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Photo by Rebecca McDevitt (IG: @rebeccajeanlimitedphotography ) Article & Photos Contributed by Rebecca McDevitt If you grew up blasting pop punk on your iPod Nano, this tour was basically therapy. The Delilah vs. Juliet Tour brought two fan-favorite names, Plain White T’s and We The Kings, together for a night that felt like Warped Tour 2010 all over again. And with Emo Nite setting the tone, the nostalgia levels were off the charts. We The Kings hit the stage first and honestly? They made a strong case for Juliet taking the crown. The crowd screamed “Skyway Avenue” and “Check Yes Juliet” like it was the last song they’d ever sing. Every lyric echoed back to the band, and for a second, it felt like the entire venue time-traveled straight to 2008. Photos by Rebecca McDevitt (IG: @rebeccajeanlimitedphotography ) But the Plain White T’s knew Delilah would have her moment. Before We The Kings even walked out, a “Hey There Delilah” dubstep remix played through the speakers, a bold move and a clear warning that Delilah was taking the night. The band celebrated 20 years of All That We Needed, performing the title track along with a mix of old favorites and newer songs that reminded everyone why we still love them. They opened with songs like “Hate (I Really Don’t Like You)” and “1,2,3,4”, and the crowd didn’t miss a beat. That quick acoustic rundown of 1,2,3,4 was just the right kind of heart-melty moment before picking the pace back up. Photo by Rebecca McDevitt (IG: @rebeccajeanlimitedphotography ) Somewhere between the “left side vs. right side” crowd battle and the Tuesday night energy slump, it became clear that this show was a time capsule. Photo by Rebecca McDevitt (IG: @rebeccajeanlimitedphotography ) Plain White T’s closed with “Hey There Delilah” in its rawest, stripped-down form, just pure emotion, and wrapped the night with “Our Time Now”, reminding everyone that yes, it’s still our time. For every elder emo in the room, this wasn’t just a concert. It was a reunion with the songs that raised us, the bands that never really left, and the feeling that live music still hits just as hard as it did back then. Catch Plain White T's and We The Kings on tour!

Article Contributed by Fernando Flores Keeping it Short n’ Spooky A few months ago, SoundCheck Mag had a special interview with Amber Mark, highlighting the release of her new album, Pretty Idea, which dropped on October 10, 2025. Today, we have the privilege to deep dive into her set while touring alongside Sabrina Carpenter, making the Short n’ Sweet Tour just a little bit sweeter. Amber kicks off the performance coming out in a stunning Black Cat-inspired bunny outfit which easily became an iconic outfit choice for her set. Simplistic yet stunning, she grasps everyone’s attention the moment the spotlight shinned, and she walked out onto the stage. Never have I seen the crowd go wild for the first opener like how New York City did for Amber Mark, but the crowd did not disappoint. It’s true what Sabrina Carpenter stated in her Instagram post: “MSG... [has] been unreal.” Pure Energy at Madison Square Garden Night 4 starts strong with Amber performing a set of pure excitement. In the mix, she sings a few songs off the new album, Pretty Idea, that, as predicted, had the crowd moving and vibing with Amber Mark. Playing favorites such as “Let Me Love You,” Mark gives an energy that makes the 25-minute set feel electrifying. With a setlist that moves seamlessly song to song, her voice filled the large venue that is Madison Square Garden. Even those unfamiliar with the new material were caught up in the rhythm, clapping, singing, and getting lost in the beat. Amber Mark was never just the owner but the right fit to be part of the Short n’ Sweet Tour, making a name for herself in every city she visits. By the time she wrapped up her set, the crowd was left buzzing with excitement. This was just the beginning. Based on the crowd's raw emotion, you can already feel the momentum building. If her performance in New York was any indication, Amber Mark is quickly becoming an artist you’ll want to keep an eye on, especially as she continues to carve out her place in the music world. The Soundtrack to Your Next Obsession Listening to Pretty Idea, Amber Mark’s brand new album that, not even a month in, has already earned the crowds’ approval. Her fresh sound is undeniably infectious, blending smooth R&B with pop sensibilities that make every track feel like a soundtrack to your best moments. With her unique voice and effortless cool, Amber Mark is bound to soar into pop stardom in the same league as rising stars like Sabrina Carpenter and SZA. What sets her apart, though, is her ability to create an atmosphere that transports you. Whether it’s through her emotionally charged lyrics or infectious beats, she knows how to get the mood going. Bold n’ Brilliant Trio If you haven’t already jumped on the Amber Mark train, it is the perfect time to do so. Catch her live on the Short n’ Sweet Tour before she hits the mainstream stratosphere. This tour offers fans an intimate opportunity to experience her music in its rawest form. You don’t want to miss the chance to see Amber perform alongside Sabrina Carpenter and Olivia Dean, a lineup of today’s strongest female voices, each bringing their own unique flair to the stage. Be sure to grab your tickets for the final leg of the tour ending late November, 2025—it’s bound to be a night to remember. With Amber Mark leading the charge, there’s no doubt this will be one of those shows you’ll talk about for years to come. If you can’t make this tour keep any eye out for future events from Amber Mark, here, or through her socials.

Article Contributed by LJ & Mark Portnoy Photography by LJ Portnoy Everyone's Talking tour in Detroit, photography by LJ Portnoy (@ ljportnoy  on IG) Some bands have been here for most of your life. Others have been here longer than you have even been alive. Mayday Parade has been a band for twenty years. All Time Low has been a band for twenty two. The crowd reflected that timeline in full. Some people first heard these songs on burned CDs and shared iPods. Others found them on streaming years later. Different ages, different entry points, but everyone already knew the words. This wasn’t nostalgia. This was continuity.  The music stayed. So did the people who needed it. The Paradox The Paradox in Detroit, photography by LJ Portnoy (@ ljportnoy on IG) The Paradox opened the night with a presence that filled the room before the first chorus hit. Formed in Atlanta in 2024, the band includes vocalist and guitarist Eric Dangerfield , Xelan  on lead guitar and backing vocals, Rayman  on bass, and PC3  on drums. Their chemistry is instant. Their confidence is loud without tipping into ego. Their humor is effortless, not performative. Their sound sits somewhere between indie rock, pop punk, and early 2000s irreverence. The kind of energy Blink-182 had at the beginning, when everything felt chaotic but somehow still precise. And it works. We already had The Paradox on our playlists coming in, and seeing them live only locked it in further. The Paradox in Detroit, photography by LJ Portnoy (@ ljportnoy  on IG) At one point, Eric pointed out a man in the pit with a truly magnificent mustache and treated him like the night’s chosen hero. He introduced a breakup song with, “This one’s about an ex who cheated on me. Bitch.” The crowd howled. A mid song butt slap landed with such unshakeable confidence that the front half of the venue laughed in unison. It was theatrical, wild, and tight. No sloppiness. No irony. Just personality and musicianship operating at the same volume. The Paradox in Detroit, photography by LJ Portnoy (@ ljportnoy  on IG) By the end, you could hear people whispering, “Who are they?” Searches started. New fans were made. And deservedly so. The Cab The Cab in Detroit, photography by LJ Portnoy (@ ljportnoy  on IG) The Cab brought the room into something warm and familiar. Formed in Las Vegas in the mid 2000s, their music has always lived where melody, sincerity, and emotional clarity meet. When One of THOSE Nights  began, the crowd reaction was instant. The kind of recognition that doesn’t require thought. The Cab in Detroit, photography by LJ Portnoy (@ ljportnoy  on IG) Take My Hand , Stay This Way Forever , and Temporary Bliss  followed, each one landing with the ease of songs that have been part of people’s lives for years. Midway through the set, vocalist Alexander DeLeon  paused to share something real. There was a time when he didn’t know if he would ever sing again due to serious vocal damage. He said he was grateful to be here. Grateful to have his voice back. Grateful to be performing in a room that still cared. The crowd responded with exactly the right kind of sound. Not loud. Not silent. Just soft cheers, small hoots, and a shared awww  that rolled through the room. The Cab in Detroit, photography by LJ Portnoy (@ ljportnoy  on IG) Then he sang Living Louder , and the lyric “If you’re scared of the future tonight”  landed differently. People leaned closer to each other. Not dramatic. Just connected. Bounce  brought the energy back up, and Angel with a Shotgun  closed the set with a full room singalong that felt like picking up the past without trying to relive it. The Cab didn’t return to the stage. They continued something that had never really ended. Mayday Parade Mayday Parade in Detroit, photography by LJ Portnoy (@ ljportnoy  on IG) When the lights shifted for Mayday Parade, the entire venue moved at once. During the earlier sets, the balcony had been a mix of sitting and standing. But the second Mayday walked out, everyone rose . Every level. Every row. Without hesitation. This band means something to people. For many in the room, these songs weren’t just tracks. They were chapters. Held close. Carried forward. Revisited when needed. Mayday Parade in Detroit, photography by LJ Portnoy (@ ljportnoy  on IG) For me, there was a different layer of meaning. I first heard Mayday Parade on the family computer. The shared one that squeaked, lagged, and only worked when nobody picked up the landline. One day in 2005, a MySpace friend request from a band called Mayday Parade appeared, and clicking play felt like opening a door my younger self didn’t have the language for yet. I didn’t know what that moment would become. I just didn’t forget it. And I didn’t let it go. Mayday Parade in Detroit, photography by LJ Portnoy (@ ljportnoy  on IG) So when Derek Sanders  stepped onto the stage barefoot, wearing a Pyramid Scheme tank, hair moving like it had its own stage direction, it felt like something familiar returning to meet us where we are now. Older. Softer. Still full of feeling. Under My Sweater  began, and the singing was instant and the full room was loud.  Jersey  hit like a release.  Kids in Love  brought back the rush of being young and painfully earnest.  Pretty Good to Feel Something  lived up to its name. The room felt full. And then the crowd surfers. Not chaotic. Not reckless.  Just people floating. Mayday Parade in Detroit, photography by LJ Portnoy (@ ljportnoy  on IG) Hands reached up without hesitation. Strangers caught strangers. The venue moved in one unified rhythm. Crowd surfing feels rare these days. But here, it made sense. It felt safe to be held. It felt right to lift each other. Mayday Parade in Detroit, photography by LJ Portnoy (@ ljportnoy  on IG) By Jamie All Over , the room was a single instrument. This wasn’t nostalgia. This was something still alive. Mayday Parade didn’t return us to who we used to be. They reminded us that part of us never left. All Time Low All Time Low in Detroit, photography by LJ Portnoy (@ ljportnoy  on IG) All Time Low closed the night by turning the floor into motion. Formed in Baltimore in 2003, they have grown up alongside multiple generations of fans, and the connection is still vivid and alive. All Time Low in Detroit, photography by LJ Portnoy (@ ljportnoy  on IG) They opened with Oh No! , SUCKERPUNCH , and Weightless , and the crowd immediately launched into full body motion. People danced with their best friends, shouted lyrics with complete clarity, and laughed mid chorus. The lighting was vibrant, bright, and crisp. One of the clearest, best lit shows we’ve seen. PMA  brought reflection.  Damned If I Do Ya  and Time Bomb  sent the crowd into joyful chaos. During Missing You , people leaned into each other softly. The emotional arc was intentional and felt. All Time Low in Detroit, photography by LJ Portnoy (@ ljportnoy  on IG) Then came the moment that changed the temperature of the room entirely.  Hate This Song , performed with Eric Vanlerberghe  of I Prevail . The crowd didn’t just get loud. It surged. From they moved into Monsters , and the energy held like electricity. The encore included a drum solo, The Weather , Lost in Stereo , and a final, inevitable, full throttle scream of: Dear Maria, Count Me In. No one in that venue sang it alone. No one ever does. All Time Low in Detroit, photography by LJ Portnoy (@ ljportnoy  on IG) What Stayed Some of us have been singing these songs for twenty years. Some of us learned them last year. All of us sang together. This wasn’t a night about looking back. It was proof that music doesn’t stay in the past unless we do. The music stayed. So did we. It was never a phase, Mom.

Paul Bergen / Redferns / Getty The same fans who stream songs into existence can also tear an artist down in 280 characters. Stan culture is the reason many artists still have careers in 2025, but it’s also why some can’t sleep at night. Passion is powerful, and online communities have turned that passion into entire ecosystems. But when love turns into possession, the same force that fuels a career can start to quietly destroy it. No label marketing plan can compete with an organized fandom. Stans trend hashtags, stream albums overnight, and dissect every lyric as if it’s sacred text. They’re the reason eras last longer than album cycles and why nostalgia is constantly reborn on TikTok. It’s easy to forget how much good stan culture has done. Fans have raised money for charities in their favorite artist’s name, revived forgotten songs, and even helped new artists break into the mainstream. This is the beauty of fandom; connection, community, and a shared sense of purpose that keeps the music world alive. When Support Crosses the Line But somewhere along the way, connection turned into control. Parasocial culture, also known as the illusion of a personal relationship between fan and artist, has blurred the line between admiration and obsession. Every post is decoded like a secret message. Every lyric becomes a breadcrumb. And when artists dare to live lives outside the fan narrative, the backlash hits hard. The expectation for constant accessibility drains artists. They’re expected to be endlessly relatable, emotionally available, and online 24/7. Authenticity becomes performance, and privacy becomes rebellion. The darkest part? How that same devotion fuels online bullying. Entire fanbases go to war online, harassing journalists, critics, and even other fans who don’t share the same opinions. It becomes a sport. Who can defend their fave the loudest, even if it means tearing someone else apart. We’ve seen this too many times. Artists lose control of their own narratives because fans are fighting battles they never asked for. The irony? The same love meant to protect ends up isolating them further. Passion vs. Possession It’s not hard to imagine why so many artists log off. The constant noise, praise, critique, and speculation can feel like standing under a spotlight that never dims. The fear of disappointing fans, of being “canceled” by the very people who helped build their career, keeps many in survival mode. Some are choosing boundaries over burnout, limiting online interaction, hiding comment sections, or creating music purely for themselves again. That might be the healthiest rebellion of all. Stan culture isn’t all bad. It’s proof that music still matters enough to make people feel something. But passion has to come with perspective. You can stream, show up, and hype your favorite artists without crossing into toxicity. At the end of the day, music is supposed to unite us, not turn connection into competition. Because passion keeps the music alive, but respect keeps it human.

Contributed by Rebecca McDevitt Taylor Acorn isn’t new to the scene, but she’s definitely started redefining it. With her latest album Poster Child, she surpasses the expectations she’s built. The record feels like flipping through pages of her diary, every lyric blurring the line between strength and softness, heartbreak and healing. “Poster Child” delivers everything you’d expect from Taylor — upbeat, infectious melodies — but it’s the vulnerability underneath that hits hardest. The title track sets the tone: energetic, catchy, and deeply self-aware. Instead of heartbreak, Taylor turns inward; exploring the complexities of self-worth and the process of finding peace with who you are. Nostalgia, Reimagined “Home Videos” instantly stands out. It’s intimate, reflective, and achingly relatable. When she sings, “There’s not one thing I would change, if I could go back for a day,” it’s like hearing someone finally make peace with their past. In a genre that often leans into angst, Taylor’s decision to celebrate her history, even the complicated parts, feels refreshing. She captures the ache of missing home without drowning in it, giving voice to the quiet kind of homesickness that lingers long after you’ve grown up. Anthem Energy with a Personal Edge The album’s first single, “Goodbye, Good Riddance,” brings back the electric pop-punk energy we love her for. It’s a danceable, cathartic track made for both your bedroom mirror and a summer festival crowd. The production mirrors that post-breakup chaos, both steady and logical one moment, wild and emotional the next, like the sound of moving on before you’ve fully let go. Why Poster Child  Matters Taylor Acorn has always known how to turn personal moments into shared ones, but Poster Child feels like her boldest statement yet. It’s proof that pop rock is alive, well, and evolving, and that Taylor is helping lead the charge. From festival stages to late-night drives, this record feels like a companion, one that grows with you every time you hit replay.

Article Contributed by Madison Cozzens Photography by Madison Cozzens Nick Mateyunas of Arcy Drive performing at Beachland Ballroom, Cleveland. Photography by Madison Cozzens (@ coz_artphoto on IG.) On October 28th, anyone driving through the Waterloo Arts District of Cleveland would see a line of people waiting to get into the Beachland Ballroom. The crowd was there for the self-proclaimed “attic rock” band, Arcy Drive. The venue was covered in stickers and flyers, with graffiti all over the bathroom and neon signs at the bar – It was the perfect setting to rock the night away.  The evening began with an acoustic set by the opener, Mercury. The five-piece band was missing two of their members and decided to ditch their usual electric sound. Lead vocalist, Maddie Kerr, told the crowd, “We usually don’t do this, and probably won’t for a long time after this. So thank you for letting us try something different.” Kerr’s gravelly and authentic voice carried through the venue and captivated the audience. Mercury performing at Beachland Ballroom, Cleveland. Photography by Madison Cozzens (@ coz_artphoto on IG.) If you are a fan of the Flipturn, you may recognize the name Mercury. The bands recently collaborated with Mercury covering the song “Right?” from Flipturn’s, recent album Burnout Days . Mercury brings a  yearning to the song that makes it a different experience than the original. Go check it out if you haven’t listened to it already. Attic Rock, Unleashed: Enter Arcy Drive Arcy Drive took the stage at 9:30 PM to fans who eagerly awaited their fun and energetic performance to begin. All of the band members came out with a beer in hand, cheering along with the crowd and getting them even more hyped up for the next two hours. The front man Nick Mateyunas brings an energy that translates to the crowd. His movements, headbanging, and interactions with the microphone match the unpolished and lively sound the band is known for. Arcy Drive’s loose and friendly demeanor and authentic presence allowed the crowd to forgo judgement, arms in the air, screaming to the sky, and jumping with strangers. Forgetting their worries; being part of something raw and unforgettable. rcy Drive performing at Beachland Ballroom, Cleveland. Photography by Madison Cozzens (@ coz_artphoto on IG.) The Long Island-based band consists of Nick Mateyunas (vocals, guitar), Austin Jones (guitar), Patrick Helrigel (bass), and Brooke Tuozzo (drums). The group were friends before the band and began playing around in the attics, basements, and spare space in their homes. They eventually came to love performing live and found a following that was going to support them. Starting in bars and music halls, to opening for bands like Flipturn , and hey, nothing.  Arcy Drive is now on their biggest year yet with their headlining “The Pit Tour” across the US and Canada.  The four members played songs across their discography with hits like, “Roll My Stone”, “What’s in my Head?”, and  “Under the Rug”. Their final song “Louie”, gave fans a bombastic ending to the evening. While the crowd was engaged all night, the encore song really brought the space together, ramping up the already high energy. The crowd let it all out during the line “But baby, remember, this is our December”, chanting it as the band played their instruments taking in the love from their fans. It’s moments like these that make live music so special not only for the fans who get to see their favorite artists, but for the artists as well. After the show lines of people stayed to grab merch or to get a chance to interact with the band at the local venue. These are the moments that make the evening even more special, for the artists and the fans alike. Arcy Drive performing at Beachland Ballroom, Cleveland. Photography by Madison Cozzens (@ coz_artphoto on IG.) Arcy Drive is still a relative newcomer in the space; releasing their first single in 2022 and their debut album earlier this year. With their raw instrumentals, raspy vocals, and exciting live performances, it’s no surprise their fanbase continues to grow. The band’s lyrics and authenticity can resonate with just about anyone. Arcy Drive’s performance will make you let loose and release those inhibitions for a night that you won’t forget.

Photo credit: Devin Dygert Article contributed by Fernando Flores The Crowd Goes Wild! It’s been a week since the release of Grant Knoche’s new album, Good Luck Getting Over Me—and the reviews are in! Grant Knoche hits the nail on the head with this fantastic record, blending EDM and pop in a way I didn’t know I needed. The melodies are incredible from start to finish, and the overall production value is top-tier. When it comes to Grant and his music, you know he’s always delivering pure gold. Album Strip Down My personal favorite song on the album is “Stripped.” Not many artists can craft a song that conveys emotion through both lyrics and instrumentation. “Stripped,” however, takes me through every feeling Grant sings about. From the crescendos to the lyrical play, he immerses you in the story behind the song. The lyric that stands out most is, “When I’m showing you my heart, all you see is my chest.” It’s a reflection that made me think about my own past relationships and connect deeply with what Grant was expressing. You can truly feel the emotional hardship he brings to life in this upbeat track. If you asked whether to listen to the album in order, my answer would be “YES!” Grant’s storytelling shines throughout, and hearing it in sequence makes all the difference. Listening in fragments means missing a big part of his message. For example, “Autopilot” drops us into the club scene—no worries, just parties and no regrets. Then we move through songs like “Talk,” “Friction,” and “Automatic.” If you’ve ever thought about going back to a time when you were happy with someone you’ve lost, you’ll resonate with these tracks. As the album progresses, things get messy in the storyline as Grant gives in to his desires. But let’s remember—this man has a heart, not just an empty chest! Full Circle Moments Through and through, after this emotional rollercoaster with Grant, we end up back where we started: alone and missing the love we once had. Closing with “I Miss Your Love,” Knoche beautifully wraps up what might be the album of Summer 2026. The Man, The Legend, The Tour. A well-produced and thoughtfully crafted project, Good Luck Getting Over Me exceeds all expectations. SoundCheck Mag wishes Grant the best of luck as he rises into stardom in the coming year. If you’re down to cry in the club—in the best way possible—listen to Good Luck Getting Over Me on all streaming platforms. It’s packed with amazing beats, heartfelt lyrics, and dynamic collaborations that’ll have you dancing in no time. And if you love it as much as we do, catch Grant live on tour performing your favorite songs from the album. Nov 13 Thu GRANT KNOCHE - 2025 TOUR @ 7:00 PM Toronto, ON, Canada Nov 14 Fri GRANT KNOCHE - 2025 TOUR @ 7:00 PM Brooklyn, NY, United States Dec 6 Sat GRANT KNOCHE - 2025 TOUR @ 9:30 PM Los Angeles, CA, United States Jan 23 Fri Beat Kitchen @ 8:00 PM Chicago, IL, United States Get tickets at grantknoche.com/tour Check out our interview with Grant Knoche here!

Photo by Fernando Flores (IG: @fernandofloresphotography ) Article & Photos Contributed by Fernando Flores When Calliope Wren walks on stage, the atmosphere changes. There’s an energy that's magnetic, untamed, and beautifully deliberate. Her performances aren’t just performances, they have an otherworldly pull that takes you into orbit. Long Island-based singer Calliope Wren has set herself up to carve out her own lane in a music world that often tries to define women before they can define themselves. Her sound lives somewhere between dark pop and alternative rock, drenched in emotion and theatrical edge. It’s haunting and hypnotic with a Paramore flair that brings out some of that magic that's inside of you. Especially when you hear her live, it's an intoxicating atmosphere that really brings in a crowd. The Muse Photo by Fernando Flores (IG: @fernandofloresphotography ) Before commanding festival stages and cult-following venues, Wren studied Musical Theater at Five Towns College on scholarship, learning under industry veterans David Krasner and Jennifer Barsamian. The background and extensive studies she has applied to her craft still echo in her music as she grows powerful within her ever-growing fanbase. Every song she performs has a driving energy that the audience just devours and thrives on. Not one person is standing still when Wren takes the stage. The Journey On stage, she’s accompanied by her band, The Muses: Alexis Haas, Kaity Danielsen, Ava Lena, and Jaclyn Barbieri. You can tell they are a group that just works; they aren’t just bandmates but an extension of Wren’s universe. Together, they’ve filled rooms such as The Bitter End to Jones Beach Bandshell, Spotlight: At The Paramount, and the Montauk Music Festival with sound that feels as cinematic as it is intimate. Big or small, the venue is built with energy from a performance by Calliope Wren and The Muses. The Power SoundCheck Mag has taken note of Calliope Wren’s rising artistry that highlights the emotional duality that runs through her music. Her raw honesty and introspective energy draws power through the audience and creates an electrifying performance that most big-time performers can only portray with props and expensive gear. Calliope Wren and The Muse really combine their forces to create an otherworldly experience for their listeners. Photo by Fernando Flores (IG: @fernandofloresphotography ) During her performance at the Amityville Music Hall in Long Island, NY, she really made heads move. The moment she took the stage, the crowd went wild; not one person was standing still. She created a stage presence like no other. Her interaction and her performative aspects all aligned perfectly to create an EP Release Party that overcame all expectations. The Movement Calliope is a woman who is clearly building a movement. When Calliope Wren demands the stage, all you can see is a person who is powerful without apology, sensitive without weakness, unbound by genre or expectation. She is a performer who shows limitless possibilities in the growth of her career. Photo by Fernando Flores (IG: @fernandofloresphotography ) When you go to a performance of hers, listening isn’t passive; it’s participation. Each performance is a reminder that strength and softness can coexist, that music can heal and haunt at the same time. Calliope Wren doesn’t just sing; she conjures. And if you’re lucky enough to witness it live, you’ll understand why she’s one of the most compelling voices rising right now.

Contributed by Fernando Flores Edited by Rebecca McDevitt, Managing Editor Images courtesy of UMG / °1824 A Steady Beginning Queen Naija is quickly becoming one of the hottest names in R&B. The Atlanta-based singer-songwriter has been wowing fans with her talent and relatable lyrics that speak to anyone who has ever felt love, heartbreak, or empowerment. But before she was breaking hearts and making hits, Queen Naija’s music journey started as early as three years old. Growing up in church, Queen Naija started singing at an incredibly young age. By the time she was old enough to understand it, she was already writing her own songs. Talk about starting early! She then turned to YouTube to share her music, where she quickly built a dedicated following. Her breakout moment came when she appeared on American Idol, but it wasn’t until 2017 that she made the full jump into music. The Start of a Queen Enter “Medicine”, the track that put her on the map. This song, about the messy side of relationships and the feeling of being taken advantage of, caught the attention of listeners everywhere. It went multi-platinum, and for good reason: Queen Naija is a storytelling artist who’s able to connect with her listeners and bring out what she feels in her music. This was a song you could relate to on a personal level. In 2020, she dropped her debut album “missunderstood” and it didn’t take long for it to climb the charts. The album hit number 1 on the Billboard Top R&B Albums chart and even made its way into the top ten on the Billboard 200. On top of that, Queen Naija earned nominations for some major awards, including Billboard’s Top R&B Artist and BET’s Best New Artist. But she wasn’t just taking the praise she was proving that she belonged at the top. As Queen told SoundCheck Mag, she enjoys being part of the movement and contributing to keeping R&B alive. The Hustle of a Mother Fast forward to today, and Queen Naija’s still pushing forward with new music that shows off her versatility. Her latest single, “rain…” resembles her growth and dedication to the craft. It’s smooth, sexy, and totally captures the feeling of falling head over heels for someone. The production is on point, and her lyrics are equal parts sensual and real. It's the perfect track to kick off her new era of music. Especially as a mom, she states that her growth in life is reflective of her growth in her music. She stays down to earth. She lets SoundCheck know that even in her selfish era she is living life like the rest of us and is here to make sure she provides the best life for her kids. Her Reign Has Only Begun A strong woman, that’s not just a mother but a hustler. Queen Naija has her next EP called “30” coming out this fall, and if her incredible discography is any sign of what’s to come, we’re in for some seriously fire music. She’s only getting started even if life is tough she will always deliver as the artist she is. “30” dives deeper in her development as a mother and creative from her earlier years to now. A growth that's so moving, she is bound to make heads turn with this new release. An artist that’s not just devoted to her craft but relatable in more ways than one to her fans. Catch Queen Naija on all streaming platforms. Now’s the time to get on the Queen Naija train because she’s definitely going places. Pre-save Queen Naija's new EP "30" now

Article Contributed by Rebecca McDevitt Quotes and Photos Courtesy of Ken Phillips Publicity Group If you thought David Archuleta’s latest chapter couldn’t get any more vibrant, think again. The pop favorite just revisited two of his Earthly Delights standouts — “Crème Brulée” and “Can I Call You” — with brand-new Spanish versions plus a bilingual remix of “Crème Brulée” featuring Colombian alt-pop icon, Esteman. Fans might remember that “Crème Brulée” already flirted with a touch of Spanish when it first released back in March. This time, Archuleta goes all in. The full-Spanish feels like love letters to his Honduran heritage. You can feel how soulful and playful the song is while radiating that same sweetness the original versions had, just now with a deeper cultural heartbeat. The “Crème Brulée” Collab We Didn’t Know We Needed For the bilingual version, Archuleta teamed up with Esteman, a Colombian alt-pop artist and proud LGBTQIA+ voice known for crafting music that celebrates authenticity. Esteman said he was drawn to the song because “it was about a guy who’s comfortable with his orientation ... making pop music from such a genuine place,” and wow, can we feel that. Together, they melt English and Spanish like the perfect dessert; creamy, smooth, and a little unexpected, kinda like a crème brulée. It’s playful, magnetic, and every bit of the bilingual bop you’ll want on repeat. “Can I Call You” and “Crème Brulée” (Español): Same Emotion, New Energy Hearing these tracks in Spanish adds a new layer of intimacy. The warmth in Archuleta’s vocals, paired with the rhythm and flow of the language, gives the songs fresh emotion and even more groove. If Earthly Delights was about exploring connection and self-expression, Mixes en Español feels like a continuation of that journey, one that embraces his roots while expanding his sound. Why SoundCheck’s Here for It Because this is what SoundCheck loves the most. We thrive on watching artists evolve in real time. Archuleta’s Mixes en Español feels like confidence, joy, and freedom rolled into one. It’s proof that even after all these years, he’s still finding new ways to tell his story, and he’s doing it authentically, on his own terms. This new phase feels bilingual, bi-coastal, and beautifully him. Stream Mixes en Español  available now on all streaming platforms

Article Contributed by Rebecca McDevitt Streaming has made music feel endless. Millions of songs at your fingertips, playlists that update overnight, and the ability to dive into a new artist’s world in seconds. It’s convenient, sure. But here’s the truth: streaming is more like renting than owning. And if we really want to support the artists we love, buying their music still matters, maybe more than ever. Buying Gives Artists What Streaming Can’t When you hit play on Spotify or Apple Music, you don’t actually own that track. The moment a licensing deal changes or a label pulls a catalog, it can vanish. How many times have you gone back to a favorite song only to find it “unavailable”? Buying a record, CD, cassette, or even a digital download means it’s yours. Forever. No algorithm, no licensing change, no corporate shuffle can take that away. The other piece of this is financial. Streaming pays artists fractions of a penny per play, around $0.003 to $0.005 per stream. It could take thousands of streams just to equal what an artist makes from one $10 Bandcamp purchase. Buying directly, whether online or at the merch table, means your money goes straight to the people making the music. One purchase can sometimes mean more to them than months of streaming ever could. Music You Can Hold Means Deeper Connection There’s also something more emotional about ownership. Think about your favorite album cover. The artwork, the lyric booklet, the feeling of sliding a record out of its sleeve or popping a CD into the car stereo. Physical music carries memory and meaning. It’s something you can hold, gift, display — a reminder of why that music mattered to you at that moment in time. Streaming might be great for discovery, but buying is about connection. It’s the difference between adding a song to a playlist and letting it fade into the algorithm, or choosing to keep it with you as part of your life. Every vinyl, cassette, or download is a piece of history you’re helping preserve. And every purchase is a step toward ensuring the artist can keep creating their next chapter. The Future of Music Is in Our Hands Streaming isn’t going anywhere, and it doesn’t have to. But as fans, we can choose balance. Stream for convenience. Buy for connection. Buy for ownership. Buy because you want the artists you love to be here tomorrow. Because at the end of the day, streaming gives you access, but buying gives you a piece of music that’s truly yours. And that difference could be the reason your favorite band gets to make their next record.

Photo by Ernesto Raul Aguilar (IG: @blacksheepimagery ) Review and Photos by Ernesto Raul Aguilar The Milwaukee legends turn nostalgia into a shared celebration with a timeless, crowd-sung set. Few bands can make a room full of people sing together the way Violent Femmes can. At Chicago’s Salt Shed on October 17, the Milwaukee legends delivered a night of spirited connection and timeless songs that bridged decades of fans. The band made a dramatic entrance through the crowd playing “Olinguito” while moving toward the stage like they were the pied pipers of acoustic folk punk. Fans turned, cheered, and filmed the moment, swept up in delight. By the time Gordon Gano joined in, the music had already transformed the venue’s open floor into one collective gathering space. It was a bold, welcoming start that instantly broke the wall between performer and audience. Photo by Ernesto Raul Aguilar (IG: @blacksheepimagery ) The Violent Femmes’ 2025 fall tour features no opening act, allowing the group to take full control of the night’s pacing. Gano took his place on stage as they flowed seamlessly into “Prove My Love” and “Promise,” songs that still feel sharp and fresh after four decades. The sound was direct, energetic, and stripped of excess, exactly what longtime fans came for. The audience represented a wide span of ages with people in their twenties standing beside those who first discovered the Femmes on vinyl. The sense of shared nostalgia was undeniable. When the unmistakable riff of “Blister in the Sun” rang out, the generations blurred. Everyone sang in unison, loud and slightly off-key, relishing the moment. “Kiss Off” followed, with the crowd’s shouted countdown filling every corner of the Salt Shed. Photo by Ernesto Raul Aguilar (IG: @blacksheepimagery ) Throughout the night, Gano led with quiet confidence while his bandmates matched his energy, leaning into each song with a mix of precision and playfulness. There was an easy chemistry between them, the kind that only comes from decades of performing together. Every song felt lived-in, not rehearsed; familiar, yet still relevant. The setlist balanced upbeat anthems with introspective turns. “Country Death Song” and “Jesus Walking on the Water” reminded the audience of the band’s darker, storytelling edge, while “Good Feeling” brought the tempo down to something tender and reflective. Each transition felt natural, a reminder that the Violent Femmes’ catalog has always been as emotional as it is eccentric. Photo by Ernesto Raul Aguilar (IG: @blacksheepimagery ) As the night reached its final stretch with “Gone Daddy Gone,” “Add It Up,” and “American Music,” the Salt Shed became a single voice. The atmosphere within the crowd was distinctly characterized by nostalgia and celebration. More than forty years into their career, The Violent Femmes continue to prove that their music isn’t locked in the past. It’s alive in the present, funny, heartfelt, and completely unfiltered. At the Salt Shed, it belonged to everyone in the room.

Photo by Rebecca McDevitt (IG: @rebeccajeanlimitedphotography ) Article & Photos contributed by Rebecca McDevitt The former American Idol favorite continues to bloom, personally, vocally, and unapologetically. If you don’t know David Archuleta from his American Idol days, you definitely know his timeless hits like “ Crush ” and “ A Little Too Not Over You .” Since his debut, Archuleta has transformed from pop prodigy to fully realized artist - embracing his authentic self and exploring new worlds with his latest album, Earthly Delights . The record is dreamy, emotional, and rooted in self-discovery, all of which came to life at the final stop of his Earthly Delights Tour at The Foundry in Philadelphia. Opening Energy: Rachel Bochner Sets the Tone Photo by Rebecca McDevitt (IG: @rebeccajeanlimitedphotography ) Kicking off the night was indie artist Rachel Bochner, a rising voice in the queer music scene whose energy lit up the room from the first note. Her vocals carried throughout the room, and she had the entire crowd vibing along. A lesbian creative championing self-expression, Rachel was glowing in authenticity, artistry, and joy from the moment she stepped on stage. Archuleta Ascends As the lights dimmed and anticipation filled the air, fans turned toward the door, phones raised, hearts racing. And then, there he was. David Archuleta emerged in a fringed brown jacket, greeted by an eruption of cheers that felt straight out of 2010. Opening with " Dulce Amor" , he delivered a sensual performance that drew the audience in from the first movement. The choreography, the dancers, the connection, it all just made sense. Photo by Rebecca McDevitt (IG: @rebeccajeanlimitedphotography ) When he shifted into " Give You The World ", the energy exploded even more. His dancers mirrored his every emotion, and the choreography throughout the night was nothing short of mesmerizing. Nostalgia and New Beginnings The night’s middle stretch brought a wave of nostalgia. When “ A Little Too Not Over You ” and “ Touch My Hand ” kicked in, the crowd screamed every lyric back. “ Touch My Hand ” turned the room into one big sing-along, complete with outstretched hands and emotional smiles. David was in the crowd singing along, and doing just that, touching hands, and connecting. But one of the most powerful moments of the night came with “ Hell Together ”. David took a quiet pause to share his story. He spoke about his mom, his coming out journey, and the meaning behind the song. As he performed, an interpretive dance unfolded beside him. It was vulnerable, beautiful, and had us crying in the club, literally. Photo by Rebecca McDevitt (IG: @rebeccajeanlimitedphotography ) Near the end of his set, a mashup of " Afraid to Love " and " Something ’Bout Love " happened, and the Foundry turned into a full-on dance floor. Every beat radiated freedom and joy, reminding us why this era of Archuleta feels so special. He’s finally performing as his truest self, and the audience can feel it. A “Crush” of Confidence Closing with his iconic hit " Crush ", David stripped away every layer, literally and metaphorically, ending the night shirtless, smiling, and glowing in self-empowerment. It was a statement: this is who he is, fully and fearlessly. Photo by Rebecca McDevitt (IG: @rebeccajeanlimitedphotography ) If you haven’t seen David Archuleta live, it’s time. He’s one of the most genuine, heart-driven artists in the industry right now, and Earthly Delights proves that his light only shines brighter with time. David will be bringing the holiday magic next with special shows in NYC and LA & trust us, you won’t want to miss it. Get tickets at davidarchuleta.com

A five-track whirlwind of raw emotion, tight hooks, and unapologetic self-expression, Alex Ray's "Messy" leaves you wanting more. Alex Ray's EP cover for MESSY - Photography by Shantell Cruz Alex Ray’s Messy is a short, sharp burst of pop-alt emotion, five songs, twelve minutes, and zero filler. It’s a snapshot of chaos polished just enough to shine, but not so much that it loses its edge. Every track feels like an intentional contradiction: raw yet refined, vulnerable yet self-possessed. WASTED Pure pop-alt bliss. WASTED  opens the EP like a wave of bright adrenaline, shimmering synths, infectious hooks, and the kind of chorus that belongs on a coming-of-age movie soundtrack. It’s fresh, it’s fun, and it instantly defines Ray’s sonic playground. DRIVER’S SIDE A standout. The opening electric guitars add grit before the pre-chorus pulls down into tension, then explodes into a cinematic rush. It’s a little lighter in mood than WASTED  but still anchored in that alt-pop pulse. Ray balances the intimate and the anthemic like a pro. yours to use A storyteller moment. There’s something Taylor-coded in the lyricism. It’s vivid, narrative, and slightly nostalgic. The pre-bridge even flirts with a country lick, though the track stays firmly in alt territory. It’s catchy and confessional, a perfect mid-EP reset. BOY YOU AIN’T Haunting fun. The electric guitar grinds in all the right ways, layered under vocals that feel deep, raw, and playful. The pre-chorus builds tension, then melts into an explosive hook. It’s messy in the most intentional, satisfying sense. MESSY The title track slows things down without losing color. It leans into vivid storytelling. You can see the picture unfold as she sings. It’s introspective and cinematic, closing the EP on a quieter, more reflective note that lingers long after. Final Verdict If Messy  has one flaw, it’s that it ends too soon. Five songs over twelve minutes leave listeners wanting more; but maybe that’s the best part.  Alex Ray poises for single, DRIVER'S SIDE - Photography by Phil Roetter The truest messes never fade; they echo, waiting for you to return. Rating: ★★★★☆ (8/10) — Messy  cements Alex Ray as one to watch, an artist who makes vulnerability sound cool and confession feel electric.

Photo by Getty Images Article Contributed by Fernando Flores Edited by Rebecca McDevitt, Managing Editor Images provided by Getty Images SoundCheck Mag was lucky enough to be invited to Sam Smith’s To Be Free residency in NYC. Let’s just say, it was one of those nights that’ll stay with you. To witness raw talent is to watch Sam perform live. The residency was a full experience, and SoundCheck Mag is proud to have been there for it. An Intimate Venue & Experience Located at Warsaw in Brooklyn, NY, fans receive the right amount of intimacy that allows you to be right there in the moment with Sam. No flashy gimmicks, nothing that would scream overcompensating. It was just Sam, the music, and the crowd. Photo by Getty Images From small venues to large stadium shows to extreme stardom within a year, Sam has collected quite the gathering, which had the venue packed to the limit. The crowd was unlike any other. From the moment Sam stepped on stage, the crowd pressed closer to the stage, like a family gathered in excitement to see their kin perform. And Perform They Did Sam’s voice is, well, legendary. There’s no other way to put it. They went all out with an amazing setlist of old, new and surprise tracks. Belting out the heart-wrenching lines of the classic song, “Stay With Me.” Photo by Getty Images They brought a whole new level of energy to tracks like “I’ve Told You Now” that left the room completely captivated. But what made it stand out wasn’t the amazing vocals and surprise setlist. It was the way Sam interacted with everyone. They’re not just up there performing at you, they’re performing with you. You’re all in it together. On a Personal Note Sam got pretty personal with the crowd. They shared what the residency means to them, touching on their journey from just starting out to claiming fame and what led to their freedom. That sense of liberation was felt throughout the entire show. Sam wasn’t holding back. It was all about being unapologetically yourself, and you could feel that energy radiating from the stage. The show had this nice mix of emotional highs and pure fun moments. One minute you’re wiping away a tear to a stripped-down version of “Unholy,” and the next you’re dancing along to a more upbeat track. Sam made it about creating this space where everyone felt comfortable being themselves. And honestly, by the end of the night, you couldn’t help but feel a little lighter too. Photo by Getty Images The residency wasn’t about the hits, it was about freedom. Sam let everyone in that room know that it’s okay to be vulnerable, to express yourself however you need to, and to embrace who you truly are. It was kind of like Sam was giving you permission to be yourself through example of his own life path. The Final Act Photo by Getty Images When the final song hit, the crowd was holding back tears knowing that the show ending. Everyone collectively emotional from the great experience Sam left us with. You knew this wasn’t just another performance—it was something that left a lasting impression. If you haven’t seen Sam Smith live yet, don’t sleep on it. Trust us, their “To Be Free” residency is set to have you leaving the venue with a new perspective to life.

Photo by °1824 / UMG Review by SoundCheck Mag Photos by °1824 / UMG Madison Cunningham has always felt like a painter who uses chords and vocals instead of brushes. The California-born singer-songwriter has long been celebrated for her blend of technical precision and emotional storytelling, and on Ace, she delivers what feels like her most cinematic and self-reflective work yet. A Grammy winner and master of subtlety, Cunningham has created an album that feels like walking through her own storybook; one where magic, melancholy, and mastery coexist on every page. The album opens with “Shatter Into I,” a 46-second piano instrumental that immediately casts a spell. It’s soft and enchanting, like fairies fluttering through the air. You can picture yourself in the woods, pausing to take in the glow of light through the trees. That short, wordless piece leads into “Shore,” setting the tone for a record that’s both intimate and otherworldly. Cunningham’s voice feels like part of the forest itself - warm, grounding, and entirely its own ecosystem. “Wake” (feat. Fleet Foxes) takes the album to new lyrical heights. The line “My head is full of thunderclouds keeping aircraft off the ground. Who will this lightning round of suffering?” is the kind of poetry that stops you in your tracks; a reflection on internal storms and the quiet beauty of resilience. It’s a stunning collaboration that’s meant to be, blending her voice with the harmonies of Fleet Foxes to create something you could imagine hearing in your dreams. “Break The Jaw” is another standout track with the line “No one’s ever smiling back at me, but a look can draw blood so easily”. This lyric is so cutting edge and hits you right where you feel it. Cunningham is crafting emotional architecture with these lyrics. Every word is carefully placed, every melody feels like a thread connecting heartbreak and hope. Ace is an album that’s like a story inviting you inside it. There’s something rare about music that feels both deeply personal and that resonates with you, but Cunningham manages that balance. This record feels like the sound of an artist fully in her element, and SoundCheck is so here for it.

Photo by Fernando Flores (IG: @fernandofloresphotography ) Review & Photos Contributed by Fernando Flores October 4, 2025 Wantagh, NY The Global Reach Twenty One Pilots has thrived on blending narrative, symbolism, and emotional transparency. Through their music, they’ve built a cinematic world that has opened the eyes of fans all around the globe. Fans that still hold their early cult classics close to heart such as one of my close favorites, “Jumpsuit” which was part of the setlist. Their most recent project, “Breach,” serves as the final chapter in the multi-album arc that began with “Blurryface.” This release marks not only a farewell but also a fitting conclusion to the storyline they’ve masterfully crafted over the years. Step Into the Storyline The duo has cultivated a passionate and ever-growing fanbase which remains deeply loyal, even as the narrative for Clancy draws to a close. At every show, fans line up in elaborate, themed outfits that nod to each era. This has become a tradition which includes eras such as Blurryface, Trench, Clancy, and now Breach. Photo by Fernando Flores (IG: @fernandofloresphotography ) Yellow tape, face paint, and symbols from the band’s lore transform the crowd into a living part of the story. As the fans march into the venue, it feels like as though the real world fades away for us, replaced by the immersive world of Clancy. Dayglow: The Grade A Opening Act To set the stage for the night, Dayglow opened the show on The Clancy Tour: Breach 2025. Dayglow’s indie-pop set immediately filled the venue with color and energy. Frontman Sloan Struble’s charisma and infectious enthusiasm had the audience moving from the very first song. With amazing vocals and an upbeat rhythm, Dayglow kept spirits high. Sloan Struble perfectly set the tone for what was about to come. When Dayglow's set ended, the crowd's cheers lingered long after it had finished. The Clan is Sent Into an Uproar! After so much anticipation, the lights dimmed and then it happened. The first notes of “Overcompensate” roared through the speakers, you can feel the vibrations through your body. It sent fans leaping from their seats in complete awe. Tyler Joseph and Josh Dun commanded the stage with the same chemistry and creative fire that has defined their career. Photo by Fernando Flores (IG: @fernandofloresphotography ) Twenty One Pilots setlist wove together songs from multiple eras. They seamlessly merged past and present to continue the Clancy storyline into what is Breach. Between intricate stage designs, surprise reveals, and transitions that tied each song into the next, I noticed that the crowd never once lost focus. Not One Hair Out of Place. Every detail of The Clancy Tour: Breach 2025 feels deliberate and meticulously executed to provide the best for their fans. The lighting, production, and storytelling blend into an experience that’s impossible to forget. Despite their massive global following, Tyler and Josh performed with the humility and intimacy of upcoming artists still playing to their first crowds. They frequently ventured into the audience, performing from multiple platforms throughout the venue. Josh was no exception, he took the drum kit all the way to the back of the venue—ensuring that every fan felt close to the action. With Twenty One Pilots, there truly isn’t a bad seat in the house. What unfolded at this show was more than just another concert—it was a complete artistic production. The lighting cues to the stage movement, every moment showcased the devotion of not only the band but their entire crew and the venue crew. They managed to work together with many different crews and venues to create the unforgettable experience for their fans every single show. They truly took the time to have precision, timing, and care behind the performance ensuring both an unforgettable experience and the safety of everyone involved which includes the fans. Wrapping up of an Era Photo by Fernando Flores (IG: @fernandofloresphotography ) As Breach closes this long-running story, it’s clear that Twenty One Pilots have crafted something much larger than music. Their connection with fans, their creativity, and their willingness to make each show feel personal’s what they’re known for. The fact that they went all out for their fans until the final chapter, really makes the moment different from other shows and artists. So, if you have the chance to see The Clancy Tour: Breach 2025, don’t miss it. It’s more than a concert—it’s the cinematic ending to a saga that has defined a generation.

Photo provided by @levenkali  on IG Contributed by Fernando Flores Photos provided by @levenkali on IG Born into a musically inclined family, Leven Kali has always had musical influences in his life. His parents, both musicians, have provided a musical environment that has created the foundation for his outstanding career today. He has a lot to show for his talents through his music and collaborations. Many big names such as Drake, Beyonce, and Playboi Carti have enlisted and trusted Kali to help write or produce some songs for them. These songs have later gone to be nominated for several Grammys. LK-99 Leven has gone through a lot of musical inspiration and has easily become an influence himself. Showcasing his talent is “LK-99” that embodies the laid-back yet soulful sound of his. The featured tracks have many aspects of jazzy and R&B that reflect his background as an artist and musical upbringing. The songs effortlessly timeless maintain intimate energy that has come to define Leven’s work. “LK-99” is just another example of how Leven can easily extend who he is on paper and turn it into a brand new LP. Loves a Battlefield In LK-99, Kali continues to touch base in what it takes to love. The conflict that comes with it cuts deep which is felt in the first song, “Blackrock.” You can feel the pain in his voice taking you through the hardship that the relationship has caused him. As the song continues his frustrations grow and the vocals strengthen into a full frenzy of power. Smoothly connecting track to track, Kali creates a whole LP that sends the listener through the whirlwind that is love. Concluding with “Are You Still,” Leven masterfully blended the pain in his words with harsh changes in his sound that create an emotional attraction that has you feeling the vibrations. Setting the mood As of recently Leven has released his newest single, “P Funkentelechy.” A mix of funk and R&B that brings you back to the old nostalgic beat of the early 2000’s. Leven continues to provide quality products that well incorporate themes of spiritual jazz, R&B and soul in his new projects. Using his playful rhythms to touch hard subjects that reveal that love is complicated yet nothing has to end in heartbreak. Kali continues to elevate his work and incorporate more of himself into the spotlight rather than being the influence behind the craft of other artists. Photo provided by @levenkali  on IG The Next Chapter Leven Kali is heading into his next chapter with the smooth funk energy, ready to bring his signature blend of strong vocals and even stronger production. Bound to be your artists’ favorite artist, Kali will create such electrifying energy live as he belts his amazing vocals on stage. Set to start touring in Europe as soon as October of this year, he’s going to be the most unforgettable performance. Photo provided by @levenkali  on IG

Midnight Til Morning might’ve started on Netflix’s Building the Band, but they’ve quickly outgrown the “reality show project” label. The four-piece — Conor Smith, Mason Watts, Shane Appell, and Zach Newbould — is a group that feels built from connection, chemistry, and real musicianship. They’re not your average boy band, they play their own instruments, write their own songs, and bring an energy that feels more like friends in a jam session than a manufactured act. Afterglow captures that perfectly; a debut that feels genuine, emotionally aware, and ridiculously catchy. THE GLOW OF SOMETHING REAL “Bye” opens the EP with that bittersweet punch of heartbreak. It’s pop perfection but still grounded, like you can feel the weight of the goodbye they’re trying not to say. It’s one of those songs that sneaks up on you, bright enough to dance to, but aching underneath. Then “Heart on Fire” shifts the mood entirely. It’s sun-soaked and easy, the kind of track that feels like summer in full color. You can picture the moment, picnic blankets, city parks, someone smiling across from you, all wrapped up in that acoustic pop warmth. And just when you’re floating, “Ghost of Us” hits. The guitars get heavier, the vocals go raw, and suddenly you’re in the middle of something bigger. It’s the track that shows off what they can really do - that balance between grit and harmony, edge and emotion. It’s proof that Midnight Til Morning aren’t chasing radio polish; they’re chasing feeling. POP WITH A PULSE Afterglow doesn’t try to be everything — it just knows what it is. Emotional, earnest, and alive. There’s a sincerity in how this band approaches their sound, a reminder that pop doesn’t have to mean artificial. You can hear the real instruments, the breath in the harmonies, the weight of the words. It’s the kind of debut that doesn’t need flash. It just wins you over by simply being human. Midnight Til Morning are carving out their own lane in the pop space. One where heart, honesty, and hooks can coexist. If Afterglow is any indication, this band is only getting started… and we’re already hitting replay. Catch Midnight Til Morning on tour across North America, Europe and Australia

Contributed by Rebecca McDevitt Franklin Jonas returns with Road Soda, a track that instantly cements his growing signature sound — gritty, witty, and unapologetically human. Released on October 10, Road Soda opens with a banjo riff that feels like the soundtrack to a slow southern morning before melting into layered harmonies that hit just right. From the very first line, “I’ve got a road soda hanging in the fridge for later,” Franklin captures that small, oddly cinematic kind of moment that feels both lived-in and universal. Following his last single Village Liquors, Road Soda feels like the natural next chapter. He’s continuing to explore this fusion of indie, folk, and country grit, but with a tone that’s completely his own. There’s a looseness to the production that feels intentional, like it was made for long drives and late-night thoughts. Franklin doesn’t need to prove himself with overproduction or flashy vocals. Franklin is authentic in himself and his artistry, and that’s what will make him resonate. There’s a gut-punch lyric we love in Road Soda: “nothing I love more than hating my life.” It’s brutally honest, delivered with a kind of half-smile and heavy sigh that says more than any grand statement could. It screams self-awareness, the kind that hits right at the core of what makes his writing stand out. Franklin has this rare ability to make darkness sound almost comforting, turning cynicism into catharsis in just a few words. With Road Soda, Franklin Jonas continues carving his own lane in his sound & lyricism, somewhere between alt-country storytelling and indie confessionals, with a heartbeat that’s entirely his own. It’s messy and magnetic, familiar yet unpredictable. Each release feels like another puzzle piece in a sound that refuses to be boxed in. If Village Liquors was the introduction, Road Soda is the reaffirmation: Franklin Jonas is building a world of his own and we’re lucky to be along for the ride. Stream “Road Soda” everywhere now Catch Franklin Jonas on tour with Jonas Brothers, All American Rejects, Jesse McCartney & Deleasa this fall / winter!

Photo credit: Jack Morgan (IG: @jackmorgan07 ) Contributed by Rebecca McDevitt Photos by Jack Morgan Independent pop singer-songwriter Louis Knight steps into a new era with his latest release “Until You Come Home,”  out now on all streaming platforms. The track is a heartfelt anthem for anyone navigating growth, self-reflection, and the messy but beautiful process of finding yourself again. What starts as a gentle guitar-driven ballad slowly builds into something bigger - a reminder that healing doesn’t have to feel heavy. The opening verses carry that signature Louis vulnerability, stripped back and intimate, before the chorus bursts open with a hopeful energy that feels both cathartic and empowering. By the time he hits the line “I tell myself it’s never too late,” it’s clear this song is about release, about giving yourself permission to move forward. There’s something effortlessly anthemic about the way “Until You Come Home” unfolds. It balances raw emotion with uplifting melody, pulling listeners into a space of optimism and clarity. The guitars stay steady and bright as the song unfolds, carrying the energy of someone who’s finally ready to step out of their past and embrace what’s next. For Louis, this release marks more than just another single. It’s a defining moment in his journey as an independent artist. Without label or management backing, he continues to chart his own course, creating music that’s deeply personal and universally relatable. Following previous fan favorites like “Wherever You Are” and “Hold Me” (feat. Devon Gabriella), “Until You Come Home” shows a new side of Louis Knight. One that’s lighter, freer, and more self-assured. It’s a soundtrack for healing, late-night reflection, and rediscovering who you are when no one’s watching. “Until You Come Home” is available now on all streaming platforms. Follow Louis Knight: @louisknight

Photo by Rebecca McDevitt (IG: @rebeccajeanlimitedphotography ) Montclair, NJ — October 5, 2025 Photos and Show Review by Rebecca McDevitt There’s something about a Sunday night at the Wellmont Theater that still buzzes with weekend energy. Maybe it was the anticipation, or maybe it was the mix of fans dressed in glitter, eyeliner, and nostalgia. Either way, the room felt alive before the lights even went down. Photo by Rebecca McDevitt (IG: @rebeccajeanlimitedphotography ) For those unfamiliar, Marianas Trench have spent nearly two decades perfecting the art of pop-rock theater. The Canadian four-piece (fronted by Josh Ramsay alongside Matt Webb, Mike Ayley, and Ian Casselman) built their name on elaborate concept albums, soaring vocals, and a flair for storytelling that’s equal parts heart and spectacle. Known for hits like “Haven’t Had Enough” and “Stutter,” they’ve always balanced dramatic production with emotional vulnerability, earning a loyal fanbase that treats every show like a homecoming. Setting the Stage: Senses and The Summer Set Bring the Heat Senses kicked things off with a rush of alt-pop energy. Their latest single “obsessed” literally had us obsessed. Their performance made you want to move even if you didn’t know a single lyric. Their confidence onstage instantly won the crowd over. We saw the fans jumping along. Photo by Rebecca McDevitt (IG: @rebeccajeanlimitedphotography ) Then came The Summer Set, a band that knows how to turn a room into one big sing-along, especially with a rock cover of Mamma Mia. Abba goes rock? What a moment. They brought their signature charisma and radiated pure fun. By the end of their set, the Wellmont crowd was loud, sweaty, and fully in sync with hearts in the air to “Lightning In A Bottle”. The audience was already riding high before Marianas Trench could even hit the stage. Photo by Rebecca McDevitt (IG: @rebeccajeanlimitedphotography ) Marianas Trench: Drama, Vocals, and a Dash of Chaos Marianas Trench: Drama, Vocals, and a Dash of Chaos When Marianas Trench finally did take the stage, it was clear why their fans have stuck by them all these years. Opening with “A Normal Life,” the band wasted no time pulling the audience straight into their world — blending sharp theatrics with raw emotion. Rumbles of thunder and what looked like bubbles flooded the stage to make it feel like the band was truly embracing the name of their tour, a force of nature. Josh Ramsay commanded every inch of the stage, his voice soaring effortlessly through the venue while lights flared and the crowd screamed along. Photo by Rebecca McDevitt (IG: @rebeccajeanlimitedphotography ) Moments like “Desperate Measures” reminded everyone just how emotional this band can get, balancing chaos and catharsis in perfect harmony. The room swayed and sang like a collective heartbeat, and by the time “I’m Not Getting Better” hit, it felt like the Wellmont had transformed into a living, breathing music video. Ramsay, of course, didn’t stay confined to the stage. At one point he climbed into the crowd and even up to the balcony, blurring the line between performer and audience in true Marianas Trench fashion. As the night closed with the back-to-back rush of “Stutter” and “Fallout,” it was impossible not to get swept up in the energy. Every chorus hit like muscle memory, every note a reminder of why this band’s blend of sincerity and spectacle still resonates after all these years. Photo by Rebecca McDevitt (IG: @rebeccajeanlimitedphotography ) Whether you came for nostalgia, or just to catch a good show on a random Sunday, Marianas Trench delivered a performance that left the crowd buzzing and even made new fans in the making. Catch Marianas Trench on tour now through October 22nd! More info on marianastrench.net

The Long Island alt-rock siren celebrates with a ritual-themed release show at Amityville Music Hall. Press materials courtesy of Jocelyn DeNardo Long Island alt-rock siren Calliope Wren is stepping into a whole new era with her debut EP Fade and Wither, that released October 3, 2025. The record blends raw emotion, theatrical storytelling, and divine-feminine fire into a six-track ritual of release and rebirth. She’s throwing a full-on EP Release Ritual Show at Amityville Music Hall on October 23 to celebrate. The night promises more than music. Think tarot readings, live painters, vendors, and an atmosphere that feels like stepping inside a myth. Wren’s all-female band The Muses (Jaclyn Barbier, Kaity Danielsen, Ava Lena, and Alexis Haas) will be joined by guitarist Ianni Kay and drummer Julian Sarabia Maultsby for what’s shaping up to be a high-voltage, witchy spectacle. ABOUT THE EP Fade and Wither  unfolds in four acts — The Disruption , The Confrontation , The Reckoning , and The Release  — pulling listeners into a sonic story of transformation. Fans will recognize earlier singles like “Interlude,” “Fading,” “Animosity,” and “Make Sure It’s the Last Time,” now joined by two new tracks: “Wasted Time on You” (featuring Gabi Rose) “Outro (Fade and Wither)”, the haunting closer that gives the project its name. Together, they blend alt-rock, pop-punk, and metalcore into something both feral and transcendent — a ritual in sound. ABOUT THE SHOW Before Wren and The Muses take over, the night begins with an Acoustic Hour featuring Annalise & Chris, Just Julia, Straight Up Hustler, and LIPBOMB, setting the tone for what’s sure to be one of Long Island’s most immersive live experiences this fall. 📅 Thursday, October 23, 2025 📍 Amityville Music Hall – Amityville, NY 🕕 Doors 6 PM | Show 7 PM 🎟️ $12 Advance | $15 Day-of – Buy Tickets 💿 Pre-Save Fade and Wither ABOUT CALLIOPE WREN A former Musical Theatre scholar at Five Towns College, Wren has built her own mythology in the New York scene with performances at Spotlight at The Paramount, The Bitter End, and the Montauk Music Festival. Known for her siren-like presence and goddess-inspired storytelling, she’s also the frontwoman of DECODED: A Paramore Experience, where her powerhouse vocals channel another iconic era of alt-rock. Follow Calliope Wren on Instagram @calliopewrenofficial and visit calliopewrenofficial.com for more.

Photo by Ernesto Raul Aguilar (IG: @blacksheepimagery ) Review & Photos Contributed by Ernesto Raul Aguilar Revisions by Rebecca McDevitt Garbage proved last night that they still have the bite, the grit, and the fire. And speaking of fire, they brought with them a hell of an opener, the one and only Starcrawler. It was my first time seeing Starcrawler, a band that’s been active since 2015, and the first thought that hit me was: "Why haven’t I been listening to them this whole time?" Imagine taking Iggy Pop, David Bowie, Blondie, Joan Jett, Patti Smith, the Ramones, the New York Dolls, and The Cramps, then tossing in a twisted version of Jem and the Holograms for good measure. Sprinkle in dust shaken from the ceiling of the Whisky a Go Go and stick it all in a busted-up, hot pink, punk-as-hell blender, what comes out is Starcrawler. Photo by Ernesto Raul Aguilar (IG: @blacksheepimagery ) All dressed like Barbie cowboys; they took the stage to “Tumbling Tumbleweeds” before launching straight into chaos. Their set ripped through “Goodtime Girl,” “Roadkill,” and the snarling “I Love LA,” never letting up. The Ramones’ “Pet Sematary” was a highlight, with the band paying tribute in their own unhinged style. Lead singer Arrow de Wilde was impossible to ignore, moving like a possessed Betty Spaghetti, thrashing, bending, kicking, and contorting herself like some alien punk banshee. There were moments on stage that defied explanation, the kind of energy you can’t quite capture on social media. The whole performance felt like being transported back to the wild energy of small clubs where anything could happen. With the audience fully worked up, it was time for the main attraction. Garbage took the stage to Angelo Badalamenti’s eerie Twin Peaks theme, setting the mood before detonating into “There’s No Future in Optimism” and “Hold.” Shirley Manson emerged dressed for battle: boots, military-style baggy pants, a slouchy leather jacket, and eyeshadow painted like war stripes. After the first song, she removed her jacket to reveal a bold statement tee, setting the tone for the rest of the night. From that moment on, the band played with precision and fury, showing no signs of slowing down. Photo by Ernesto Raul Aguilar (IG: @blacksheepimagery ) Their setlist blended old and new, proving Garbage’s catalog still resonates. Early classics like “Vow” and “I Think I’m Paranoid” hit just as hard as when they first came out, while deep cuts like “Bleed Like Me” and “Hammering in My Head” reminded fans of the band’s darker edge. During ‘Parade,’ which she dedicated to a survivor of the Pulse nightclub shooting in attendance, Manson explained that the abbreviated version was due to her vocal limitations, a lingering effect of the health setback that forced Garbage to cancel last year’s tour. Later, “Cherry Lips (Go Baby Go!)” was given to Laura Jane Grace, tying the night’s fierce energy to messages of resilience and identity. Photo by Ernesto Raul Aguilar (IG: @blacksheepimagery ) The encore sealed it: “Stupid Girl” and “Only Happy When It Rains” brought the Salt Shed to a euphoric close. Two generations of unapologetic rock collided in Chicago. Starcrawler proved they’re carrying the pop-punk torch into the future, and Garbage showed they’re still very much in command of their past, present, and beyond.