there was a song that pulled the heartstrings. Pierre sat down at the piano for “Untitled (How Could This Happen to Me?),”  and suddenly the entire lawn was glowing with phone lights. Strangers swayed shoulder to shoulder, belting out the words through tears. It was a reminder that these songs are more than hits — they’re lifelines fans still carry with them. Photo by Rebecca McDevitt (IG: @rebeccajeanlimitedphotography ) LØLØ rejoined the band for “Jet Lag,”  bringing a fresh spark to one of Simple Plan’s biggest duets. The collaboration bridged generations of pop-punk fans, creating a moment that felt both new and nostalgic. Closing the Circle Of course, no Simple Plan show is complete without “I’m Just a Kid.”  When the opening riff hit, the entire crowd erupted, pogo-jumping and screaming like it was 2002 all over again. The band closed the night with “Perfect,”  sending fans home teary-eyed, cathartic, and grateful for songs that still feel timeless. Photo by Rebecca McDevitt (IG: @rebeccajeanlimitedphotography ) Simple Plan’s Bigger Than You Think!  tour is proof that these songs never belonged to just one moment in time. In Philly, they reminded everyone that pop-punk isn’t just about nostalgia — it’s about community, release, and joy. On August 30, every single fan left the Mann knowing one truth: we might grow up, but with Simple Plan, we’ll always be just kids at heart.

Article by Rebecca McDevitt Sombr’s Big Glow Up Album Artwork: Nicky Parks and Amelie Boose If you have been watching Sombr over the last few years you know this moment was coming. The kid who first popped off with “Carolina” in 2022 has officially leveled up. He went from making hazy bedroom tracks to dropping out of high school, chasing the dream, and somehow turning heartbreak into his biggest statement yet. With his debut album I Barely Know Her  Sombr finally steps out of the DIY shadows and into the spotlight. A Breakup Record You Can Dance Cry To This is very much a breakup album but do not expect soft whispers and acoustic tears. Sombr is loud about it. On “Undressed” he is literally stuck on the train tracks watching his ex move on. “Canal Street” has him chain smoking like every cigarette could bring her back. Even the big energy moments like the disco pop shimmer of “12 to 12” or the heavy thump of “Under the Mat” still carry heartbreak in the background. Then there is “I Wish I Knew How to Quit You.” He drops the kind of gut punch lyric that fans will have tattooed before tour season. “You are in my DNA, you are the echo in my veins.”  It is dramatic and over the top in the best way. That is exactly what makes it hit. Nostalgia but Make It Pop Sombr’s influences are easy to spot. You can hear the Beach Boys harmonies floating through the record. The choruses feel like tidal waves padded with “oohs” that make every hook swell bigger than it should be. Think Panda Bear but polished and stadium ready instead of fuzzy and abstract. Part of that comes from Tony Berg who has worked with Phoebe Bridgers and Lizzy McAlpine. He helps expand Sombr’s sketches and give them more space. But it is still Sombr at the core. He wrote everything, played nearly everything and shaped this record into something that sounds massive without losing its edge. Why This Feels Like The Moment I Barely Know Her  is not just a debut. It is the glow up fans have been waiting for. Sombr sounds ready to take what he built online and carry it into rooms far bigger than bedrooms. Even while he is stuck in heartbreak the record plays like an arrival. It is messy, emotional and completely confident. If you have been rooting for him since “Carolina” this feels like the reward. If you are just tuning in, welcome to the Sombr universe. It is only getting bigger from here. Check out Sombr on tour this fall.

Article by Rebecca McDevitt, Contributions by Annie Gallo Photos by Annie Gallo & Rebecca McDevitt Bristow, Virginia • Virginia Beach, Virginia • Hershey, Pennsylvania Twenty years after their debut, the Jonas Brothers have proven that their story is as much about the fans as it is about the music. The Greetings From Your Hometown Tour  feels like an invitation to relive the moments that shaped an entire generation, while also embracing the present. Across Bristow, VA, Virginia Beach, VA, and Hershey, PA, SoundCheck was there — not in the pit with photo passes, but shoulder-to-shoulder with the fans, cameras & phones in hand, living the experience just like everyone else. Photo by Rebecca McDevitt ( @ rebeccajeanlimitedphotography on IG) Setting the Stage: From Family to Festival Even before the brothers stepped out, each night felt like an event all its own. DJ Deleasa set the tone right as fans walked into the venue, spinning tracks that instantly lifted the energy and got people dancing in their seats. Then came family. Their youngest brother, Franklin Jonas, affectionately known as “the littlest Jonas”, performed a set that felt equal parts new beginning and family tradition, proving he’s carving his own lane while still honoring the legacy. The All-American Rejects followed, unleashing mid-2000s anthems that sent fans right back to their teenage bedrooms, screaming every word like no time had passed. Photo by Annie Gallo (@ anniegdatsme on IG) Later in the night, just when the brothers ducked off for an outfit change, Marshmello took over. His high-energy set kept the crowd moving, turning the pause into a full-on EDM party instead of a lull. The entire structure of the night felt intentional, as if the Jonas Brothers wanted the evening to unfold like a festival, blending nostalgia, family ties, and pure celebration before they even hit their stride. Photo by Rebecca McDevitt (@ rebeccajeanlimitedphotography  on IG) Bristow: A Night of Nostalgia Annie, part of the SoundCheck team, kicked off our coverage in Bristow. From the moment the lights dropped, there was this shared gasp of recognition, the kind that only comes when you’ve been waiting years for a song to transport you back. The band pulled deep from their catalog, weaving in fan favorites from Jonas Brothers Self Titled  & with radio hits like Burnin’ Up  and Sucker. Photo by Annie Gallo (@ anniegdatsme  on IG) Then came the night’s big surprise: All Time Low stormed the stage for an explosive performance of Dear Maria, Count Me In.  The crowd’s reaction was deafening, a mix of shock and nostalgia that turned the amphitheater into a pop-punk time machine. Watching the Jonas Brothers share the stage with another band that defined the same era drove home the sense that JONAS20 isn’t just about their history, it’s about the whole scene they came up with. In the crowd, strangers became instant friends. Fans traded stories about their first Jonas concerts, who their favorite brother was growing up, and which songs still hold the deepest meaning. Bristow wasn’t just a concert; it was a reunion of music, memories, and moments in time we all still carry with us. Virginia Beach: A Birthday and a Love Letter If Bristow was about nostalgia, Virginia Beach was pure celebration. Annie described the energy as unmatched, a balmy summer night that doubled as Joe Jonas’ birthday. Midway through the show, the crew rolled out a giant “Cup of Joe” birthday cake, and the amphitheater roared with cheers. Joe, grinning ear to ear, leaned into the moment, the celebration as playful and heartfelt as his stage presence has always been. Photo by Annie Gallo (@ anniegdatsme  on IG) Then came the collaboration nobody saw coming: the brothers brought out Hanson. Together, they launched into Hanson’s classic MMMBop  before seamlessly sliding into the Jonas Brothers’ own That’s Just the Way We Roll.  It was a generational handshake — one band that defined the late ‘90s standing shoulder-to-shoulder with the brothers who redefined pop-rock for the 2000s. The moment felt symbolic, like a passing of the torch and a shared celebration rolled into one. As if that weren’t enough, the night also featured a special treat: Joe stepping into his solo world, performing songs from his solo project Music For People Who Believe in Love . Vulnerable yet confident, the set felt like both a gift to the fans and a milestone for Joe himself. The crowd embraced it instantly, screaming along to Honey Blonde and Heart by Heart. From the warmth of the visuals to the spontaneous laughter between songs, Virginia Beach didn’t just feel like another stop on tour. It was a birthday party, a love letter, and a glimpse of what the next chapter holds. Hershey: Sweet Surprises Under the Stars By the time the tour reached Hersheypark Stadium, SoundCheck’s Rebecca was there to capture it through the lens of a fan. From the very first song, Hershey set itself apart. The brothers launched into Rollercoaster  while the real rollercoasters behind the stadium lit up the skyline, giving the night a cinematic, almost surreal opening. And the surprises didn’t stop there. Midway through the show, the Jonas Brothers brought out Cartel for a throwback performance of Say Anything (Else)  — a nod to the pop-punk roots of the era when they first broke out. Later, Hoobastank joined them on stage for The Reason , turning the stadium into one massive singalong. These guest moments blurred the line between headliner and fan, with the brothers grinning as wide as the crowd, clearly just as excited to share the stage with the bands that shaped their own journey. Photo by Rebecca McDevitt (@ rebeccajeanlimitedphotography  on IG) Joe, Kevin, and Nick carried the rest of the set with ease, trading smiles and energy between each other and the crowd. Hershey wasn’t just a show; it was a celebration of influences, friendships, and the nostalgia of an entire scene,  all under the Pennsylvania summer sky. Why JONAS20 Feels Like Home The Jonas Brothers could have easily made this a greatest hits victory lap. Instead, they crafted something more intentional. The Greetings From Your Hometown Tour  isn’t about closing a chapter; it’s about honoring the journey while making space for what’s still to come. From DJ Deleasa’s crowd-warming beats, to Franklin’s family-first set, to The All-American Rejects’ emo nostalgia, and Marshmello’s high-voltage EDM break, every moment built toward a headlining set that told its own story. Bristow’s surprise with All Time Low, Virginia Beach’s birthday bash, and Hershey’s rollercoaster of special guests each proved why fans keep coming back. Photo by Rebecca McDevitt (@ rebeccajeanlimitedphotography  on IG) For SoundCheck, being there as fans in the crowd, capturing the way the lights hit, the way the harmonies carried, the way the smiles spread, was a reminder that this isn’t just about music. It’s about community, memory, and that unshakable feeling of coming home.

Article & Photos by Fernando Flores AJR, a band of three brothers with limitless potential rose to stardom with their hit song, I'm Ready  in 2014. Since then, they continue to write and produce their own songs in the comfort of their own living room, keeping true to their original roots and connection to home. AJR consists of three brothers, Jack, Adam, and Ryan Met. They started out playing in the streets of New York City where their songs eventually took off from. What sets AJR apart from other artists is their blend of youthful lyrics and serious mental health topics that are usually overshadowed in the media. Fans all around respect that AJR focuses on the hard to talk about topics making even the loneliness of fans feel seen and know that they’re not alone. Walking into the venue you can't tell what to expect from AJR. They are known for their amazing setlists. Their creativity has only grown as new tours emerge year by year. A sea of fans all ecstatic to see AJR perform fill the venue. One by one each runs to get into their seat with merch in hand and excitement in their eyes. The fans ready to be in awe once more by the band are restlessly waiting for the show to start. Suddenly the lights dim and the magic begins. The crowd roars. Masterfully beginning the setlist with Way Less Sad , the crowd rumbles with excitement as the trumpet plays but only Jack and Ryan come out. Yet, in a blend of screens, graphics and creative planning the band submerges the stage and creates an immersive experience for everyone in the crowd. As the show goes on, AJR continues to surprise the audience with a mixture of illusion and quick thinking. The audience, captivated by the band's great mixture of technology, art and music, cries out AJR! AJR! AJR!   Although the set is very energetic, the band still takes time to interact with the audience throughout the whole set. They play out a story with their songs and insert the audience into their adventures all while providing excellent vocals and high-energy performances. One particular instance that stood out was their musical demonstration of their song 100 Bad Days.  The band creates a very well-done combination of visuals and dialogue to bring the audience deep into their creative brainstorming that ends up being the creation of one of their top songs. Like a teacher in a class room and the audience is the student, AJR made an educational moment, inspiring for the crowd especially if you want to go into music as a career.  Jack and Ryan really knew how to rock the crowd and make sure everyone was really having fun. As they continued to run through the setlist, a fan in the crowd caught my attention when they exclaimed Where’s Adam? Yes, where is he? For this particular show Adam made a surprise appearance for one song that left the crowd ROARING. He explained that he's out creating change for the world while his brothers continue to perform for us. Adam says that none of what he is doing would have been possible if it wasn’t for the AJR fans and thanks the crowd after performing, Bang!  With the other two brothers. Year after year, AJR continues to wow the audience with their captivating performance, amazing visuals and fan interactions. They are true artists that don't make music because it's their job but because it's what they love. Adam, Jack and Ryan are truly amazing people that are doing amazing things on and off the stage. If you want to be heard or support a band that goes all out for each of their shows, go see AJR!

Article by Rebecca McDevitt Back to Where It All Began With Greetings From Your Hometown , the Jonas Brothers are asking us to slow down, take a breath, and remember where it all began. This record strips away the excess and brings it back to the basics—their harmonies. And honestly? That’s exactly what we’ve been waiting for. Nostalgia runs through every track, but it’s not just a throwback—it’s their classic pop sound layered with grooves that feel straight out of the 70s. Twenty Years, Full Circle The timing couldn’t be better. Twenty years into their career, the Jonas Brothers are celebrating not just longevity, but the bond that’s kept them grounded. Between kicking off a tour in their home state of New Jersey, prepping for A Very Jonas Christmas  on Disney+, and dropping songs that are literally everywhere (from Disneyland’s 70th anniversary to ESPN’s Sunday Night Baseball ), the guys are making it clear: they’re not slowing down. Let’s be real, after the mixed response to The Album  in 2023, some fans weren’t sure if the JoBros could win us back. But songs like “Tables” and “When You Know” feel like they’ve been pulled right out of 2007, reminding us why we fell in love with them in the first place. Collabs That Hit Different And the collabs? Perfection. Dean Lewis joins them on the piano ballad “Loved You Better,” which hits straight in the feels. Switchfoot steps in for the title track, while tour mate Marshmello brings his signature touch to “Slow Motion.” It’s a lineup that proves the Jonas Brothers aren’t afraid to experiment while keeping their sound intact. The real heart of the album, though, comes with “Lucky.” It’s a gentle reminder that even when life leaves scars, healing is possible. The lyrics are soft, hopeful, and so personal that it feels like they’re speaking directly to anyone who’s ever needed a reason to keep going. Why It Matters Greetings From Your Hometown  isn’t just another Jonas Brothers album, it’s a love letter to the fans who’ve been there since day one, and proof that twenty years in, they still know how to hit us right where it matters. And if you think it sounds good on the record, just wait until you hear it live. The Jonas Brothers are on tour now, and trust us, you’re going to want to be in the crowd for this one. TOUR DATES BELOW:

If you’ve been paying attention to Philly’s alternative scene, you’ve probably heard the name Modern Culture floating around. The five-piece has been carving out a space with their blend of emo-leaning alt-rock, pulling in shades of shoegaze and post-hardcore, and pairing it with lyrics that stick with you long after the set ends. Since their 'Cabin Fever' debut in 2021, they’ve dropped tracks like "Streets", "Stasis", and last year’s Separation  EP — each one adding another layer to their moody, cathartic sound. On August 3rd at MilkBoy, they reminded everyone exactly why they’re one of Philly’s must-watch bands. The crowd was small, but the moment they launched into "Separation", the energy in the room doubled. Big guitars washed over the space, drums hit with precision, and the vocals carried that perfect mix of grit and emotion. Between songs, they kept the vibe casual; chatting with fans, laughing, and making it feel less like a show and more like a room full of friends who all happened to know the same songs by heart. Then came the new material. Motives , that just dropped August 12th, was a standout, a driving, atmospheric track that instantly clicked with the crowd even on first listen. You could feel the room leaning in, catching every rise and fall. If their upcoming releases keep this momentum, they’re about to level up in a big way. Modern Culture showed what the Philly scene is all about. No frills, no filler, just honest, passionate music that leaves you buzzing on the sidewalk afterward. Whether you’ve been following them since the early singles or you’re just finding them now, this band is the real deal and nights like this prove it.

Photos and Article by Fernando Flores Big Time Rush July, 23 2025 Wantagh, NY For all of our readers that loved watching Nickelodeon back in the day. If you’re not one of us, let us put you on. Big Time Rush started out as a Nickelodeon show that follows the lives of four Minnesota Hockey Players who went from being your ordinary Joe to your next top boy band. Carlos, Logan, James and Kendall are officially signed by Roque Records, a fictional record label. At Roque Records, the band works hard, creates mischief and learns what it takes to become the next big thing. There they're managed by Gustavo Roque, the fictional owner of Roque Records, who has created a plentiful amount of top dog star-quality singers throughout the decades but as of recent has not had any chart topping successes. When Big Time Rush isn’t working on music, they’re home at the Palm Woods where Kendall met his on-and-off girlfriend, Joe. In 2013, the show, Big Time Rush, ended after a successful run and 2 full-length movies.  It was unclear if Big Time Rush will be anything more than a show until 2022 when Big Time Rush started their reunion tour, Forever Tour. Since the Forever Tour, Big Time Rush became more than the show, they became a real boy band with an already addicted fanbase. Since reuniting in 2022, they started having yearly tours with the most recent being the Big Time Rush In Real Life Worldwide Tour.  On the Big Time Rush In Real Life Worldwide Tour the band aims to perform every song from every episode! It's a great throwback to their earlier years while filming the show. The fanbase continues to show vast enthusiasm by dressing up in purple bandana bandit costumes, tree hats, and many other crazy fits from the show. All nods to the influence Big Time Rush had on the crowd from a young age. The atmosphere, already energetic, becomes electrifying when the large screen graphics change and a very familiar opening theme song starts playing. Big Time Rush kicks off the show with their theme song, Big Time Rush, since the very first note the crowd did not stop having fun. The band performed a two-hour setlist with lots of high energy, choreography and live vocals. They really give it all when it comes to performing for their fans. What made the concert uniquely engaging was the band’s genuine connection with the audience. They understand their fans and interact with them as if they know each one of them. So many fans compete for their attention and somehow they manage to give them what they want. Of course, at this point in the article one might ask, Did they play every song from every episode? , the answer is yes and no. They played every song, yes, but if you wanted to hear quick jingles that made it on the show or gag-songs, they did not include these.  Overall, it's a great experience to see Big Time Rush in concert. They know how to put on a show and will keep your feet moving till the very end. Yes, even for a 2-hour set. Get ready to be very tired afterwards. See Big Time Rush on tour now while you still can, it will be an amazing time whether you're a long time fan or trying to find something new.

Good Vibes Tour Bristow, VA & Raleigh, NC Photos & Review by Annie Gallo Part one of the Good Vibes Only Tour has just wrapped up. The tour featured Wiz Khalifa, Sean Paul, DaBaby, Chevy Woods, Fedd The God, and Young Deji - all taking the same stage. Soundcheck Mag had the pleasure of attending the Bristow, Virginia and Raleigh, North Carolina shows before the first part of the tour ended in Atlanta, Georgia on July 27th. At both shows smoke was in the air and the good vibes were definitely there.  First to take the stage was DJ Bonics who pumped up the fans with music before rapper Young Deji took the stage. Deji is signed to Wiz’s record label Taylor Gang. Deji is most known for putting the “Hit that Woah” dance on the map. He performed his 2021 hit “24 Hours”. Fedd The God, another Taylor Gang signed artist, took the stage after Young Deji, and performed hits like “Activated” and “Fortnight”. At one point he asked if anyone had a birthday in the crowd and had about five people come on the stage to dance and take in the experience as he performed.  Chevy Woods, also signed to Taylor Gang, took the stage after Fedd The Godd. He shared some words to the crowd about how we all go through tough times then he sang “Escape” which was released in 2020. The rap song has more emotion to it than most people would associate with the genre and the crowd was into it, singing along. Fans screamed and sang louder when he performed his hit “Medicaded” which featured Wiz Khalifa on the track.  Next to take the stage was the rapper DaBaby with some dancers. The crowd could be seen screaming his name before he even came out. When he did, the fans got louder as he performed hits like “BOP”, “Suge”, “Rockstar”, and more. The rapper even went out into the crowd at one point, and people left their seats to get as close as they could to him.  The reggae and hip hop artist Sean Paul hit the stage with dancers, a live band, and bright, colorful lights. People at the show were singing and dancing along as he performed well known songs like “Temperature”, “Get Busy”, and more.  The highlight of both nights was when Wiz Khalifa took the stage with his band. There was more smoke filling the air. That included the artist as he lit up a joint that he ended up throwing into the crowd to share. His energy on stage is contagious as he’s full of joy, and you can tell he loves what he’s doing. Not only does he love it, but he’s authentic in everything he does on stage. He often cracks a big smile and chuckles with his recognizable laugh.  One of the most authentic and heartwarming moments was when Khalifa’s 12-year-old son Sebastian came out on stage. Sebastian helped pump up the crowd before getting the microphone from Khalifa and thanking the fans for supporting his dad. Whether fans know all the songs or not, Khalifa knows how to entertain and put on a mesmerizing show as he performs a mix of older and newer hits. From songs on ‘Kush & Orange Juice’ released in 2010 to ‘Kush & Orange Juice 2’ released this year, there’s music played at the show for fans of his older music and newer music.  The Good Vibes Only Tour Part #2 Smokers Edition featuring Wiz Khalifa, Dom Kennedy, Earl Sweatshirt, Curren$y, Ab-Soul, Chevy Woods, Fedd The God, Young Deji, and DJ Bonics is happening now though the middle of August. For tickets to the tour and other Wiz Khalifa shows you can head here - Tour – Wiz Khalifa .

Chicago, July 23, 2025 Photos and Review By Ernesto Raul Aguilar There’s a particular kind of magic that happens when an artist’s energy doesn’t just reach the crowd but runs straight through it. On July 23, Michael Franti & Spearhead brought that kind of electricity to a packed Riviera Theater in Chicago, turning the historic venue into an experience of love, movement, and soul-stirring connection. Opening the night was HIRIE, the reggae-pop powerhouse whose radiant charisma and velvet voice warmed up the room like the first sunbeam on a summer morning. Backed by a tight, dynamic band, she cruised through a set that included “I’m High,” “Queen,” and the fan-favorite “Sensi Boy.” With lyrics that balance empowerment and playful freedom, HIRIE gave the audience both groove and grounding, an invitation to let go and be present. And that presence only deepened when Franti took the stage. Launching straight into “Welcome to the Family,” Franti didn’t wait to build momentum, he was the momentum. Within minutes, he was off the stage and weaving through the crowd, high-fiving, hugging, and making the audience not just feel seen, but held. From the dance floor to the balcony, he didn’t miss a section, literally running up to serenade the rafters. Franti’s set was a joy-saturated journey that spanned more than 20 songs, from the anthemic “I’m Alive” and “Good Day for a Good Day,” to “Only Thing Missing Was You,” where HIRIE returned to the stage for a heartfelt duet. One of the night’s most emotional moments came halfway through the show, when Franti paused the high-energy celebration to share a personal story about the recent passing of his mother. Reflecting on missed phone calls and late-night exhaustion, he urged the crowd to make time for love. Among the crowd was one fan whose story was as full circle as they come. Mallory Crisafulli, now a teenager, first saw Franti in 2018 and got to sing with him on stage. She returned to the Riviera this year, holding a large sign with a photo of that moment, asking if she could join him again. Franti saw it and just like that, she was back on stage, singing with the same joy she did as a child, this time with a signed poster and a memory rekindled. That’s the thing about a Franti show, it’s not a concert; it’s a communion Closing the night with hits like “Say Hey (I Love You),” “Rise Up,” and “Shine,” Franti gave every person in the room something to take home, whether it was a lyric, a beat, a hug, or a message. And maybe that’s why fans like Mallory stay connected for so many years. As she told me, “[His music] just brings a lot of peace to me... like I had somebody to go to. It opened up a whole new world.” And on this night, in a room full of rhythm and strangers turned family, that world felt wide open for all of us.

Magnus Ferrell is stepping out with serious main character energy on his latest single, "Miss Me Vendetta." The 21-year-old singer, who recently signed to Republic and Visva Records, is proving he's not just Will Ferrell's son, he's carving his own space in the alt-pop universe. With a background in jazz piano, a deep love for retro synths, and a creative partnership with longtime friend Gabe Yaron (plus writing credits from Ant Clemons), Magnus is blending cinematic storytelling with a moody, electronic edge that feels fully formed. From the first note, "Miss Me Vendetta" drops you into a neon-lit fever dream. It's synthy, dramatic, and built for repeat listens, the kind of track that sounds like it belongs in a slow-motion revenge montage or the closing credits of a stylish indie thriller. Think The Weeknd’s noir-pop meets the emotional drama of early 2010s R&B, with Magnus bringing his own spin. Vocally, he's smooth but dangerous —confident without trying too hard. And lyrically? He’s sharp, clever, and just a little venomous. Lines like "Baby, does it make you feel better? / Talk a little shhh you so clever" and "You fled the fire, dodged a bullet / But why you gotta shoot when I wasn't lookin'?" hit like coolly delivered call-outs, dripping with wounded confidence and the kind of bite that stays with you. The track plays in that deliciously toxic space between heartbreak and revenge fantasy. It’s seductive, a little petty, and totally unforgettable. This is the soundtrack to walking away from someone who underestimated you, preferably in slow-mo, flames optional. "Lil’ miss love me never / Gotta miss me, vendetta" might just be the most poetic kiss-off we’ve heard all year. What’s even more exciting? Magnus says this is just the start. He’s aiming to drop a new single every eight weeks, building momentum with each release. With tracks like this, we’re locked in and watching. Magnus Ferrell might be early in his journey, but "Miss Me Vendetta" proves he knows exactly where he's going. And at SoundCheck, we're here for it.

Benson Boone is clearly aiming for the moment . After a chart-topping breakout and viral momentum, American Heart  was supposed to be his grand artistic leap. But instead of a full-on evolution, what we get is a slick, emotionally dramatic album that feels more like a playlist of Pinterest-pop aesthetics than something personal. Let’s break it down. Theatrics Over Truth Boone’s got a voice, no question. It’s powerful, emotional, and built to fill arenas. And he knows  it. But on American Heart , he leans so far into that theatrical delivery that the vulnerability starts to feel… manufactured. You can hear how badly he wants each song to hit like a gut-punch, but without the lyrical depth or originality to back it up, it ends up more exhausting than emotional. There’s a lot of telling here. Boone tells us he’s heartbroken, tells us he’s hurting, tells us he’s complicated, but we never really see  it. The drama’s there, but the storytelling isn’t. Retro But Not Refreshing A big part of this record pulls from 70s and 80s influences: glam rock, synth-pop, classic piano ballads. He’s drawing from icons like Elton John and Queen, which sounds cool on paper, but in execution, it feels more like dress-up than homage. There’s a theatrical shell, but no clear heartbeat underneath it. Boone’s trying on aesthetics, but we’re left wondering who he actually is. The production is glossy, maybe too glossy. It feels expensive, but that polish smooths over any raw edge that might have made the album hit harder. Photo by David Roemer Some Flickers of Heart… But Only Flickers There are  a few moments where Boone shows glimmers of something deeper. “Momma’s Song” is a sweet, stripped-back moment that feels like it could’ve come from a different album entirely. “My Greatest Fear” almost gets to something real. But these tracks are the exception, not the rule. Even “Mr. Electric Blue,” which is supposed to be self-aware and campy, ends up kind of hollow. Like he’s in on the joke… but forgot to actually make it funny. Final Thoughts: Pretty, But Paper-Thin American Heart  sounds like a debut album from someone trying really hard to prove he belongs on the world stage—but skipping the part where we actually get to know  him. The vocals are there. The ambition is there. But the identity? Not yet. Boone’s still figuring himself out—and hey, that’s okay. But for now, American Heart  feels more like a mood board than a memoir. Rating: 5.5/10

Would You Still Love Me If You Really Knew Me?  isn’t just an album, it’s a soul dump. The kind of record that makes you pause, breathe, and then spiral (in the best possible way). Album Artwork by Carissa Gallo After stepping back from the noise and taking a break from social media, FLETCHER came back softer, clearer, and more honest than ever. This isn’t Girl of My Dreams  2.0. This is her asking the scariest question of all: If you saw the real me, no edits, no Instagram filter, would you still love me? This Is Cari, Not the Character From the very first track, it’s clear: FLETCHER’s not trying to be the loudest voice in the room. She’s just trying to be heard, really heard. No punchy pop intros, no cheeky one-liners. Just her voice, a guitar, and a million tangled feelings. There’s a noticeable shift here. This isn’t about being savage or petty. It’s about being exhausted. “Party” and “Chaos” are soft but heavy, like finally admitting to yourself you’re not okay. And then there’s “Boy”—which had the internet in a full-on meltdown —but really, it’s just her being real about confusion and evolution. She’s not here to play into expectations. She’s here to be honest. The Whole Album Feels Like a Deep Breath Tracks like “Hi, Everyone Leave Please” are exactly what they sound like, moments where you just want the world to stop so you can think straight. “The Arsonist” and “Congratulations” dig into burnout, fame, and what it’s like to live a life that people think they own. But don’t worry, there are still those classic FLETCHER melodies. “All of the Women” and “Good Girl/Gone Girl” bring some sparkle to the sadness. This album doesn’t wallow, it reflects. It doesn’t ask for pity, it asks for understanding. Would You Still Love Me? That’s the question she closes with. And it lingers. Not just for her, but for all of us. It’s the part of healing no one really talks about: once you start showing the parts you used to hide, will anyone still stick around? The answer? Yeah. We will. Because this version of FLETCHER, scared, searching, still figuring it out, is the most powerful one yet. Final Take: This Isn’t Just a Record, It’s a Release If you’ve ever wondered whether being “too much” makes you unlovable, this album’s for you. If you’ve ever felt lost in your own story, this album’s for you. If you’ve ever been afraid to evolve because people might not come with you, yep, this one’s for you too. FLETCHER didn’t just give us songs. She gave us space to feel. And we’ll love her even more for it. Rating: 7.5/10

Album Review by Annie Gallo This July Kesha released her first album as an independent artist under her own record label, Kesha Records. It’s an album full of dance music, some country twang, and pop music that will get stuck in your head.  Album Artwork by Brandon Walter The album’s name is simple, it's just ‘.’ (referred to as Period from here on out in this article). The first track “Freedom”, starts off with instrumentals of a piano playing for about 38 seconds before listeners hear the voice of the singer. Her voice is low as she sings the first words of the album “Freedom I’ve been waiting for you”. The beat drops about 2 minutes and 30 seconds into the song and it turns into a song that’s uplifting and makes you want to celebrate along with Kesha as she reclaims her freedom and sings about it. On March 6th, 2024 Kesha posted to X saying “First day I’ve owned my voice in 19 years. Welcome.” Little did fans know that ‘Period.’ would come out a year and some months later. The most emotionally charged song with powerful lyrics on the album is “Cathedral”, which happens to be the last track. “ Pain was my ritual, fear my religion. But I was the one that needed forgiving. Oh, I'm, I’m the cathedral ,” she sings. Kesha’s making one thing clear, don’t underestimate her ability to still write and sing a catchy, sometimes horny and always empowering song without a huge label backing her. One song from the album, “Joyride” was released last July, the first song under Kesha Records. It went viral on social media platforms like TikTok with now over 65,000 videos using the song. “Joyride” starts with an unexpected accordion playing and then Kesha starts to rap and sing over the track about looking for a joyride. She sings at one point “Baby, I want you to rev my engine till you make it purr. Keep it kinky but I come first,”.  If listeners are looking to embrace self love after a breakup , “Glow” is the song to listen to. “Got a brand new glow, yeah I’m dripping UV. I’m a star you ain’t even in my galaxy,” she raps on the track. Since the start of her career Kesha has been unapologetically herself, and this album is no different. From start to finish the album shares empowering messages about self love, being carefree, and self-aware. Kesha is currently on a tour which is called the “Tits Out Tour”. She’s traveling across the country playing amphitheaters with a setlist that includes songs she hasn’t performed in a decade off her 2012 album ‘Warrior’.  Dates and tickets can be found here - https://keshaofficial.com/tour .