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Article Contributed by Ilana Bornstein Edited by LJ Portnoy, Editor-in-Chief First Impressions: Yep, We’re Judging the Cover (On Purpose) Okay, we admit it — we’re committing the ultimate creative faux pas: judging (and celebrating) a book — uh, record — by its cover. Sabrina Carpenter, who just dropped the details of her upcoming album Man’s Best Friend , basically said, “let’s ruffle some sequin feathers… and maybe a few egos, too.” And honestly? We’re eating it up. Screenshot of commentary from Sabrina Carpenter's X account. The cover — shot by Bryce Anderson, the same photographer behind her Short n’ Sweet  visuals — is everything you’d expect from pop’s most charming agent of chaos. Posing on all fours in stilettos, satin, and pure sass while a suited mystery man holds her by the hair, the image is sending the internet into a full-blown spiral. It’s provocative, it’s polarizing — and yeah, that’s the whole point. This Isn’t About Submission — It’s a Power Play Real talk? We’ve been obsessed since the second it hit Instagram. You didn’t even have to explain it to us — we felt  it. And that’s the magic of Sabrina: she invites interpretation, not instruction. Iconic art doesn’t beg for understanding; it demands conversation. Screenshot of Sabrina Carpenter's IG drop of "Man's Best Friend" Album Cover Artwork. Here’s what we saw right away. • Sabrina is front and center. The other figure, mostly out of frame, could be a mannequin for all we care — faceless, nameless, irrelevant. She’s staring straight through the lens, unbothered and fully in command. It’s not a cry for help; it’s a power play. • This image isn’t supposed to feel safe. It’s designed to make you squirm, raise questions, and spiral down a Reddit thread. And that’s the point. Art isn’t always a soft landing — sometimes it’s meant to knock you off balance and make you feel something . • Before it was confirmed that the other figure was a male model, we had a theory: what if it was also  Sabrina? A mirror moment, a metaphor for past versions of herself she’s outgrown — or maybe reprimanding. We even wondered if the golden hair being grasped was a wig… maybe she’s shedding a fake version of herself for good. • The title Man’s Best Friend  instantly brings dogs to mind — and the word “bitch” isn’t far behind, both in literal canine terms and in how it’s been weaponized against women. Meanwhile, “dog” has long been slang for a toxic guy. The album title plus this visual? Classic Sabrina — cheeky, layered, and flipping gendered tropes with a wink. Art That Sparks Discomfort Is Still Art — And Maybe the Most Honest Kind We’ll say it louder: art is subjective. Always has been, always will be. What one person sees as submission, another sees as satire. In Sabrina’s case? It reads as calculated, confident, and totally self-aware. She’s not handing over control — she’s holding the leash. Her lead single, Manchild , is already a strong contender for Song of the Summer — a not-so-subtle roast of emotionally stunted men, set to a bubblegum beat that sticks. The rest of the album? We’re guessing it’s going to be for the girls, the gays, and anyone fluent in female rage wrapped in pop perfection. A Bird, a Tortoise, and an Allegory for Liberation Even the Manchild  music video drips with symbolism. It opens with a bird perched atop a tortoise in the desert — huh? But stay with us: maybe the bird is Sabrina. Free, flighted, and untethered by the heaviness of reptilian baggage. Coincidence? Doubt it. She did spend an entire year opening for Taylor Swift, the undisputed queen of the easter egg. This girl knows exactly how to speak in symbols. Not Just Pretty Pop — This Is Performance Art Dressed in Heels The Man’s Best Friend  cover isn’t your standard badass woman on a mountaintop with a fan machine and a guitar  vibe. This is empowerment as performance art. Satire dressed in silk and stilettos. She might be playing the part of the obedient “pet” — but let’s be real: she’s the one running the show. She knows the image is jarring. She knows it might trigger some people. And she knows exactly  what she’s doing. This isn’t a mistake — it’s a masterclass in provocation. She’s not just watching the discourse unfold — she engineered  it. Screenshot of Sabrina Carpenter interaction with fan commentary on X. A Viral Provocation or a Feminist Commentary? (Yes.) Whether you see it as feminist commentary, subversive pop theater, a calculated PR move, or none of the above… you can’t deny it: Sabrina Carpenter is a metaphor-fluent marketing genius. And in 2025, when attention is the currency of pop culture? She’s filthy rich. The real beauty of this cover — and the chaos it’s caused — is that it lives in the eye of the beholder. Some see art. Some see controversy. Some see a girl in heels getting people to talk. We see all three. Say it louder, Sabrina. We’re listening. And so are your haters — even if they pretend they’re not.

Goose transforms Jacob’s Pavilion into a multicolored dreamscape of sound, connection, and improvisation. Photos and article contributed by Madison Cozzens. With edits by LJ Portnoy, Editor-in-Chief. Photography by Madison Cozzens After a gloomy day of rain and gray skies, the clouds finally broke just in time for Goose to bring the sunshine.  Jacob’s Pavilion was bursting with life—glittered cheeks, tie-dye shirts, funky outfits, and fans already dancing before the band even took the stage.  This wasn’t just a concert—it was a gathering. A celebration. A shared pulse. And Goose hadn’t even played a note yet. Goose Takes Flight Photography by Madison Cozzens At exactly 8:00 PM, the band stepped into the spotlight to a thunder of cheers from a crowd ready to move. With the Cuyahoga River glittering behind them, Goose opened the night with the kind of groove that makes your whole body respond instinctively. People of all ages packed the venue—young kids experiencing live music for the first time, and grandparents who once followed the Grateful Dead across the country. For many, this was more than a night out—it was a spiritual recharge. Built for the Stage Goose’s reputation for their live shows is well-earned. While they’ve released sixteen live albums, nothing compares to being in the moment, surrounded by hundreds of strangers all tuned to the same frequency. Their songs stretched upward of twenty minutes, but never overstayed their welcome. Each jam unfolded like a conversation—fluid, expressive, locked in. The crowd stayed with them every step of the way, dancing through the walkways, arms raised, faces glowing in technicolor light. Photography by Madison Cozzens As the sun set, the lighting rig transformed the stage into a prism of psychedelic color, amplifying the music’s mood and motion. Fans danced like no one was watching—because in that moment, no one was  watching. Everyone was feeling. Goose didn’t just deliver a performance—they created an atmosphere. One night in Cleveland became something communal, something unforgettable. And for many in the crowd, it was only just the beginning. Night two promised even more magic. The Evolution of Goose Photography by Madison Cozzens Formed in 2014 in Norwalk, Connecticut, Goose has steadily climbed to the forefront of the modern jam band revival. Built on a foundation of musical precision, fearless improvisation, and genre-bending influences—ranging from indie rock and funk to folk and electronica—they’ve carved out a space that feels both familiar and entirely their own. Their lineup—featuring Rick Mitarotonda (vocals, guitar), Peter Anspach (keys, guitar, vocals), Trevor Weekz (bass), Ben Atkind (drums), and Cotter Ellis (percussion)—is tight-knit, and their chemistry onstage is undeniable. While comparisons to Phish and the Grateful Dead are inevitable, Goose’s sound stands apart. They lean into melodic storytelling just as much as mind-bending jams, bringing a fresh edge to the improvisational world. Their ability to blend intimate songwriting with expansive sonic exploration is what draws new fans in—and what keeps die-hards following them from city to city. With each show, Goose isn’t just playing music—they’re building a living, breathing experience. And they’re just getting started.

Shot by Madison Cozzens, Midwest Coverage Live at Jacob’s Pavilion | Cleveland, OH Contributed by Madison Cozzens Revised by LJ Portnoy, Editor-in-Chief Caamp’s roots run deep in Ohio soil — and on the seventh stop of their 2025 tour, the American folk band returned to where it all began. With the sun setting behind the Cleveland skyline and the Cuyahoga River rippling beside them, the indie-folk favorites took the stage at Jacob’s Pavilion, bringing their signature mix of nostalgia, grit, and soul-stirring storytelling to a packed crowd. Formed in Arlington, Ohio, Caamp first emerged on the scene in 2016 with their self-titled debut album. Nearly a decade later, they’ve racked up over 5 million monthly listeners on Spotify and just dropped their fifth studio album, Copper Changes Color , earlier this year — a long-awaited follow-up after a three-year gap. Fans were ready. Setting the Scene Shot by Madison Cozzens, Midwest Coverage Jacob’s Pavilion was buzzing long before Caamp stepped on stage. Fans gathered not just inside the venue but along the riverbanks and even from kayaks floating nearby. As the city lights reflected off the water, the evening kicked off with two openers that set the tone for a night of authentic Americana. First up was Gardner, a fellow Ohio-based group fresh off the release of their latest album A Million Things . With a sound that blends indie twang, country grit, and jam-band freedom, Gardner brought a local flavor and looseness that resonated. Next was Whitney, a six-piece band hailing from Chicago. Their set leaned into rich instrumentation, with standout moments like the melancholic fan favorite “No Woman,” where warm trumpet melodies wrapped around bittersweet lyrics and steady guitar strums. By the time they closed, the crowd was fully in rhythm — primed for the main act. The Magic of the Familiar Shot by Madison Cozzens, Midwest Coverage Caamp took the stage quietly at 9 p.m., no flash or fanfare, just the gentle presence of five musicians stepping into a moment. A single spotlight fell on lead singer Taylor Meier, whose raw, raspy voice opened the night with “Millions,” the first track off their new record. That signature gravelly tone — equal parts comfort and ache — grounded the performance with an intimacy that felt like storytelling around a campfire. By song two, the energy shifted. “Vagabond,” a standout from their 2016 debut, turned the venue electric. What begins as a soft, reflective tune quickly morphs into a toe-tapping anthem, and in this live setting, the transition hit like a jolt of joy. Fans were on their feet, shouting lyrics, dancing with abandon as the band leaned into a lively, banjo-backed jam. It was a moment of collective catharsis — the kind that stays with you. Later in the set, Caamp delivered the live debut of “Ohio’s Ugly,” a stripped-down ballad about finding beauty in the ordinary. The lyrics, humble and homespun, mirrored the landscape around them: imperfect, real, and full of heart. A Night on the River Shot by Madison Cozzens, Midwest Coverage One of the most serendipitous moments came during the set, when a barge ship glided past on the river behind the stage. The crowd erupted, phones in the air, as the ship’s horn let out a low bellow mid-song — an unplanned harmony that somehow fit the night’s theme of natural, unpolished magic. Caamp closed the show with “By and By,” a sing-along staple that brought everyone back together one last time. Voices rose, lights shimmered on the water, and the band gave Cleveland a heartfelt farewell. Authenticity That Endures Shot by Madison Cozzens, Midwest Coverage There’s a reason Caamp has steadily grown their following without ever chasing trends. Their sound — honest lyrics, raw vocals, and earthy folk instrumentals — is grounded in storytelling that feels both personal and universal. Whether it’s a quiet ballad or a full-bodied jam, their music captures the feeling of movement: across the country, down backroads, through heartbreak, or just deeper into yourself. Their live show is no different. It’s not about spectacle — it’s about soul. And on this homecoming night in Ohio, Caamp proved that they’re still just as connected to their roots as ever.

A Night of Magic, Melody, and Meaning By LJ Portnoy, Editor-in-Chief  May 27, 2025 Detroit, MI — The Majestic Theater Livingston performing in Detroit at the Majestic. Shot by LJ Portnoy, Editor-in-Chief There are concerts—and then there are nights that feel like bookmarks in your life. That’s exactly what Livingston  delivered on May 27 at The Majestic Theater in Detroit. For me, this wasn’t just another show; it was the culmination of following two artists whose music found me at the right time. I’ve been listening to both Livingston and Braden Bales since 2023, originally discovering them through TikTok. But Livingston’s latest release, A Hometown Odyssey: The Story Continues , transformed me from a casual listener into a full-blown fan. As of this moment, he’s my most-played artist of 2025. After this show, that’s not changing anytime soon. Braden Bales Warms the Crowd with Heart and Humor Braden Bales joins Livingston on the Journey Continues Tour. Shot by LJ Portnoy, Editor-in-Chief. Opening the night was Braden Bales , whose soft yet striking vocals immediately pulled the crowd in. His set explored familiar themes of heartbreak, betrayal, and emotional caution, all wrapped in a self-aware charm that made him instantly likable. Before one of his songs, he shared a story about being wronged by someone “in his bubble”—but cleverly toned down the details to keep things PG for the crowd. It was a funny, humble moment that reflected the kind of connection he has with his audience. Braden closed with “Chronically Cautious,” the viral hit that introduced so many of us to his music. Hearing it live was electric—it was note-perfect, emotional, and a clear favorite among the fans singing along. A Star is Born—But Still Human Livingston at the Majestic Theater in Detroit. Shot by LJ Portnoy, Editor-in-Chief. Then, the lights dimmed—and Livingston stepped onto the stage. The response was immediate and explosive. The screams, the energy, the collective pulse of the crowd—it all surged forward at once. I was struck by how young the audience was. Families, kids, teens—it caught me off guard at first. But within minutes, that surprise melted into something beautiful. Watching kids on their parents’ shoulders trying to get a glimpse of the artist they love reminded me of the kind of impact music can have at any age. I had the privilege of meeting Livingston briefly before the show, and what stood out most was how genuine he was. Kind, grounded, even a little shy—he didn’t carry himself like a “superstar”. But once the stage lights hit him, there was no denying: he was made for this. His stage presence was natural, electric, and effortlessly magnetic. The Odyssey Unfolds Livingston at the Majestic Theater in Detroit. Shot by LJ Portnoy, Editor-in-Chief. Livingston's set was more than a collection of songs —it was a story. Performing tracks from A Hometown Odyssey: The Story Continues , he brought each chapter to life through soaring vocals, cinematic lighting, and raw emotional delivery. Favorites like “Gravedigger,” “Look Mom I Can Fly,” and “Shadow” were unforgettable, but the magic came in how the entire set flowed together, almost like a musical film. Each transition was seamless. The show never lost momentum. Instead, it built something—an emotional arc that left everyone in the room completely still one moment and screaming the next. Vinyl, Vibes, and Final Thoughts Livingston at the Majestic Theater in Detroit. Shot by LJ Portnoy, Editor-in-Chief. After the final note, I made my way to the merch table and picked up one of his records. This is my first record purchased as a concert, since getting a record player last month. Something about Livingston’s music feels like it belongs on vinyl: warm, textured, timeless. This show? A+. Hands down the best performance I’ve seen all year—and I’ve seen a lot of shows already. The vibe, the emotion, the atmosphere. It all clicked into place. Livingston isn’t just a great singer. He’s a storyteller, a performer, and most importantly, a connector. His music bridges gaps between generations, between genres, and between people. The Story Isn’t Over Yet… This wasn’t just another night at The Majestic. It was a night we will all remember. Where every lyric, every light cue, and every shared scream reminded us why we fell in love with music in the first place.

New Music Friday: ‘Lasting Effects’ by Avery Lynch Article Contributed by Ilana Bornstein Edited by LJ Portnoy, Editor-In-Chief Photo credit: Gus Black At its core, ‘Lasting Effects’ —a new release from indie-pop artist Avery Lynch  (with production assists from Jordanlilvee  and Michael Blum )—is a powerful breakup anthem that flips a familiar narrative on its head, transforming bitter into sweet and repurposing the pain of being “dissed” and discarded by someone you once loved. Inspired by a salty parting shot from an ex who claimed she’d never find someone like him, Lynch uses her ethereal and comforting vocals to rediscover another voice after heartbreak. Incorporating a blend of soft piano, ambient textures, and hushed percussions, ‘Lasting Effects’ is quietly powerful and gracefully commanding. A Message of Resilience The track delivers a message of resilience and renewal, showing that walking away can be the first step in the direction of something you didn’t realize you needed (or deserved). Avery’s storytelling is raw but hopeful, grounded in the realization that a relationship should never require you to mute, edit, or apologize for who you are—and that self-love is the ultimate significant other. With relatable, expressive lyrics and an inspirational tone, ‘Lasting Effects’ doesn’t dwell on loss—it explores growth, celebrates clarity, and finds beauty in the breakup. Avery dives deep regarding her approach to writing this song, “I knew he was wrong at the time, but as I’ve gotten further from the situation, I realized that in a way he was right. I don’t ever want someone like him and I don’t actually want to be loved like that.” — Avery Lynch Photo Credit: Gus Black Where to Listen ‘Lasting Effects’  is available now on all major streaming platforms, including Spotify, Apple Music, Amazon Music , and YouTube . Whether you're listening on a late-night drive or soundtracking a fresh chapter of your life, the song is meant to be both healing and empowering. It’s a must-add to your breakup recovery playlist—or honestly, any moment that calls for strength disguised in softness. Follow Avery You can follow Avery Lynch on Instagram (@averylynchmusic)  and TikTok (@averylynchmusic)  for more glimpses into her songwriting process, piano-based demos, and behind-the-scenes looks at upcoming projects. Additionally, her website is https://averylynch.com/ . Keep an eye out for her forthcoming EP later this year, which promises more emotionally rich and honest storytelling. If 'Lasting Effects' is any indication, Avery is just getting started—and the best is still to come.

Post-“Flowers” Miley Isn’t Who You Think She Is (And That’s the Point) Photography and artwork by Glen Luchford Let’s be real—when Flowers  dropped in 2023, it felt like a cultural reset. Miley had the breakup anthem of the year, the power strut of the decade, and a global audience chanting “I can love me better.” It was a moment.  So what happens when you follow up a worldwide smash that redefined your narrative? If you’re Miley Cyrus, you pivot hard. And drop Something Beautiful , a genre-defying, emotionally rich, and completely unexpected album that feels more like a diary than a pop record. The Sound of Freedom (And a Little Psychedelia) Something Beautiful  is her ninth studio album—and it doesn’t care what’s trending. This record weaves through neo-soul, prog-rock, electro-pop, and even country. Think Prince, Pink Floyd, and Joni Mitchell having a midnight jam session in Laurel Canyon, with Miley at the helm, unfiltered and glowing. The title track sets the tone: slow-building, lush, and emotionally expansive. “Something Beautiful” sounds like a sunrise you didn’t know you needed. Then there’s “End of the World,” which throws us back into an ‘80s synth daydream while asking some very 2025-level existential questions. Miley’s voice is as raspy, raw, and real as ever—like she's not just singing at us, but to  us. Standouts, Surprises & Soul-Searchers One of the most surprising moments? “Easy Lover.” It starts soft and earthy, then spirals into a chaotic electronic groove that totally works.  It’s a genre blender in the best way. Then you’ve got “More to Lose,” a stripped-back piano ballad where Miley gets quiet —and it hits you harder than any power chorus ever could. She’s not alone on the journey, either. Brittany Howard lends her unmistakable soul to “Thorns,” and, yes, Naomi Campbell  shows up with a spoken word interlude that somehow doesn’t feel out of place. It’s artsy, theatrical, and totally unapologetic. A Visual Album Worthy of the Big Screen Let’s talk about the visual side of things. Miley co-directed a short film to go with the album (also titled Something Beautiful ), and it’s debuting June 6 at New York’s Beacon Theatre as part of the Tribeca Festival. It includes videos for all 13 tracks and is being billed as an immersive experience—plus there’s a post-screening discussion with Miley herself. Since she’s still dealing with Reinke’s edema and isn’t planning a tour anytime soon, this premiere is one of the few ways fans can get a taste of the new Miley in a live setting. If you’re in NYC, get your ticket. Seriously. She’s Not Trying to Be Viral—She’s Trying to Be Honest Here’s the thing, Something Beautiful  isn’t chasing radio play or TikTok trends. It’s not packaged for mass appeal, and that’s what makes it so magnetic. This album asks you to slow down, sit with it, and maybe even feel a little uncomfortable in the process. It’s complex, unpredictable, and quietly powerful. And honestly? That’s the most Miley thing she could’ve done. Final Thoughts If Flowers  was about reclaiming independence, Something Beautiful  is about exploring what happens after the dust settles. Miley is no longer singing to prove a point—she’s singing to process, to connect, and to create. And in doing that, she’s made one of her most honest, expansive, and dare we say— beautiful  records yet. Rating: 8.5/10

Grit, Growth, and "Can You Feel It?" By LJ Portnoy, Editor-in-Chief, with contributions by Konstantina Buhalis SoundCheck Mag, Issue 3: Former Critics, Shot by LJ Portnoy For over a decade, Former Critics have been quietly building a reputation as one of Detroit’s most consistent—and criminally underrated—rock acts. What began as a humble acoustic project between high school friends has evolved into a full-fledged band with a sharpened edge, a loyal local following, and a sound that refuses to play it safe. They’re not chasing trends. They’re chasing something heavier, something louder, something real. With a new album on the horizon, the band is stepping into a new era—one defined by tighter riffs, more focused songwriting, and a live presence that pulses with emotional grit. As they gear up to release what they’re calling their most cohesive and powerful project yet, Former Critics remains grounded in what brought them here in the first place: community, catharsis, and the unshakable Detroit spirit that runs through every track they’ve written. We sat down with the band to talk music, memories, and the road ahead. Jess Murray, shot by LJ Portnoy A Name, A Vibe, A Decade in the Making If you’re wondering how Former Critics got their name, don’t overthink it. “It just popped into my head,” lead singer, Jess Murray laughed. “We considered coming up with a deeper meaning, but honestly? It just flowed.” The band traces its roots back to the acoustic days of Lunetta, playing tiny shows and experimenting with sound. That soft start didn’t last long. Over time, Former Critics leaned into something louder, heavier, and undeniably theirs. From 2016’s ‘Sleeper’ to 2018’s ‘Heavy Hearted’ and their first LP ‘Ring of Salt,’ the sonic growth is unmistakable. “We're a different band now,” they said. “More aggressive, more cohesive—this new album especially.” Former Critics, shot by LJ Portnoy Detroit Grit, Always Being a Detroit band isn’t just geography. It’s DNA. FC: "Our sound has some grit that I feel like just is that Detroit kind of vibe and sound—like you think of bands like MC5 [who really embodied that raw, rebellious Detroit energy], and also, I’d say, one of my favorites. Just growing up and going to shows in Detroit for our whole lives... I don’t know, I feel like there’s some grittiness that we just picked up, and it’s very Detroit about us. Like going to the Magic Stick as a kid—those bands you look up to helped [shape our sound]." That raw, relentless energy Former Critics talks about doesn’t just live in their recordings—it explodes on stage. Over the years, they’ve shared the spotlight with favorites like Single Mothers (“one of my all-time favorite bands,” Jess shared) and Seaholm. They played the inaugural Sad Summer Fest  inside the Crofoot Ballroom, a milestone moment for the band. And like all great tour stories, there’s one that lives rent-free in their memories: getting hopelessly lost in New York City, only to stumble upon friends from another band as a subway door slid open—"like a movie moment," they laughed. “Meant to happen.” New Era. No Skips. One of their latest releases, ‘Can You Feel It?’ is, by all accounts, their boldest yet. “[The new album is] heavier than ‘Ring of Salt’. No skips. Not that we’re biased or anything,” they joked. “We’ve started working a few new tracks into our live set already, and it’s a different energy. Playing fresh stuff just hits harder.” Favorites so far? ‘Clover’, ‘Black Hole’, ‘Fist Fight’, and ‘Revenge’ top the list. But ask them tomorrow and it might change. That’s the beauty of a project they’re this proud of. Former Critics, shot by LJ Portnoy Community > Everything At the heart of Former Critics is a deep-rooted respect for the Detroit music scene—one that’s carried them since the beginning. They’re not just performers; they’re participants, fans, volunteers, and collaborators. For them, community isn’t a marketing buzzword—it’s a way of life. “If you want to be part of the scene, you show up,” they said. “Go to other people’s shows. Be present. Say hi. Help carry a cabinet. Run sound. That’s how this works. You can’t expect anyone to support you if you’re not out here supporting them too.” That mindset is what led them to Pleasant Underground, a local booking collective focused on spotlighting Detroit’s independent talent. The band doesn’t just perform at Pleasant shows—they help organize, set up, tear down, and make the space feel inclusive for everyone who walks in. “ We get there early and stay late. Even if we’re not on the bill, we’re probably working the show anyway,” they laughed. “We’re just trying to make it as easy as possible for other artists to do their thing.” That love for community travels with them, too—sometimes to the surprise of others. “Midwest friendliness catches people off-guard when we tour out East,” they joked. “We’ll be unloading gear and asking how everyone’s day is going, and people are like, ‘What’s your angle?’ But there isn’t one. We’re just like… nice.” It’s a balance of scrappiness and sincerity that defines both their band and their scene. “Detroit has always had a strong community,” they said. “We’re proud to be part of it, and we want to see everyone succeed—not just us.” A Decade of Chemistry The band’s chemistry isn’t just musical—it’s something deeper, rooted in years of friendship, shared milestones, and the kind of trust that only time can build. Former Critics isn’t just a band; it’s a chosen family that formed in the basements and backyards of adolescence. Long before the first tour van, before the album releases and sold-out sets, there were late-night jam sessions, camping trips, and the kind of spontaneous shows that only happen when you’re sixteen and overflowing with ideas. “I got dropped off at (lead guitarist) Doug Luenner’s house back in high school,” Mike Pakulski (drums) recalled. “We just started playing. That was it.” From those early acoustic sessions to building out a full band with new members and evolving roles, they’ve weathered every shift together—with humility, humor, and purpose. “We’ve never played in another band without each other,” Mike said. “It’s never been about clout or blowing up. It’s about doing this, together, for as long as we can.” Next On the Horizon Former Critics aren’t chasing overnight fame. They’ve built their identity brick by brick—through local shows, relentless touring, lineup changes, and a deep belief in music as connection. For them, success isn’t about a viral hit or a record deal. It’s about staying authentic, creating art that feels honest, and giving listeners something to scream along to when the world feels too heavy to carry alone. With ‘Can You Feel It?’, they’re not just starting a new chapter—they’re doubling down on everything they’ve spent the last decade building. The riffs hit harder. The lyrics cut deeper. And the chemistry is more magnetic than ever. Every track is infused with Detroit grit, personal growth, and the raw emotion that’s always defined their sound. It’s loud, it’s cathartic, and it’s unmistakably them. Whether you’re discovering Former Critics for the first time or have been with them since ‘Sleeper’, this next era is one to watch—and one to feel. “Can you feel it?” We can. And we’ll be cranking the volume until the full album drops.

Credit: Shantell Cruz Singer-songwriter Alex Ray just dropped a new single, “UR KINDA LOVE,” today, on May 9th. Produced by SAYWHEN, the track incorporates synth-pop, indie/folk, and alternative to create an honest and endearing introspective soundscape. While the track is vulnerable and romantic, "UR KINDA LOVE" retains Ray’s signature edge, leaving fans with something familiar and exciting as Ray continues her musical journey.  “UR KINDA LUV” by Alex Ray (feat. SAYWHEN) is a dreamy, late-night anthem that captures the raw intensity and quiet comfort of finding love that feels like home. From the first beat, the track blends moody synth textures with a steady, hypnotic rhythm that draws the listener in without ever trying too hard. Alex’s vocal delivery is emotionally restrained but undeniably vulnerable—she doesn’t belt or dramatize, but instead lets the lyrics breathe, almost like a confession whispered through a midnight drive. The chorus lingers in your head with its clean phrasing and intimate tone, painting the feeling of “your kind of love” as both grounding and exhilarating. Ray said about the track, “When SAYWHEN and I wrote UKL, we were scheduled to cut vocals to another song, but I had just met my partner and was too in love to get in that grimy, angry headspace."   SAYWHEN’s guest feature is subtle but powerful, offering a melodic counterpoint that amplifies the track’s emotional depth without overpowering it. Their harmonies in the second half feel like a quiet answer to Alex’s initial longing—two voices folding into one story. There’s a beautiful restraint to the production; it never overwhelms the message, which seems to sit in that delicate space between desire and security.  UKL is a distinctive ballad that deviates from the norms. Driving alternative instrumentals keep the track upbeat and lively. Lyrically, the track is honest, and Ray’s desire for her partner is apparent throughout the piece, with lyrics like, "They say fools rush in, I guess I'm dumb."   Ray’s dedication to honesty has earned her an enthusiastic fan base. She discusses her mental health on her YouTube channel and deep-dives into her favorite artists. Through this YouTube channel, it is evident that Ray takes inspiration from multiple artists and allows their influence to guide her work, creating multi-faceted songs, storytelling, and a catalogue of singles.    Overall, “UR KINDA LUV” is less about fireworks and more about warmth, resonance, and the kind of love that softens you. It’s an understated standout that deserves a spot on every moody pop playlist this spring.

Date:  April 15, 2025 Venue:  St. Andrew’s Hall, Detroit, MI T our:  Personas World Tour Contributed By: LJ Portnoy, Editor-in-Chief Photographer: LJ Portnoy Photography - Half-Alive in Detroit, MI On a wet and slightly dreary Tuesday night in Detroit, Half•Alive offered an antidote to the gloom, delivering an immersive audiovisual experience that blurred the lines between concert and performance art. Touring in support of their Personas  World Tour, the band brought their innovative, movement-infused stage production to St. Andrew’s Hall, transforming the venue into a multisensory environment steeped in color, rhythm, and collective energy. From the initial notes of the first opener to the final crescendo of the night, the atmosphere was electric—undeterred by the rain falling just outside. Photographer: LJ Portnoy Photography - Crowd during Half-Alive in Detroit, MI Setting the Stage: Mehro & The Walters Photographer: LJ Portnoy Photography - Mehro performing in Detroit, MI The evening commenced with Mehro  (pronounced “Marrow”), whose emotionally resonant vocals and understated presence immediately drew in the audience. His connection with the crowd extended beyond the stage; following his set, Mehro greeted fans at the merch table, engaging in thoughtful, unrushed conversations. These 5–10 minute interactions demonstrated an uncommon level of care and sincerity—reflecting an artist invested not only in performance, but in human connection. Photographer: LJ Portnoy Photography - The Walters in Detroit, MI The second act, The Walters , shifted the tone with a warm, melodic set that balanced nostalgia with modern sensibility. Their sound, accessible yet rich, proved to be an ideal bridge to the headliner, and by the end of their performance, many attendees expressed newfound appreciation for the band—an indication of their growing resonance. Enter the Personas: Half•Alive’s Signature Experience When Half•Alive took the stage, the venue erupted. Attendees leapt to their feet, the majority singing and dancing in sync with the music. The band’s entrance featured surrealist "Personas"—costumed, puppet-like creatures—evoking a dreamlike theatricality and immediately establishing the show’s conceptual framework. The set design featured a staircase that doubled as both a visual centerpiece and a choreographic tool, enhanced by a lighting palette dominated by purples, deep blues, and warm reds that shifted fluidly to underscore the emotional tone of each track. Photographer: LJ Portnoy Photography - Half-Alive in Detroit, MI The choreography—executed by lead vocalist Josh Taylor alongside two dancers—was precise, interpretive, and seamlessly integrated into the musical performance. Rather than distracting from the music, the movement elevated it, offering a physical interpretation of lyrical themes and creating a layered performance that was both visceral and cerebral. Spanning 22 songs, the setlist reflected a carefully curated balance of older fan favorites and new material. The sonic progression felt intentional, with moments of high energy to start the show, slower songs filling out the middle, and bringing it back home for the end. A standout moment occurred during “R.I.P.,” when the lead singer of The Walters returned to the stage for a surprise collaboration. The crowd’s response was immediate and enthusiastic, underscoring the communal tone of the evening and the synergy among the touring acts. Photographer: LJ Portnoy Photography - Half-Alive in Detroit, MI The Audience Dynamic The crowd at St. Andrew’s was notably generous in spirit—fans were actively creating space for others, sharing in the moment rather than competing for it. During peak moments, hands were raised in celebration, some attendees capturing the experience on their phones, others dancing without a care in the world. The overall mood was one of shared joy, connection, and release. Photographer: LJ Portnoy - Audience during Mehro's set Photographer’s Perspective As credentialed press, I had the opportunity to photograph the first three songs from the front-of-house. These opening moments revealed a show built on contrasts—precision and chaos, intimacy and spectacle. From the vantage point of the balcony later in the evening, the full scope of the lighting design became apparent. The visual storytelling elements, particularly the lighting choreography during songs such as “still feel.” and “All My Love (Imperative),” intensified the emotional resonance and elevated the live experience well beyond standard concert parameters. Final Thoughts What defined the evening was not simply technical execution or performance flair, but the emotional atmosphere created by both the artists and the audience. Half•Alive successfully merged high-concept visuals with deeply personal themes, delivering a show that felt as intellectually engaging as it was viscerally entertaining. For fans both seasoned and new, this was not merely a concert—it was a communal act of expression. And for many, it’s a night that will echo long after the final note faded from St. Andrew’s walls.

Album Artwork & Photo by Chris Eadie. For anyone who's felt too much and said too little—this album speaks the language. JP Saxe doesn’t write love songs. He writes what happens after. The shame. The silence. The parts we think we’re the only ones feeling. Articulate Excuses  is a tight, emotionally fraught collection of eight songs that dig deep, hit hard, and leave a mark. It's vulnerable without asking for your pity. Romantic without being sweet. Reflective without ever offering a clean conclusion. If you're going through something—or recently went  through something—this album doesn't just speak to you. It sits down next to you, places a hand on your shoulder, and quietly whispers, “Yeah, same.” Don’t Leave Me Alone With My Thoughts “Don’t leave me alone with my thoughts” - Smartphone Make Me Dumb This is where it begins—and where it already aches. The opening track of Articulate Excuses  isn’t loud. It doesn’t try to impress. It just cuts right through the noise and lands where your most tender fears live. That single repeated line is almost too real for those of us who’ve used our phones to drown out what’s happening inside. It’s haunting. And it’s beautiful. I’m Sorry That I Want You But Don’t Choose You “I'm sorry that I use you, sorry I confuse you, I'm sorry that I only show up when I'm scared to lose you, I'm sorry that I want you, but don't choose you, ‘I'm sorry’ don't mean what it used to ." - I Wanna Move to Brooklyn There’s a rise and fall in this track that mirrors the way anxiety pulses through a relationship on the edge. It’s deeply reflective and emotionally brutal. It doesn’t ask for forgiveness. It just lays the pain bare. This one lit my chest on fire—because I’ve been on both ends of those lines. This is the song that feels too  close, and that’s exactly what makes it unforgettable. I Wanna Make You Feel Safe—Whatever That Means “I wanna make you feel safe, Whatever that means, Am I strong enough to let you feel free?  If you wanna stay, If you need to leave, I'm still learning what it means.” - Safe This song is quiet, but it carries the weight of a hundred unspoken fears. The melody moves gently, but the words press hard. There’s something so real in trying to love someone right when you don’t even know what that means anymore. It’s not about grand gestures—it’s about sitting with uncertainty, and still showing up. A Baddie With A Vibe I Can’t Feel About "A Baddie With a Vape Addiction" This is the album’s curveball. It's sensual. Quirky. But it doesn’t carry the emotional weight that defines the rest of the project. The tapping tempo feels out of sync with the rest of the record, and it didn’t land for me. It’s fine—but in an album that otherwise guts you, this one just grazes the surface. I Make A Fist, Trying To Reach For A Hand “It's killing us, it's killing me, In some cases, literally, literally. I wanna crumble into someone I wish I knew how I could loosen my grip, But I make a fist, trying to reach for a hand." - Soft Ass Bitch This is the kind of song that makes you stop what you're doing and just feel . There's an honesty here that’s not trying to be poetic—it just is . Raw. Real. Visceral. It’s the sound of someone admitting they’re losing their grip while desperately trying to hold on. This one grabbed me. Hard. You’re Gonna Be Okay Anyway “Whether or not you want it, Your whole life's gonna change, I'd be lying saying, Everything will be okay, You're gonna be okay anyway.” - Okay Anyway This one feels like it was written for right now. For the middle of the change. For the grief of letting go. It doesn’t offer false comfort—it offers real  hope. And sometimes, that’s the only thing that feels honest. This song swirls through pain, heartbreak, and healing, and it doesn’t rush the process. It sits with it. And it sits with you . Here’s My Full Attention—Have It Inconsistently “Is it too soon to say I wish you were beside me?  I want that space in the back of your mind, I wanna temporarily do everything right. Here's my full attention, have it inconsistently, Hear you out with that manipulative sympathy." - Let a Ginger Make You Cry This track lives in the push-pull. It’s messy, romantic, self-aware, and a little manipulative—all at once. It’s not the strongest on the album, but there’s something painfully honest in the way it admits: I want to be better, but I don’t know how to be consistent.  It's the emotional equivalent of a half-truth said with good intentions. It Could’ve Ended Stronger The final track—an interlude from Saxe’s grandfather—feels oddly placed. It doesn’t offer closure, or elevate the themes we’ve been reckoning with. After everything that came before it, this one feels more like a whisper that trails off mid-sentence. It doesn’t ruin the album—but it does leave it feeling a little unfinished. So What’s the Verdict? Articulate Excuses  is a beautifully devastating album. It doesn't try to be perfect—it just tries to be real . And it succeeds. For those who feel too deeply, love too messily, and are still figuring themselves out—this is for you. It’s an emotional time capsule of shame, longing, grief, healing, and everything in between. It won’t fix your heartbreak. But it might help you sit with it. Rating: 8/10   ⭐️⭐️⭐️⭐️ Tracks You’ll Keep Repeating: “Smartphone Make Me Dumb”  “I Wanna Move to Brooklyn”  “Safe”  “Soft Ass Bitch”  “Okay Anyways” Tracks You Might Skip:   “Grandpa’s Interlude”  “Baddie With a Vape Addiction” This album doesn’t just tell a story—it feels  like one. And that story might be yours, too.

Article by Konstantina Buhalis / Contributions by Rebecca McDevitt Everything you need to know to survive (and thrive) during festival season Festival season is officially back, baby—and with Coachella Weekend One behind us, it’s time to dust off your fanny pack, break in those boots, and dive into one of our favorite times of the year. Whether you're vibing with the crowd in the California desert, road-tripping to your favorite regional fest, or planning an outfit like it’s a Met Gala appearance—we’ve got you covered. 🎸 Festival Sets 101 Let’s talk about what you’re really there for: the music. Every festival has its own personality, from the eyeliner-heavy nostalgia of When We Were Young , to the genre-blending chaos of Coachella  and Bonnaroo , to the cowboy boot stomp of Stagecoach  or Outlaw Music Festival . No matter your vibe, there’s a fest with your name on it. Now, don’t expect artists to play their full-length, deep-cut, emotionally devastating encores. Festival sets are tight—usually under an hour—which means most bands opt for crowd-pleasers and hit-heavy lineups. Some go rogue and play an entire album ( cough  My Chem doing Black Parade  at WWWY), but most keep it fun and familiar. If you're hoping for that one rare B-side from 2011... maybe save that for the headlining tour. TL;DR: Festivals are for the greatest hits, the biggest sing-alongs, and dancing like nobody’s watching—because truly, no one is. They’re too busy trying to make it to the next stage in time. 🏕️ Festival Styles & Setups Not all festivals are created equal. Some are city-based with hotels nearby ( hi, Lolla! ), and others are full-on camp-outs ( Bonnaroo, we see you ). Know before you go—because nothing kills the vibe like realizing your “rustic glamping tent” is actually a soggy field with 3,000 other people who also didn’t pack enough baby wipes. Hotels are great if you can snag one. Book early or be ready to splurge. Airbnb? A solid move if you're rolling deep with the crew. Camping? It can  be magical... or miserable. If you love sleeping under the stars and don’t mind waiting in line for a communal shower, go for it. If not, embrace your inner indoor cat and find a bed with AC. Also: Always check if your ticket includes any kind of partner packages—some festivals offer bundles with local hotels. Hidden gem alert! 💃 Festival Fashion: Fit Check Let’s be honest: for some people, the outfits are half the experience.  And we’re not judging—we’re cheering you on. From vintage tees to rhinestone cowgirl moments, from DIY accessories to full-on runway slays, fashion is one of the ways fans turn festivals into living, breathing art. Coachella used to be boho central, but lately? It’s evolved into full glam, high-fashion meets desert-core realness. Meanwhile, When We Were Young leans alt-nostalgia, and you better believe emo is back in black . No matter the aesthetic, a few essentials remain: Comfy shoes (your future self will thank you) A small bag (security will thank you) Sunglasses and sunscreen (your skin will thank you) A charged phone (for all the pics, duh) Pro tip:  If you’re rocking a look you’ll only wear once, thrift it. Or better yet—make it. Custom fits are always a flex. That said—let’s be real for a sec. Festival fashion has a messy history with cultural appropriation. Leave the war bonnets, bindis, and traditional cultural attire you don’t understand at home. Respect is always in style. / 🧭 What to Expect (and How to Not Lose Your Mind) Festivals are magical chaos. Long days, loud music, endless walking, and somehow you still forget your sunscreen every time. (Don’t do that.) Whether it’s a smaller scene like Fixation Fest  in Detroit or a multi-stage monster like Cold Waves  in Chicago— planning ahead is your best friend . Hydrate. Screenshot the schedule. Wear layers. Map out your “must-sees” but leave room for discovery (some of the best sets are the ones you stumble into). We’ve done both ends of the spectrum—press pit at Warped Tour 2016 (sweaty chaos) to chill hangs at indoor venues (bless the air conditioning and non-porta-potty bathrooms). No matter the setting, a good crew and good vibes make everything better. Want insider tips?  Join festival-specific Facebook groups or Reddit threads. People post everything from set time leaks to outfit inspo to survival hacks. It’s like having 10,000 festival big siblings giving you advice. ☀️ Final Thoughts Festival season is about more than just music—it’s about community . It’s the strangers you scream lyrics with, the outfit you’ve had planned since January, the goosebumps during that one surprise guest appearance. It's chaotic, it's sweaty, it's unforgettable. So prep smart, pack light, dress loud, and have the best damn time . We’ll see you in the pit (or the back, by the food trucks—no judgment). And don’t forget your sunscreen. Seriously. — #SoundCheckMag  | #FestivalSeason #SeeYouInThePit #StayHydrated

Genre: Emo, Slowcore, Electronic, Pop Sign Crushes Motorist has been one of the premier Slowcore artists over the last few years, building a cult following online as an Emo darling, incorporating multiple elements that have created a distinctive style of music that hits all the high points of the internet’s favorite genres. Artist, 19-year-old Liam McCay, who has been releasing music under the name Sign Crushes Motorist (named after the Duster song), has released a new album, The Saddest Truth (BuVision Records) ,  with producer KayCee, meshing two genres that have borrowed from each other for years to create a solid piece that effortlessly uses emo and slowcore as a foundation for hiphop and pop lyrcism and themes.  Painting by: Ilya Repin Slowcore as the New Soundtrack  Over the last few years, the genre of Slowcore, an extension of Shoegaze, has become increasingly popular as music sharing has evolved again through TikTok. With Duster finally receiving their due recognition, Sign Crushes Motorist has filled the gap left by the missing genre through their interpretation of it. As genres evolve, SCM is at the center of the changing parameters and branches out on this new release to demonstrate the transcendent nature of slowcore, while also highlighting the importance of collaboration and common ground in creation.  On "The Saddest Truth ," the sound associated with Slowcore Music (SCM) is reappropriated through Hip-Hop production, bringing an entirely new idea of what Slowcore can sound like. SCM has been known for its minimalism, but partnering with KayCee brings a full-bodied, modern edge that elevates the lush production into a transformative album, allowing SCM to reach a new fan base.  Ethereal Ethos Through the record, the ethereal undercurrent pushes the tracks forward, with KayCee’s romantic leanings, it’s reminiscent of Ye  and Donda  by Kanye West. The third track, “Make Sure You’re Loved” ft. JinJin is one of the crown jewels of the record, with a stunning hymnal-esque arrangement that swells repeatedly following the organ tones and group vocals echoing through the last half of the track. It’s an ambitious testament to partnership.  The Saddest Truth uses features sparingly, but in a conscious choice, the featured artists shine on their respective tracks, allowing the production to act as their primary artist, and their vocals and features are the additional piece that completes the track.  Further into the track listing is “BRUISED,” a more traditional dark trap song that evokes a sense of urgency and tension-building 808s, which build the narrative of a struggling couple. Bruised is reminiscent of the trap music that dominated playlists and was the new sound of emo music in the late 2010s. On the final track “LEAD ME FATHER,” the hymnal church choir returns on the track, creating an otherworldly association. The textured production gives the finale a powerful send-off that bridges the gap between the atmospheric traditions of SCM and KayCee's genre-bending, sampling approach to finalize their sonic experiment.  Final Verdict While the production and arrangements are stunning, longtime fans of Kanye West may find this record to have a derivative nature. Still, overall, the partnership between Sign Crushes Motorist and KayCee has proven to be worth the listen. The Shoegaze adjacent melodies and the edgier Hip-Hop are a perfect match, and overall, Saddest Truth  is an album that pushes the boundaries of CSM and Kaycee, showcasing a new era of artistry and ideology.  Rating: 7/10

Photographed by LJ Portnoy, Midwest coverage On September 24, 2024, at St. Andrew’s Hall in Detroit, MI, Griff and opener Stephen Dawes took the stage for a mesmerizing night of music as part of the Vertigo World Tour. This highly anticipated stop in the 18-date US and Canada run drew a passionate crowd, eager to witness Griff’s signature blend of heartfelt lyrics, swirling visuals, and handcrafted artistry before she embarks on her next adventure—opening for Sabrina Carpenter on the second leg of the Short ‘N Sweet tour. A Night of Excitement & Swirls The energy inside the historic 1,000-capacity venue was electric, with roughly 700 fans filling the space—a testament to Griff’s growing fanbase. But this wasn’t just any ordinary concert crowd. Her devoted fans arrived adorned with her signature hand-drawn swirls—painted across wrists, clothing, and even faces—a touching tribute to the singer’s signature aesthetic. It was a visual symbol of unity and admiration, creating an intimate connection between Griff and her audience before she even stepped on stage. A Sweet Start with Stephen Dawes Opening the night was Stephen Dawes, a rising singer-songwriter with a delicate yet compelling presence. Initially, his nerves were visible—standing relatively still as he eased into his set. But as the night progressed, something shifted. He found his rhythm, gradually expanding his presence across the stage, embracing the moment with a newfound confidence. Watching him transform from cautious to commanding was a heartwarming experience, and by the end of his set, he had undoubtedly won over the room. Griff’s Spellbinding Entrance The moment Griff emerged to the hypnotic opening notes of “Vertigo”, the crowd erupted. Photographed by LJ Portnoy, Midwest coverage A wave of cheers, screams, and pure excitement filled the venue as she stepped into the spotlight, immediately captivating everyone in attendance. True to her artistic spirit, Griff’s visuals were stunning—from the carefully curated lighting to the handmade outfits she designed and sewed herself. Her attention to detail isn’t just in her music but in every aspect of her performance, making the entire night feel uniquely personal. A Setlist to Remember Griff delivered a 17-song set, seamlessly weaving between soul-stirring ballads and high-energy anthems. In a special moment of spontaneity, she plucked two songs directly from the audience’s requests, adding an extra layer of intimacy to the show. And just when the night seemed to be winding down, she returned for a two-song encore, bringing the grand total to 19 tracks—a true gift to her fans. Photographed by LJ Portnoy, Midwest coverage The Future is Bright for Griff Griff’s Detroit stop on the Vertigo Tour was more than just a concert—it was an immersive experience. From the carefully crafted visuals to her effortless stage presence, she proved why she’s among the most exciting rising stars in pop music today. As she sets her sights on 2025 and beyond, one thing is certain: Griff isn’t just an artist to watch—she’s an artist to remember.

Former Critics embrace chaos and evolution with their new single, music video, and upcoming tour. Article by: Konstantina Buhalis, Contributor Edited by: LJ Portnoy, Editor-in-Chief Photos accessed from Band's FaceBook and Instagram pages. Photo obtained from Former Critic's Band Facebook page . A Sonic Gut Punch: “Can You Feel It?” Detroit darlings Former Critics are back with a brand new single, “Can You Feel It?”, dropping April 11 ahead of their next full-length release. The track is a high-impact punk anthem that fuses thrash, spoken word, and horror-punk energy into a textured, hyperactive homage to Detroit’s gritty punk legacy. Leaning into a self-described genre of “graveyard punk,” Former Critics offer something darker, more visceral — a sound and aesthetic that draw heavily from horror elements while maintaining the DIY ethos that defines their scene. Curated Chaos with a Catchy Core From the jump, “Can You Feel It?” grabs your attention with a wall of sound and screeching feedback that hits like a shot of adrenaline. The opening guitar solo doesn’t hold back, launching listeners into a dense, fast-paced rhythm section that pulses with raw energy. Between the throbbing guitars and heavy riffs, the drumming takes cues from 2000s garage rock, adding structure and momentum to the layered chaos. Yet, within the noise lies clarity — clever lyrics, cheeky wordplay, and a tightly constructed composition that feels chaotic on purpose . It’s a track that punches hard and sticks with you. Punk with Purpose: Evolution and Energy With over a decade in the Detroit punk scene, Former Critics remain a local staple — not just for their music, but for their community-focused mindset and unwavering social commentary. This latest single is a testament to their artistic growth: darker, sharper, and more intentional than ever. They’ve also been teasing the accompanying music video on TikTok, where fan anticipation is building fast. Comments flood in on every post as followers dissect clips and countdown to the release. Former Critics are tapping into that digital momentum while staying true to their analog punk roots. Keep up with Former Critics on Instagram! Hitting the Road: Tour with Antighost Former Critics are set to hit the road this spring, joining Antighost on a Midwest and East Coast tour. With the new single, a buzzing online presence, and a performance reputation built on sweat and catharsis, they’re poised to take their signature chaos beyond Detroit — and into new ears. Photo obtained from Former Critics band's Instagram Page.

25 Years Later, “In Love and Death” Still Shreds—and Soothes The Fillmore, Detroit – April 7–9, 2025 Article by Konstantina Buhalis, Contributor  Article Edited by LJ Portnoy, Editor-in-Chief Photos by LJ Portnoy Photo by LJ Portnoy Photography. The Used - Detroit, MI at the Fillmore Detroit. From Basement Demos to Emo Royalty At the height of emo’s golden age, a few bands rose to iconic status—and The Used was undeniably one of them. Emerging from the early 2000s post-hardcore wave, they blended raw poetry with arena-worthy hooks, capturing the hearts of eyeliner-clad teens and scene kids across the globe. With 2.8 million monthly Spotify listeners still tuning in, The Used’s influence hasn’t faded—it’s evolved. The Utah-based band, formed in 2000, hustled through early setbacks before linking with producer John Feldmann (Goldfinger). Their self-titled debut (2002) set off an explosion, powered by anthems like “The Taste of Ink,” “Buried Myself Alive,” and “Blue and Yellow.” All three made the charts, and the record went platinum, kicking off what would become a defining era. Three Albums, Three Nights, Three Different Vibes This tour wasn’t just a concert—it was a retrospective. Three nights, three albums, three emotional journeys. While each show stood on its own, they also told a collective story of transformation. Night two—In Love and Death—felt like a raw open wound. Konstantina captured the electricity of that sold-out crowd, the line snaking around the Fillmore, fans screaming every lyric like a lifeline. “The energy was electric and exciting, with fans from Gen X all the way to Zoomers,” Konstantina wrote. “One yelled ‘The Used saved my life.’ Another shouted ‘I love you, Bert!’ It was undeniable—their music still matters.” By contrast, night three (featuring Lies for the Liars ) had a different flavor. “It was actually the smallest crowd of the three,” shared LJ Portnoy, Editor-in-Chief of SoundCheck Mag, who asked a fan who had attended all three nights. “But the vibe tonight are super relaxed. The crowd is just soaking it all in.” While the second night was pure nostalgia, the third night felt like the band—and the fans—settling into their skin. Photo by LJ Portnoy Photography. The Used - The Fillmore Detroit, Detroit, MI. The Crowd: Generations of Black Eyeliner and Healing Both nights made one thing clear: this fanbase has grown—but never outgrown emo. “It reminded me of Jonas Con,” LJ added. “There were multi-generational fans—dads with daughters, some lifting toddlers on their shoulders flashing tiny ‘rock on’ hands.” It wasn’t just a concert. It was a passing of the torch. Bert McCracken: The Heart of the Stage Mid-set during night two, Bert McCracken took a moment to reflect, revealing he had just passed 13 years sober—a moment that brought cheers, tears, and toasts from the crowd. “He was glowing,” LJ noted from of night three. “I loved seeing the smiles on his face. You could tell he was in his atmosphere—completely at peace and proud to be up there.” Each night, Bert’s connection with the crowd felt intimate, like a conversation with old friends—loud, chaotic, and deeply comforting.  Photo by LJ Portnoy Photography. The Used - The Fillmore Detroit, Detroit, MI. Final Thoughts: Emo Isn’t Dead—It Grew Up With Us The Used isn’t a band frozen in time. They’re still here —louder, wiser, and just as vital. Whether you came for the screams, the sobs, or to introduce your kid to the music that saved you, this tour was a love letter to every fan who's ever felt too much.

Pop Edition Contributed by by LJ Portnoy, Editor-in-Chief Pop’s latest drops, straight from your algorithm and into your rotation. Rachel Chinouriri - Little House EP (Photo by tagged/credited to: instagram.com/isaacfarley11 & instagram.com/laurengharris ) Pop is on fire right now. Whether you want to cry in your car, dance in your kitchen, or simply add that perfect new vibe to your playlist, these new tracks have you covered. From sultry slow-burners to high-energy bangers, we’ve gathered the best of the best that deserve a spot in your rotation ASAP. Azizam  – Ed Sheeran Genre:  Acoustic Pop / World Fusion Release Date:  March 29, 2025 Why you need this on repeat:  From the very first note, Ed pulls you into a sun-drenched daydream. His vocals float over acoustic strings with a rhythmic flair that feels effortless and intimate. Best time to play it:  Golden hour, windows down, breeze in your hair. Lyric Spotlight: "Azizam, I’m lost in you again.” (Azizam is Persian for “my dear”—extra swoon points.) Vibe Check:  Warm, playful, and tender with a global twist. For fans of:  Harry Styles, James Bay, Shawn Mendes Honey  – John K Genre:  Pop / Funk-Pop Release Date:  March 28, 2025 Why you need this on repeat:  This one struts. It’s jazzy, sexy, and feels like a night out with just the right kind of trouble. That chorus delivers pure pop bliss and instant serotonin. Best time to play it:  Pre-game mirror dance or post-date afterglow. Lyric Spotlight: "You taste like honey, you move like a melody." Vibe Check:  Slick, groovy, and unapologetically flirty. For fans of:  Khalid, Two Feet, Jeremy Zucker (Sleek, modern pop with lowkey swagger and just the right dose of R&B flex. ) Hard Feelings  – EVAN GIIA Genre:  Power Pop / Electro Pop Release Date:  March 28, 2025 Why you need this on repeat:  An emotional bop with powerhouse vocals—EVAN GIIA delivers grit and clarity with a chorus that punches straight through. It’s the kind of track for when you’re moving on but still need to feel every beat. Best time to play it:  When you’re processing change and need that cathartic release. Lyric Spotlight: " Don’t need your sorry—I needed you honest." Vibe Check:  Bold vocals paired with electro energy and breakup catharsis. For fans of:  Alessia Cara, Griff, Dagny All I Know  – Rudimental & Khalid Genre:  Electronic Pop / Soul Release Date:  March 29, 2025 Why you need this on repeat:  The vocals can make you cry, but the beat keeps you moving. It’s emotional and expansive—a feeling like falling in love at a festival, with that perfect mix of vulnerability and danceable energy. Best time to play it:  2AM, when you’re spiraling in the best way possible. Lyric Spotlight: "All I know is I feel alive when I’m with you." Vibe Check:   Euphoric soul-pop with an edge of late-night longing. For fans of:  Khalid, Tai Verdes, Jonas Blue ( Smooth vocals, pulsing beats, and just enough heart to hurt a little. ) DOWN BAD  – SAILORR Genre:  Alt-Pop / Rap-Pop Release Date:  March 29, 2025 Why you need this on repeat:  It’s sexy, confident, and totally cinematic— like the soundtrack to your personal makeup montage or that moment when you decide to own your vibe completely. Best time to play it:  While getting ready for a night out or whenever you need a little attitude boost. Lyric Spotlight: "If I’m down bad, I’m still above you." Vibe Check:  Mirror glam meets full main character energy with a nod to bold, seductive pop. For fans of:  RAYE, BANKS, Tinashe twilight zone  – Ariana Grade Genre:  Indie Pop / Slow-Pop Release Date:  March 27, 2025 Why you need this on repeat:  Dreamy and vulnerable, this slow-burner hits deep. The lyrics feel intimate and personal, inviting you to lose yourself in its reflective mood. Best time to play it:  When you’re driving alone at night and need to dive deep into your thoughts. Lyric Spotlight: "I don’t blame you for what I imagined." Vibe Check:  Soft glow, moody vocals, and poetic heartbreak that lingers. For fans of:  Fletcher, Maisie Peters, Emily Burns Call Me When You Break Up  – Selena Gomez, benny blanco, Gracie Abrams Genre:  Electronic Pop / Nostalgia Pop Release Date:  March 29, 2025 Why you need this on repeat:  This trio delivers emotional precision wrapped in synth shimmer. It’s a nod to early 2000s pop with modern storytelling and a beat that feels both nostalgic and fresh. Best time to play it:  On the dancefloor with your friends after a long day—where every beat feels like a throwback with a twist. Lyric Spotlight: " You say it’s nothing—then call me when it ends." Vibe Check:  Early-2000s drama with grown-up depth and a catchy, reflective hook. For fans of:  Hilary Duff, Olivia Rodrigo, Gracie Abrams 6LESSINGS  – Jessie Reyez & 6LACK Genre:  Rap-Pop / Alt-R&B Release Date:  March 29, 2025 Why you need this on repeat:  It’s raw, real, and rhythmically hypnotic. Jessie’s raspy honesty fuses with 6LACK’s mellow flow to create a track that’s both introspective and irresistibly catchy. Best time to play it:  Late-night loops when you’re in deep reflection mode. Lyric Spotlight: "I wanted love. You wanted someone to heal you." Vibe Check:  Introspective, gritty, and beautifully flawed. For fans of:  Jessie Reyez, Giveon, Jhené Aiko ( Emotional, stripped-down R&B that lingers long after it ends. ) Special Shoutout: “Little House” EP – Rachel Chinouriri Genre:  Alt-Pop / Indie Pop Release Date:  March 29, 2025 Why you need this on repeat:  A compact, emotional EP that proves Rachel Chinouriri is one to watch. Every track is textured and intimate, but “Can We Talk About Isaac?” is the one that’s been on loop all week. Best time to play it:  When you’re craving honesty with a sonic hug. Lyric Spotlight: "You say you’re fine, but you never really call." Vibe Check:   Unfiltered, poetic, and hauntingly soft. For fans of:  Lizzy McAlpine, Conan Gray, Dylan ( Emotional indie-pop with poetic lyrics, soft textures, and a beautifully bruised kind of honesty. ) 🌀 Fresh Off the Feed, Straight from the Source Every track in this roundup brought something undeniable—whether it was a killer hook, an emotional gut-punch, or a beat that just wouldn’t quit. These songs are pure pop energy: confident, catchy, and impossible to ignore. But the best part of pop? It’s not just one sound. This playlist bends genres without hesitation—alt-pop, indie-pop, electro-pop, power-pop, R&B-pop—it’s all here, and it’s thriving. This week’s drop isn’t just a collection of songs—it’s a pulse check on where pop is headed: bold, vulnerable, genre-fluid, and built to move. Whether you’re queuing it up for a solo dance break or passing it to your group chat, these tracks aren’t just fresh—they’re already on repeat .

Ardmore Welcomes Wheatus Written by Eric Sperrazza Revised by LJ Portnoy, Editor-in-Chief Photography by Eric Sperrazza Ardmore, PA - “So, what do you want to hear?” inquired Wheatus  brainchild and frontman Brendan B. Brown to a packed Ardmore Music Hall after ingratiating himself to fans in the front of the stage on Saturday. The Origins of a Dirtbag Brown founded the band in 1995 in New York City, and within a few years, Wheatus was practically the house band at the Luna Lounge on the Lower East Side. In 2000, they released their first self-titled LP, Wheatus , which saw two singles; “Teenage Dirtbag” and the cover of Erasure ’s “A Little Respect.” Although both charted in the States and abroad, it was “Teenage Dirtbag” that saw the biggest success, appearing in the major motion picture soundtrack for the film “Loser.”  Although not a single, the song “Punk Ass Bitch” from the debut record was reworked as ‘Chan’s The Man” and used for the end credits of the 2000 cartoon series Jackie Chan Adventures. On March 20th of this year, Brown assembled Wheatus for a 25th Anniversary tour celebrating that very debut album and made a pitstop in Ardmore, Pennsylvania. Punchline Brings the Energy First on the stage was the Pennsylvania natives Punchline . The twenty-seven-year battle-tested road warriors of pop punk kicked off a nine-song opening set with the song “Darkest Dark” from the 2018 LION album. They continued with songs from the “Delightfully Pleased” and “Everywhere” LP, such as “Roller Coaster Smoke,” “Keystoned,” and “Flashlight.” Even though their set was fueled by high energy, it was the unlikely cover of The Cranberries “Linger” that was the crown jewel of their performance, somehow reimagining the very emotion that the song should in voke by merely playing it in their style. A Choose-Your-Own-Adventure Setlist Punchline packed up their gear, and Brown found his way to the stage first, glad-handing and giving well-wishes to fans. As the rest of Wheatus followed suit, Brown playfully began a “choose your own adventure” setlist, including the audience’s feedback on just how and when the songs from their debut record would be played in celebration of its anniversary… And play they did! Giving the audience every great song from the 2000 self-titled effort like “Truffles” and “Love is a Mutt From Hell,” Brown and friends worked the audience, with Brown bouncing from corner to corner on the stage, and even bringing up special guest, Will Landis, to accompany the band with banjo and harmonica for “Sunshine” and “Leroy.”  The band even did “Chan’s the Man!” scratching the itch of superfans calling out their requests. Of course, Wheatus would go on to perform their hit single, “A Little Respect,” and closed out the night with the inimitable “Teenage Dirtbag,” to the sing-along delight of every single person in the venue. Brendan Brown: A Fan’s Frontman Afterward, Brown came out to the fully lit and emptied Hall to meet personally with every fan waiting, autographing ticket stubs and obliging to selfies. “It’s just so great,” said Brown when speaking to him about the new generation TikTok-fueled Gen Z fans in attendance. And as it turns out, he is, in fact, a fan of Iron Maiden . Commenting on a fan’s Seventh Son of a Seventh Son album cover shirt, Brown would yell, “Great album! Underrated!  Just like ‘ Somewhere in Time! ’“ A Nerd Punk Legacy Some Geek Rock bands, like Weezer , can surpass their lane in the sub-genre and redefine themselves in the pop culture zeitgeist. Others, like Barenaked Ladies  or They Might Be Giants , never veer off course. With that in mind, Wheatus stands unique. making music that reaches both Alternative fans and the pop-punk fanbase. Their singles stand uniquely alone in their sub-genre of Nerd Punk, thus making their shows more like the “The Breakfast Club” of fans. For a night, Admore Hall ticket holders could have been a brain, an athlete, a basket case, a princess, or a criminal...but all  were happy to be together while putting on the warm blanket of nostalgia and belting out “Teenage Dirtbag,” arm and arm.     Keep up with Wheatus at:   Website    Facebook    Instagram    YouTube    X    TikTok     Check out Punchline at:   Website    Facebook    Instagram    YouTube    X    TikTok

Nineteen Years Later, Not Much Has Changed By LJ Portnoy | Editor-in-Chief Contributions by Rebecca McDevitt Jonas Brothers hit the Sky Stage, session one during JonasCon - March 23, 2025 (Photographed by LJ Portnoy). Photo from November 26, 20006 - Jonas Brothers with fans, LJ Portnoy (right). November 26, 2006. The air was cold. I was thirteen, standing in the front row at the Michigan State Fairgrounds, pressed up against the barricade. My first concert. My favorite band. The Jonas Brothers. It had cost five dollars to get in. T-Squad and Nuttin' But Stringz opened the Radio Disney showcase, but nothing could prepare me for what happened after the set.I met them. Right outside by the tour bus. No flashy lights. No photo pit. No photographer. Just three boys, a dream, and a moment that would unknowingly shape the next two decades of my life. Nineteen years later, not much has changed. Except now, I'm not just a fan in the front row — I'm photographing the band I grew up with, capturing moments for the very magazine my friend and fellow photographer, Rebecca, and I built together. What started as a shared love of music and storytelling has evolved into SoundCheck Mag, and JonasCon wasn't just a fan event. For me, it was the moment everything came full circle. Rebecca’s First Show - The Moments That Shaped Her Photo from December 3, 2006, Rebeca (left) and fan. “I remember everything about that day,” Rebecca said, her voice warm with the kind of nostalgia that sits right behind your eyes. “It was freezing. Like, numb-your-fingers kind of cold. But I didn’t care. I got there at 7 a.m. with nothing but a hoodie, a poster that said ‘I <3 Joe,’ and this buzzing feeling that something big was going to happen.” It was December 3, 2006 — her very first Jonas Brothers concert. The Theatre of Living Arts in Philly. Seventeen-dollar tickets, a 1 p.m. showtime, and the kind of magic only a teenage heart can truly recognize. She waited outside for hours, tucked into a line of other hopeful girls who believed in something they couldn’t quite name — something bigger than just three boys with instruments. “I ended up in the second or third row,” she laughed. “I don’t think I blinked once during the set. They were right there  — and I just kept thinking, ‘This is everything.’” Somewhere in the swirl of that day, she met Chris Koon — a name every elder-Jonas fan knows. She was even invited to an after-party but never went. Not because she didn’t want to, but because what mattered most had already happened. “That show changed something in me,” she said softly. “It was the beginning of it all.” Now, almost twenty years later, she’s not the girl holding a sign. She’s behind the lens — camera in hand, heart full — documenting the very band that shaped her. The little girl who froze outside the TLA in 2006 never left. She just grew up, found her voice, and made her way back — a little closer, a little stronger, and this time, telling the story in her own way. JonasCon - Coming Full Circle “Honestly, I didn’t go in with expectations,” Rebecca said. “I just wanted to shoot some photos and have fun with my favorite band. That was it.” But sometimes the most unexpected moments hit the hardest. One of the most emotional highlights came not from the stage, but from a quiet room tucked inside the activation space — where fans could line up, preview clips from Joe’s upcoming solo album, and browse limited-edition merch. Rebecca was one of the lucky few who got to hear a snippet of Constellation , a brand new track from the album releasing this May. “Even just hearing part of it… it got to me,” she said. “It’s a completely new sound for Joe — really emotional, a little haunting. I almost cried. I wasn’t ready for it.” The moment was fleeting — just a glimpse — but powerful in its intimacy. A whisper of what’s to come, shared only with those standing in that space. The kind of moment that anchors a memory deeper than you expect. Fans pictured at Sky Stage, session one, during JonasCon. What began as a day to shoot and enjoy quickly turned into something deeper — emotional, chaotic, joyful. The crowd was buzzing with memories and screams, elder emos and Gen Zs all tangled together in the same heartbeat. “We were all there for the same reason — to celebrate something that’s been part of our lives for over half  of it,” she said. “That doesn’t happen often. That kind of connection. That kind of legacy.” Rebecca attended both Sky Stage Sessions, but the second one stood out the most — especially when All-American Rejects took the stage. “I’m such an elder emo,” she laughed. “Hearing Move Along  live after all that Jonas Brother emotion? It was everything. ” All American Rejects performance - JonasCon, Sky Stage session two (Shot by Rebecca Jean Limited Photography). The chaos of the con — the laughter, the crowd, the shared history — only made the day more powerful. There were moments of deep reflection tucked between snapping photos and capturing Reel content. She even met a fan named Pau who had flown all the way from Costa Rica  just to be there. “It reminded me how global this community is. We’re all carrying different memories, different favorite songs — but we’re united by the same love for these guys. It was kind of overwhelming, in the best way.” Thanks to a team member, Rebecca and I ended up with VIP bracelets for the second Sky Stage session — a small, surreal behind-the-scenes moment that reminded us just how far we’ve come. “That girl at the TLA in 2006 wouldn’t believe this,” Rebecca said. “I was there with my best friend, photographing my favorite band, building something we created from scratch. It felt like a full-circle moment — and it’s only the beginning.” Jonas Brothers fan and JonasCon attendee. The Sky Stage Was Heaven Rebecca McDevitt photographed (by LJ Portnoy) at Sky Stage, session one. Before the quiet intensity of Joe’s solo album preview — before the sneak peek of Constellation  made us both stop in our tracks — the day began with pure, joyful chaos on the Sky Stage. Saturday, March 23, 2025 – Rutherford, NJ  We arrived at the American Dream Mall by 5:45 a.m., clutching our camera bags and caffeine, buzzing with a strange mix of adrenaline and disbelief. This wasn’t just another convention. This was JonasCon  — a one-day celebration of the Jonas Brothers’ 20-year anniversary. And we weren’t just attending. We were documenting it. By 7:30 a.m., we were through security — all our professional gear approved (thank you, Hank). Around 8:50, the gates to the Sky Stage opened, and we stepped into the audience area, hearts racing. Big Rob kicked things off with a panel hosted by Chicks in the Office , and when the crowd called for it, he gave us a surprise a cappella performance of Burnin’ Up.  Iconic doesn’t even begin to describe the moment — hearing that voice, live , in 2025? It was like someone hit rewind and fast-forward at the same time. Timeless and brand new all at once. Next came Franklin Jonas, relaxed and magnetic, performing with Harper Grace. Their newly released single IDK  was both fresh and nostalgic — a little elder emo, a little country-pop, and a whole lot of soul. Harper’s vocals absolutely soared, and Franklin’s grounded presence proved the Jonas bloodline carries more than just fame — it carries talent. By noon, Kevin, Nick, and Joe took the stage for their first panel — another Chicks in the Office  interview — and the crowd erupted. Cameras up. Hearts pounding. They were just feet in front of us, and somehow, it still didn’t feel real. The meditation ended, our eyes blinked open — and there they were. The Jonas Brothers. Jonas Brothers at JonasCon - Sky Stage, session one - March 23, 2025, photographed by LJ Portnoy. There’s no other way to describe it: it was magic. The kind of magic that lives in the pit of your stomach, tied to years of posters on bedroom walls, burned CDs, and late-night MySpace messages — which, in our case, is where this whole story really began. “We met on MySpace,” Rebecca laughed. “Back when you could rank your Top 8 and decorate your profile with glittery gifs and autoplay music. That’s how it started. Talking about these boys. Sharing edits, lyrics, dreams. We didn’t know it then, but that  was the beginning of Soundcheck.” So when Kevin, Nick, and Joe finally took the stage and started to play, it wasn’t just a concert. It was a full-circle moment — for the band, for the fans, and for us. Earlier that morning, sometime around 10 a.m., we got an email — we’d been selected to submit fan-generated content directly to the Jonas Brothers’ team. It wasn’t an official press assignment. There were no photo passes, no front-row access. We were just two girls with cameras, standing in the crowd like everyone else — except now, we had a purpose. We’d been invited  to tell the story, and we weren’t going to waste the opportunity. “When I read the email, I just froze,” Rebecca said. “Like… they picked us? Us? It changed everything.” Every photo we took after that felt charged. Intentional. Like we were capturing not just a performance, but a legacy. We weren’t just screaming fans anymore — we were storytellers, and this was our  story to tell. There was a rhythm to it — click, sing, scream, click — as they moved across the stage with the same charm that captured every girl in the room’s heart back in 2007, except now, we were women behind the lens. Still in awe. Still believing. “They’re still ours,” I remember thinking. “And we’re still theirs.” That Sky Stage performance was more than just a set. It was a bridge — between who we were, and who we’ve become. Between fan and creator. Jonas Brothers fans and JonasCon attendees.  Between MySpace, and Soundcheck Mag. These Songs Raised Us The Sky Stage morning set was a blur of chords, harmonies, and history — about eight songs total, ranging from crowd-igniting classics like Burnin’ Up  to newer releases like Leave Before You Love Me  and Love Me to Heaven.  It was short, high-energy, and unforgettable. But it was later in the day, during the general admission performance, that the emotional gut-punch hit. We weren’t inside the venue for that one — instead, we stood just a few feet away, watching the livestream on a nearby screen tucked inside the fan-inspired merch area of the mall. But when the opening notes of Time for Me to Fly  and 7:05  began, it didn’t matter where we were. Those songs stopped me cold. “I hadn’t heard them live since 2006,” I whispered. And suddenly, I wasn’t 31 with a camera anymore. I was thirteen, barefoot in my bedroom, scribbling lyrics in the margins of my homework. Burning CDs for my best friends. Crying over AIM away messages. They weren’t just songs — they were pieces of my past. And somehow, even through a livestream, they found their way back to me. “I wasn’t just singing along,” I thought. “I was healing.” Music has a way of tethering you to who you were, and who you’re becoming. Even through a screen. Even from a mall hallway. JonasCon attendees and Jonas Brother fans. After the Sky Stage performance, the day was far from over — in fact, it felt like it had just begun . We stepped off the concert high and onto the convention floor, where the energy of the fanbase pulsed through every corner of the American Dream Mall. From the Jonas Beach  poolside sessions (yes, fans really showed up ready to swim in 40-degree March weather — indoors, of course) to interactive activation games like the Jonas Escape Room and Jonas Mini Golf, it was clear this event wasn’t just about nostalgia. It was a love letter  to every fan who’s been there since the first chords of Mandy  graced our ears. Even though I didn’t make it through the escape room or golf course myself, just seeing the effort and creativity poured into every station made me emotional. It wasn’t just well-designed — it was thoughtful . They thought of everything. They thought of us. Every inch of the convention screamed connection, legacy, and celebration. Fans Flew In From Everywhere — And We Spoke to Them All We brought our cameras, but our real goal was to capture the heart  of the fandom — not just through images, but through their stories. And they came ready. Some of our favorite conversations came from fans who had traveled from all over the world — Australia, New York, Hawaii… and even Costa Rica. “I flew in from Hawaii to go to JonasCon and it was the best day of my life!” said Taylor. “Getting to spend an entire day dedicated to the band I have loved since I was 14 meant the world to me.” “If you would've told 14-year-old me that one day I'd spend 14 hours at a mall living out all of my Jonas hopes and dreams, I'd never have believed you,” Lindsey shared. “JonasCon was truly a fantastic experience. What a way to kick off their 20-year anniversary.” Then there was Pau, who traveled from Costa Rica — and whose story left a lasting impression. She didn’t just make the trip for JonasCon. A few months earlier, on October 12, 2023, Pau was invited backstage by the Jonas Brothers themselves. JonasCon attendee and Jonas Brothers fan, Pau from Costa Rica. “That day changed me,” she said. “They knew who we were. Where we came from. What we do. It was crazy. It put something inside of me.” She carried that moment into JonasCon — living proof of what this fandom can manifest. Her story wasn’t just about getting to meet them. It was about the connection, the recognition, and the deep emotional validation  of being seen by the very people who shaped your youth. Other fans shared memories that spanned decades: “My favorite memory is meeting my best friend on MySpace. We’ve been messaging for 16 years,” one fan told us. Another added, “My best friend upgraded our tickets in Albany to B-stage, and I lost my mind — like, slowly falling down crying.” “I brought a birdhouse to the concert in 2009 because Kevin once said he wanted one,” someone else laughed. “And I got to give it to him.  It was the best day of my life.” From Jonas Beach swim sessions to pink faux fur coats in limos, to countless concerts with sisters, moms, and chosen family — everyone had a story . A moment where life stood still and the music did something bigger than just entertain. It was moments like these — chance encounters, childhood memories, friendships formed in comment sections — that made JonasCon unforgettable. Because this fandom isn’t just about the music. It’s about who we’ve become because of it. Joe Jonas' Next Chapter Joe Jonas Activation - Photographed by Rebecca Jean Limited Photography One of the busiest areas of the convention was the merch space — a mix of fan-designed shirts, rare vintage tour tees, and exclusive official drops. I gravitated toward Joe’s table immediately. I left with a JJ horseshoe crop top, a Cup of Joe sweatshirt, and most importantly — a sense that something bigger was unfolding beneath the surface. Just before the second Sky Stage session, I stepped into the Joe Jonas activation room — a quiet, curated space where fans could browse merch and preview clips from his upcoming solo album, For People Who Want to Believe in Love Again  (out May 23, 2025). We only heard snippets — just enough to feel it. Inside look at the Joe Jonas activation - Filmed by Rebecca Jean Limited Photography The tracks weren’t flashy or loud. They were soft. Reflective. Vulnerable. It felt like Joe had cracked his heart open and left it on tape, giving us a glimpse into something deeply personal: his breakup, his rebirth, and the quiet, aching hope of learning to love again. But this isn’t the wound of another Jonas Brothers split — not even close. It’s a window into his own , a self-reflective chapter he needed to write through as an artist and a human being. Joe’s solo music feels cathartic — like he’s digging through the emotional wreckage, not to dwell, but to grow. It’s not a goodbye to the band. It’s an inner reckoning. A healing. A rebirth. This isn’t just a solo project. It’s an emotional offering —  for anyone who’s ever had to start over, and still dared to believe in love. Joe Jonas during Sky Stage session one (Shot by Rebecca Jean Limited Photography) Why SoundCheck Exists — And Why It All Comes Back to Jonas Click here to order a print copy of SoundCheck mag, available now! Here’s the truth: without the Jonas Brothers, there would be no Soundcheck Mag. Nineteen years ago, we were two girls on opposite sides of the internet — bonded not by geography, but by music. It started with a Top 8 on MySpace, glittery headers, burned CDs, and late-night messages about tour setlists and favorite lyrics. But it became something much deeper. Because what we found through this band wasn’t just friendship — it was vision . The Jonas Brothers didn’t just soundtrack our coming of age — they were the reason we picked up cameras, the reason we started writing, the reason we believed in storytelling in the first place. We didn’t just want to scream from the crowd anymore. We wanted to be part of something bigger  — something that honored the artists, the fans, and the magic that exists between them. And that’s what Soundcheck is. This isn’t just a music magazine. It’s a platform for passion. A home for voices. A love letter to the songs that shaped us, the artists behind the curtain, and the fans who never stopped believing. From festivals to dive bars, from global headliners to emerging indie acts with just one listener on Spotify — we’re here for the art, not the algorithm. Because good lyrics deserve a spotlight. Because honest melodies deserve a moment. Because music — real music  — isn’t about follower counts. It’s about feeling. JonasCon wasn’t just a convention. It was a culmination. A reminder of where we started… and how far we’ve come. We didn’t have press badges. We weren’t in the photo pit. But still — there we were. On the third level of the Sky Stage, cameras raised, hearts pounding, tears in our eyes. JonasCon attendee and Jonas Brothers fan. We weren’t “official.” But we were exactly  where we were supposed to be. Documenting the moment. Capturing the magic. Telling the story — not as fans, but as founders. Soundcheck exists because we grew up in this fandom. Because we fell in love with music in real time. And now, we get to give that love back — one story at a time. Franklin Jonas performing at Sky Stage, session one at JonasCon. It Was Never Just a Phase There’s a narrative people like to spin about "fangirls." That we grow out of it.  That we mature, move on, find new obsessions. Jonas Brothers fan wall, wall of posters. But we know better. This fandom — this family  — has grown with us. I saw moms and daughters holding hands in the crowd. I saw girls my age crying to songs they first heard in 2005. I saw three brothers step onto a stage, look out into a sea of faces, and see us still standing there. They were the first band I ever saw live. The first time I felt the magic of concerts. The first photos I ever took with a dream of doing more. Nineteen years later, not much has changed —  Except now, I get to tell the story from the other side of the lens. LJ Portnoy Photographed (by Rebecca Jean Limited Photography) at Sky Stage, session 1. And Now… We Begin Two months ago, Soundcheck Mag was just a dream. A late-night brainstorm. A shared “what if” between two women who never stopped believing in the power of music. Now?  It’s a fire. A movement. A mission. SoundCheck Mag, issue one is out now! Get your digital copy here. While the Jonas Brothers celebrate twenty years, we’re celebrating two months — and already, we know this is just the beginning. We’re more than fans. We’re artists. Creators. Visionaries. And we’re building something bigger than ourselves. We want to spotlight every voice. Every genre. Every artist — from one fan to 100 million. We care about the music , the lyrics, the stories behind the spotlight. We care about what makes you feel . And we’re here to tell those stories with all the heart we’ve got. This is for the believers. The ones still singing in their bedrooms. The ones still crying in the crowd. The ones chasing the same magic we felt at thirteen. So here’s to the last two months. And here’s to the next twenty years. We’re looking for partners. For contributors. For dreamers. For doers. For anyone who believes in the magic of live music, the pulse of shared experience, and the power of storytelling. From the lens of our cameras to the notes in our journals — From fan to founder — We’re all in. And we’re just getting started. spotlight, Artist Submission, Subscribe]]

Photos and Review by Eric Sperrazza Photo by Eric Sperrazza Since 2002, Dropkick Murphys  have performed a series of shows leading up to and on Saint Patrick's Day. Once just a luxury of those that could get to Boston, Massachusetts, in the last few years, the band has expanded on dates and even locations as far down south as Florida while on the road to the coveted holiday. On Tuesday the band made their traditional Pennsylvania stop at the Mohegan Sun Arena in the resort town of Wilkes-Barre, special guests, Teenage Bottle Rocket  and The Menzingers  in tow.  Kicking off the night was Ramonescore  punk band, Teenage Bottle Rocket. Still riding high from the 2021 Fat Wreck Chords LP release, Sick Sesh! ,  the band tore through a cavalcade of genuinely fun pop-punk songs like “Bigger Than Kiss” and “Freak Out!”  They ended the set with their 2009 hit single, ‘Skate or Die.” Photo by Eric Sperrazza Pennsylvania’s own The Menzingers took to the stage next. Powering through a thirteen-song set list, they kicked off with the aptly named, “I Don’t Want to be an Asshole Anymore.” From there, they touched on classics like, “Obituaries” and “America (You’re Freaking Me Out!)” and even performed the rather appropriate, “Irish Goodbyes.” At about nine o’clock, the lights went down, and the Dropkick Murphys backdrop began to illuminate. Then, Ken Casey  (vocals),  Matt Kelly  (drums), James Lynch  (guitar), Tim Brennan  (muliple instruments including accordion), Jeff DaRosa  (multiple instruments including banjo), and Campbell Webster  (bagpipes) would proceed to march onto the stage to the sounds of Sinead O’Connor ’s “A Foggy Dew,” piped through the arena sound system. Noticeably absent for the third year in a row, however, was co-singer, Al Barr . Photos by Eric Sperrazza Ripping into their set with “Climbing a Chair to Bed” and “The Boys Are Back,” Casey would find himself doing delicate balancing acts on the general admission guard rail, dueting with the audience and building excitement. The momentum was seemingly lost during “Bastards on Parade” as Casey had to address violence in the mosh circle and being respectful of female fans. From that point forward, it seemed that the medic tent saw steady action throughout the rest of the show as the band pressed forward with “Barroom Hero” and the union rally anthem, “Which Side Are You On?”  But, the true spirit of the Irish holiday came in to full bloom as Dropkick rounded out their night with the pub-worthy singalongs, “Going Out In Style” and Rose Tattoo.”  Unfortunately, the fabled 'I’m Shipping Up To Boston” encore was stopped as, yet again, Casey had to address someone injured on the floor.” He did, however, give us one more round to sing along to and finish with the salutation of the working class, “Workers' Song.”  Overall, this was a night filled with some special moments. And although Wilkes-Barre, and the Pocono Mountains as a whole, are riddled with tourist destinations, the area is absolutely a working class population, rooted in industrial jobs and manual labor. Dropkick Murphys and their pro-union voice have always had a home there for the better part of their career. For that, the band’s song choices would be perfect had it not been for the fact that it was the Saint Patrick’s Day tour. Missing were staples of the band’s holiday shows like, “Kiss Me, I’m Shitfaced,” “The Dirty Glass,” and “Fields of Athenry.”  Further, it should be noted how missed Al Barr is. There was a dynamic between Barr and Casey on stage that added to their gang-chorus pub anthems…a palpable energy. The show is in no way bad with Ken Casey at the wheel alone, but it is different without the duo rabble-rousing the crowd and bringing you along on whiskey-riddled adventures.  Photo by Eric Sperrazza My one pointed thought upon leaving was just how violent the general admission section was. Seeing Dropkick Murphys shows since the 1998 Vans Warped Tour, I have never seen the on-site medics more busy and certainly never had “I’m Shipping Up To Boston” stopped because of crowd injuries…ever.Whatever Wilkes-Barre was working through, I hope they got it all out and are okay! Bad Religion will join Dropkick Murphys for the Summer of Discontent Tour , which will kick off on July 22nd in Spokane, Washington, and end on August 17th in Big Flats, New York. Tickets are available here . Keep up with Dropkick Murphys  at: Website Facebook Instagram Youtube TikTok     Check out The Menzingers  at: Website Facebook Instagram Youtube TikTok     X Get more Teenage Bottlerocket  at: Website Facebook Instagram Youtube TikTok     X

A Defining Moment for Livingston - His Story Is Just Getting Started Written and Edited by LJ Portnoy Release Date:  March 7, 2025 Genre:  Alternative Pop / Indie Rock Rating:  ⭐⭐⭐⭐⭐ (10/10) Photo credited to Livingston and Brian Ziff ( https://www.instagram.com/brianziff/ ) A Hometown Odyssey (The Story Continues) Livingston Album Review Some albums feel like a collection of songs. Others feel like a novel—woven together with a thread of emotion, experience, and purpose. A Hometown Odyssey (The Story Continues)  is the latter. Livingston has crafted a sonic journey that feels cinematic, intimate, and deeply personal, much like the first time I experienced Jon Bellion’s The Human Condition . This album, spanning 23 tracks, plays out like an odyssey of love, heartbreak, and self-discovery, making for one of the most immersive listens in recent memory. Livingston’s A Hometown Odyssey (The Story Continues) is a cinematic, emotional journey packed with powerhouse vocals and storytelling that lingers long after the music stops. If you’re ready for an album that hits both the heart and the replay button, give it a listen below. A Defining Moment for Livingston As someone newer to Livingston’s music, I was unaware that this was the deluxe continuation of A Hometown Odyssey . That didn’t matter—the storytelling, production, and artistry immediately pulled me in. His vocal delivery has matured, and his voice is stronger than ever, landing every note with precision. He’s fully come into his sound, elevating his artistry to a level that feels like the beginning of something huge. This is a defining moment in his career. If you’re a fan of Imagine Dragons or early Panic! At The Disco, this album is tailor-made for you. Livingston blends the anthemic grit of Dan Reynolds with the theatrical, soaring vocal runs of Brendon Urie. Tracks like " Shadow  "could easily sit on an Imagine Dragons record, while " Game " and " Nightlight  "showcase an intricate, experimental production style that highlights his ability to craft immersive, emotionally charged music. Want to see more from Livingston? Follow him on Instagram for new music updates and a closer look at the journey behind A Hometown Odyssey (The Story Continues) . Check out his latest posts below and hit that follow button! 🎶👇 Production That Feels Like Art From a technical standpoint, the production is impeccable. Listening to it through Dolby Atmos and Lossless on Apple Music was an experience in itself. Every instrumental layer, vocal modulation, and reverb effect adds to the album’s pulse—it truly feels like a living, breathing entity. The what sounds like a steel drum effect on " Nightlight " was a personal favorite, adding an unexpected whimsical touch to an already captivating track. Beyond the technical execution, the arrangement and sequencing of the album create a fluid, cinematic atmosphere. Songs flow seamlessly into one another, with intentional transitions that make the album feel like one long, unfolding story rather than individual pieces. There are no throwaway tracks—each one serves a purpose in the larger narrative. Hit play on “Brainstorm” for a hauntingly powerful track that showcases Livingston’s raw emotion and masterful storytelling. Lyrical Depth & Emotional Weight It’s hard to pick just a few standout lyrics because nearly every track holds a moment of brilliance. Livingston lays his soul bare in songs like " Brainstorm ," " Millionaire ," and " Gravedigger ," delivering gut-punch lines that stick with you long after the song ends. His ability to translate raw emotion into words is uncanny—listening feels like flipping through pages of his diary. Some highlights: "I'll be the last thing you see when you fall asleep, don't you forget me, I'm stuck back at seventeen."  -Nightlight "What's my name? What's my name? Revolution, qu’est-ce que c’est?"  - Game "I am more than the check in your pocket, You can cash when you wanna feel something."  - Millionaire "Go figure, I grew up to be the gravedigger, my own gravedigger."  -Gravedigger The emotional impact of these lyrics, combined with his vocal intensity, makes the album feel deeply personal and incredibly relatable. Livingston doesn’t just tell you what he’s feeling—he makes you feel it with him. During my listening of A Hometown Odyssey (The Story Continues) , I found myself wanting to dive deeper into the mind behind the music. As someone who values the art of lyricism, I’d love the opportunity to sit down with Livingston to explore his creative process—how he transforms raw emotion into vivid storytelling. His ability to craft deeply personal yet universally resonant songs makes this album feel like more than just a collection of tracks—it’s a narrative waiting to be unraveled. Experience the intensity of “Gravedigger,” a gripping track that blends haunting lyricism with powerhouse vocals you won’t forget. Livingston’s Vocal Mastery A major standout aspect of this album is Livingston’s vocal performance, which is nothing short of outstanding. He pushes his voice to new heights, showcasing incredible control and precision. From breathy, delicate whispers to powerhouse belting, he explores a dynamic range that few artists can execute so naturally. " Shadow ," in particular, cements his ability to own multiple styles—at times, he’s channeling Dan Reynolds with his gritty, anthemic vocals, then suddenly shifts into Brendon Urie-esque theatrical delivery. The layered harmonies and modulation in lyrics like, "Turn your eyes," "don't look twice," and "it’s not the devil at your door, " elevate these vocals into an ethereal, almost otherworldly experience. It’s as if his voice becomes an instrument, adding texture and depth rather than simply carrying melodies. Don’t miss your chance to see Livingston live! Grab your tickets for his next tour stop at Livingston’s official website  before they’re gone! 🎟️ photo credited to: Livingston and Brian Ziff ( https://www.instagram.com/brianziff/ ) The Emotional Journey: Love, Loss & Reflection One of the most remarkable aspects of A Hometown Odyssey (The Story Continues)  is how deeply personal it feels. There’s an undeniable sense of longing, nostalgia, and heartache woven throughout the album, yet it doesn’t feel overwhelmingly melancholic. Livingston balances sorrow with resilience—his melodies are often uplifting, even when the lyrics reveal pain. This album took me on a journey—one that felt at times like a personal therapy session, at others like a soundtrack to my own past experiences. Songs like “ Brainstorm ” and “ Gravedigger ” carry a weight that lingers long after the music stops. I could feel his conflict, his heartbreak, his search for meaning, as if he was guiding listeners through his most vulnerable moments. What’s even more fascinating is how this album reignited my own creative spark. As someone who used to write songs, this album woke up a part of me that had been dormant for years. That’s a rare kind of magic—when music doesn’t just resonate with you, but actually moves you to want to create again. Immerse yourself in A Hometown Odyssey (The Story Continues)  from start to finish. Hit play on the full album below and experience Livingston’s journey in every note. 🎧 Cohesion & Replay Value Cohesion is Livingston’s strong suit. This album feels like a fully realized body of work rather than a collection of singles. The second disc, originally released earlier in 2024, seamlessly complements the new material, making the full 23-song tracklist feel like a complete story. If I had one minor critique, it’s that I wish " Introduction " had been the opening track of Disc 1 to set the stage for the journey ahead. But even without that adjustment, the sequencing is masterfully done—each song flows into the next in a way that feels intentional, keeping the listener engaged from start to finish. I’ve been listening to this album on repeat since Monday, and I haven’t listened to another artist since.  That alone speaks to its replay value—it’s not just an album I liked ; it’s an album that has embedded itself into my daily life. Final Verdict 🔥 10/10.  An instant favorite. This album will be the soundtrack to my life for months to come. If Livingston isn’t on your radar yet, A Hometown Odyssey (The Story Continues)  is your reason to start paying attention. He’s about to be everywhere. This is more than just an album—it’s an experience. A masterful blend of storytelling, impeccable production, and breathtaking vocals. Whether you’re heartbroken, hopeful, or just looking for something that makes you feel  something real, this album delivers.

Photography by LJ Portnoy, Midwest coverage On September 26, 2024, Sabrina Carpenter took over Little Caesars Arena in Detroit, Michigan, bringing her Short 'N Sweet Tour to thousands of adoring fans. The sheer energy and excitement that filled the venue were a testament to her incredible rise to pop stardom and the deep connection she has cultivated with her audience. From the moment I stepped into the crowd, anticipation buzzed in every direction. Standing in the general admission pit, I was surrounded by a sea of dedicated fans—some who had been waiting since the early morning just to get a prime spot close to the stage. The atmosphere was electric, fueled by the chatter of excited concertgoers and the occasional burst of Sabrina’s songs being sung in unison while we waited for the show to begin. An Exclusive Fan Experience Sabrina’s VIP packages played a huge role in shaping the experience for many. Three distinct tiers—Team Sabrina, the Short 'N Sweet package, and the Please Please Please package—allowed fans exclusive perks, with each group being let in at separate times. Team Sabrina gained entry first, followed by Short ‘N Sweet, and finally Please Please Please. This system gave each tier a fair chance to secure their spots closest to the stage, adding a sense of exclusivity and excitement for those who splurged on the experience. Doors officially opened for these fans between 4 PM and 5:30 PM, allowing fans to explore merchandise booths before being escorted to their designated areas. The sight of fans clutching freshly purchased tour hoodies, T-shirts, and posters only added to the growing anticipation. Amaarae: A Unique and Bold Opener The night officially started with Amaarae, a rising artist known for her genre-blending sound and unapologetic performance style. While her music wasn’t entirely my cup of tea, there was no denying that she captivated the audience with her bold stage presence. Her performance featured a mix of sensual choreography, including a sultry dance with another woman, which added to the overall theatricality of her set. One of the standout moments was her cover of “Hot To Go” by Chappell Roan, which got a strong reaction from the crowd. Whether or not her music was everyone’s preference, she definitely left an impression. Sabrina Carpenter: A Superstar in Her Prime As the stage dimmed and the opening beats of "Taste" filled the arena , an eruption of screams filled the air. The moment had finally arrived. Sabrina Carpenter graced the stage , draped in a bathrobe , playing into the theatrical theme of her show. In one swift movement, she revealed a glittering, form-fitting outfit beneath , marking the start of an unforgettable performance. Photography by LJ Portnoy, Midwest coverage The stage design was nothing short of mesmerizing . Designed like a giant dollhouse , it reflected the whimsical yet polished aesthetic that Sabrina has become known for. Lighting cues, screen visuals, and perfectly timed transitions  turned the concert into a full-blown spectacle , elevating the performance beyond just music. Photography by LJ Portnoy, Midwest coverage Act I: A Pop Spectacle Sabrina wasted no time launching into her summer anthem, "Taste", before transitioning seamlessly into "Good Graces"—a personal favorite from her latest album. She powered through several more tracks from her new release before reaching "Bed Chem," a song with a tongue-in-cheek parental advisory warning. The crowd erupted in excitement, fully immersing themselves in the performance as Sabrina effortlessly hit every note with the kind of vocal control and power that sets her apart. Photography by LJ Portnoy, Midwest coverage With Act I coming to a close, Sabrina exited the stage, leaving fans buzzing in anticipation for what was next. Act II: A Cinematic Shift The transition into Act II was nothing short of stunning. Emerging once again, Sabrina donned a sleek black ensemble adorned with a feather boa, a look that oozed confidence and old-Hollywood glamour. This act leaned heavily into her breakout era, featuring tracks from "Emails I can't send fwd", the album that truly solidified her place as a pop powerhouse. Photography by LJ Portnoy, Midwest coverage Opening with "Feather", she seamlessly transitioned into "Fast Times", keeping the momentum high. Every beat, every lyric, and every movement on stage was meticulously executed, yet still felt organic and effortless—as if she was simply having fun with her fans, rather than performing for them. Photography by LJ Portnoy, Midwest coverage From 250 to 19,000: Sabrina’s Full-Circle Moment Sabrina took a reflective pause between songs to speak directly to the audience. She reminisced about her first-ever performance in Michigan in 2016 at The Pike Room in Pontiac—a tiny venue with just 250 people. Photography by LJ Portnoy, Midwest coverage The contrast between that intimate setting and her now sold-out show at the 19,000-capacity Little Caesars Arena was staggering. It was a full-circle moment, a reminder of just how far she has come in a few short years. You could feel her gratitude and the awe of standing on such a massive stage, playing to an arena packed with people who knew every word to her songs. It wasn’t just a concert; it was a celebration of growth, success, and the unwavering support of her fans. Photography by LJ Portnoy, Midwest coverage After reminiscing about her early performances, Sabrina spun the bottle—a playful moment that led her to pick a special cover song for the audience: “Kiss Me.” The crowd swayed and sang along, fully immersed in the intimate, stripped-down moment. With Act II wrapped up, it was time for a high-energy finish, and Sabrina knew exactly how to deliver. She leaned into the viral power that helped catapult her into mainstream pop dominance—“Nonsense.” The arena exploded as she performed the fan-favorite, a track that took over TikTok and social media throughout the past year. Act III: A Grand Finale Returning to the stage in a stunning blue floor-length dress, Sabrina took things up a notch for “Dumb & Poetic.” If her previous outfits were breathtaking, this one was next-level elegance, adding an air of cinematic drama to the final act of the night. Photography by LJ Portnoy, Midwest coverage One of the show’s most memorable fan interactions followed. A fan I had met earlier in the day had the once-in-a-lifetime experience of receiving a pair of fuzzy pink handcuffs from Sabrina herself. Their flirtatious exchange had the audience cheering and laughing, before Sabrina, in full pop-star charisma, playfully dropped the bottom of her dress—revealing a shorter, flirtier skirt underneath, just in time for "Juno.” Photography by LJ Portnoy, Midwest coverage The Art of Seduction & Showmanship Sabrina has built an unapologetically playful, sensual relationship with her fans, growing alongside them as she embraces themes of love, romance, sex, and the chaos that comes with it all. During "Juno," she leaned into that energy, teasing the audience with a coy "Have you ever tried this one?" before seductively bending over, rolling her body back up in slow motion. She commanded the stage with confidence and cheeky charm, at one point dropping to her knees before stepping onto the heart-shaped platform at the center of the floor. As it rose nearly 20 feet into the air, she owned every inch of the space, effortlessly singing, dancing, and seducing the crowd from above. Photography by LJ Portnoy, Midwest coverage As the night neared its end, Sabrina powered through fan-favorite anthems, including “Please Please Please”—a track that had already become a pop culture moment. But just when it seemed like the show was over, she returned for a final encore that sent the arena into absolute hysteria . The Perfect Encore: A Toast to ‘Espresso’ For the grand finale, Sabrina performed her biggest chart-topping single to date, “Espresso”, stepping back onto the stage with a coffee cup that read ‘Detroit Michigan’—complete with a lipstick stain on the side of the mug. The crowd erupted as she delivered every lyric with effortless confidence, completely basking in the moment. Photography by LJ Portnoy, Midwest coverage This show was pure magic, and I was completely under her spell. From the first note to the final bow, she owned every second, proving once again that she’s at the peak of her power. With unstoppable momentum, a killer stage presence, and an army of dedicated fans behind her, Sabrina Carpenter isn’t just a pop star—she’s on her way to becoming one of the biggest icons of our time.

By LJ Portnoy, Midwest coverage Detroit's iconic St. Andrews Hall was alive with electric energy on February 16, 2025, as Bryce Vine took the stage for an unforgettable performance. I had the privilege of capturing the night through my lens, and the experience was nothing short of exhilarating. Bryce Vine - Shot by LJ Portnoy Photography The night kicked off with an outstanding performance by opener Jayo. Although I hadn't heard of him before, Jayo's charisma and magnetic stage presence quickly won me over. He engaged the audience effortlessly, turning the room into a wave of excitement and setting the perfect tone for the night. With only about 20 minutes between sets, the pacing of the show felt just right, keeping the energy high without dragging out the wait. Jayo - Shot by LJ Portnoy Photography When Bryce Vine hit the stage at 9 PM, the crowd erupted. St. Andrews Hall, with its intimate 1,000-person capacity, was packed to the brim with excited fans. Bryce's infectious energy was palpable, and from the first note, he had the audience singing along to every word. It was clear how much the city of Detroit meant to him, as he shared how long it had been since his last visit, which only fueled the crowd's excitement even more. As a photographer, getting to shoot the first five songs of Bryce Vine's set was a thrilling surprise. Typically, industry standard allows photographers access for only the first three songs, so having extra time to capture his electric performance felt like a real treat. From his expressive movements to the raw emotion on his face, every shot told a story of connection and passion The highlight of the night was Bryce's performance of an unreleased song, giving the audience an exclusive preview of what's to come. The crowd's reaction was explosive, a testament to his devoted fanbase and excitement for his future projects. Shot by LJ Portnoy Photography The doors opened promptly at 7 p.m., and the show began around 8 p.m. The night flowed seamlessly from one performance to the next. Jayo's captivating opening set and Bryce Vine's high-energy headline performance made this a night to remember. Overall, photographing Bryce Vine at St. Andrews Hall was an incredible experience, capturing not just images but the heart and energy of the night. Detroit showed up, and so did Bryce—making it a perfect harmony of artist, crowd, and venue!

Photography by Rebecca Jean Limited Photography, East Coast Coverage Have you ever heard a song so good that you immediately text your friends, “How have I never heard this before?!” If not, that’s about to change. These indie/alternative tracks are underrated gems—the kind of songs that should already be blaring through your speakers but, for some reason, haven’t taken over your playlists yet. From moody late-night anthems to high-energy alternatives, this list has a little of everything. So, if your playlist has been feeling a little stale lately, let me fix that for you. Here are the hidden gems you NEED to add right now. 🎧 Detroit – Badflower Why you need this on repeat:  What initially struck me about this song was the title—being from Metro Detroit, it instantly piqued my interest. I had to listen! I found a haunting, emotional track that perfectly captures the melancholy and grit  of the city. Best time to play it:   Nighttime drive with the windows down —city lights flashing past as the music builds. Vibe check:   Dark, raw, and cinematic—driving straight into the city's heart. Lyric Spotlight:   "It's so depressing having everything I wanted."   (Hits way too hard, right?) For fans of:  Grandson, I Prevail, Papa Roach, Three Days Grace Badflower has a way of crafting emotionally charged alt-rock  that sticks with you long after the song ends. This one is no exception. 🎧 Sorry I’m Late, I Didn’t Wanna Come – The Wombats Why you need this on repeat: The perfect “F*ck you” song wrapped in a vibey, sarcastic package. If you’ve ever been dragged to a social event you wanted no part of, this song will feel like it was written just for you. Best time to play it: That fashionably late moment when you walk into a party, low-key regretting every decision that led you there. Vibe check: A mix of alt-rock attitude with jazzy undertones—infectious and a little snarky. Lyric Spotlight:  “How 'bout we talk about me now?"   (Pure sass.) For fans of: Two Door Cinema Club, Arctic Monkeys, Glass Animals, Bastille The Wombats have mastered the art of catchy-yet-cynical anthems, and this track is no exception. 🎧 Enemy – Imagine Dragons Why you need this on repeat: This song was crafted for Netflix’s Arcane , but even if you’re not into League of Legends , you’ll still feel its gritty intensity. Best time to play it: When you're feeling the haters and need a confidence boost. Vibe check: A mix of grungy angst and ethereal tension—it builds, it hits, it lingers. Lyric Spotlight:  “Tell you you're the greatest / But once you turn, they hate us.”   (Truth.) For fans of: twenty-one pilots, The Script, American Authors, Fun. There’s something magnetic about this song’s energy. Whether you’re hyping yourself up or just vibing with the intensity, it’s a must-add. 🎧 Calling After Me – Wallows Why you need this on repeat: Wallows delivers an indie groove that never lets up, and this track is no exception. Best time to play it: Windows down, heading to the beach—sun, salt air, and this song on blast. Vibe check: Poppy, carefree, and effortlessly cool. Lyric Spotlight:  “Don't play dumb, I know you fantasize / You could have me on my back every night.”   (Ooof, okay then.) For fans of: The 1975, LANY, The Neighbourhood, Hippo Campus If you need a song that feels like summer and nostalgia wrapped into one, this one’s for you. 🎧 A Tear in Space (Airlock) – Glass Animals Why you need this on repeat: This track feels like floating through space—Glass Animals at their most hypnotic. Best time to play it: Late-night, when the world gets quiet and your mind starts drifting. Vibe check: Deeply atmospheric—like being lost in a neon-colored dream. Lyric Spotlight:  "Hostage, so in love / It's an airless black chasm / You turn the airlock on."   (Just… wow.) For fans of: Foster the People, Milky Chance, Joywave, Alt-J This one is an experience—put on headphones, close your eyes, and let it take you somewhere else. Promise, it'll get stuck in your head. 🎧 Brainstorm – Livingston Why you need this on repeat: This track has the same massive energy as Imagine Dragons but from an up-and-coming artist. If you like epic builds and emotional weight, this one delivers. Best time to play it: When you need to feel something deeply. Vibe check: Heavy-hitting, cinematic, and powerful. Lyric Spotlight:  "Clouds rolling in, I'm losing my joy / This is the end, thunder and wind cannot avoid me."   (Drama, in the best way.) For fans of: Imagine Dragons, AJR, Alex Warren, Harry Styles Keep an eye on Livingston—this is the kind of sound that blows up overnight. 🎧 Ripple – Good Neighbours Why you need this on repeat:  This song feels like the first day of summer —effortlessly upbeat and impossible to sit still to. Best time to play it:   Driving to your Saturday plans, windows down, no worries in sight. Vibe check:   Summer vibes all the way—perfect for shaking off winter blues. Lyric Spotlight:   “When life cannot deliver / Bring it back to me.”   (Simple but effective.) For fans of:  Cage the Elephant, Imagine Dragons, Benson Boone, Foster the People If your playlist is lacking sunshine and good energy , this one’s an instant fix. Final Thoughts: Add These Songs ASAP 🎶 There you have it—seven criminally underrated indie/alt songs deserve a spot on your rotation. So what’s next? Go to your favorite streaming platform and blast them. Add them to your playlists. Share them with a friend who needs new music (or just trust me and add them blindly). And if you’ve got a hidden gem of your own, drop it in the comments—I’m always down to discover more!